<?xml version="1.0" encoding="UTF-8"?>
<?xml-model href="http://www.tei-c.org/release/xml/tei/custom/schema/relaxng/tei_all.rng" type="application/xml" schematypens="http://relaxng.org/ns/structure/1.0"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0" xml:base="https://www.thomasgray.org/">
  <teiHeader>
    <fileDesc>
      <titleStmt>
        <title>A Bibliography of Thomas Gray, 1917-1951 [e-text]</title>
        <title type="short">H. W. Starr, <hi rend="italic">A Bibliography of Thomas Gray, 1917-1951 (1953) [e-text]</hi></title>
        <author>Starr, Herbert Willmarth, 1916-</author>
      </titleStmt>
      <publicationStmt>
        <publisher>Thomas Gray Archive</publisher>
        <idno type="diglib">StH_1953</idno>
        <availability>
          <p>Copyright © 2005 <hi rend="italic">Thomas Gray Archive</hi>; access to digitized documents is granted strictly for non-commercial educational, research and private purposes only.</p>
        </availability>
      </publicationStmt>
      <notesStmt>
        <note>164 pages: OCR, proofreading, and markup by the <hi rend="italic">Thomas Gray Archive</hi>, 08/06 - 06/07/2005.</note>
      </notesStmt>
      <sourceDesc>
        <bibl>
          <author>Starr, Herbert Willmarth, 1916-</author>
          <title>A Bibliography of Thomas Gray, 1917-1951</title>
          <pubPlace>Philadelphia</pubPlace>
          <publisher>University of Pennsylvania Press for Temple University Publications</publisher>
          <date>1953</date>
          <extent>xii, 152p.; 24 cm</extent>
          <note type="holdingLibrary"><hi rend="italic">Thomas Gray Archive</hi></note>
        </bibl>
        <list type="toc">
          <label>Half-title</label>
          <item><ref target="#p1-i">A Bibliography of Thomas Gray, 1917-1951</ref></item>
          <label>Advert</label>
          <item><ref target="#p1-ii">Temple University Publications</ref></item>
          <label>Title page</label>
          <item><ref target="#p1-iii">A Bibliography of Thomas Gray, 1917-1951</ref></item>
          <label>Dedication</label>
          <item><ref target="#p1-v">To M. W. S.</ref></item>
          <label>Preface</label>
          <item><ref target="#p1-vii">Preface</ref></item>
          <label>Contents</label>
          <item><ref target="#p1-xi">Contents</ref></item>
          <label>Section</label>
          <item><ref target="#p1-1">1. Bibliographies and Bibliographical Articles</ref></item>
          <label>Section</label>
          <item><ref target="#p1-3">2. Complete Works, and Selections from both the Prose and the Poetry</ref></item>
          <label>Section</label>
          <item><ref target="#p1-5">3. Poetical Works</ref></item>
          <label>Section</label>
          <item><ref target="#p1-6">4. Selections from the Poetical Works</ref></item>
          <label>Section</label>
          <item><ref target="#p1-11">5. Selections from the Prose Works</ref></item>
          <label>Section</label>
          <item><ref target="#p1-11">6. Translations of Select Works</ref></item>
          <label>Section</label>
          <item><ref target="#p1-12">7. Individual Works and Translations</ref></item>
          <label>Section</label>
          <item><ref target="#p1-74">8. General Criticism</ref></item>
          <label>Appendix</label>
          <item><ref target="#p1-134">Undated Editions</ref></item>
          <label>Index</label>
          <item><ref target="#p1-135">Index</ref></item>
        </list>
      </sourceDesc>
    </fileDesc>
    <encodingDesc>
      <editorialDecl>
        <p>Page breaks are marked with pb, whose n gives the page number; leaves outside the pagination are numbered u1, u2 and so on, and type="unnumbered" marks a page on which no number is printed. Each pb has the identifier p1-N (part 1, page N).</p>
        <p>The text is divided into front, body and back after the table of contents of the edition; each part it lists is a div (or a titlePage) from the page on which it begins. Title pages are encoded with docTitle, titlePart, byline, docAuthor and docImprint; bibliographies with listBibl and bibl.</p>
        <p>ab and div with type="implicit" only group running text to satisfy the TEI content model; they do not stand for a block in the printed text.</p>
        <p>The list of type "toc" in sourceDesc is the table of contents of the edition: each label gives the kind of section, each ref its title and first page.</p>
        <p>rend values are CSS class names used by the Thomas Gray Archive web site; style holds CSS, including the widths and borders of tables and cells (the widths of a table's columns are given on the cells of its first full row). Relative links are resolved against xml:base, the Thomas Gray Archive web site.</p>
      </editorialDecl>
      <listPrefixDef>
        <prefixDef ident="rfttr1" matchPattern="(\w+)#(.+)" replacementPattern="#$2">
          <p>A link to an anchor on page $1.</p>
        </prefixDef>
        <prefixDef ident="rfttr1" matchPattern="(\w+)" replacementPattern="#p1-$1">
          <p>A link to page $1.</p>
        </prefixDef>
      </listPrefixDef>
    </encodingDesc>
    <profileDesc>
      <textClass>
        <keywords>
          <term ref="/resources/bib.shtml">Bibliography</term>
        </keywords>
      </textClass>
    </profileDesc>
    <revisionDesc>
      <change when="2026-09-29">Master record created.</change>
    </revisionDesc>
  </teiHeader>
  <text xml:space="preserve"><front><pb n="i" xml:id="p1-i" type="unnumbered"/>
<titlePage type="half"><docTitle><titlePart rend="center">A BIBLIOGRAPHY OF THOMAS GRAY<lb/><lb/>
1917-1951</titlePart></docTitle></titlePage><lb/><lb/><lb/>
<div type="advertisement"><pb n="ii" xml:id="p1-ii" type="unnumbered"/>
<ab rend="center">
<ab type="head" subtype="h2">TEMPLE UNIVERSITY PUBLICATIONS</ab><lb/>
ARTHUR MURPHY<lb/>
<hi rend="italic">By John Pike Emery</hi><lb/><lb/>
PENOLOGY FROM PANAMA TO CAPE HORN<lb/>
<hi rend="italic">By Negley K. Teeters</hi><lb/><lb/>
THE RELIGION OF PHILOSOPHERS<lb/>
<hi rend="italic">By James H. Dunham</hi><lb/><lb/>
PAUL BUNYAN: LAST OF THE FRONTIER DEMIGODS<lb/>
<hi rend="italic">By Daniel G. Hoffman</hi><lb/><lb/>
PERPLEXED PROPHETS<lb/>
<hi rend="italic">By Gaylord C. LeRoy</hi><lb/><lb/>
A BIBLIOGRAPHY OF THOMAS GRAY, 1917-1951<lb/>
<hi rend="italic">By Herbert W. Starr</hi>
</ab>
</div><pb n="iii" xml:id="p1-iii" type="unnumbered"/>
<titlePage rend="center">
<docTitle><titlePart>A BIBLIOGRAPHY OF THOMAS GRAY<lb/><lb/>
1917-1951</titlePart></docTitle>
<byline><hi rend="italic">by</hi><lb/><lb/>
Herbert W. Starr<lb/><lb/><lb/>
With material supplementary<lb/><lb/>
to C. S. Northup's<lb/><lb/>
<ref target="/texts/diglib/secondary/NoC_1917">Bibliography
of Thomas Gray</ref></byline><lb/><lb/><lb/><lb/><lb/><lb/> 
<docImprint><seg rend="small">Philadelphia<lb/>
UNIVERSITY OF PENNSYLVANIA PRESS FOR<lb/>
TEMPLE UNIVERSITY PUBLICATIONS<lb/>
1953</seg></docImprint>
</titlePage>
<pb n="iv" xml:id="p1-iv" type="unnumbered"/>
<lb/><lb/><div type="implicit"><ab rend="center">
<hi rend="italic">Copyright 1953</hi><lb/><lb/>
TEMPLE UNIVERSITY<lb/><lb/>
<ab rend="small">Manufactured in the United States of America<lb/>
Library of Congress Catalog Card Number: 53-9728<lb/><lb/><lb/><lb/>
Published in Great Britain, India, and Pakistan by<lb/>
Geoffrey Cumberlege: Oxford University Press<lb/>
London, Bombay, and Karachi</ab>
</ab></div>
<div type="dedication"><pb n="v" xml:id="p1-v" type="unnumbered"/>
<head rend="center">
<hi rend="italic">To</hi> M. W. S.</head><lb/><lb/><lb/>
<pb n="vi" xml:id="p1-vi" type="unnumbered"/>
<ab/>
</div><div type="preface"><pb n="vii" xml:id="p1-vii" type="unnumbered"/>
<head rend="center"><hi rend="bold">PREFACE</hi></head><ab type="implicit">
    In compiling the following list of Gray editions and criticism I
have had in mind primarily the needs of the eighteenth-century student rather
than those of the collector of rare books. Consequently, few collations of
recent publications have seemed necessary, although many entries are included
which it is hoped will be of value to the collector as well as to the
student.<lb/>
    Most of the material represented is that published since 1916,
the last year covered in Professor Clark S. Northup's <hi rend="italic">Bibliography of
Thomas Gray;</hi> but some material from the earlier period is also
included. The latter entries consist of publications omitted by Professor
Northup or of supplementary information concerning entries which he has
included. To simplify the location of these entries in his bibliography, there
is printed after the number of each item the number which does, or should,
accompany the entry in his compilation. These numbers are set off by a hyphen
and prefixed by the letter <hi rend="italic">N</hi>.<lb/>
    There are a few minor changes such as the italicizing of the
titles of books, but usually I have attempted to conform to Professor
Northup's practice in form and, with the exceptions noted below, in scope.<lb/>
    Although some accidental omissions are inevitable in all
bibliographies, I hope that I have not overlooked anything of major
importance. However, in the 1917-1951 section certain omissions are
deliberate. Like Professor Northup, I have made no attempt to include general
histories of English literature unless there has seemed to be some particular
justification for their inclusion — a few histories written by
Continental authors, for example, have been noted since they may help to
reveal the attitude toward Gray adopted by European critics. Anthologies of
English literature have also been excluded unless they were of a specialized
nature. Certain works which contained merely one passing reference to Gray
have been omitted, and book reviews are included only if they mention
Gray. Otherwise, the accumulation of material would have obscured the more
important publications.<lb/>
    Whenever possible, the books and articles themselves have been
consulted to insure greater accuracy, but unfortunately a few have not been
available for examination.<lb/>
    Since many publications discuss more than one of Gray's literary
or scholarly productions, the critical sections for the individual works
frequently do not represent all the comment on the particular work in which
the reader may be interested. Much additional information may be found in the
section entitled 'General Criticism.' To locate this the reader should consult
the index entry for the poem or essay with which he is concerned. As a further
aid, the index will occasionally refer the reader to critical articles which
mention or discuss one of Gray's works that it has not seemed necessary to
list in the description of the article given in the text of the
bibliography.<lb/>
    The more detailed or more important treatments of Gray are in
most instances indicated by an asterisk. When the title does not give some
inkling of the nature of the material involved, a brief descriptive note has
usually been added to the entry.<lb/>
    In general, page numbers have been noted only if the book
referred to does not have an index. For the longer periodical articles and the
essays collected in book form the numbers of only the pages containing Gray
material are given. The customary noting of the first and last pages of
articles is therefore abandoned unless the article is largely or entirely
concerned with Gray.<lb/>
    I must also express my gratitude to many friends and colleagues
who have aided me in this compilation. I am particularly indebted to my wife,
who not only has done much of the exacting clerical work but also has typed
the final copy of the manuscript, and to the late Professor Northup, who has
very kindly 
<pb n="viii" xml:id="p1-viii"/>
sent me many notes which he had accumulated over a period of several years and
has most generously furnished me with advice and information throughout the
entire course of this project.<lb/>
    Professors Ames Johnston and Joseph Meredith of Temple
University have helped me in the checking of the foreign language entries
(Professor Meredith has also proofread the final draft); and I have been
assisted by Dr. Hughbert Hamilton, Dr. John P. Emery, Mr. Joseph Whitt,
Dr. James D. Powell, Dr. William W. Langebartel, Professor Milton A. Buchanan,
Dr. A. T. Hazen, Dr. T. C. Duncan Eaves, Sir Eugen Millington-Drake,
Mr. Philip Gaskell, Miss Eleanor Tilton, Professor Miriam R. Small,
Mrs. Josephine S. Couper, Dr. Rafael H. Valle, Señor Guillermo R. Hall,
Mr. Carl Anderson, Miss Eleanor Campion and staff of the Philadelphia
Bibliographical Center and Union Library Catalogue, and by the staffs of the
libraries noted in my list of abbreviations, especially Mr. Walter Hausdorfer,
Mr. Elkan Buchhalter, and Miss Carolyn Bliss of Temple University Library and
Señores Eduardo Ponce de León and Tomás Magallón
of the Biblioteca Nacional, Madrid. Finally, much of my work has been made
possible by a grant from the Temple University Research Fund.
</ab><ab rend="right">October, 1952</ab>
<p rend="center">ABBREVIATIONS<lb/><lb/>I. LIBRARIES</p>
<p>(It should not be assumed that the library designated in an entry is the
only library which owns a copy of the publication.)</p>
<p>AAS, the American Antiquarian Society, Worcester. Mass.<lb/>
BA, the Library of the Boston Athenaeum.<lb/>
BM, the British Museum.<lb/>
BN, la Bibliothèque Nationale, Paris.<lb/>
BNc, la Biblioteca Nacional, Madrid.<lb/>
BNF, la Biblioteca Nazionale Centrale, Florence.<lb/>
BPL, the Boston Public Library.<lb/>
BrM, the Bryn Mawr College Library, Pa.<lb/>
CaU, the Cambridge University Library.<lb/>
CbC, the Colby College Library, Waterville, Me.<lb/>
CHS, the Connecticut Historical Society, Hartford.<lb/>
ClPL, the Cleveland Public Library, Ohio.<lb/>
ColU, the Columbia University Library, New York.<lb/>
CSB, the California State Library, Sutro Branch.<lb/>
EPFL, the Enoch Pratt Free Library, Baltimore, Md.<lb/>
F, the Folger Shakespeare Library, Washington, D. C.<lb/>
FLP, the Free Library of Philadelphia.<lb/>
HC, the Haverford College Library, Pa.<lb/>
HL, the Henry E. Huntington Library and Art Gallery, San Marino, Calif.<lb/>
HS, the Hispanic Society, New York.<lb/>
HU, the Harvard University Library, Cambridge, Mass.<lb/>
ISCAM, the Iowa State College of Agriculture and Mechanic Arts Library,
Ames.<lb/>
LC, the Library of Congress, Washington, D. C.<lb/>
LCp, the Library Company, Philadelphia.<lb/>
LfC, the Lafayette College Library, Easton, Pa.<lb/>
M, the Mercantile Library, Philadelphia, (merged with FLP)<lb/>
NJSL, the New Jersey State Library, Trenton.<lb/>
NL, the Newberry Library, Chicago.<lb/>
NYP, the New York Public Library.<lb/>
OU, the Ohio State University Library, Columbus.
<pb n="ix" xml:id="p1-ix"/>
PAU, the Pan-American Union Library, Washington, D. C.<lb/>
PU, the Princeton University Library, N. J.<lb/>
RUL, the Rutgers University Library, New Brunswick, N. J.<lb/>
SC, the Swarthmore College Library, Pa.<lb/>
TU, the Temple University Library, Philadelphia.<lb/>
UC, Universitetsbiblioteket, University of Copenhagen.<lb/>
UCl, the University of California Library, Berkeley.<lb/>
UG, the University of Granada Library, Spain.<lb/>
UI, the University of Illinois Library, Urbana.<lb/>
UM, the University of Michigan Library, Ann Arbor.<lb/>
UNC, the University of North Carolina Library, Chapel Hill.<lb/>
UP, the University of Pennsylvania Library, Philadelphia.<lb/>
UT, the University of Toronto Library, Ont.<lb/>
V, the Vassar College Library, Poughkeepsie, N. Y.<lb/>
YU, the Yale University Library, New Haven, Conn.<lb/>
</p><p rend="center">II. TITLES OF PERIODICALS</p>
<table style="width: 100%; border: 0">
<row><cell style="width: 50%">
<hi rend="italic">AHR</hi>, American Historical Review<lb/>
<hi rend="italic">AJP</hi>, American Journal of Philology<lb/>
<hi rend="italic">BNYPL</hi>, Bulletin of the New York Public Library<lb/>
<hi rend="italic">CE</hi>, College English<lb/>
<hi rend="italic">CJ</hi>, Classical Journal<lb/>
<hi rend="italic">CL</hi>, Comparative Literature<lb/>
<hi rend="italic">CP</hi>, Classical Philology<lb/>
<hi rend="italic">CW</hi>, Classical Weekly<lb/>
<hi rend="italic">EHR</hi>, English Historical Review<lb/>
<hi rend="italic">EJ</hi>, English Journal<lb/>
<hi rend="italic">ES</hi>, English Studies<lb/>
<hi rend="italic">ESt</hi>, Englische Studien<lb/>
<hi rend="italic">Expl</hi>, Explicator<lb/>
<hi rend="italic">HLQ</hi>, Huntington Library Quarterly<lb/>
<hi rend="italic">JEGP</hi>, Journal of English and Germanic Philology<lb/>
<hi rend="italic">JRUL</hi>, Journal of the Rutgers University Library<lb/>
<hi rend="italic">LM</hi>, London Mercury<lb/>
<hi rend="italic">MLN</hi>, Modern Language Notes<lb/>
<hi rend="italic">MLQ</hi>, Modern Language Quarterly<lb/>
<hi rend="italic">MLR</hi>, Modern Language Review<lb/>
<hi rend="italic">MP</hi>, Modern Philology<lb/>
<hi rend="italic">N&amp;Q</hi>, Notes and Queries
</cell><cell style="width: 50%">
<hi rend="italic">NMQR</hi>, New Mexico Quarterly Review<lb/>
<hi rend="italic">PESA</hi>, Papers of the Bibliographical Society of America<lb/>
<hi rend="italic">PMLA</hi>, Publications of the Modern Language Association of America<lb/>
<hi rend="italic">PQ</hi>, Philological Quarterly<lb/>
<hi rend="italic">RAA</hi>, Revue anglo-américaine<lb/>
<hi rend="italic">RELV</hi>, Revue de l'enseignement des langues vivantes<lb/>
<hi rend="italic">RES</hi>, Review of English Studies<lb/>
<hi rend="italic">RG</hi>, Revue germanique<lb/>
<hi rend="italic">RLC</hi>, Revue de littérature comparée<lb/>
<hi rend="italic">RR</hi>, Romanic Review<lb/>
<hi rend="italic">RSH</hi>, Revue de synthèse historique<lb/>
<hi rend="italic">SAQ</hi>, South Atlantic Quarterly<lb/>
<hi rend="italic">SP</hi>, Studies in Philology<lb/>
<hi rend="italic">SR</hi>, Sewanee Review<lb/>
<hi rend="italic">SRL</hi>, Saturday Review of Literature<lb/>
<hi rend="italic">TLS</hi>, [London] Times Literary Supplement<lb/>
<hi rend="italic">UTQ</hi>, University of Toronto Quarterly<lb/>
<hi rend="italic">VQR</hi>, Virginia Quarterly Review<lb/>
<hi rend="italic">YR</hi>, Yale Review<lb/>
<hi rend="italic">YWES</hi>, Year's Work in English Studies 
</cell></row></table>
<pb n="x" xml:id="p1-x" type="unnumbered"/>
<ab/>
</div><div type="contents"><pb n="xi" xml:id="p1-xi" type="unnumbered"/>
<head rend="center"><hi rend="bold">CONTENTS</hi></head>
<p>    (EpCl=Epitaph on Mrs. Jane Clarke, EpWms=Epitaph on Sir
William Williams, Stanza=Epitaph on Mrs. Mason, Owen=The Triumphs of Owen,
Lines on Robt Smiths=What's the Reason Old Fobus [Focus] Has Cut Down Yon
Tree? T. &amp; W. no.=the number of a letter in the Toynbee and Whibley
edition, <ref target="#bib431">#431</ref>. The other abbreviations employed
are added in parentheses.)</p> 
<table style="width: 100%; border: 0">
<row><cell style="width: 15%"/><cell style="width: 70%"/><cell style="width: 15%">PAGE</cell></row>
<row><cell>PREFACE</cell><cell/><cell><ref target="#p1-vii">[vii]</ref></cell></row>
<row><cell>SECTION 1.</cell><cell>Bibliographies and Bibliographical Articles</cell><cell><ref target="#p1-1">1</ref></cell></row>
<row><cell>SECTION 2.</cell><cell>Complete Works, and Selections from both the Prose and the Poetry</cell><cell><ref target="#p1-3">3</ref></cell></row>
<row><cell>SECTION 3.</cell><cell>Poetical Works</cell><cell><ref target="#p1-5">5</ref></cell></row>
<row><cell>SECTION 4.</cell><cell>Selections from the Poetical Works</cell><cell><ref target="#p1-6">6</ref></cell></row>
<row><cell>SECTION 5.</cell><cell>Selections from the Prose Works</cell><cell><ref target="#p1-11">11</ref></cell></row>
<row><cell>SECTION 6.</cell><cell>Translations of Select Works</cell><cell><ref target="#p1-11">11</ref></cell></row>
<row><cell>SECTION 7.</cell><cell>Individual Works and Translations</cell><cell><ref target="#p1-12">12</ref></cell></row>
<row><cell/><cell>Ad C. Favonium Aristium (Arist)</cell><cell><ref target="#p1-12">12</ref></cell></row>
<row><cell/><cell>Ad C. Favonium Zephyrinum (Zeph)</cell><cell><ref target="#p1-12">12</ref></cell></row>
<row><cell/><cell>Agrippina</cell><cell><ref target="#p1-12">12</ref></cell></row>
<row><cell/><cell>Alcaic Fragment</cell><cell><ref target="#p1-13">13</ref></cell></row>
<row><cell/><cell>Alcaic Ode (AlO)</cell><cell><ref target="#p1-13">13</ref></cell></row>
<row><cell/><cell>The Alliance of Education and Government (Ed)</cell><cell><ref target="#p1-14">14</ref></cell></row>
<row><cell/><cell>Amatory Lines</cell><cell><ref target="#p1-15">15</ref></cell></row>
<row><cell/><cell>Barbaras aedes aditure mecum, see Ad C. Fav. Aristium.</cell><cell><ref target="#p1-12">[12]</ref></cell></row>
<row><cell/><cell>The Bard (Bard)</cell><cell><ref target="#p1-15">15</ref></cell></row>
<row><cell/><cell>Cambri</cell><cell><ref target="#p1-18">18</ref></cell></row>
<row><cell/><cell>The Candidate (Cand)</cell><cell><ref target="#p1-19">19</ref></cell></row>
<row><cell/><cell>Carmen ad C. Favonium Zephyrinum, see Ad C. Fav. Zephyrinum.</cell><cell><ref target="#p1-12">[12]</ref></cell></row>
<row><cell/><cell>Commonplace Books</cell><cell><ref target="#p1-19">19</ref></cell></row>
<row><cell/><cell>Cookery Notes</cell><cell><ref target="#p1-19">19</ref></cell></row>
<row><cell/><cell>Couplet about Birds</cell><cell><ref target="#p1-20">20</ref></cell></row>
<row><cell/><cell>Dante, Canto 33, dell'Inferno</cell><cell><ref target="#p1-20">20</ref></cell></row>
<row><cell/><cell>De Principiis Cogitandi (Cog)</cell><cell><ref target="#p1-20">20</ref></cell></row>
<row><cell/><cell>The Death of Hoel (Hoel)</cell><cell><ref target="#p1-20">20</ref></cell></row>
<row><cell/><cell>The Descent of Odin (Odin)</cell><cell><ref target="#p1-21">21</ref></cell></row>
<row><cell/><cell>Dum Nox rorantes. . ., see Luna Hab.</cell><cell><ref target="#p1-62">[62]</ref></cell></row>
<row><cell/><cell>Elegiac Verses Occasioned by the Sight of the Plains Where
the Battle of Trebia Was Fought, see Elegiacs.</cell><cell><ref target="#p1-21">[21]</ref></cell></row>
<row><cell/><cell>Elegiacs</cell><cell><ref target="#p1-21">21</ref></cell></row>
<row><cell/><cell>An Elegy Written in a Country Churchyard (El)</cell><cell><ref target="#p1-21">21</ref></cell></row>
<row><cell/><cell>The Enquiry, see Amatory Lines.</cell><cell><ref target="#p1-15">[15]</ref></cell></row>
<row><cell/><cell>Epitaphs on Robert Antrobus and Jonathan Rogers</cell><cell><ref target="#p1-53">53</ref></cell></row>
<row><cell/><cell>Epitaph on His Mother</cell><cell><ref target="#p1-53">53</ref></cell></row>
<row><cell/><cell>Egregium accipio. . ., see Sophonisba to Masinissa.</cell><cell><ref target="#p1-74">[74]</ref></cell></row>
<row><cell/><cell>A Farewell to Florence (FF)</cell><cell><ref target="#p1-54">54</ref></cell></row>
<row><cell/><cell>The Fatal Sisters (FS)</cell><cell><ref target="#p1-54">54</ref></cell></row>
<row><cell/><cell>Fragment of a Latin Poem on the Gaurus</cell><cell><ref target="#p1-54">54</ref></cell></row>
<row><cell/><cell>Generic Characters of the Orders of Insects</cell><cell><ref target="#p1-55">55</ref></cell></row>
<row><cell/><cell>Horridos tractus. . ., see Sapphics.</cell><cell><ref target="#p1-72">[72]</ref></cell></row>
<row><cell/><cell>Hymn to Adversity (Adv)</cell><cell><ref target="#p1-55">55</ref></cell></row>
<row><cell/><cell>Hymn to Ignorance (Ign)</cell><cell><ref target="#p1-56">56</ref></cell></row>
<row><cell/><cell>Impromptu, Suggested by a View, in 1766, of the Seat and
Ruins of a Deceased Nobleman, at Kingsgate, Kent (Impr)</cell><cell><ref target="#p1-56">56</ref></cell></row> 
<row><cell/><cell>Jemmy Twitcher, or The Cambridge Courtship, see The Candidate.</cell><cell><ref target="#p1-19">[19]</ref></cell></row>
</table>
<pb n="xii" xml:id="p1-xii"/>
<table style="width: 100%; border: 0">
<row><cell style="width: 15%"/><cell style="width: 70%">Journal in the Lakes</cell><cell style="width: 15%"><ref target="#p1-56">56</ref></cell></row>
<row><cell/><cell>Journal for 1754</cell><cell><ref target="#p1-57">57</ref></cell></row>
<row><cell/><cell>Latin Lines to Mr. West from Genoa, see Sapphics.</cell><cell><ref target="#p1-72">[72]</ref></cell></row>
<row><cell/><cell>Letters</cell><cell><ref target="#p1-57">57</ref></cell></row>
<row><cell/><cell>Lines Spoken by the Ghost of John Dennis at the Devil Tavern</cell><cell><ref target="#p1-62">62</ref></cell></row>
<row><cell/><cell>A Long Story (LSt)</cell><cell><ref target="#p1-62">62</ref></cell></row>
<row><cell/><cell>Luna Habitabilis (Luna)</cell><cell><ref target="#p1-62">62</ref></cell></row>
<row><cell/><cell>Marginalia</cell><cell><ref target="#p1-63">63</ref></cell></row>
<row><cell/><cell>Mater rosarum, see Ad C. Fav. Zephyrinum.</cell><cell><ref target="#p1-12">[12]</ref></cell></row>
<row><cell/><cell>Nec procul infelix. . ., see Frag. of Lat. Poem on the Gaurus.</cell><cell><ref target="#p1-54">[54]</ref></cell></row>
<row><cell/><cell>Noon-tide: an Ode, see Ode on the Spring.</cell><cell><ref target="#p1-69">[69]</ref></cell></row>
<row><cell/><cell>Notes on <hi rend="italic">Amadis de Gaul</hi></cell><cell><ref target="#p1-63">63</ref></cell></row>
<row><cell/><cell>Notes on Sophocles <hi rend="italic">Ajax</hi> and <hi rend="italic">Electra</hi></cell><cell><ref target="#p1-64">64</ref></cell></row>
<row><cell/><cell>Notes on Churchill</cell><cell><ref target="#p1-64">64</ref></cell></row>
<row><cell/><cell>Notebooks</cell><cell><ref target="#p1-64">64</ref></cell></row>
<row><cell/><cell>O lacrymarum fons. . ., see Alcaic Frag.</cell><cell><ref target="#p1-13">[13]</ref></cell></row>
<row><cell/><cell>Ode Attributed to Gray</cell><cell><ref target="#p1-64">64</ref></cell></row>
<row><cell/><cell>Ode for Music, see Ode Performed in the Senate-House, etc.</cell><cell><ref target="#p1-70">[70]</ref></cell></row>
<row><cell/><cell>Ode on a Distant Prospect of Eton College (Eton)</cell><cell><ref target="#p1-64">64</ref></cell></row>
<row><cell/><cell>Ode on Adversity, see Hymn to Adversity.</cell><cell><ref target="#p1-55">[55]</ref></cell></row>
<row><cell/><cell>Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes (Cat)</cell><cell><ref target="#p1-66">66</ref></cell></row>
<row><cell/><cell>Ode on the Pleasure Arising from Vicissitude (Vic)</cell><cell><ref target="#p1-68">68</ref></cell></row>
<row><cell/><cell>Ode on the Spring (Spr)</cell><cell><ref target="#p1-69">69</ref></cell></row>
<row><cell/><cell>Ode Performed in the Senate-House at Cambridge, July 1, 1769 (Music)</cell><cell><ref target="#p1-70">70</ref></cell></row>
<row><cell/><cell>Oh Faesulae amoena. . ., see A Farewell to Florence.</cell><cell><ref target="#p1-54">54</ref></cell></row>
<row><cell/><cell>Oh Tu severi Religio loci. . ., see Alcaic Ode.</cell><cell><ref target="#p1-13">[13]</ref></cell></row>
<row><cell/><cell>Play Exercise at Eton</cell><cell><ref target="#p1-70">70</ref></cell></row>
<row><cell/><cell>The Progress of Poesy (PP)</cell><cell><ref target="#p1-70">70</ref></cell></row>
<row><cell/><cell>Propertius, Lib. III. 5. v. Eleg. 19 (Prop III)</cell><cell><ref target="#p1-72">72</ref></cell></row>
<row><cell/><cell>Propertius, Lib. II. Eleg. 1 (Prop II)</cell><cell><ref target="#p1-72">72</ref></cell></row>
<row><cell/><cell>Proposal as to the Professorship of Modern History</cell><cell><ref target="#p1-72">72</ref></cell></row>
<row><cell/><cell>Qua Trebie glaucas. . ., see Elegiacs.</cell><cell><ref target="#p1-21">[21]</ref></cell></row>
<row><cell/><cell>Sapphic Ode, see Ad C. Fav. Aristium.</cell><cell><ref target="#p1-12">[12]</ref></cell></row>
<row><cell/><cell>Sapphics</cell><cell><ref target="#p1-72">72</ref></cell></row>
<row><cell/><cell>Shakespeare Verses (Shak)</cell><cell><ref target="#p1-72">72</ref></cell></row>
<row><cell/><cell>Sketch of His Own Character (Sketch)</cell><cell><ref target="#p1-73">73</ref></cell></row>
<row><cell/><cell>Song</cell><cell><ref target="#p1-73">73</ref></cell></row>
<row><cell/><cell>Sonnet on the Death of Mr. Richard West (Sonnet)</cell><cell><ref target="#p1-73">73</ref></cell></row>
<row><cell/><cell>Sophonisba to Masinissa (Soph)</cell><cell><ref target="#p1-74">74</ref></cell></row>
<row><cell/><cell>Stanzas to Mr. Richard Bentley</cell><cell><ref target="#p1-74">74</ref></cell></row>
<row><cell/><cell>Tasso, Gerus. Lib. Cant. XIV. St. 32</cell><cell><ref target="#p1-74">74</ref></cell></row>
<row><cell/><cell>Thyrsis, see Song.</cell><cell><ref target="#p1-73">[73]</ref></cell></row>
<row><cell/><cell>Tophet</cell><cell><ref target="#p1-74">74</ref></cell></row>
<row><cell/><cell>The Vegtam's Kivitha, see The Descent of Odin.</cell><cell><ref target="#p1-21">[21]</ref></cell></row>
<row><cell/><cell>Unde Animus scire incipiat. . ., see De Principiis Cogitandi.</cell><cell><ref target="#p1-20">[20]</ref></cell></row>
<row><cell/><cell>When beauty, with pleasure surrounded. . ., see Amatory Lines.</cell><cell><ref target="#p1-15">[15]</ref></cell></row>
<row><cell/><cell>William Shakespeare to Mrs. Anne. . ., see Shakespeare Verses.</cell><cell><ref target="#p1-72">[72]</ref></cell></row>
<row><cell>SECTION 8.</cell><cell>General Criticism</cell><cell><ref target="#p1-74">74</ref></cell></row>
<row><cell>APPENDIX.</cell><cell>Undated Editions</cell><cell><ref target="#p1-134">134</ref></cell></row>
<row><cell>INDEX</cell><cell/><cell><ref target="#p1-135">135</ref></cell></row>
</table>
</div></front><body><div type="section"><pb n="1" xml:id="p1-1" type="unnumbered"/>
<head rend="center"><hi rend="bold">1. BIBLIOGRAPHIES AND BIBLIOGRAPHICAL ARTICLES</hi></head>
<anchor xml:id="bib1"/>
<ab type="implicit"><hi rend="bold">1904.</hi> In <hi rend="italic">Granger's index to poetry and recitations. . .</hi>
Chicago: McClurg, 1904, 1918, 1929, 1940.
</ab><ab rend="right">(<hi rend="italic">1-N7a</hi>   </ab>
<anchor xml:id="bib2"/>
<ab type="implicit"><hi rend="bold">1910.</hi> Clark S. Northup. "On some editions of Gray's poems."
In <hi rend="italic">ESt,</hi> XLIII (1910), 149-58.
</ab><ab rend="right">(<hi rend="italic">2-<ref target="/texts/diglib/secondary/NoC_1917/1/2#bib11">N11</ref></hi>   </ab>
<ab rend="small">
Comment by Stokes (<ref target="#bib158">#158</ref>,
p. 56) on reading of El, l. 36.</ab><lb/>
<anchor xml:id="bib3"/>
<ab type="implicit"><hi rend="bold">1917.</hi> Clark S. Northup. In his <hi rend="italic">A bibliography of Thomas Gray.</hi>
New Haven: Yale Univ. Press, 1917. (Cornell Studies in English, I)
</ab><ab rend="right">(<hi rend="italic">3</hi>   </ab>
<ab rend="small">
For descriptions and occasional correction of his entries N51-58, 178, 179,
182, 492-516 see Stokes (<ref target="#bib158">#158</ref>, pp. 27-61). See
also Buchanan, <ref target="#bib272">#272</ref>, and N. Y. <hi rend="italic">Post</hi>, <ref target="#bib268">#268</ref>.<lb/>
Rev. N. Y. <hi rend="italic">Times Bk. Rev.</hi>, May 27, 1917, p. 208; <hi rend="italic">Athenaeum,</hi>
Feb.. 1918, p. 103; *R. Crane. <hi rend="italic">PBSA,</hi> XII (1918), 58-62; *<hi rend="italic">Nation,</hi>
CVI (Feb. 21, 1918), 214-15; *P. Toynbee, <hi rend="italic">MLR,</hi> XIII (1918), 343-45.
</ab><lb/>
<anchor xml:id="bib4"/>
<ab type="implicit"><hi rend="bold">1919-20.</hi> Lawrence M. Price. In his <hi rend="italic">English&gt;German literary
influences: bibliography and survey.</hi> Berkeley: Calif., 1919-20. (Univ. of
Calif. Publications in Modern Phil., IX) 
</ab><ab rend="right">(<hi rend="italic">4</hi>   </ab>
<anchor xml:id="bib5"/>
<ab type="implicit"><hi rend="bold">1922.</hi> Tho. J. Wise. In his <hi rend="italic">The Ashley Library: a catalogue of
printed books collected by Thomas James Wise.</hi> London: Printed for private
circulation only, 1922, II, x-xi, 159-61.
</ab><ab rend="right">(<hi rend="italic">5</hi>   </ab>
<ab rend="small">
Also contains fac. of Cand and of t-p of Eton, 1747; El, 1751; and
<hi rend="italic">Odes,</hi> 1757. 
</ab><lb/>
<anchor xml:id="bib6"/>
<ab type="implicit"><hi rend="bold">1927.</hi> Arturo Farinelli. In his <hi rend="italic">Il romanticismo nel mondo latino.</hi>
Torino: Bocca, 1927, III.
</ab><ab rend="right">(<hi rend="italic">6</hi>   </ab>
<anchor xml:id="bib7"/><ab type="implicit">
Chas J. Sawyer and F. J. Harvey Darton. In their <hi rend="italic">English books,
1475-1900.</hi> Westminster, Eng.: Chas J. Sawyer; New York: Dutton, 1927, 2v.
</ab><ab rend="right">(<hi rend="italic">7</hi>   </ab>
<ab rend="small">
Also contains fac. of t-p of Eton, 1747; El, 1751; <hi rend="italic">Odes, 1757.</hi>
</ab><lb/>
<anchor xml:id="bib8"/>
<ab type="implicit"><hi rend="bold">1931.</hi> Minnie Earl Sears and Marian Shaw, eds. In their <hi rend="italic">Essay and
general literature index, Part I, January, 1931; and index to 6350 essays and
articles in 284 volumes of collections of essays and miscellaneous works.</hi>
New York: H. W. Wilson, 1931.
</ab><ab rend="right">(<hi rend="italic">8</hi>   </ab>
<ab rend="small">
Supplements 1933, 1934, 1935, 1936, 1937, 1949.
</ab><lb/>
<anchor xml:id="bib9"/>
<ab type="implicit"><hi rend="bold">1932.</hi> Ronald S. Crane, ed. In his <hi rend="italic">A collection of English poems
1660-1800</hi>, pp. 1132-33.
</ab><ab rend="right">(<hi rend="italic">9</hi>   </ab>
<ab rend="small">
See <ref target="#bib64">#64</ref>.<lb/>
Rev. <hi rend="italic">TLS</hi>, Mar. 16, 1933, p. 185.
</ab><lb/>
<anchor xml:id="bib10"/>
<ab type="implicit"><hi rend="bold">1933.</hi> In <hi rend="italic">The Britwell handlist, or short-title catalogue of the
principal volumes from the time of Caxton to the year 1800, formerly in the
library of Britwell Court, Buckinghamshire.</hi> London: Quaritch, 1933, I,
436.
</ab><ab rend="right">(<hi rend="italic">10</hi>   </ab>
<pb n="2" xml:id="p1-2"/>
<anchor xml:id="bib11"/><ab type="implicit">
Rintaro Fukuhara. In his <hi rend="italic">Bibliographical study of Thomas Gray.</hi> Tokyo,
1933.
</ab><ab rend="right">(<hi rend="italic">11</hi>   </ab>
<ab rend="small">
A monograph in Japanese which I have not been able to find.
</ab><lb/>
<anchor xml:id="bib11a"/><ab type="implicit">
Jas. W. Tupper, ed. In his <hi rend="italic">English poems from Dryden to Blake,</hi> p. 506.
</ab><ab rend="right">(<hi rend="italic">11a</hi>   </ab>
<ab rend="small">
See <ref target="#bib65">#65</ref>.
</ab><lb/>
<anchor xml:id="bib12"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Mary Bell Price and Lawrence Marsden Price. In their <hi rend="italic">The
publication of English literature in Germany in the eighteenth century.</hi>
Berkeley: Univ. of Calif., 1934. (Univ. of Calif. Publications in Modern
Phil., XVII)
</ab><ab rend="right">(<hi rend="italic">12</hi>   </ab>
<anchor xml:id="bib13"/><ab type="implicit">
Iolo A. Williams. In his <hi rend="italic">Points in eighteenth-century verse: a
bibliographer's and collector's scrapbook.</hi> London: Constable, 1934,
pp. 74-75, 123.
</ab><ab rend="right">(<hi rend="italic">13</hi>   </ab>
<anchor xml:id="bib14"/>
<ab type="implicit"><hi rend="bold">1935.</hi> Frederic Ewen. In his <hi rend="italic">Bibliography of eighteenth century
English literature.</hi> New York: Columbia Univ. Press; London: Milford, 1935,
p. 16.
</ab><ab rend="right">(<hi rend="italic">14</hi>   </ab>
<anchor xml:id="bib15"/>
<ab type="implicit"><hi rend="bold">1939.</hi> Jas E. Tobin. In his <hi rend="italic">Eighteenth century English literature and
its cultural background: a bibliography.</hi> New York: Fordham Univ. Press,
1939, pp. 116-18.
</ab><ab rend="right">(<hi rend="italic">15</hi>   </ab>
<anchor xml:id="bib16"/>
<ab type="implicit"><hi rend="bold">1941.</hi> F[redk] K. Bateson, ed. In his <hi rend="italic">The Cambridge bibliography of
English literature.</hi> Vol.II, <hi rend="italic">1660-1800.</hi> New York: Macmillan;
Cambridge: Univ. Press, 1941, pp. 333-35. 
</ab><ab rend="right">(<hi rend="italic">16</hi>   </ab>
<anchor xml:id="bib17"/>
<ab type="implicit"><hi rend="bold">1946.</hi> Sigmund Skard. "The use of color in literature: a survey of
research." In <hi rend="italic">Proceedings of the American Philosophical Society,</hi>
XC (1946), 163-249.
</ab><ab rend="right">(<hi rend="italic">17</hi>   </ab>
<anchor xml:id="bib17a"/>
<ab type="implicit"><hi rend="bold">1948.</hi> Geo. [Warren] Arms and Joseph M. Kuntz. In their <hi rend="italic">A check list
of poetry explications, 1925-1947.</hi> Albuquerque, N. Mex.: Privately
printed, 1948, pp. 16-17.
</ab><ab rend="right">LC   (<hi rend="italic">17a</hi>   </ab>
<ab rend="small">
Bibl. of explications of El and Cat.<lb/>
Reprinted with additional material as <hi rend="italic">Poetry explication: a checklist of
interpretation since 1925 of British and American poems, past and
present.</hi> [New York:] Swallow Press and Wm Morrow, 1950, p. 79.   LC
</ab><lb/>
<anchor xml:id="bib17b"/><ab type="implicit">
Chas Alfred Rochedieu. In his <hi rend="italic">Bibliography of French translations of
English works 1700-1800.</hi> Intro. by Donald Bond. Chicago: Univ. Press,
1948, pp. 129-30.
</ab><ab rend="right">(<hi rend="italic">17b</hi>   </ab>
<ab rend="small">
Limited to translations that have appeared in book form.
</ab><lb/>
<anchor xml:id="bib18"/>
<ab type="implicit"><hi rend="bold">1949.</hi> Fred A. Dudley, Norbert Fuerst, Francis R. Johnson, Hyatt
H. Waggoner, eds. In their <hi rend="italic">The relations of literature and science: a
selected bibliography 1930-1940.</hi> Pullman, Wash.: Published for 'General
Topics VII' . . . of the MLA . . . by the Dept. of English of the State
College of Washington, 1949, Entry 103.
</ab><ab rend="right">(<hi rend="italic">18</hi>   </ab>
<anchor xml:id="bib19"/>
<ab type="implicit"><hi rend="bold">1951.</hi> [Eleanor Este Campion, ed.] In her <hi rend="italic">Philadelphia
bibliographical center and union library catalogue. Union</hi> 
<pb n="3" xml:id="p1-3"/>
<hi rend="italic">list of microfilms.</hi> Ann Arbor, Mich.: J. W. Edwards, 1951, p. 715.
</ab><ab rend="right">(<hi rend="italic">19</hi>   </ab>
<anchor xml:id="bib19a"/><ab type="implicit">
Stanley Pargellis and D. J. Medley, eds. In their <hi rend="italic">Bibliography of British
history: the eighteenth century, 1714-1789.</hi> . . . Amer. Hist. Assoc. and
Royal Hist. Soc of Great Britain. Oxford: Clarendon, 1951.
</ab><ab rend="right">(<hi rend="italic">19a</hi>   </ab>
<anchor xml:id="bib19b"/><ab type="implicit">
Herbert W. Starr. "Spanish translations of Gray's 'Elegy . . .'" In
<hi rend="italic">N&amp;Q,</hi> May 12, 1951, pp. 206-09.
</ab><ab rend="right">(<hi rend="italic">19b</hi>   </ab>
<ab rend="small">
(For further bibliographical information see also <ref target="#bib126">#126</ref>, <ref target="#bib127">127</ref>, <ref target="#bib158">158</ref>, <ref target="#bib158a">158a</ref>, <ref target="#bib161">161</ref>, <ref target="#bib259">259</ref>, <ref target="#bib283">283</ref>, <ref target="#bib303">303</ref>, <ref target="#bib313">313</ref>, <ref target="#bib329b">329b</ref>, <ref target="#bib333">333</ref>, <ref target="#bib362">362</ref>, <ref target="#bib367">367</ref>, <ref target="#bib368">368</ref>, <ref target="#bib372">372</ref>, <ref target="#bib412">412</ref>[], <ref target="#bib487">487</ref>, <ref target="#bib492">492</ref>, <ref target="#bib511">511</ref>, <ref target="#bib511a">511a</ref>, <ref target="#bib512">512</ref>, <ref target="#bib704">704</ref>, <ref target="#bib728">728</ref>, <ref target="#bib736">736</ref>, <ref target="#bib854">854</ref>, <ref target="#bib859">859</ref>, <ref target="#bib908">908</ref>, <ref target="#bib924">924</ref>, <ref target="#bib940">940</ref>, <ref target="#bib980">980</ref>, <ref target="#bib983">983</ref>, <ref target="#bib1017">1017</ref>, <ref target="#bib1020">1020</ref>, <ref target="#bib1032">1032</ref>, <ref target="#bib1075">1075</ref>, <ref target="#bib1083">1083</ref>, <ref target="#bib1113">1113</ref>, <ref target="#bib1161">1161</ref>, <ref target="#bib1186">1186</ref>, <ref target="#bib1196">1196</ref>, <ref target="#bib1203">1203</ref>.)
</ab><lb/>
</div><div type="section"><head rend="center"><hi rend="bold">2. COMPLETE WORKS, AND SELECTIONS FROM BOTH THE PROSE AND
THE POETRY</hi></head>
<anchor xml:id="bib20"/>
<ab type="implicit"><hi rend="bold">1775.</hi> <hi rend="italic">The poems of Mr. Gray. To which are prefixed Memoirs of his
life and writings by W. Mason . . .</hi></ab> 
<ab rend="right">(<hi rend="italic">20-<ref target="/texts/diglib/secondary/NoC_1917/1/2#bib13">N13</ref></hi>   </ab>
<ab rend="small">
The half-title (or, more correctly, the fly-title) follows the t-p in many
copies: those of E. G. B. and Paget Toynbee (See <ref target="#bib854">#854</ref>), Bryn Mawr College, HU 
(2 copies). It precedes the t-p in the copies owned by YU (2) and UP.<lb/>
For 'Frontispiece portrait and one plate' in N read 'Frontispiece portrait.'
There does not seem to have been any plate other than the portrait in the
original edition. In none of the copies mentioned above and also in neither of
those owned by BPL and BM was there originally another plate. See also
Gaskell, <ref target="#bib1203">#1203</ref>.<lb/>
Rev. with account of Gray and his work in <hi rend="italic">Critical Rev.</hi>, XXXIX (May,
1775), 378-88; (June), 460-68.
</ab><lb/>
<anchor xml:id="bib21"/>
<ab type="implicit"><hi rend="bold">1816.</hi> <hi rend="italic">The works of Thomas Gray . . . a life of the author . . . by
the Rev. John Mitford . . .</hi></ab>
<ab rend="right">(<hi rend="italic">21-<ref target="/texts/diglib/secondary/NoC_1917/1/4#bib19">N19</ref></hi>   </ab>
<ab rend="small">
Publication noted in <hi rend="italic">Monthly Magazine,</hi> XLI (May 1, 1816), 347.
</ab><lb/>
<anchor xml:id="bib21a"/>
<ab type="implicit"><hi rend="bold">1905.</hi> Al[exandre]. Beljame and Emile Legouis, eds. <hi rend="italic">Morceaux choisis
de littérature anglaise, à l'usage des classes
supérieures.</hi> Paris: Hachette, 1905.
</ab><ab rend="right">(<hi rend="italic">21a-N48a</hi>   </ab>
<ab rend="small">
Second ed. 1907.<lb/>
El, pp. 195-99. Selec. from T. &amp; W. nos. 62, 332, pp. 200-01. Selec. from
<hi rend="italic">Journal in the Lakes,</hi> pp. 201-02. See also p. xxx.
</ab><lb/>
<anchor xml:id="bib22"/>
<ab type="implicit"><hi rend="bold">1926.</hi> <hi rend="italic">Gray, poetry &amp; prose. With essays by Johnson, Goldsmith
and others.</hi> With an introduction and notes by J[ohn
Ernest]. Crofts. Oxford: Clarendon, 1926. 
</ab><ab rend="right">(<hi rend="italic">22</hi>   </ab>
<ab rend="small">
Frontispiece portr. by Eckhardt.<lb/>
Intro, pp. [v]-x. Chronology, pp. [xi]-xii. Johnson's Life of Gray,
pp. [1]-13. Goldsmith's rev. of Pindaric odes (<hi rend="italic">Monthly Rev.</hi>,
Sept. 1757), pp. 14-15. Beattie on <hi rend="italic">Bard</hi>, (From <hi rend="italic">Essay on poetry and
music</hi>, 1776), pp. 16-17. Cowper (Letter to Joseph Hill, Apr. 1777),
p. 17. Wordsworth (From Preface to <hi rend="italic">Lyr. bal.</hi>), pp. 18-19. Wordsworth
(From 3d essay <hi rend="italic">Upon epitaphs</hi>, written for <hi rend="italic">The Friend</hi>, 1810,
publ. 1876), pp. 19-21. Coleridge (<hi rend="italic">Biog. lit.</hi> ch. 18),
pp. 22-24. Hazlitt (From <hi rend="italic">Lectures on the Eng. poets,</hi> 1818), pp.
24-25. Campbell (From <hi rend="italic">Specimens of the Brit. poets</hi>, 1819), pp.
26-29. Spr, pp. 32-33. Cat, pp. 34-35. Eton, pp. 35-38. Adv, 39-40. PP,
pp. 41-46. Bard, pp. 47-53. FS, pp. 54-56. Odin, pp. 57-60. Owen,
pp. 60-61. El, pp. 62-66. Vic, pp. 66-68. Sketch, p. 68. 46 letters,
pp. 69-152. Journal (to Wharton), 1769, pp. 152-56. Notes on Johnson, Beattie,
Cowper, pp. 157-58. Notes on poems, pp. 159-67. Notes on letters,
pp. 168-76.<lb/> 
Noted <hi rend="italic">TLS</hi>, June 3, 1926, p. 379. Rev. <hi rend="italic">N&amp;Q</hi>, July 24, 1926,
p. 72; H. Schöffler, <hi rend="italic">Beibl.</hi>, XXXVIII (Mar. 1927), 68-71; F. Wood,
<hi rend="italic">ESt</hi>, LXVI (1931), 277.
</ab>
<pb n="4" xml:id="p1-4"/>
<anchor xml:id="bib23"/>
<ab type="implicit"><hi rend="bold">1929.</hi> Ernest Bernbaum, ed. <hi rend="italic">Anthology of romanticism: selections from
the pre-romantic movement.</hi> New York: Nelson, 1929, II.
</ab><ab rend="right">(<hi rend="italic">23</hi>   </ab>
<ab rend="small">
Adv, pp. 151-52. El, pp. 152-57. PP, pp. 157-61. Bard, pp. 162-67. Odin,
pp. 213-16. Owen, pp. 216-17. Caradoc, p. 217. Conan, p. 218. Death of Hoel,
pp. 218-19. FS, pp. 219-21. Selections from letters (T. &amp; W. nos. 310,
313, 315, 317-319*, 415.<lb/>
Reprinted 1930, 1933, 1948, 1948 ed. (Ronald press) reprints only Adv (p. 42),
El (pp. 42-45), PP, (pp. 45-46), Bard (pp. 47-48), Odin (pp. 50-51), FS
(pp. 51-52) and omits T. &amp; W. no. 415. 
</ab><lb/>
<anchor xml:id="bib24"/><ab type="implicit">
Geo. Benj. Woods, ed. <hi rend="italic">English poetry and prose of the romantic
movement.</hi> New York: Scott, Foresman, 1929.
</ab><ab rend="right">(<hi rend="italic">24</hi>   </ab>
<ab rend="small">
Spr, p. 57. Eton, pp. 57-58. Adv, pp. 58-59. El, pp. 59-61. PP,
pp. 61-63. Bard, pp. 63-65. Vic, pp. 65-66. Sonq (Thyrsis), p. 66. FS,
pp. 66-67. Odin, pp. 67-68. Owen, p. 68. Death of Hoel, p. 68. Caradoc,
p. 68. Conan, p. 68. Journal in France p. 69. Letters (T. &amp; W. nos. 71,
74, 310, 313, 315, 317, 415), pp. 69-73. Selec. from Journal in the Lakes,
pp. 73-75.
</ab><lb/>
<anchor xml:id="bib25"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Odell Shepard and Paul S. Wood, eds. <hi rend="italic">English prose and poetry,
1660-1800.</hi> Boston: Houghton Mifflin, 1934.
</ab><ab rend="right">(<hi rend="italic">25</hi>   </ab>
<ab rend="small">
Sonnet, p. 516. Eton, pp. 517-18. El, pp. 518-20. Adv, pp. 520-21. PP,
pp. 521-23. Bard, pp. 523-25. FS, pp. 525-26. Vic, pp. 526. Letters (T. &amp;
W. nos. 33, 58*, 103, 157, 247, 276), pp. 527-530.
</ab><lb/>
<anchor xml:id="bib25a"/>
<ab type="implicit"><hi rend="bold">1935.</hi> Paget Toynbee and Leonard Whibley, eds. <hi rend="italic">The correspondence of
Thomas Gray.</hi></ab>
<ab rend="right">(<hi rend="italic">25a</hi>   </ab>
<ab rend="small">
See <ref target="#bib431">#431</ref>. See the following numbered letters:
125, 142, 144 (Spr); 135 (Cat); 161 (Adv); 156 (El); 154* (LSt); 194 (PP);
204, 205, 205A, 222, 238, 239 (Bard); 4 (Lines By Dennis); 26 (Lines written
at Burnham); 102, 103, 105, 131 (Agrippina); 144 (Tophet [Etough]); 146 (Ed);
271 (Epitaph on child); 276 (Sketch); 407 (Shakespeare verses); 461
(Invitation to Mason); 453 (Parody on Epitaph); 131 (Cog); 110 (Sophonisba to
Masinissa); 75 (Sapphics); 53 (Alcaic Frag); 78 (Elegiacs); 87, 94 (Zeph); 94
(Frag Lat Poem on Gaurus); 97 (Farewell to Florence); 110 (Inscrip. for a
wood); Translations: 22, 22* 23 (Statius); 105, 106, 107 (Propertius), 97
(Buondelmonti); Notebooks on travels (See T. &amp; W., III, 1318);
Pocket-diaries <hi rend="italic">(Ibid.)</hi>.
</ab><lb/>
<anchor xml:id="bib25b"/>
<ab type="implicit"><hi rend="bold">1937.</hi> W[m]. T[om]. Williams and G[eo]. H[en]. Vallins, eds. <hi rend="italic">Gray,
Collins and their circle.</hi>  London: Methuen, [1937].
</ab><ab rend="right">F, LC   (<hi rend="italic">25b</hi>   </ab>
<ab rend="small">
Spr, pp. 19-20. Eton, pp. 20-23. Adv, pp. 23-25. Sonnet, p. 25. Cat,
pp. 25-27. LSt, pp. 27-31. El, pp. 32-36. PP, pp. 36-40. Bard, pp. 40-44. Vic,
pp. 44-46. Odin, pp. 46-49. Letters (T. &amp; W. nos. 73, 79, 103, 134, 151,
153, 157, 158, 183, 259, 296, 308, 323, 422, 436, 481), pp. 78-100. Journal in
the Lakes, pp. 101-13. Intro. to Gray, pp. 1-6. Extracts from Johnson's
<hi rend="italic">Lives,</hi>  pp. 131-40. Notes on the poems, pp. 141-62. Notes on the
Letters, pp. 171-75. Notes on the Journal, pp. 175-76.
</ab><lb/>
<anchor xml:id="bib26"/>
<ab type="implicit"><hi rend="bold">1939.</hi> Louis I. Bredvold, Alan D. McKillop, Lois Whitney,
eds. <hi rend="italic">Eighteenth century poetry &amp; prose.</hi>  New York: Ronald Press,
1939.
</ab><ab rend="right">(<hi rend="italic">26</hi>   </ab>
<ab rend="small">
Sonnet, p. 590. Eton, pp. 591-92. Adv, p. 592. El, pp. 592-95. Stanzas to
Bentley, pp. 595-96. PP, pp. 596-99. Bard, pp. 599-602. FS, pp. 602-03. Odin,
pp. 603-04. Letters (T. &amp; W. nos. 26, 33, 59, 71, 74, 86, 88, 103, 157,
247, 276, 303, 313), pp. 604-17.
</ab><lb/>
<anchor xml:id="bib27"/>
<ab type="implicit"><hi rend="bold">1940.</hi> John C. Mendenhall, ed. <hi rend="italic">English literature, 1650-1800.</hi>
Philadelphia: Lippincott, 1940.
</ab><ab rend="right">(<hi rend="italic">27</hi>   </ab>
<ab rend="small">
Eton, pp. 788-89. El, pp. 789-91. PP, pp. 791-92. Letters (T. &amp;
W. nos. 26, 64, 204, 482, 422, 506, 508*), pp. 793-97.
</ab>
<pb n="5" xml:id="p1-5"/>
<anchor xml:id="bib28"/>
<ab type="implicit"><hi rend="bold">1947.</hi> Wylie Sypher, ed. <hi rend="italic">Enlightened England: an anthology of
eighteenth century literature.</hi> New York: Norton, 1947.
</ab><ab rend="right">(<hi rend="italic">28</hi>   </ab>
<ab rend="small">
Eton, pp. 599-602. Sonnet, p. 602. Spr, pp. 603-04. Cat, pp. 604-05. El,
pp. 605-09. Adv, pp. 609-10. Vic, pp. 611-12. PP, pp. 613-16. Bard,
pp. 616-21. FS, pp. 621-23. Letters (T. &amp; W. nos. 1, 33, 40, 62, 64, 73,
74, 86, 103, 110, 173, 303, 313, 415, 471), pp. 624-45. Journal (Sept. 30,
Oct. 1, 1769). pp. 645-49.
</ab><lb/>
<anchor xml:id="bib29"/>
<ab type="implicit"><hi rend="bold">1948.</hi> Huntington Cairns, ed. <hi rend="italic">Limits of art: poetry and prose chosen
by ancient and modern critics.</hi>  New York: Pantheon Books, 1948. (Bollingen
Series, XII)
</ab><ab rend="right">(<hi rend="italic">29</hi>   </ab>
<ab rend="small">
El, pp. 925-29, with comment by F. T. Palgrave (<hi rend="italic">Children's
Treas. Eng. Song</hi>, 1875). PP, praised p. 833; ll. 113-17 quoted with
comment by Tennyson (Hallam Tennyson. <hi rend="italic">A., L. T., a memoir</hi>, 1897),
p. 929. Letter (T. &amp; W. no. 103) with comment by Arnold (<hi rend="italic">Essays in
crit.</hi> 2d ser., 1888), pp. 930-31.
</ab><lb/>
</div><div type="section"><head rend="center"><hi rend="bold">3. POETICAL WORKS</hi></head>
<anchor xml:id="bib30"/>
<ab type="implicit"><hi rend="bold">1768.</hi> Poems / by / M<hi rend="sup">r</hi> Gray. / [Vignette on copper.] /
Dublin: Printed by William Sleator / in Castle-Street./ 1768.
</ab><ab rend="right">(<hi rend="italic">30-<ref target="/texts/diglib/secondary/NoC_1917/1/10#bib54">N54</ref></hi>   </ab>
<ab rend="small">
For 'Sleator' in N read 'Sleater.' See Stokes, <ref target="#bib158">#158</ref>, p. 57.
</ab><lb/>
<anchor xml:id="bib30a"/>
<ab type="implicit"><hi rend="bold">1797.</hi> <hi rend="italic">The selector</hi>; being the whole of the poetical works of
Goldsmith and Gray, Somerville Chase, and Falconer's Shipwreck. 24
mo. 2s. sewed, or separately, 6d. each. Wills, Symonds, &amp;c.
</ab><ab rend="right">(<hi rend="italic">30a-N80a</hi>   </ab>
<ab rend="small">
Noted as above in 'A correct list of new publications [in August]' in <hi rend="italic">The
Monthly Magazine,</hi> IV (Sept., 1797), 222. I have not been able to find
<hi rend="italic">The selector,</hi> 1797, but it appears to be an earlier ed. of <ref target="/texts/diglib/secondary/NoC_1917/1/19#bib92">N92</ref>
and <ref target="/texts/diglib/secondary/NoC_1917/1/21#bib104">N104</ref>.
</ab><lb/>
<anchor xml:id="bib31"/>
<ab type="implicit"><hi rend="bold">1799.</hi> <hi rend="italic">The poetical works of Thomas Gray. . .</hi> London:
J. Scatcherd, 1799.
</ab><ab rend="right">(<hi rend="italic">31-<ref target="/texts/diglib/secondary/NoC_1917/1/17#bib84">N84</ref></hi>   </ab>
<ab rend="small">
Publication noted in <hi rend="italic">Monthly Mirror,</hi> VIII (Sept., 1799), 156-57. See
<ref target="#bib96a">#96a</ref>.
</ab><lb/>
<anchor xml:id="bib32"/>
<ab type="implicit"><hi rend="bold">1800.</hi> <hi rend="italic">The poems of Gray . . .</hi> London: . . . T. Bensley . . . Du
Roveray . . . Wright . . . Hurst . . . 1800.
</ab><ab rend="right">(<hi rend="italic">32-<ref target="/texts/diglib/secondary/NoC_1917/1/18#bib86">N86</ref></hi>   </ab>
<ab rend="small">
The plates are by Hamilton and Fuseli. Publication noted in <hi rend="italic">Monthly
Magazine,</hi> IX, Pt. I (May 1, 1800), 381.
</ab><lb/>
<anchor xml:id="bib33"/>
<ab type="implicit"><hi rend="bold">1891-1902?</hi> The poetical works / of / Thomas Gray/ English and Latin /
edited with an introduction / life and notes / by John Bradshaw, M. A., LL.D./
editor of Milton's poetical works / A. L. Burt Company, Publishers.
</ab><ab rend="right">ISCAM   (<hi rend="italic">33-<ref target="/texts/diglib/secondary/NoC_1917/1/30#bib170">N170</ref>,
<ref target="/texts/diglib/secondary/NoC_1917/1/30#bib172">172</ref>-<ref target="/texts/diglib/secondary/NoC_1917/1/30#bib173">3</ref></hi>   </ab>
<ab rend="small">
Frontis. port. pp. [vi], 454, No place of publ., no date. 'The Home Library'
on spine. Apparently a reprint of N170, 172-3, but without H. W. Mabie's
introduction.
</ab><lb/>
<anchor xml:id="bib34"/>
<ab type="implicit"><hi rend="bold">1905.</hi> For N's <ref target="/texts/diglib/secondary/NoC_1917/1/30#bib175">No.
175</ref> read: The poems / of / Johnson, Goldsmith, Gray, and Collins / edited
/ with an introduction and notes / by / Colonel T. Methuen Ward / [Publisher's
emblem.] / London: George Routledge &amp; Sons, Limited / New York:
E. P. Dutton &amp; Co
</ab><ab rend="right">(<hi rend="italic">34-<ref target="/texts/diglib/secondary/NoC_1917/1/30#bib175">N175</ref></hi>   </ab>
<ab rend="small">
[1905.] Sm. 8vo, pp. x, Introduction pp. [i]-xlix, 358. The rest as in N.
</ab>
<pb n="6" xml:id="p1-6"/>
<anchor xml:id="bib35"/>
<ab type="implicit"><hi rend="bold">1912.</hi> For N's <ref target="/texts/diglib/secondary/NoC_1917/1/30#bib176a">No.
176a</ref> read: The poems / of / Johnson, Goldsmith, / Gray, and Collins /
edited / with an introduction and notes / by / Colonel T. Methuen Ward /
[Publisher's emblem.] / London: George Routledge &amp; Sons, Limited / New
York: E. P. Dutton &amp; Co
</ab><ab rend="right">(<hi rend="italic">35-<ref target="/texts/diglib/secondary/NoC_1917/1/30#bib176a">N176a</ref></hi>   </ab>
<ab rend="small">
[1912.] 16mo, pp. x, Introduction [i]-xlix, 358. The rest as in N.
</ab><lb/>
<anchor xml:id="bib36"/>
<ab type="implicit"><hi rend="bold">1931.</hi> John 0[wen]. Beaty and John W. Bowyer, eds. <hi rend="italic">Famous editions of
English poets</hi>. New York: Rich. R. Smith, Inc., 1931.
</ab><ab rend="right">(<hi rend="italic">36</hi>   </ab>
<ab rend="small">
Reprints Gray's poems from Dodsley ed. of 1768 (<ref target="/texts/diglib/secondary/NoC_1917/1/10#bib52">N52</ref>):
Spr, pp. 257-58. Cat, pp. 261-62. Eton, pp. 265-67. Adv, pp. 271-72. PP,
pp. 275-79. Bard, pp. 283-88. FS, pp. 293-94. Odin, pp. 297-99. Owen,
pp. 303-04. El, pp. 307-10. On pp. [250], [253] fac. of El, ll. 1-12,
photo. of T. &amp; W. letter #246. Benj. Wilson portr., fac. of t-p of N52.
</ab><lb/>
</div><div type="section"><head rend="center"><hi rend="bold">4. SELECTIONS FROM THE POETICAL WORKS</hi></head>
<anchor xml:id="bib37"/>
<ab type="implicit"><hi rend="bold">1757.</hi> <hi rend="italic">Odes by Mr. Gray . . .</hi> Strawberry-Hill, . . . Dodsley
. . . MDCCLVII.
</ab><ab rend="right">(<hi rend="italic">37-<ref target="/texts/diglib/secondary/NoC_1917/1/31#bib180">N180</ref></hi>   </ab>
<ab rend="small">
Rev. in <hi rend="italic">Literary Magazine, or Universal Review,</hi> II, No. xviii
(Sept. 15-Oct. 15, Oct. 15-Nov. 15, 1757), 422-26, 466-68. (Attributed by
Jones, <ref target="#bib877">#877</ref>, to Mason; and to Arthur Murphy by
Emery <ref target="#bib1125">#1125</ref>, p. 35, who tells 
me that 'Murphy's style is apparent throughout' in the use of terms of
painting and in the reference to 'the mere <hi rend="italic">English</hi> reader.' See
pp. 466-67.)
</ab><lb/>
<anchor xml:id="bib38"/>
<ab type="implicit"><hi rend="italic">Odes by Mr. Gray.</hi> Dublin: Printed for G. Faulkner and J. Rudd,
1757. 16pp.
</ab><ab rend="right">(<hi rend="italic">38-N180a</hi>   </ab>
<ab rend="small">
I have not seen this. The copy formerly at Harvard has disappeared.
</ab><lb/>
<anchor xml:id="bib39"/>
<ab type="implicit"><hi rend="bold">1759.</hi> <hi rend="italic">Love-Elegies. By Mr. Hammond. Written in the year 1732. With a
preface by the Earl of Chesterfield.</hi> Virginibus puerisque
canto. Edinburgh: Printed by W. Ruddiman junior and Company. M. DCC. LIX.
</ab><ab rend="right">(<hi rend="italic">39-N181a</hi>   </ab>
<ab rend="small">
El, pp. 31-35. Adv, pp. 35-36.<lb/>
Part of a composite vol. entitled <hi rend="italic">A select collection of modern poems from
the best authors. . .</hi>  Edinburgh. . . A. Donaldson. . . MDCCLVIIII
[sic]. See Stokes, <ref target="#bib158">#158</ref>, pp. 47-48.
</ab><lb/>
<anchor xml:id="bib40"/>
<ab type="implicit"><hi rend="bold">1859.</hi> <hi rend="italic">Odes and sonnets.</hi> Illustrated By Birket Foster; the
ornamental designs by J. Sliegh. London: Routledge, 1859.
</ab><ab rend="right">BM   (<hi rend="italic">40-N226a</hi>   </ab>
<ab rend="small">
I have not seen this edition.<lb/>
<hi rend="italic">Odes and sonnets.</hi> Illustrated by Birket Foster; the ornamental designs
by John Slieqh. Enqraved and printed by the brothers Dalziel. Boston: Roberts,
1866.   LC<lb/>
Vic, ll. 1-4, p. 54. Spr, p. 76.
</ab><lb/>
<anchor xml:id="bib41"/>
<ab type="implicit"><hi rend="bold">1864.</hi> John W. S. Hows, ed. <hi rend="italic">Golden leaves from the British poets.</hi>
New York: Hurst &amp; Co., n. d.
</ab><ab rend="right">(<hi rend="italic">41-N228a</hi>   </ab>
<ab rend="small">
[1864.] Preface dated June 22, 1864.<lb/>
El, pp. 100-05 (rejected stanzas, pp. 103n, 104n). Adv, pp. 105-106.
</ab><lb/>
<anchor xml:id="bib42"/>
<ab type="implicit"><hi rend="bold">1876.</hi> Hen. W. Longfellow, ed. <hi rend="italic">Poems of places.</hi> Boston &amp; New
York: Houghton, Mifflin, 1876-1879. 31v.
</ab><ab rend="right">(<hi rend="italic">42-N251a</hi>   </ab>
<ab rend="small">
Eton, I, 237-40. El, III, 172-77. LSt, III, 177-83. PP, ll. 83-94, III,
191. Owen, IV, 157-59. Bard, IV, 197-202. 
</ab>
<pb n="7" xml:id="p1-7"/>
<anchor xml:id="bib43"/>
<ab type="implicit"><hi rend="bold">1882.</hi> [K. A. S.] <hi rend="italic">Home pictures of English poets for fireside and
school-room.</hi> New York: D. Appleton, 1882, pp. [178]-91.
</ab><ab rend="right">(<hi rend="italic">43-N258b</hi>   </ab>
<ab rend="small">
Preface dated Sept. 10, 1868.<lb/>
Short biog. with portr., p. [178], picture of his house at Stoke,
p. 191. Eton, pp. 182-84. Cat, pp. 185-86. El, ll. 1-36, pp. 186-87. Epitaph
on his mother, p. 188.
</ab><lb/>
<anchor xml:id="bib44"/>
<ab type="implicit"><hi rend="bold">1885.</hi> J. T. Ashby, ed. <hi rend="italic">Choice poems and lyrics for study and
delight.</hi> London: Relfe, n. d. 2d ed.
</ab><ab rend="right">(<hi rend="italic">44-N263a</hi>   </ab>
<ab rend="small">
[1885.] Vic, ll. 1-16, p. 57. Spr, pp. 59-61.
</ab><lb/>
<anchor xml:id="bib45"/>
<ab type="implicit"><hi rend="bold">1895.</hi> [Horace Elisha Scudder, ed.] <hi rend="italic">Masterpieces of British
literature. . . with biographical sketches, notes, and portraits.</hi> Boston:
Houghton, Mifflin (Riverside Press), 1895. 
</ab><ab rend="right">(<hi rend="italic">45-N277a</hi>   </ab>
<ab rend="small">
Portr. facing p. [348]. Biog. sketch pp. [348]-353. Note to El
pp. [354]-355. El, pp. [356]-363 (rejected stanzas, pp. 359n-61n, 362n). Eton,
pp. [363]-366.
</ab><lb/>
<anchor xml:id="bib46"/>
<ab type="implicit"><hi rend="bold">1897.</hi> Geo. Parsons Lathrop (<ref target="/texts/diglib/secondary/NoC_1917/1/239#bib1877">N1877</ref>).
Reprinted in John W. Cunliffe and others, eds. <hi rend="italic">Columbia University course
in literature, based on the world's best literature.</hi> New York: Columbia
Univ. Press, 1928, XII.
</ab><ab rend="right">(<hi rend="italic">46-<ref target="/texts/diglib/secondary/NoC_1917/1/239#bib1877">N1877</ref></hi>   </ab>
<ab rend="small">
Biog. with selections. El, pp. 333-37. Spr, pp. 337-38. Eton,
pp. 338-41. Bard, pp. 341-44.
</ab><lb/>
<anchor xml:id="bib47"/>
<ab type="implicit"><hi rend="bold">1898.</hi> <hi rend="italic">Gray's English poems. . . edited. . . by D. C. Tovey.</hi>
Cambridge: University Press. 1898.
</ab><ab rend="right">(<hi rend="italic">47-<ref target="/texts/diglib/secondary/NoC_1917/1/44#bib284">N284</ref></hi>   </ab>
<ab rend="small">
Reprinted 1922.
</ab><lb/>
<anchor xml:id="bib48"/><ab type="implicit">
John Clark Ridpath, ed. <hi rend="italic">The Ridpath library of universal
literature. . .</hi> New York: Globe, 1898, XI, [no page nos.]
</ab><ab rend="right">(<hi rend="italic">48-N287'</hi>   </ab>
<ab rend="small">
Portr., biog., El (1 illus.). Eton, PP. ll. 83-106., Adv.
</ab><lb/>
<anchor xml:id="bib48a"/>
<ab type="implicit"><hi rend="bold">1909.</hi> <hi rend="italic">Elegy. . .</hi> Edited . . . by J. H. Castleman. . . 
</ab><ab rend="right">(<hi rend="italic">48a-<ref target="/texts/diglib/secondary/NoC_1917/1/47#bib315">N315</ref></hi>   </ab>
<ab rend="small">
Revised ed. by Harold Moffett, illus. by Jas Scott. New York: Macmillan,
[c. 1930].
</ab><lb/>
<anchor xml:id="bib49"/>
<ab type="implicit"><hi rend="bold">1910.</hi> R[obt]. M[aynard]. Leonard, ed. <hi rend="italic">A book of light verse.</hi>
London: Henry Frowde, Oxford, 1910.
</ab><ab rend="right">(<hi rend="italic">49-N326c</hi>   </ab>
<ab rend="small">
LSt, pp. 124-27. Cat, pp. 244-45.
</ab><lb/>
<anchor xml:id="bib49a"/>
<ab type="implicit"><hi rend="bold">1911.</hi> <hi rend="italic">Gray and his poetry.</hi> By S. E. Wimbolt. London: Harrap,
1911.
</ab><ab rend="right">(<hi rend="italic">49a-<ref target="/texts/diglib/secondary/NoC_1917/1/49#bib329">N329</ref></hi>   </ab>
<ab rend="small">
In most bibliographies and catalogues attributed to Wm Hen. Hudson, general
editor of the Poetry and Life Series. Hudson's name is signed to the pref.,
p. 7. The source of the attribution to Wimbolt I have not been able to
discover.
</ab><lb/>
<anchor xml:id="bib50"/>
<ab type="implicit"><hi rend="bold">1917.</hi> Thomas Gray. <hi rend="italic">Selected poems,</hi> edited by Edmund Gosse with
supplementary notes for the use of schools by Foster Watson, M. A. Oxford:
Clarendon Press, 1917.
</ab><ab rend="right">(<hi rend="italic">50</hi>   </ab>
<ab rend="small">
Text based on Gosse's ed. (<ref target="/texts/diglib/secondary/NoC_1917/1/7#bib41">N41</ref>)
and biog. on Gosse's biog. (<ref target="/texts/diglib/secondary/NoC_1917/1/232#bib1799">N1799</ref>).<lb/>
Spr, pp. 29-30. Cat, pp. 31-32. Eton, pp. 32-36. Adv, pp. 36-37. PP,
pp. 38-42. Bard, pp. 42-47. FS, pp. 48-51. Odin, pp. 51-54. Owen,
pp. 54-55. El, pp. 56-60. LSt, pp. 61-66. Music, pp. 66-70. Sonnet,
p. 70. Ign, pp. 71-72. Stanzas to Bentley, pp. 72-73. Vic, pp. 73-75. EpCl,
p. 76. Ep on child, p. 76. Sketch, p. 77. EpWms, p. 77. Death of Hoel, p. 78. Caradoc, p. 79. Conan, p. 79. Impr,
</ab>
<pb n="8" xml:id="p1-8"/>
<ab rend="small">
p. 80. Amatory lines, p. 81. Song, p. 81. From Propertius, pp. 82-85. From
Dante, pp. 85-88. Notes, pp. 92-132. Supplementary notes, pp. 133-56.
</ab><lb/>
<anchor xml:id="bib51"/><anchor xml:id="bib52"/>
<ab type="implicit"><hi rend="bold">1917.</hi> <hi rend="italic">The poetical works of Gray and Collins.</hi> Edited by Austin
Lane Poole. London: Oxford, Humphrey Milford (Oxford ed.), 1917.
</ab><ab rend="right">(<hi rend="italic">51-2</hi>   </ab>
<ab rend="small">
See <ref target="#bib67">#67</ref>.<lb/>
Frontispiece portr. from monument in Westminster Abbey. Contents,
pp. [6]-7. 'Chief editions' (a bibliog.), pp. 8-10. 'The chief manuscripts,'
p. 11. Chronolog. table of Gray's life, pp. [12]-14. Fac. t-p of Dodsley
<hi rend="italic">Poems</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/10#bib52">N52</ref>),
p. [15]. Spr, pp. 17-21. Cat, pp. 23-27. Eton, pp. 29-35. Adv, pp. 37-41. PP,
pp. 43-52. Bard, pp. 53-64. FS, pp. 65-72. Odin, pp. 73-79. Owen,
pp. 81-85. El, pp. 87-97 (Photo. of Pembroke MS. of El, ll. 73-116 between
pp. 90-91). Fac. t-p of Bentley's <hi rend="italic">Designs</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/31#bib178">N178</ref>),
p. 99. LSt, pp. 101-08. Cand, pp. 109-10. Music, pp. 111-16. Agrippina,
pp. 119-29. Sonnet, p. 130. Ign, pp. 131-32. Ed, pp. 133-39. Stanzas to
Bentley, pp. 140-41. Vic, pp. 142-45. EpCl, p. 146. Ep on Child,
p. 147. Sketch, p. 148. EpWms, p. 149. Death of Hoel, pp. 150-51. Caradoc,
p. 152. Conan, p. 152. Shakespeare verses, pp. 153-54. Amatory lines,
p. 155. Song (Thyrsis), p. 156. Stanza (Ep on Mrs. Mason), p. 157. Satire upon
Heads, pp. 158-59. Tophet, p. 160 (Photo. of Tophet MS. with Mason's sketch of
Etough between pp. 160-61). Comic lines, p. 161. Couplet about birds,
p. 161. Impr, pp. 162-63. Parody on ep, p. 163. Extempore, p. 164. Impromptus
on Keene, Vane, etc., p. 164. Lines on Robt Smith, p. 165. Transl. of Statius,
pp. 165-66. Lines by ghost of Dennis, pp. 166-68. Notes, pp. 169-80. Appendix
I. Eton MS. of El, pp. [181]-87. Appendix II, 'Gray's removal from Peterhouse
to Pembroke Hall,' pp. [188]-92.<lb/>
Rev. <hi rend="italic">TLS,</hi> May 17, 1918, p. 231; <hi rend="italic">Athenaeum,</hi> June, 1918, p. 284;
<hi rend="italic">Contemporary Rev.,</hi> CXIII (1918), 709-11; P. Toynbee, <hi rend="italic">MLR,</hi> XIV
(1919), 117-18.
</ab><lb/>
<anchor xml:id="bib53"/>
<ab type="implicit"><hi rend="bold">1918.</hi> Ernest Bernbaum, ed. <hi rend="italic">English poets of the eighteenth
century. . .</hi> New York: Scribner's, 1918.
</ab><ab rend="right">(<hi rend="italic">53</hi>   </ab>
<ab rend="small">
Comment in intro., pp. xxviii, xxix-xxx. Eton, pp. 178-81. Adv,
pp. 181-82. El, pp. 183-86. PP, pp. 187-90. Bard, pp. 190-94. FS,
pp. 194-96. Vic, pp. 196-98.
</ab><lb/>
<anchor xml:id="bib54"/>
<ab type="implicit"><hi rend="bold">1919.</hi> Rich. Foster Jones, ed. <hi rend="italic">Eighteenth century literature.</hi> New
York: Nelson, 1919. (Nelson's English Readings, IV)
</ab><ab rend="right">(<hi rend="italic">54</hi>   </ab>
<ab rend="small">
Reprinted 1929. Contains comment, pp. 210-11. Eton, pp. 211-14. El,
pp. 214-18. PP, pp. 218-23. Odin, pp. 223-26. FS, pp. 227-29. Notes,
pp. 405-08. 
</ab><lb/>
<anchor xml:id="bib55"/>
<ab type="implicit"><hi rend="bold">1922.</hi> Joseph A. Slattery, ed. <hi rend="italic">Selected lyrics from Gray and his
contemporaries.</hi> Chicago: Loyola Univ. Press, 1922.
</ab><ab rend="right">(<hi rend="italic">55</hi>   </ab>
<ab rend="small">
Biog., pp. 11-13. Spr, pp. 14-15. Vic, pp. 15-16. Eton, pp. 16-19. Cat,
pp. 19-20. El, pp. 21-25. Bard, pp. 25-29. Adv, pp. 29-30. Notes, pp. 54-70.
</ab><lb/>
<anchor xml:id="bib56"/>
<ab type="implicit"><hi rend="bold">1923.</hi> Iolo A. Williams, ed. <hi rend="italic">The shorter poems of the eighteenth
century: an anthology with an introduction.</hi> London: Heinemann, 1923.
</ab><ab rend="right">(<hi rend="italic">56</hi>   </ab>
<ab rend="small">
Spr, pp. 295-96. Cat, pp. 296-97. Eton, pp. 298-300. Sonnet, p. 301. El,
pp. 301-05.<lb/>
Rev. J. Hoops. ESt. LVIII (1924), 259-62; <hi rend="italic">TLS,</hi> Jan. 17, 1924, 29-30.
</ab><lb/>
<anchor xml:id="bib57"/>
<ab type="implicit"><hi rend="bold">1926.</hi> Kathleen W. Campbell, ed. <hi rend="italic">Poems on several occasions written
in the eighteenth century.</hi> Oxford: Blackwell, 1926. (Percy Reprints, IX)
</ab><ab rend="right">(<hi rend="italic">57</hi>   </ab>
<ab rend="small">
Sonnet, pp. 97-98. Cat, pp. 111-12. Vic, pp. 155-56.
</ab><lb/>
<anchor xml:id="bib58"/><ab type="implicit">
David Nichol Smith, ed. <hi rend="italic">The Oxford book of eighteenth century verse.</hi>
Oxford: Clarendon; London: Milford, 1926.
</ab><ab rend="right">(<hi rend="italic">58</hi>   </ab>
<pb n="9" xml:id="p1-9"/>
<ab rend="small">
Eton, pp. 366-69. Adv, pp. 369-71. Sonnet, p. 371. Cat, pp. 372-73. El,
pp. 373-78. PP, pp. 378-82. Bard, pp. 383-88. Vic, pp. 388-90.
</ab><lb/>
<anchor xml:id="bib59"/>
<ab type="implicit"><hi rend="bold">1928.</hi> <hi rend="italic">Elegy written in a country churchyard and other poems</hi> by
Thomas Gray with [ten] illustrations by Clarke Hutton. London:  John
Lane, the Bodley Head, Ltd. (Helicon Series, XII)
</ab><ab rend="right">HU   (<hi rend="italic">59</hi>   </ab>
<ab rend="small">
[1928.] Printed by R. &amp; R. Clark, Ltd, Edinburgh<lb/>
El, pp. 1-23. Eton, pp. 25-38. Cat, pp. 39-46.<lb/>
Noted in 'Reprints,' <hi rend="italic">TLS,</hi> Sept. 6, 1928, p. 635.
</ab><lb/>
<anchor xml:id="bib60"/>
<ab type="implicit"><hi rend="italic">Poems by Thomas Gray.</hi> London: [Privately printed for Eton College in
the Riccardi Press fount of the Medici Society], MCMXXVIII.
</ab><ab rend="right">SC   (<hi rend="italic">60</hi>   </ab>
<ab rend="small">
Spr, pp. 3-4. Cat, pp. 5-6. Eton, pp. 7-10. Adv, pp. 11-12. PP,
pp. 13-17. Bard, pp. 18-22. Music, pp. 23-26. FS, pp. 27-29. Odin,
pp. 30-33. Owen, pp. 34-35. Death of Hoel, pp. 36-37. Sonnet, p. 38. EpCl,
p. 39. EpWms, p. 40. El, pp. 41-45. LSt, pp. 46-51. Vic, pp. 52-54. Ign,
pp. 55-56. Ed, pp. 57-60. Stanzas to Bentley, pp. 61-62. Sketch,
p. 63. Amatory lines, p. 64. Song, p. 65. Impr, p. 66. Agrippina,
pp. 67-73. Statius, pp. 77-79. Propertius, Lib. III, pp. 80-81. Tasso,
pp. 82-84. Propertius, Lib. II, pp. 85-87.
</ab><lb/>
<anchor xml:id="bib61"/>
<ab type="implicit"><hi rend="bold">1929.</hi> Joseph P. Blickensderfer, ed. <hi rend="italic">The eighteenth century.</hi> New
York: Scribner's, 1929. (In James Dow McCallum, ed. <hi rend="italic">English literature,</hi>
6v.)
</ab><ab rend="right">(<hi rend="italic">61</hi>   </ab>
<ab rend="small">
Comment, pp. xviii-xix. Eton, pp. 318-21. Adv, pp. 321-23. El,
pp. 323-27. Bard, pp. 328-33. FS, pp. 333-35. Odin, pp. 335-38. Cat,
pp. 338-40. Sketch, p. 340. Notes, pp. 497-98.
</ab><lb/>
<anchor xml:id="bib61a"/>
<ab type="implicit"><hi rend="bold">1930.</hi> Kathleen W. Campbell, ed. <hi rend="italic">An anthology of English poetry:
Dryden to Blake.</hi> New York: Holt; London: Butterworth, 1930.
</ab><ab rend="right">(<hi rend="italic">61a</hi>   </ab>
<ab rend="small">
Sonnet, p. 153. El, pp. 153-57. Cat, pp. 157-59. PP, pp. 159-61.
</ab><lb/>
<anchor xml:id="bib62"/><ab type="implicit">
W[m]. Peacock, ed. <hi rend="italic">English verse.</hi> III: <hi rend="italic">Dryden to Wordsworth.</hi>
Oxford: University Press; London: Milford, 1930. (World's Classics, CCCX)
</ab><ab rend="right">(<hi rend="italic">62</hi>   </ab>
<ab rend="small">
Eton, pp. 253-56. El, pp. 256-61. Bard, pp. 261-65. PP, pp. 265-69. Cat,
pp. 269-71. Owen, pp. 271-72. Vic, pp. 272-73. Stanzas to Bentley,
p. 274. Adv, pp. 275-76. Spr, pp. 276-78.
</ab><lb/>
<anchor xml:id="bib62a"/>
<ab type="implicit"><hi rend="bold">1931.</hi> W[alter]. J[as]. Turner, ed. <hi rend="italic">Eighteenth century poetry, an
anthology. . .</hi> London: Chatto &amp; Windus, 1931. (Phoenix Library, LXIX)
</ab><ab rend="right">(<hi rend="italic">62a</hi>   </ab>
<ab rend="small">
Eton, pp. 129-32. Adv, pp. 132-34. Cat, pp. 134-36. PP, pp. 136-41. Vic,
pp. 141-42. Satire upon Heads, pp. 143-44. (Prints on p. 128 as one of Gray's
poems Collins' Sonnet ['When <hi rend="italic">Phoebe</hi> form'd a wanton smile,'].)
</ab><lb/>
<anchor xml:id="bib63"/><ab type="implicit">
Fredk T. Wood, ed. <hi rend="italic">An anthology of Augustan poetry, 1700-1751.</hi> London
&amp; New York: Macmillan, 1931.
</ab><ab rend="right">(<hi rend="italic">63</hi>   </ab>
<ab rend="small">
Comment, pp. lvi, lxi, lxvii. Eton, pp. 73-76. Spr, pp. 191-93. El,
pp. 297-301.
</ab><lb/>
<anchor xml:id="bib64"/>
<ab type="implicit"><hi rend="bold">1932.</hi> Ronald S. Crane, ed. <hi rend="italic">A collection of English poems
1660-1800.</hi> New York &amp; London: Harper, 1932. <hi rend="italic">Notes,</hi> 1937.
</ab><ab rend="right">(<hi rend="italic">64</hi>   </ab>
<ab rend="small">
See <ref target="#bib9">#9</ref>.<lb/>
Spr, pp. 756-7. Sonnet, p. 758. Eton, pp. 758-60. Adv, pp. 760-62. Cat,
762-63. Ed, pp. 763-65. El, pp. 765-69. Vic, pp. 769-70. PP, pp. 770-73. Bard,
pp. 774-77. Sketch, p. 778. FS, pp. 778-80. Odin, pp. 780-82. Owen,
pp. 783-84.
</ab>
<pb n="10" xml:id="p1-10"/>
<ab rend="small">
Shakespeare verses, p. 784.
</ab><lb/>
<anchor xml:id="bib65"/>
<ab type="implicit"><hi rend="bold">1933.</hi> Jas W. Tupper, ed. <hi rend="italic">English poems from Dryden to Blake.</hi> New
York: Prentice-Hall, 1933.
</ab><ab rend="right">(<hi rend="italic">65</hi>   </ab>
<ab rend="small">
See <ref target="#bib11a">#11a</ref>.<lb/>
Eton, pp. 506-09. Sonnet, pp. 509-10. Cat, pp. 510-11. El, pp. 511-15. PP,
pp. 516-19. Bard, pp. 520-25. FS, pp. 525-27. Odin, pp. 528-30. Owen,
pp. 531-32.
</ab><lb/>
<anchor xml:id="bib66"/>
<ab type="implicit"><hi rend="bold">1935.</hi> Cecil A. Moore, ed. <hi rend="italic">English poetry of the eighteenth
century.</hi>  New York: Holt, 1935.
</ab><ab rend="right">(<hi rend="italic">66</hi>   </ab>
<ab rend="small">
Comment and bibliog., pp. 628-30, 926. Eton, pp. 630-31. Spr,
pp. 631-32. Sonnet, p. 632. Cat, pp. 632-33. Adv, pp. 633-34. El,
pp. 634-37. PP, pp. 637-40. Bard, pp. 640-43. FS, pp. 644-45. Odin,
pp. 645-46. Owen, p. 646.
</ab><lb/>
<anchor xml:id="bib66a"/>
<ab type="implicit"><hi rend="bold">1936.</hi> Corliss Lamont, ed. <hi rend="italic">Man answers death: an anthology of
poetry.</hi> New York: Putnam's, 1936.
</ab><ab rend="right">(<hi rend="italic">66a</hi>   </ab>
<ab rend="small">
Sonnet, p. 84. El, pp. 146-48.
</ab><lb/>
<anchor xml:id="bib67"/>
<ab type="implicit"><hi rend="bold">1937.</hi> <hi rend="italic">The poems of Gray and Collins.</hi> Third edition
revised. London: Oxford, 1937.
</ab><ab rend="right">(<hi rend="italic">67</hi>   </ab>
<ab rend="small">
See <ref target="#bib51">#51</ref>. Revision by Leonard Whibley. Adds
Invitation to Mason, p. 163.<lb/>
Noted in <hi rend="italic">TLS,</hi> Mar. 20, 1937, p. 226. Rev. E. Morley, <hi rend="italic">YWES</hi>, XVIII
(1937), 210-11; <hi rend="italic">TLS,</hi> Nov. 27, 1937, p. 915.
</ab><lb/>
<anchor xml:id="bib68"/>
<ab type="implicit"><hi rend="bold">1939.</hi> <hi rend="italic">The poems of Thomas Gray.</hi> Introduction by Leonard
Whibley. London: Oxford, 1939. (World's Classics, CDLXXIV)
</ab><ab rend="right">(<hi rend="italic">68</hi>   </ab>
<ab rend="small">
Text based on <ref target="#bib67">#67</ref>. Spr, pp. 5-7. Cat,
pp. 11-13. Eton, pp. 17-21. Adv, pp. 25-27. PP, pp. 31-38. Bard,
pp. 41-50. FS, pp. 55-58. Odin, pp. 61-65. Owen, pp. 69-70. El,
pp. 73-79. LSt, pp. 83-90. Music, pp. 91-95. Impr, pp. 96-97. Lines by ghost
of Dennis, pp. 101-03. Lines on beeches at Burnham, p. 103. Agrippina,
pp. 104-15. Ign, pp. 116-17. Sonnet, pp. 118. Ed, pp. 119-25. Tophet,
p. 126. Stanzas to Bentley, pp. 126-27. Vic, pp. 128-31. EpCl, p. 132. Ep on
child, p. 133. Sketch, p. 134. EpWms, p. 135. Death of Hoel,
pp. 136-37. Caradoc, p. 138. Conan, p. 138. Amatory lines, p. 139. Song
(Thyrsis), p. 140. Candidate, pp. 141-42. Shakespeare verses,
pp. 143-44. Parody on ep, p. 144. Impromptus, p. 145. Invitation to Mason,
p. 146. Couplet about birds, p. 146. Lines on Robt Smith, p. 146. Satire upon
Heads, pp. 147-48. Eton MS of El, pp. 149-56.<lb/>
Rev. <hi rend="italic">TLS,</hi> Dec. 9, 1939, p. 723; D. Macgregor. <hi rend="italic">RES,</hi> XVI (Jan.,
1940), 115.
</ab><lb/>
<anchor xml:id="bib69"/>
<ab type="implicit"><hi rend="bold">1940.</hi> Leicester Bradner. <hi rend="italic">Musae Anglicanae. . .</hi></ab> 
<ab rend="right">(<hi rend="italic">69</hi>   </ab>
<ab rend="small">
See <ref target="#bib1047">#1047</ref>. Alcaic Frag, p. 242. Al0, p. 243.
</ab><lb/>
<anchor xml:id="bib70"/>
<ab type="implicit"><hi rend="bold">1941.</hi> John Sparrow, ed. <hi rend="italic">Poems in Latin. Together with a few
inscriptions.</hi> London: Oxford, Milford, 1941.
</ab><ab rend="right">(<hi rend="italic">70</hi>   </ab>
<ab rend="small">
AlO, p. 7. Zeph, pp. 8-9. Arist, pp. 10-12. Cog, pp. 13-14. Alcaic Frag,
p. 15.<lb/>
Rev. <hi rend="italic">TLS</hi>, Nov. 22, 1941, p. 582.
</ab><lb/>
<anchor xml:id="bib71"/>
<ab type="implicit"><hi rend="bold">1947.</hi> <hi rend="italic">Elegy in a country churchyard with the complete poems of
Thomas Gray.</hi>  Mount Vernon, N. Y.: Peter Pauper Press.
</ab><ab rend="right">CbC   (<hi rend="italic">71</hi>   </ab>
<ab rend="small">
[1947.] Nine wood-engravings by Tho. Bewick.<lb/>
El, pp. 7-11. Spr, pp. 12-13. Sonnet, p. 13. PP, pp. 14-17. Bard,
pp. 18-22. Cat, pp. 22-23. Music, pp. 24-27. Odin, pp. 27-30. EpCl,
p. 30. Eton, pp. 31-34. Adv, pp. 34-35. Owen, pp. 36-37. Death of Hoel,
pp. 37-38. Ep Wms, p.38. LSt, pp. 39-43. FS, pp. 44-45. Vic, pp. 46-49 (with
Mason's additions). Agrippina, pp. 49-55. Ign, pp. 55-56. Sketch, p. 56. Ed,
pp. 57-59. Stanzas to Bentley, p. 60. Amatory lines, p. 61. Song (Thyrsis),
p. 61. Ep on child, p.61. Stanza, p. 62. Shakespeare verses, p. 62. Satire
upon Heads, pp. 63-64. Impr, p. 64. Lines by ghost of Dennis,
pp. 65-66. Tophet, p. 66. Cand, pp. 67-68.
</ab>
<pb n="11" xml:id="p1-11"/>
<anchor xml:id="bib72"/>
<ab type="implicit"><hi rend="bold">1950.</hi> John Masefield, ed. <hi rend="italic">My favourite English poems.</hi> London:
Heinemann; New York: Macmillan 1950.
</ab><ab rend="right">(<hi rend="italic">72</hi>   </ab>
<ab rend="small">
El, pp. 187-91. Tophet, p. 191. Impr, p. 192.<lb/>
Rev. W. McFee. N. Y. <hi rend="italic">Times Bk. Rev.</hi>, Nov. 12, 1950, p. 44.
</ab><lb/>
</div><div type="section"><head rend="center"><hi rend="bold">5. SELECTIONS FROM THE PROSE WORKS</hi></head>
<anchor xml:id="bib72a"/>
<ab type="implicit"><hi rend="bold">1914-24.</hi> Caroline F. E. Spurgeon, ed. <hi rend="italic">Five hundred years of Chaucer
criticism and allusion (1357-1900).</hi>  London: Paul, Trench, Trübner;
Oxford Univ. Press (Chaucer Soc.), 1914-24, 7v. Vol. I.
</ab><ab rend="right">(<hi rend="italic">72a</hi>   </ab>
<ab rend="small">
T. &amp; W. nos. 320, pp. 417-18; 518, p. 436; Metrum, pp. 418-21 (selec.);
Note to PP, p. 431. See also index.<lb/>
Reprinted Cambridge Univ. Press, 1925, 3v.
</ab><lb/>
<anchor xml:id="bib73"/>
<ab type="implicit"><hi rend="bold">1921.</hi> W[m]. Peacock, ed. <hi rend="italic">English prose.</hi>  II: <hi rend="italic">Milton to
Gray.</hi>  London: Oxford, 1921. (World's Classics, CCXX) See <ref target="#bib428">#428</ref>.
</ab><ab rend="right">(<hi rend="italic">73</hi>   </ab>
<ab rend="small">
Selec. from Journal in the Lakes, pp. 588-91. T. &amp; W. no. 422,
pp. 591-93.
</ab><lb/>
<anchor xml:id="bib74"/>
<ab type="implicit"><hi rend="bold">1927.</hi> Ernest Rhys, ed. <hi rend="italic">The prelude to poetry: the English poets in
defense and praise of their own art.</hi> London: Dent; New York: Dutton,
1927. (Everyman, DCCLXXXIX)
</ab><ab rend="right">(<hi rend="italic">74</hi>   </ab>
<ab rend="small">
Selec. T. &amp; W. no. 262, p. xii. Metrum, pp. 136-45.
</ab><lb/>
</div><div type="section"><head rend="center"><hi rend="bold">6. TRANSLATIONS OF SELECT WORKS</hi><lb/><hi rend="italic">English</hi></head>
<anchor xml:id="bib74a"/>
<ab type="implicit"><hi rend="bold">1927.</hi> Tho. Wharton. In Leicester Bradner. "Dr. Wharton's
translations of Gray's Latin poems." <hi rend="italic">MP,</hi> XXV (1927), 124-27.
</ab><ab rend="right">(<hi rend="italic">74a</hi>   </ab>
<ab rend="small">
Arist, pp. 124-26. Zeph, p. 126. AlO, p. 127.
</ab>
<p rend="center"><hi rend="italic">French</hi></p> 
<anchor xml:id="bib75"/>
<ab type="implicit"><hi rend="bold">1925.</hi> Pierre Berger. In his <hi rend="italic">Les poètes préromantiques
anglais: introduction, traduction et notes.</hi> Paris: La Renaissance du
Livre.
</ab><ab rend="right">UCl, V   (<hi rend="italic">75</hi>   </ab>
<ab rend="small">
[1925.] Comment, pp. 6, 40-42. Spr, pp. 42-43. Eton, pp. 44-47. Adv,
pp. 47-49. PP, pp. 49-54. Bard, pp. 54-61. FS, pp. 61-63. El, pp. 64-69.<lb/>
Rev. L. Cazamian. <hi rend="italic">RAA,</hi> III (1925), 137-38.
</ab><lb/>
<anchor xml:id="bib76"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>.
</ab><ab rend="right">(<hi rend="italic">76</hi>   </ab>
<ab rend="small">
Complete transl. of the following poems: Arist, pp. 308-09. Zeph,
pp. 310-11. Alcaic Frag, p. 298. AlO, pp. 311-12. Amatory lines, p. 69. Bard,
pp. 449-52. Hoel, pp. 387-88. El, pp. 415-17. Adv, pp. 397-98. Lines by ghost
of Dennis, pp. 299-300. Eton, pp. 393-95. Cat, pp. 376-77. Vic,
pp. 399-400. Spr, pp. 390-91. PP, pp. 439-41. Sonnet, p. 324. Stanzas to
Bentley, pp. 372-73.<lb/>
Transl. of selec. from the following poems: Agrippina, p. 321. Ed.,
p. 370. Cand, p. 374. Dante, p. 318. Cog, pp. 312-13. Odin, p. 386. Elegiacs,
p. 304. FF, p. 305. FS, pp. 385, 386. Gaurus, pp. 305, 306. Ign, p. 367. Impr,
p. 243. LSt, p. 379, 380, 381. Luna, p. 305. Music, pp. 388, 389. Prop III,
p. 319. Prop II, p. 322. Shak verses, p. 375. Sketch, p. 28. Soph, pp. 323,
324. Tasso, pp. 318-19.
</ab>
<pb n="12" xml:id="p1-12"/>
<anchor xml:id="bib76a"/>
<ab type="implicit"><hi rend="bold">1939.</hi> Roger Martin. In his <hi rend="italic">Les préromantiques anglais. Choix
de leurs poèmes.</hi> Paris: Aubier, Editions Montaigne, MCMXXXIX.
</ab><ab rend="right">(<hi rend="italic">76a</hi>   </ab>
<ab rend="small">
El, pp. [112]-21. Bard, pp. 120-33. Odin, pp. 132-39. English texts printed on
alternating pages. Comment, pp. ix, x, xiii, xiv, xv, xvi, [108]-ll.
</ab><lb/>
</div><div type="section"><head rend="center"><hi rend="bold">7. INDIVIDUAL WORKS AND TRANSLATIONS</hi></head>
<p rend="center"><hi rend="bold">AD C. FAVONIUM ARISTIUM</hi><lb/>EDITIONS</p>
<anchor xml:id="bib77"/>
<ab type="implicit"><hi rend="bold">1941.</hi> John Sparrow. See <ref target="#bib70">#70</ref>, pp. 10-12.
</ab><ab rend="right">(<hi rend="italic">77</hi>   </ab>
<p rend="center">TRANSLATIONS<lb/><hi rend="italic">English</hi></p> 
<anchor xml:id="bib78"/>
<ab type="implicit"><hi rend="bold">1927.</hi> Tho. Wharton. See Leicester Bradner, <ref target="#bib74a">#74a</ref>, pp. 124-26.
</ab><ab rend="right">(<hi rend="italic">78</hi>   </ab>
<ab rend="small">
Begins, West! on the wing with me to fix.   52 ll.
</ab>
<p rend="center"><hi rend="italic">French</hi></p>
<anchor xml:id="bib78a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, pp. 308-09.
</ab><ab rend="right">(<hi rend="italic">78a</hi>   </ab>
<ab rend="small">
Beqins, Toi que je vais revoir dans les temples barbares.   
13 stanzas of 4 ll.
</ab><lb/>
<p rend="center"><hi rend="bold">AD C. FAVONIUM ZEPHYRINUM</hi><lb/>EDITIONS</p>
<anchor xml:id="bib79"/>
<ab type="implicit"><hi rend="bold">1941.</hi> John Sparrow. See <ref target="#bib70">#70</ref>, pp. 8-9.
</ab><ab rend="right">(<hi rend="italic">79</hi>   </ab>
<p rend="center">TRANSLATIONS<lb/><hi rend="italic">English</hi></p> 
<anchor xml:id="bib80"/>
<ab type="implicit"><hi rend="bold">1927.</hi> Tho. Wharton. See Leicester Bradner, <ref target="#bib74a">#74a</ref>, p.126.
</ab><ab rend="right">(<hi rend="italic">80</hi>   </ab>
<ab rend="small">
Begins, Oh Parent of the blooming rose.   36 ll.
</ab>
<p rend="center"><hi rend="italic">French</hi></p>
<anchor xml:id="bib80a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. In his <hi rend="italic">Essai</hi> . . . <ref target="#bib948">#948</ref>, pp. 310-11.
</ab><ab rend="right">(<hi rend="italic">80a</hi>   </ab>
<ab rend="small">
Begins, Mère des roses, par qui s'enfle la suave.   36 ll.
</ab><lb/>
<p rend="center"><hi rend="bold">AGRIPPINA</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">French</hi> 
<pb n="13" xml:id="p1-13"/>
<anchor xml:id="bib80b"/>
<hi rend="bold">1934.</hi> Roger Martin. Ll. 9-11, 39-41, 160-68. In his Essai. . . <ref target="#bib948">#948</ref>, p. 321.
</p><ab rend="right">(<hi rend="italic">80b</hi>   </ab>
<ab rend="small">
Ll. 9-11 read, Ajoutez. . .<lb/>
. . . que vous vîtes dans son oeil une larme<lb/>
qu'elle aurait versée, si l'orgueil ne l'avait retenue. . .
</ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib80c"/>
<ab type="implicit"><hi rend="bold">1922.</hi> See Eccles, <ref target="#bib715">#715</ref>.
</ab><ab rend="right">(<hi rend="italic">80c</hi>   </ab>
<p rend="center"><hi rend="bold">ALCAIC FRAGMENT</hi><lb/>EDITIONS</p>
<anchor xml:id="bib81"/>
<ab type="implicit"><hi rend="bold">1803.</hi> In "The life of Thomas Gray." <hi rend="italic">The Port Folio,</hi>
III (Aug. 27, 1803), 277.
</ab><ab rend="right">(<hi rend="italic">81-N370b</hi>   </ab>
<anchor xml:id="bib82"/>
<ab type="implicit"><hi rend="bold">1941.</hi> John Sparrow. See <ref target="#bib70">#70</ref>, p. 15.
</ab><ab rend="right">(<hi rend="italic">82</hi>   </ab>
<p rend="center">TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib82a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, p. 298.
</ab><ab rend="right">(<hi rend="italic">82a</hi>   </ab>
<ab rend="small">
Begins, Source des pleurs, dont le courant sacré.   4 ll.
</ab><lb/>
<p rend="center"><hi rend="bold">ALCAIC ODE</hi><lb/>EDITIONS</p>
<anchor xml:id="bib82b"/>
<ab type="implicit"><hi rend="bold">1941.</hi> John Sparrow. See <ref target="#bib70">#70</ref>, p. 7.
</ab><ab rend="right">(<hi rend="italic">82b</hi>   </ab>
<ab rend="small">
See also <ref target="#bib83">#83</ref>, <ref target="#bib86">86</ref>, <ref target="#bib88">88</ref>, <ref target="#bib89">89</ref>.
</ab>
<p rend="center">TRANSLATIONS AND IMITATIONS<lb/><hi rend="italic">English</hi></p> 
<anchor xml:id="bib83"/>
<ab type="implicit"><hi rend="bold">1775.</hi> A Gentleman of Sunderland. Reprinted in <hi rend="italic">The Port Folio</hi>,
III (Aug. 13, 1803), 261.
</ab><ab rend="right">(<hi rend="italic">83-<ref target="/texts/diglib/secondary/NoC_1917/1/58#bib384">N384</ref></hi>   </ab>
<ab rend="small">
Accompanied by Latin text.
</ab><lb/>
<anchor xml:id="bib84"/>
<ab type="implicit"><hi rend="bold">1793.</hi> John Hampson. In <hi rend="italic">The Poetics of M. H. Vida. . .</hi></ab> 
<ab rend="right">(<hi rend="italic">84-<ref target="/texts/diglib/secondary/NoC_1917/1/59#bib389">N389</ref></hi>   </ab>
<ab rend="small">
Begins, O Thou the Genius of these awful shades.   28 ll.
</ab><lb/>
<anchor xml:id="bib85"/><ab type="implicit">
In <hi rend="italic">The Universal Magazine,</hi> XCII (Mar., 1793), 212-13
</ab><ab rend="right">(<hi rend="italic">85-N389a</hi>   </ab>
<ab rend="small">
Begins, Hail, genius of this solemn scene!   4 stanzas of 8 ll.
</ab><lb/>
<anchor xml:id="bib86"/>
<ab type="implicit"><hi rend="bold">1795.</hi> "Ode to the nymph of the fountain of tears." In <hi rend="italic">The
Universal Magazine,</hi> XCVI (Jan., 1795), 51.
</ab><ab rend="right">(<hi rend="italic">86-N391a</hi>   </ab>
<ab rend="small">
Begins, Hail, pious Nymph! whose gentle power.  14 quatrains<lb/>
Imitation accompanied by Latin text.
</ab><lb/>
<anchor xml:id="bib87"/>
<ab type="implicit"><hi rend="bold">1796.</hi> Mr. Marsh of the Temple. "Paraphrase of Mr. Gray's Latin
ode, written at the Grand Chartreuse." In <hi rend="italic">The Monthly Magazine,</hi> I
(Feb., 1796), 56.
</ab><ab rend="right">(<hi rend="italic">87-N391b</hi>   </ab>
<pb n="14" xml:id="p1-14"/>
<ab rend="small">
Begins, Whoe'er thou art, that rul'st with sway supreme.   6 quatrains
</ab><lb/>
<anchor xml:id="bib88"/>
<ab type="implicit"><hi rend="bold">1803.</hi> An American Gentleman. In <hi rend="italic">The Port Folio,</hi> III (July 2,
1803), [2O9]-210.
</ab><ab rend="right">(<hi rend="italic">88-N392'</hi>   </ab>
<ab rend="small">
Begins, 0 Thou! the Power, that o'er this solemn scene.   24 ll.<lb/>
Accompanied by Latin text.
</ab><lb/>
<anchor xml:id="bib89"/>
<ab type="implicit"><hi rend="bold">1804.</hi> "Cantabrigiana. Translation of a Latin ode of Gray's."
In <hi rend="italic">The Monthly Magazine,</hi> XVII (March 1, 1804), 123-24.
</ab><ab rend="right">(<hi rend="italic">89-N392''</hi>   </ab>
<ab rend="small">
Begins, Thou Genius of this awful place.   2 stanzas of 10 ll.<lb/>
Accompanied by Latin text and comment.
</ab><lb/>
<anchor xml:id="bib90"/><anchor xml:id="bib91"/>
<ab type="implicit"><hi rend="bold">1927.</hi> Tho. Wharton. See Leicester Bradner, <ref target="#bib74a">#74a</ref>, p. 127.
</ab><ab rend="right">(<hi rend="italic">90-1</hi>   </ab>
<ab rend="small">
Begins, Oh Power! whatever name beneath.   24 ll.
</ab><lb/>
<anchor xml:id="bib92"/>
<ab type="implicit"><hi rend="bold">1941.</hi> M. H. Griffin. In "Thomas Gray, classical Augustan."
<hi rend="italic">CJ,</hi> XXXVI (1941), 447.
</ab><ab rend="right">(<hi rend="italic">92</hi>   </ab>
<ab rend="small">
Prose. Begins, O Thou Divinity of this hallowed place, in whatsoever name Thou
dost rejoice. . . .
</ab>
<p rend="center"><hi rend="italic">French</hi></p>
<anchor xml:id="bib92a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Ode alcaïque." In his <hi rend="italic">Essai</hi>
. . . <ref target="#bib948">#948</ref>, pp. 311-12.
</ab><ab rend="right">(<hi rend="italic">92a</hi>   </ab>
<ab rend="small">
Begins, O religion d'un lieu austère.   20 ll.
</ab><lb/>
<p rend="center"><hi rend="bold">THE ALLIANCE OF EDUCATION AND
GOVERNMENT</hi><lb/>EDITIONS</p>
<anchor xml:id="bib93"/>
<ab type="implicit"><hi rend="bold">1803.</hi> In "The life of Thomas Gray." <hi rend="italic">The Port Folio,</hi>
III (Aug. 20, 1803), 268.
</ab><ab rend="right">(<hi rend="italic">93-N401b</hi>   </ab>
<anchor xml:id="bib94"/>
<ab type="implicit"><hi rend="bold">1943.</hi> Ll. 46-49. In "Old and True." The London <hi rend="italic">Daily
Times,</hi> Nov. 23, 1943, p. 6.
</ab><ab rend="right">(<hi rend="italic">94</hi>   </ab>
<p rend="center">TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib94a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Alliance de l'éducation et du
gouvernement." ll. 50-57. In his <hi rend="italic">Essai</hi> . . . <ref target="#bib948">#948</ref>, p. 370.
</ab><ab rend="right">(<hi rend="italic">94a</hi>   </ab>
<ab rend="small">
L. 50 reads, On vit surgir aussi, hordes poussant des hordes.
</ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib95"/>
<ab type="implicit"><hi rend="bold">1803.</hi> N. N. In <hi rend="italic">The Monthly Magazine,</hi> XVI (Nov. 1, 1803), 299
[p. no. erroneously printed as 399]. 
</ab><ab rend="right">(<hi rend="italic">95-N404'</hi>   </ab>
<ab rend="small">
Quotes ll. 94-107. Regards ll. 104-07 as a feeble ending.
</ab><lb/>
<anchor xml:id="bib96"/>
<ab type="implicit"><hi rend="bold">1943.</hi> F. T. H. Fletcher. "Montesquieu and British education in the
eighteenth century."In <hi rend="italic">MLR,</hi> XXXVIII (1943), 298-
<pb n="15" xml:id="p1-15"/>
306.
</ab><ab rend="right">(<hi rend="italic">96</hi>   </ab>
<ab rend="small">
Pp. 299-30 quotes ll. 13-16, 64-65, and discusses debt of Ed to Montesquieu.
</ab><lb/>
<p rend="center"><hi rend="bold">AMATORY LINES</hi><lb/>EDITIONS</p>
<anchor xml:id="bib96a"/>
<ab type="implicit"><hi rend="bold">1799.</hi> In <hi rend="italic">The Monthly Mirror,</hi> VIII (Sept., 1799), 157.
</ab><ab rend="right">(<hi rend="italic">96a-N406a</hi>   </ab>
<ab rend="small">
See <ref target="#bib31">#31</ref>.
</ab>
<p rend="center">TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib97"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Vers d'amour." In his <hi rend="italic">Essai</hi> . . .
<ref target="#bib948">#948</ref>, p. 69.
</ab><ab rend="right">(<hi rend="italic">97</hi>   </ab>
<ab rend="small">
Begins, Entouré de beauté et de plaisir, languir.   8 ll.
</ab><lb/>
<p rend="center"><hi rend="bold">THE BARD</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib97a"/>
<ab type="implicit"><hi rend="bold">1764.</hi> Jean Baptiste Antoine Suard. According to Hunter, <ref target="#bib765">#765</ref>, pp. 90, 110-11, in Nov., 1764, Suard
produced an analysis of the Bard accompanied by a translation of several of
the stanzas. I have not been able to find it.
</ab><ab rend="right">(<hi rend="italic">97a-N419a</hi>   </ab>
<anchor xml:id="bib97b"/>
<ab type="implicit"><hi rend="bold">1925.</hi> Pierre Berger. "Le barde." See <ref target="#bib75">#75</ref>, pp. 54-61.
</ab><ab rend="right">(<hi rend="italic">97b</hi>   </ab>
<ab rend="small">
Begins, Que la Ruine te saisisse! roi impitoyable,   144 ll.
</ab><lb/>
<anchor xml:id="bib97c"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Le barde." In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, pp. 449-52.
</ab><ab rend="right">(<hi rend="italic">97c</hi>   </ab>
<ab rend="small">
Begins, Que la Ruine t'étreigne, Roi sans pitié!   144 ll.
</ab><lb/>
<anchor xml:id="bib97d"/>
<ab type="implicit"><hi rend="bold">1939</hi> Roger Martin. "Le barde." In his
<hi rend="italic">Préromantiques anglais</hi> . . . <ref target="#bib76a">#76a</ref>, pp. 120-33.
</ab><ab rend="right">(<hi rend="italic">97d</hi>   </ab>
<ab rend="small">
Begins, Cours à ta ruine, ô roi cruel!. . .   144 ll.<lb/>
Not the same transl. as <ref target="#bib97c">#97c</ref>.
</ab>
<p rend="center"><hi rend="italic">Italian</hi></p>
<anchor xml:id="bib97e"/>
<ab type="implicit"><hi rend="bold">1808.</hi> Giovanni Berchet.
</ab><ab rend="right">(<hi rend="italic">97e-<ref target="/texts/diglib/secondary/NoC_1917/1/64#bib430">N430</ref></hi>   </ab>
<ab rend="small">
Discussed by Laudomia Zanoboni-Cecchini. 'La prima manifestazione letteraria
di Giovanni Berchet.' In <hi rend="italic">Giornale storico della letteratura italiana,</hi>
LXXVII (1921), [255]-73. (Also comments on the influence of the Bard on
Alfieri, Monti, and Foscolo.)
</ab>
<p rend="center"><hi rend="italic">Latin</hi></p>
<anchor xml:id="bib98"/>
<ab type="implicit"><hi rend="bold">1899.</hi> W[m]. C[has]. G[reen]. "Infelix vates." In Francis
St. John Thackeray and Edw. Daniel Stone, eds. <hi rend="italic">Florilegium</hi> 
<pb n="16" xml:id="p1-16"/>
<hi rend="italic">Latinum. Translations into Latin verse: Pre-Victorian poets.</hi> London and
New York: John Lane, 1899, I. (Bodley Head Anthologies)
</ab><ab rend="right">(<hi rend="italic">98-N435a</hi>   </ab>
<ab rend="small">
Ll. 15-28. English, p. 148; Latin, p. 149.<lb/>
L. 15 reads, En! qua minaci fronte superbiens.   5 quatrains
</ab><lb/>
<p rend="center">PARODIES AND IMITATIONS<lb/><hi rend="italic">English</hi></p>
<anchor xml:id="bib99"/>
<ab type="implicit"><hi rend="bold">1762.</hi> Oliver Goldsmith. In <hi rend="italic">Boswell's London journal, 1762-1763.</hi>
Fredk A. Pottle, ed. Pref. by Christopher Morley. New York: McGraw-Hill, 1950,
p. 106.
</ab><ab rend="right">(<hi rend="italic">99-N437'</hi>   </ab>
<ab rend="small">
Begins, Mark the white and mark the red.   4 ll.
</ab><lb/>
<anchor xml:id="bib100"/>
<ab type="implicit"><hi rend="bold">1776.</hi> Rich. Cumberland. "Ode I. To the sun." In his
<hi rend="italic">Odes</hi>. London: J. Robson, 1776, pp. 11-20.
</ab><ab rend="right">(<hi rend="italic">100-N437b</hi>   </ab>
<ab rend="small">
Begins, Soul of the world, refulgent Sun.<lb/>
See esp. stanzas 9-10, pp. 17-18. See also 'Dedication,' p. 4.
</ab><lb/>
<anchor xml:id="bib101"/>
<ab type="implicit"><hi rend="bold">1782.</hi> John Scott (of Amwell). "The Mexican prophecy. An ode."
In <hi rend="italic">The Poetical works of John Scott, Esq.</hi> The second edition [First
ed., 1782]. London: Printed for J. Buckland, MDCCLXXXVI, pp. 247-58.
</ab><ab rend="right">(<hi rend="italic">101-<ref target="/texts/diglib/secondary/NoC_1917/1/65#bib438b">N438b</ref></hi>   </ab>
<ab rend="small">
Begins, From Cholula's hostile plain.   156 ll.<lb/>
Reprinted in Chalmers, <hi rend="italic">English poets,</hi> 1810, XVII, 487-88.
</ab><lb/>
<anchor xml:id="bib102"/>
<ab type="implicit"><hi rend="bold">1790.</hi> Evan Evans. "Paraphrase of the 137th Psalm: alluding to the
captivity and ill-treatment of the Welsh bards by King Edward I." In
<hi rend="italic">The Universal Magazine,</hi> LXXXVI (May, 1790), 265.
</ab><ab rend="right">(<hi rend="italic">102-<ref target="/texts/diglib/secondary/NoC_1917/1/65#bib437a">N437a</ref></hi>   </ab>
<ab rend="small">
Begins, Sad near the willowy Thames we stood.   74 ll. (couplets)
</ab><lb/>
<anchor xml:id="bib103"/>
<ab type="implicit"><hi rend="bold">1792.</hi> Leoline Fitzmador. "Ode." In <hi rend="italic">The Gentleman's
Magazine,</hi> n.s. LXII (Apr., 1792), 367.
</ab><ab rend="right">(<hi rend="italic">103-N438b'</hi>   </ab>
<ab rend="small">
Begins, When haughty Caesar's veteran band.   102 ll.
</ab><lb/>
<anchor xml:id="bib104"/>
<ab type="implicit"><hi rend="bold">1793.</hi> Mr. Eyre. "An elegiac ode on the death of a late unfortunate
monarch [Louis XVI]. Written and spoken by Mr. Eyre of Worcester." In
<hi rend="italic">The Thespian Magazine,</hi> I (Apr., 1793), 285-86.
</ab><ab rend="right">(<hi rend="italic">104-N438b''</hi>   </ab>
<ab rend="small">
Begins, Ruin seize thee, lawless Band!   58 ll.
</ab><lb/>
<anchor xml:id="bib105"/>
<ab type="implicit"><hi rend="bold">1799.</hi> Tho. Erskine. "The barber." Reprinted as "Parody
upon Gray's celebrated ode of 'The bard'," in <hi rend="italic">The Monthly
Magazine,</hi> VIII (Aug., 1799), 545-46.
</ab><ab rend="right">(<hi rend="italic">105-<ref target="/texts/diglib/secondary/NoC_1917/1/66#bib439">N439</ref></hi>   </ab>
<anchor xml:id="bib106"/>
<ab type="implicit"><hi rend="bold">1808.</hi> [John Sylvester John Gardiner]. "Ode to democracy." In
"Silva, No. 43." <hi rend="italic">The Monthly Anthology,</hi> V (Sept., 1808),
495-97.
</ab><ab rend="right">(<hi rend="italic">106-N439a</hi>   </ab>
<ab rend="small">
Begins, Hag-seed of hell, I hate thy sight!   143 ll.<lb/>
See Howe, <ref target="#bib635">#635</ref>, p. 152.<lb/>
Reprinted by H. Starr, <hi rend="italic">N&amp;Q,</hi> Jan. 6, 1951, pp. 12-14.
</ab>
<p rend="center"><hi rend="italic">Italian</hi></p>
<pb n="17" xml:id="p1-17"/>
<anchor xml:id="bib106a"/>
<ab type="implicit"><hi rend="bold">1806.</hi> Vincenzo Monti. <hi rend="italic">Il bardo della selva nera. Poema
epico-lirico. . .</hi> Parma: Bodoniani, MDCCCVI. Canto I, ll. 44-68.
</ab><ab rend="right">(<hi rend="italic">106a-N447b</hi>   </ab>
<ab rend="small">
Also printed Firenze: Guglielmo Piatti, MDCCCVI; Brescia: Bettoni MDCGCVI;
Torino: S. Francesco di Sales, 1873.
</ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib106b"/>
<ab type="implicit"><hi rend="bold">1774.</hi> Tho. Jones. <hi rend="italic">Memoirs.</hi> In <hi rend="italic">The thirty-second volume of the
Walpole Society, 1946-1948.</hi> London: Burridge, 1951.
</ab><ab rend="right">(<hi rend="italic">106b-N447c</hi>   </ab>
<ab rend="small">
Jones' painting of the Bard.
</ab><lb/>
<anchor xml:id="bib107"/>
<ab type="implicit"><hi rend="bold">1796.</hi> "Pedestrian tour in North Wales." In <hi rend="italic">The Monthly
Magazine,</hi> I (Feb., 1796), 18.
</ab><ab rend="right">(<hi rend="italic">107-N449a</hi>   </ab>
<ab rend="small">
Gray's inaccurate description of the Conway.
</ab><lb/>
<anchor xml:id="bib108"/>
<ab type="implicit"><hi rend="bold">1800.</hi> ". . . Imitations and similarities." In <hi rend="italic">The Monthly
Magazine,</hi> IX, Part I (May 1, 1800), 362.
</ab><ab rend="right">(<hi rend="italic">108-N449b</hi>   </ab>
<ab rend="small">
Source of l. 28 in the <hi rend="italic">Dunciad,</hi> I. 297.
</ab><lb/>
<anchor xml:id="bib109"/>
<ab type="implicit"><hi rend="bold">1804.</hi> <hi rend="italic">The European Magazine,</hi> XLV (Jan., 1804), 44-45.
</ab><ab rend="right">(<hi rend="italic">109-N449c</hi>   </ab>
<anchor xml:id="bib109a"/>
<ab type="implicit"><hi rend="bold">1807.</hi> Wm Parsons. In his <hi rend="italic">Travelling recreations.</hi> London:
Longman, Hurst, Rees, and Orme, 1807, I, xiv.
</ab><ab rend="right">(<hi rend="italic">109a-N450a</hi>   </ab>
<anchor xml:id="bib110"/>
<ab type="implicit"><hi rend="bold">1809.</hi> R [Paul Allen]. "Defence of Gray." In <hi rend="italic">The Monthly
Anthology,</hi> VI (Feb., 1809), 95-98.
</ab><ab rend="right">(<hi rend="italic">110-N450b</hi>   </ab>
<ab rend="small">
Defends the Bard against Johnson's criticism. See also Howe, <ref target="#bib635">#635</ref>, p. 168.
</ab><lb/>
<anchor xml:id="bib110a"/>
<ab type="implicit"><hi rend="bold">1829.</hi> John Hen. Newman. "Poetry with reference to Aristotle's
Poetics." In <hi rend="italic">The London Review,</hi> I (Jan., 1829), 165.
</ab><ab rend="right">BA   (<hi rend="italic">110a-N453a</hi>   </ab>
<ab rend="small">
Reprinted in his <hi rend="italic">Essays critical and historical,</hi> London, 1919, and in
Chas F. Harold, ed., <hi rend="italic">John Henry, Cardinal Newman: essays and sketches.</hi>
New York: Longmans, 1948, I, 70. Commented on by Geoffrey Tillotson
in. . . <hi rend="italic">Newman Centenary essays,</hi> London: Burns, Oates &amp; Washburne,
1945. Tillotson's essay is reprinted in revised form in Harry Levin,
ed. <hi rend="italic">Perspectives of criticism,</hi> Cambridge: Harvard Univ. Press, 1950,
pp. 173, 186, 192, 193, and in <ref target="#bib1208a">#1208a</ref>.
</ab><lb/>
<anchor xml:id="bib111"/>
<ab type="implicit"><hi rend="bold">1837.</hi> <hi rend="italic">Revista europea,</hi> III (1837), 259.
</ab><ab rend="right">(<hi rend="italic">111-N453b</hi>   </ab>
<ab rend="small">
Spanish transl of J. J. Ampère's comment on Bard. I have not seen this
journal. See Peers, <ref target="#bib311">#311</ref>, p. 418n.
</ab><lb/>
<anchor xml:id="bib112"/>
<ab type="implicit"><hi rend="bold">1879.</hi> Grant Allen. In his <hi rend="italic">The colour sense: its origin and
development: an essay in comparative psychology.</hi> London: Trübner;
Boston: Houghton, Osgood, 1879, p. 267. (English and Foreign Philosophical
Library, X)
</ab><ab rend="right">(<hi rend="italic">112-N453c</hi>   </ab>
<anchor xml:id="bib112a"/>
<ab type="implicit"><hi rend="bold">1915.</hi> Clarissa Rinaker. "Thomas Warton and the historical method
in literary criticism." In <hi rend="italic">PMLA,</hi> XXX (1915), 108.
</ab><ab rend="right">(<hi rend="italic">112a-N459'</hi>   </ab>
<ab rend="small">
J. Warton's comment on the Rard.<lb/>
Rev. 0. Shepard, <hi rend="italic">JLGP,</hi> XVI (1917), 153-63.
</ab><lb/>
<anchor xml:id="bib113"/>
<ab type="implicit"><hi rend="bold">1916.</hi> Miles. "The text of Gray." In <hi rend="italic">TLS,</hi> Feb. 11,
1916, p. 69.
</ab><ab rend="right">(<hi rend="italic">113-N459''</hi>   </ab>
<ab rend="small">
Capitalization of l. 62. Reply by W. &amp; R. Chambers, Ltd, <hi rend="italic">ibid.,</hi>
Feb. 24, p. 94.
</ab>
<pb n="18" xml:id="p1-18"/>
<anchor xml:id="bib114"/>
<ab type="implicit"><hi rend="bold">1919.</hi> Paget Toynbee, "Garrick and Gray's 'Bard'." In
<hi rend="italic">TLS</hi>, Dec. 19, 1919, p. 767.
</ab><ab rend="right">(<hi rend="italic">114</hi>   </ab>
<ab rend="small">
The revision of l. 144.
</ab><lb/>
<anchor xml:id="bib115"/>
<ab type="implicit"><hi rend="bold">1921.</hi> Edith Birkhead. In her <hi rend="italic">The tale of terror: a study of the
Gothic romance.</hi> London: Constable, 1921.
</ab><ab rend="right">(<hi rend="italic">115</hi>   </ab>
<anchor xml:id="bib116"/>
<ab type="implicit"><hi rend="bold">1922.</hi> Arturo Farinelli. In his <hi rend="italic">Dante in Spagna, Francia,
Inghilterra, Germania.</hi> Torino: Bocca, 1922.
</ab><ab rend="right">(<hi rend="italic">116</hi>   </ab>
<ab rend="small">
Influence of Dante on the Bard.
</ab><lb/>
<anchor xml:id="bib117"/><ab type="implicit">
John Trumbull. In his <hi rend="italic">Poetical works. . . The Colonnade</hi> (Andiron Club),
XIV (1919-1922), 385, n. 25.
</ab><ab rend="right">(<hi rend="italic">117</hi>   </ab>
<anchor xml:id="bib118"/>
<ab type="implicit"><hi rend="bold">1926.</hi> Marion K. Bragg. In her <hi rend="italic">The formal eclogue in eighteenth
century England.</hi> Orono, Me.: Univ. of Me. Press, 1926, p. 105. (U. of
Me. Studies, 2d ser., No. 6)
</ab><ab rend="right">(<hi rend="italic">118</hi>   </ab>
<anchor xml:id="bib119"/><ab type="implicit">
Rose Mary Davis. In her <hi rend="italic">Stephen Duck, the thresher-poet.</hi> Orono, Me:
Univ. of Me. Press, 1926. (U. of Me. Studies, 2d ser., no. 8)
</ab><ab rend="right">(<hi rend="italic">119</hi>   </ab>
<ab rend="small">
Duck's <hi rend="italic">Caesar's camp</hi> as a source of the Bard.
</ab><lb/>
<anchor xml:id="bib119a"/><ab type="implicit">
Robt Graves and Laura Riding. In their <hi rend="italic">A survey of modernist poetry.</hi>
London: Heinemann, 1926.
</ab><ab rend="right">(<hi rend="italic">119a</hi>   </ab>
<ab rend="small">
Reprinted in Graves' <hi rend="italic">The common asphodel: collected essays on poetry
1922-1949.</hi> London: Hamilton, 1949.
</ab><lb/>
<anchor xml:id="bib120"/>
<ab type="implicit"><hi rend="bold">1929.</hi> Earle Barton Howe. "The idealized bard of the eighteenth
century: a study in origins." Univ. of Chicago <hi rend="italic">Abstracts of theses,
humanistic series, 1927-1928,</hi> VI (1929), 367-71. See p. 370.
</ab><ab rend="right">(<hi rend="italic">120</hi>   </ab>
<anchor xml:id="bib121"/>
<ab type="implicit"><hi rend="bold">1934.</hi> *Bernhard Bamberger. In his <hi rend="italic">Die Figur des Propheten in der
englischen Literatur (von den ältesten Zeiten bis zum Ausgang des
18. Jahrhunderts). Eine typologische Untersuchung.</hi> Würzburg: Max
Wolff, 1934, pp. 52-56. Würzburg diss.
</ab><ab rend="right">(<hi rend="italic">121</hi>   </ab>
<ab rend="small">
Place and influence of Bard in the prophet tradition.
</ab><lb/>
<anchor xml:id="bib122"/><ab type="implicit">
T[ho]. R. Henn. In his <hi rend="italic">Longinus and English criticism.</hi> Cambridge, Eng.:
University Press, 1934, p. 127.
</ab><ab rend="right">(<hi rend="italic">122</hi>   </ab>
<anchor xml:id="bib123"/>
<ab type="implicit"><hi rend="bold">1942.</hi> Alan D. McKillop. "The poet as patriot—Shakespeare to
Wordsworth." In <hi rend="italic">Rice Institute Pamphlet,</hi> XXIX (1942), 313.
</ab><ab rend="right">(<hi rend="italic">123</hi>   </ab>
<ab rend="small">
The use of the Arthur tradition in the Bard.
</ab><lb/>
<anchor xml:id="bib124"/><ab type="implicit">
Herbert W. Starr. "An echo of <hi rend="italic">L'Allegro</hi> in Gray's
<hi rend="italic">Bard</hi>." In <hi rend="italic">MLN,</hi> LVII (1942), 676.
</ab><ab rend="right">(<hi rend="italic">124</hi>   </ab>
<anchor xml:id="bib125"/>
<ab type="implicit"><hi rend="bold">1947.</hi> Herbert W. Starr. "Trumbull and Gray's <hi rend="italic">Bard</hi>." In
<hi rend="italic">MLN,</hi> LXII (1947), 116-19.
</ab><ab rend="right">(<hi rend="italic">125</hi>   </ab><lb/>
<p rend="center"><hi rend="bold">CAMBRI</hi><lb/>EDITIONS</p>
<pb n="19" xml:id="p1-19"/>
<anchor xml:id="bib125a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> In Roger Martin. <hi rend="italic">Chronologie. . .</hi> <ref target="#bib897">#897</ref>, pp. 170-99.
</ab><ab rend="right">(<hi rend="italic">125a</hi>   </ab>
<ab rend="small">
Foreword, p. 169.
</ab><lb/>
<p rend="center"><hi rend="bold">THE CANDIDATE</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib125b"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Le candidat," [ll. 19-34]. In his
<hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, p. 374
</ab><ab rend="right">(<hi rend="italic">125b</hi>   </ab>
<ab rend="small">
L. 19 reads, Théologie entend, à demi somnolente.
</ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib126"/>
<ab type="implicit"><hi rend="bold">1889.</hi> Edmund Gosse. "The bibliography of Gray." In <hi rend="italic">The
Bookmart,</hi> VII (June, 1889), 21.
</ab><ab rend="right">(<hi rend="italic">126-<ref target="/texts/diglib/secondary/NoC_1917/1/68#bib462">N462</ref></hi>   </ab>
<ab rend="small">
The <hi rend="italic">Academy</hi> article reprinted (N462).
</ab><lb/>
<anchor xml:id="bib127"/>
<ab type="implicit"><hi rend="bold">1924.</hi> Hen. Broadbent. "A literary discovery at Eton." In
<hi rend="italic">TLS,</hi> May 22, 1924, p. 322.
</ab><ab rend="right">(<hi rend="italic">127</hi>   </ab>
<ab rend="small">
Announces discovery of 2 copies of Cand.
</ab><lb/>
<anchor xml:id="bib128"/>
<ab type="implicit"><hi rend="bold">1930.</hi> *Leonard Whibley. "The candidate: by Mr. Gray." In
<hi rend="italic">TLS,</hi> Aug. 21, 1930, pp. 667-68.
</ab><ab rend="right">(<hi rend="italic">128</hi>   </ab>
<ab rend="small">
Believes Cand was printed at Strawberry Hill subsequent to Walpole's letter to
Mason (Sept. 16, 1774).
</ab><lb/>
<anchor xml:id="bib129"/>
<ab type="implicit"><hi rend="bold">1937.</hi> Chas Child Walcutt. "The ghost of Jemmy Twitcher." In
<hi rend="italic">N&amp;Q,</hi> July 24, 1937, pp. 56-62.
</ab><ab rend="right">(<hi rend="italic">129</hi>   </ab>
<ab rend="small">
Dates application of name to Sandwich as Feb. 16, 1764.
</ab><lb/>
<p rend="center"><hi rend="bold">COMMONPLACE BOOKS</hi><lb/>EDITIONS</p>
<anchor xml:id="bib129a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Extracts printed by Roger Martin in his <hi rend="italic">Chronologie. . .</hi>
<ref target="#bib897">#897</ref>, pp. 158-68.
</ab><ab rend="right">(<hi rend="italic">129a</hi>   </ab>
<ab rend="small">
Foreword, pp. 156-57. Genealogy (C. B., I, 406), pp. 158-59. Article on tombs
(C. B., II, 845-46), pp. 160-61. English churches (C. B., II. 901-02),
pp. 162-63. English castles (C. B., III), pp. 164-65. Bibliography (C. B.,
II), pp. 166-68.
</ab><lb/>
<p rend="center"><hi rend="bold">COOKERY NOTES</hi><lb/>EDITIONS</p>
<anchor xml:id="bib130"/>
<ab type="implicit"><hi rend="bold">1948.</hi> In <hi rend="italic">The cook's paradise, being William Verral's</hi> 'Complete
system of cookery' <hi rend="italic">published in 1759 with Thomas Gray's cookery notes in
holograph.</hi> Introduction and appendices by R. L. Mégroz. London:
Sylvan Press, 1948. Appendix B ("Transcription of Thomas Gray's
MS. Notes"), pp. 132-39.
</ab><ab rend="right">(<hi rend="italic">130</hi>   </ab>
<ab rend="small">
Photo. of notes in front and back end-pages of Gray's copy (BM. Ref. C28fl3)
between pp. [16]-17. Comment, pp. 7-8, 130-31.
</ab>
<pb n="20" xml:id="p1-20"/>
<ab rend="center">CRITICISM<lb/><lb/></ab>
<anchor xml:id="bib130a"/>
<ab type="implicit"><hi rend="bold"><hi rend="italic">Before</hi> 1938.</hi> Rintaro Fukuhara. In <hi rend="italic">Journal of the Tokyo
University of Literature and Science,</hi> No. 8.
</ab><ab rend="right">(<hi rend="italic">130a</hi>   </ab>
<ab rend="small">
Mentioned by Fukuhara in <ref target="#bib1021">#1021</ref>. I have not
been able to find the <hi rend="italic">Journal.</hi>
</ab><lb/>
<p rend="center"><hi rend="bold">COUPLET ABOUT BIRDS</hi><lb/>CRITICISM</p>
<anchor xml:id="bib131"/>
<ab type="implicit"><hi rend="bold">1917.</hi> G. C. Moore Smith. "Gray and Thomson." In <hi rend="italic">MLR,</hi>
XII (1917), 352.
</ab><ab rend="right">(<hi rend="italic">131</hi>   </ab>
<ab rend="small">
Debt to Thomson's <hi rend="italic">Spring,</hi> ll. 21-25.
</ab><lb/>
<p rend="center"><hi rend="bold">DANTE, CANTO 33, DELL'
INFERNO</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib131a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. Ll. 68-81. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, p. 318.
</ab><ab rend="right">(<hi rend="italic">131a</hi>   </ab>
<ab rend="small">
Begins,      . . . J'avalai<lb/>
        mon tumultueux chagrin, pour ne pas grandir le leur.
</ab><lb/>
<p rend="center"><hi rend="bold">DE PRINCIPIIS COGITANDI</hi><lb/>EDITIONS</p>
<anchor xml:id="bib132"/>
<ab type="implicit"><hi rend="bold">1941.</hi> John Sparrow, <ref target="#bib70">#70</ref>, pp. 13-14.
</ab><ab rend="right">(<hi rend="italic">132</hi>   </ab>
<p rend="center">TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib132a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Origines de la pensée." [Cog, I,
ll. 28-31, 85-96] In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, pp. 312-13.
</ab><ab rend="right">(<hi rend="italic">132a</hi>   </ab>
<ab rend="small">
L. 28 reads, Mais celle qui, ô prodige! nuit et jour.
</ab>
<p rend="center">IMITATIONS<lb/><hi rend="italic">English</hi></p>
<anchor xml:id="bib133"/>
<ab type="implicit"><hi rend="bold">1794.</hi> "Stanzas." In <hi rend="italic">The Gentleman's Magazine,</hi> LXIV
(Apr., 1794), 361-62.
</ab><ab rend="right">(<hi rend="italic">133-N474a</hi>   </ab>
<ab rend="small">
Begins, Sage Locke! thy spirit I invoke.   29 quatrains
</ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib134"/>
<ab type="implicit"><hi rend="bold">1936.</hi> Ernest Campbell Mossner. In his <hi rend="italic">Bishop Butler and the age of
reason: a study in the history of thought.</hi> New York: Macmillan, 1936.
</ab><ab rend="right">(<hi rend="italic">134</hi>   </ab><lb/>
<p rend="center"><hi rend="bold">THE DEATH OF HOEL</hi></p>
<pb n="21" xml:id="p1-21"/>
<ab rend="center">TRANSLATIONS<lb/><hi rend="italic">French</hi><lb/><lb/></ab>
<anchor xml:id="bib134a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Mort de Hoel." In his <hi rend="italic">Essai. . .</hi>
<ref target="#bib948">#948</ref>, pp. 387-88.
</ab><ab rend="right">(<hi rend="italic">134a</hi>   </ab>
<ab rend="small">
Begins. Que n'ai-je la puissance du torrent.   24 ll.
</ab><lb/>
<p rend="center"><hi rend="bold">THE DESCENT OF
ODIN</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib134b"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Descente d'Odin." [Ll. 17-26, 51-72.] In
his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, p. 386.
</ab><ab rend="right">(<hi rend="italic">134b</hi>   </ab>
<ab rend="small">
L. 17 reads, Contre la porte orientale.<lb/>
Complete translation printed in <ref target="#bib76a">#76a</ref>.<lb/>
Begins, Le Roi des Hommes se dressa.   94 ll.
</ab><lb/>
<p rend="center"><hi rend="bold">ELEGIACS</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib134c"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. Ll. 1-6. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, p. 304.
</ab><ab rend="right">(<hi rend="italic">134c</hi>   </ab>
<ab rend="small">
Begins, Aux lieux où la Trébie coupe les saules verts.
</ab><lb/>
<p rend="center"><hi rend="bold">AN ELEGY WRITTEN IN A COUNTRY
CHURCHYARD</hi><lb/>EDITIONS</p>
<p>(For more detailed descriptions and occasional corrections of <ref target="/texts/diglib/secondary/NoC_1917/1/10#bib51">N51</ref>-<ref target="/texts/diglib/secondary/NoC_1917/1/11#bib58">58</ref>,
<ref target="/texts/diglib/secondary/NoC_1917/1/31#bib178">178</ref>,
<ref target="/texts/diglib/secondary/NoC_1917/1/31#bib179">179</ref>,
<ref target="/texts/diglib/secondary/NoC_1917/1/32#bib182">182</ref>, 
<ref target="/texts/diglib/secondary/NoC_1917/1/74#bib492">492</ref>-<ref target="/texts/diglib/secondary/NoC_1917/1/76#bib516">516</ref>
see Stokes' ed. of El (<ref target="#bib158">#158</ref>), pp. 27-61.)</p>
<anchor xml:id="bib134d"/>
<ab type="implicit"><hi rend="bold">1751.</hi> An elegy. . . . Fourth edition, 1751. 4to.
</ab><ab rend="right">(<hi rend="italic">134d-<ref target="/texts/diglib/secondary/NoC_1917/1/75#bib495">N495</ref></hi>   </ab>
<ab rend="small">
Publication announced in <hi rend="italic">The General Advertiser,</hi> Apr. 7, 1751 (See
Stokes, <ref target="#bib158">#158</ref>, p. 31.).
</ab><lb/>
<anchor xml:id="bib135"/><ab type="implicit">
Poems / on / moral and divine / subjects, / by several celebrated / English
poets, / viz. / . . . Grey, etc./ [stanza from Gay] / Glasgow, / Printed by
Robert &amp; Andrew Foulis / M. DCC. LI.
</ab><ab rend="right">YU   (<hi rend="italic">135-N500b</hi>   </ab>
<ab rend="small">
El (with Redbreast stanza and <hi rend="italic">wrote</hi> for <hi rend="italic">written</hi>),
pp. 382-87. Described by Rothkrug, <ref target="#bib372">#372</ref>.
</ab><lb/>
<anchor xml:id="bib136"/>
<ab type="implicit"><hi rend="bold">1752.</hi> In <hi rend="italic">Miscellaneous pieces.</hi> Consisting of select poetry, and
methods of improvement in husbandry, gardening, and various other subjects
useful to families. The fourth edition. Printed for R. Goadby, in Sherborne;
and sold by W. Owen, bookseller, at Temple-Bar, London. MDCCLII.
</ab><ab rend="right">(<hi rend="italic">136-N501a</hi>   </ab>
<ab rend="small">
8vo. Pp. 472. El, ll. 1-92, pp. 262-64. See Stokes, <ref target="#bib367">#367</ref>.
</ab><lb/>
<anchor xml:id="bib137"/>
<ab type="implicit"><hi rend="bold">1762.</hi> The / select poems / of / Dr Akenside, Mr Gray, Mr Mason,
W. Shenstone Esq; Mess. Wartons, Ld Lyttleton, Mr Dyer, Mr Beattie, Mr
Blacklock, Mr Scott, — etc. [names in two columns divided by a vertical
rule] / <hi rend="italic">Cedite, Romani</hi> 
<pb n="22" xml:id="p1-22"/>
<hi rend="italic">scriptores! cedite, Graii!</hi> / Edinburgh: Printed by G. Martin &amp;
J. Wotherspoon; / For W. Russel./ Sold by Kincaid &amp; Bell, Hamilton &amp;
Balfour, / W. Gordon, and W. Gray, / M DCC LXII.
</ab><ab rend="right">(<hi rend="italic">137-N511a</hi>   </ab>
<ab rend="small">
12mo. Pp. vi+200; consisting of: t-p (verso blank), pp. [i-ii]. Advertisement,
pp. [iii-iv]. Contents, pp. [v-vi]. Text, pp. 1-200. El, pp. 19-25. See
Stokes, <ref target="#bib158">#158</ref>, pp. 51-52.
</ab><lb/>
<anchor xml:id="bib138"/>
<ab type="implicit"><hi rend="bold">1768.</hi> A select / collection / of / poems, / from the most approved
authors. / In two volumes./ Vol. I. [II.] / Edinburgh: / Printed by
A. Donaldson, and sold at / his shops in London and Edinburgh. / M DCC LXVIII.
</ab><ab rend="right">(<hi rend="italic">138-N514a</hi>   </ab>
<ab rend="small">
8vo. Pp. viii+264. El, pp. 220-24. 'Advertisement' dated 1767. See Stokes, <ref target="#bib158">#158</ref>, pp. 58-59.
</ab><lb/>
<anchor xml:id="bib139"/><ab type="implicit">
A select / collection / of / poems, / from the most approved authors. / In two
volumes. / Vol. I. [II.] / Edinburgh: / Printed by A. Donaldson, and sold at
his shops in London and Edinburgh. / M DCC LXVIII.
</ab><ab rend="right">BM   (<hi rend="italic">139-N514b</hi>   </ab>
<ab rend="small">
Vol. I. Pp. x+264; consisting of: half-title, 'A collection of poems. In two
volumes' (verso blank); t-p as above (verso blank); Advertisement (verso
blank); Contents of Vol. I ([v]-vii); Text [1]-264 (last p. misprinted
64). Signatures: 5 leaves unsigned; A-Z (omitting J, V, W), Aa-Dd, Ii, Kk (4
leaves each).<lb/>
El. pp. 220-25. See Stokes, <ref target="#bib158">#158</ref>, p. 59.
</ab><lb/>
<anchor xml:id="bib140"/>
<ab type="implicit"><hi rend="bold">1769.</hi> An / elegy / written in a / country church yard. / A new
edition. / [type ornament] / London: / Printed for J. Dodsley, in Pall-mall. /
MDCCLXIX. / <hi rend="italic">[</hi>Price six pence.<hi rend="italic">]</hi></ab>
<ab rend="right">HU   (<hi rend="italic">140-N514c</hi>   </ab>
<ab rend="small">
4to. Collation (provided by C. Jakeman of HU): Sig. A-B<hi rend="sup">4</hi>; 7 pp +
8-16. A1 blank; engraved frontispiece facing t-p; A2r t-p (verso blank); A3r
advertisement (verso blank); A4r-B4v text. Pp. 1-7 unnumbered, 8-16
numbered. Text begins p. 7. Half page engravings, pp. 7, 16.<lb/>
Apparently an earlier ed. of <ref target="/texts/diglib/secondary/NoC_1917/1/76#bib516">N516</ref>.
</ab><lb/>
<anchor xml:id="bib141"/>
<ab type="implicit"><hi rend="bold">1773.</hi> The / grave. / A / poem. / By Robert Blair. / [design] / To which
is added / An / elegy / written in a country / church-yard./ By Mr. Gray./
[design] / Philadelphia: / Printed and sold by R. Aitken book-seller / and
stationer, Opposite the London Coffee-house, / in Front-Street. M, DCC,
LXXIII.
</ab><ab rend="right">LC   (<hi rend="italic">141-N519c</hi>   </ab>
<ab rend="small">
8vo. Pp. 32. El, pp. [27]-31. See <ref target="#bib283">#283</ref>.
</ab><lb/>
<anchor xml:id="bib142"/>
<ab type="implicit"><hi rend="bold">1777.</hi> Robt Blair. <hi rend="italic">The Grave.</hi> A poem, to which is added An elegy
written in a country churchyard, by Mr. Gray. . . 1777.
</ab><ab rend="right">(<hi rend="italic">142-N526a</hi>   </ab>
<ab rend="small">
12mo., boards. Noted in Advance List 109 (July, 1930). Surrey Bookshop,
Woking, Eng. I have not seen this edition.
</ab><lb/>
<anchor xml:id="bib142a"/>
<ab type="implicit"><hi rend="bold">1787.</hi> <hi rend="italic">Elegy in a country graveyard.</hi> Philadelphia: Printed for
Thomas Dobson, 1787.
</ab><ab rend="right">(<hi rend="italic">142a-N536a</hi>   </ab>
<ab rend="small">
I have not seen this ed., but it is described by Evans (<ref target="#bib259">#259</ref>), no. 20395.
</ab><lb/>
<anchor xml:id="bib142b"/>
<ab type="implicit"><hi rend="bold">1791.</hi> <hi rend="italic">The grave.</hi> A poem. By Robert Blair. [One line from]
Job. To which is added, An elegy, written in a country church-yard. By
mr. Gray. Philadelphia: Printed and sold by 
<pb n="23" xml:id="p1-23"/>
Henry Taylor. M.DCC. XCI.
</ab><ab rend="right">AAS   (<hi rend="italic">142b-N536b</hi>   </ab>
<ab rend="small">
12mo. Pp. 32. El, pp. 27-32.
</ab><lb/>
<anchor xml:id="bib143"/><ab type="implicit">
A Correspondent. "Select verses out of Gray's Elegy." In <hi rend="italic">The
Lady's Magazine.</hi> XXII (Oct., 1791), 530.
</ab><ab rend="right">UNC   (<hi rend="italic">143-N544a</hi>   </ab>
<ab rend="small">
Reprints with comment ll. 1-4, 5-8, 13-16, 21-24, 33-36, 45-48, 53-56.
</ab><lb/>
<anchor xml:id="bib143a"/>
<ab type="implicit"><hi rend="bold">1793.</hi> <hi rend="italic">Beauties of the muses:</hi> or, select sentimental poems and
elegies, viz. I. The hermit. By dr. Parnell. II. Elegy in a church yard. By
mr. Gray. III. The traveller. By dr. Goldsmith. IV. Death. A poem. By
dr. Porteus. V. Deserted village. By dr. Goldsmith. VI. Hermit of the dale. By
ditto. VII. Futurity. Extract from dr. Dodd. To wake the soul—to mend
the heart. Illustrated with beautiful engravings. Printed at Worcester, by
Isaiah Thomas. Sold at his bookstore in Worcester; by said Thomas and Andrews,
in Boston; and by said Thomas and Carlisle, in Walpole,
Newhampshire. MDCCXCIII.
</ab><ab rend="right">AAS, LC   (<hi rend="italic">143a-N545a</hi>   </ab>
<ab rend="small">
24mo. Pp. [2], [2], 211. 6 plates engraved by J. H. Seymour and S. Hill with
portr. of Dr. Dodd. El, pp. 35-46.
</ab><lb/>
<anchor xml:id="bib143b"/><ab type="implicit">
In <hi rend="italic">The poetical miscellany;</hi> containing a collection of the most
valuable pieces from Goldsmith, Blair, Warton, Parnel, Pope, Gray, Mallet,
Collins, Watts, Addison, &amp;c. First American edition. [Ornament.] Printed
at Newburyport, by George Jerry Osborne, Guttemberg's Head. MDCCXCIII.
</ab><ab rend="right">AAS   (<hi rend="italic">143b-N545b</hi>   </ab>
<ab rend="small">
12mo. Pp. [2], [2], [2], [2], 203. Second title: The grave. A poem. By Robert
Blair. The house appointed for all living. Job. [Ornament.] Newburyport;
Printed and sold by G. J. Osborne. MDCCXCIII. Pp. [2], 24.<lb/>
El, pp. 78-84.
</ab><lb/>
<anchor xml:id="bib143c"/>
<ab type="implicit"><hi rend="bold">1795.</hi> <hi rend="italic">The literary miscellany.</hi> Fourth title: The literary
miscellany. No III: Containing 1. The story of La Roche. 2. Ethelgar, a Saxon
story. 3. Gray's Elegy in a country church-yard. 4. The repentance of passion
[Fifteen stars.] Philadelphia: Printed at the office of W. W. Woodward, for
T. Stephens, No 57, South Second Street. 1795.
</ab><ab rend="right">(<hi rend="italic">143c-N551a</hi>   </ab>
<ab rend="small">
Pp. 31. I have not seen this ed., but it is described by Evans (<ref target="#bib259">#259</ref>), no. 28977.
</ab><lb/>
<anchor xml:id="bib143d"/>
<ab type="implicit"><hi rend="bold">1796.</hi> In <hi rend="italic">The children's miscellany:</hi> in which is included the
History of little Jack; by Thomas Day, esq. author of the History of Sandford
and Merton. [Four lines of verse from] Dryden. First American edition;
embellished with thirty-five cuts and frontispieces. Boston: Printed and sold
by William Spotswood. 1796.
</ab><ab rend="right">AAS   (<hi rend="italic">143d-N551b</hi>   </ab>
<ab rend="small">
12mo. Pp. [2], [2], 331, [1]. 2 frontis. Included also: The history of Philip
Quarll; The universal prayer; Sketch of universal history; Gray's Elegy,
written in a country church-yard; Diverting history of John Gilpin, etc.<lb/>
El, pp. 211-15.
</ab><lb/>
<anchor xml:id="bib144"/><ab type="implicit">
Helen Maria Williams. <hi rend="italic">Poems, moral, elegant and pathetic . . .</hi></ab> 
<ab rend="right">(<hi rend="italic">144-<ref target="/texts/diglib/secondary/NoC_1917/1/80#bib552">N552</ref></hi>   </ab>
<ab rend="small">
Publication noted in <hi rend="italic">Monthly Magazine,</hi> II (Oct., 1796), 733.
</ab>
<pb n="24" xml:id="p1-24"/>
<anchor xml:id="bib144a"/>
<ab type="implicit"><hi rend="bold">1799.</hi> An / elegy / written in a / country church yard / By Mr. Gray. /
The curfew tolls the knell of parting day, / The lowing herd winds slowly o'er
the lea, / The ploughman homeward plods his weary way, / And leaves the world
to darkness and to me./ Re-printed at T. Collier's Office, Litchfield. / 1799.
</ab><ab rend="right">CHS   (<hi rend="italic">144a-N553a</hi>   </ab>
<ab rend="small">
12 1/2 cm. Pp. 8. Adv. in Collier's <hi rend="italic">Monitor,</hi> Jan. 1, 1800, for
3d. Described by Saml H. Fisher, comp. <hi rend="italic">The publications of Thomas Collier,
printer, 1784-1808.</hi> Litchfield: Litchfield Historical Society, 1933,
no. 93.   LC
</ab><lb/>
<anchor xml:id="bib145"/>
<ab type="implicit"><hi rend="bold">1803.</hi> <hi rend="italic">The Port Folio,</hi> III (Aug. 27, 1803), 277.
</ab><ab rend="right">(<hi rend="italic">145-N560a</hi>   </ab>
<ab rend="small">
Reprints stanzas omitted from and reworked into final draft of El.
</ab><lb/>
<anchor xml:id="bib145a"/>
<ab type="implicit"><hi rend="bold">1814.</hi> <hi rend="italic">The deserted village,</hi> a poem: by Oliver Goldsmith. Also,
Gray's Elegy, in a country church vard. Kennebunk, Me.: James K. Remich, 1814.
</ab><ab rend="right">CtC   (<hi rend="italic">145a-N576a</hi>   </ab>
<ab rend="small">
13cm. Pp. 22. El, pp. [17]-22. I have not seen this edition.
</ab><lb/>
<anchor xml:id="bib145b"/>
<ab type="implicit"><hi rend="bold">1817.</hi> <hi rend="italic">L'Elegia di Tommaso Gray. . .</hi> Verona: Mainardi, 1817.
</ab><ab rend="right">(<hi rend="italic">145b-<ref target="/texts/diglib/secondary/NoC_1917/1/83#bib581">N581</ref></hi>   </ab>
<ab rend="small">
Rev. in <hi rend="italic">Die Allgemeine Literatur-Zeitung</hi> (Halle), IV. no. 272
(Nov. 1819), 468-69.
</ab><lb/>
<anchor xml:id="bib146"/>
<ab type="implicit"><hi rend="bold">1861.</hi> In Marcius Willson, ed. <hi rend="italic">The fifth reader of the school and
family series.</hi> New York: Harper, 1861.
</ab><ab rend="right">(<hi rend="italic">146-N623b</hi>   </ab>
<ab rend="small">
El (with 32 illus.), pp. 445-55.
</ab><lb/>
<anchor xml:id="bib147"/>
<ab type="implicit"><hi rend="bold">1862.</hi> In Robt. Aris Willmott, ed. <hi rend="italic">English sacred poetry of the
sixteenth, seventeenth, eighteenth, and nineteenth centuries.</hi>
Illus. Holman Hunt, J. D. Watson, John Gilbert, J. Wolf, etc. London:
Routledge, Warne &amp; Routledge, 1862, pp. 173-183. [10 illus.]
</ab><ab rend="right">(<hi rend="italic">147-N624a</hi>   </ab>
<anchor xml:id="bib148"/>
<ab type="implicit"><hi rend="italic">A facsimile of the original autograph manuscript of Gray's Elegy. . . .</hi></ab>
<ab rend="right">(<hi rend="italic">148-<ref target="/texts/diglib/secondary/NoC_1917/1/88#bib625">N625</ref></hi>   </ab>
<ab rend="small">
Noted in <hi rend="italic">Gentleman's Magazine,</hi> n. s. XII (Jan., 1862), 79.
</ab><lb/>
<anchor xml:id="bib149"/>
<ab type="implicit"><hi rend="bold">1869.</hi> <hi rend="italic">An elegy. . .</hi> London: Sampson Low. . . 
</ab><ab rend="right">(<hi rend="italic">149-<ref target="/texts/diglib/secondary/NoC_1917/1/88#bib631">N631</ref></hi>   </ab>
<ab rend="small">
Also New York: Scribner, Welford &amp; Co., 1869.<lb/>
Rev. (with particular attention to illus.) <hi rend="italic">Art Journal,</hi> n.s. VII
(1868), 287; <hi rend="italic">Nation,</hi> VII (Dec. 10, 1868), 485-86.
</ab><lb/>
<anchor xml:id="bib150"/>
<ab type="implicit"><hi rend="bold">1883.</hi> <hi rend="italic">Elegy. . .</hi> Illus. by Harry Fenn. . . 
</ab><ab rend="right">(<hi rend="italic">150-<ref target="/texts/diglib/secondary/NoC_1917/1/91#bib655">N655</ref></hi>   </ab>
<ab rend="small">
Rev. (unfavorably) <hi rend="italic">Nation,</hi> XXXVII (Dec. 13, 1883), 492.
</ab><lb/>
<anchor xml:id="bib151"/>
<ab type="implicit"><hi rend="italic">An elegy. . .</hi> The artists' edition. . .
</ab><ab rend="right">(<hi rend="italic">151-<ref target="/texts/diglib/secondary/NoC_1917/1/91#bib656">N656</ref></hi>   </ab>
<ab rend="small">
Rev. (favorably) <hi rend="italic">Nation,</hi> XXXVII (Dec. 13, 1883), 492.
</ab><lb/>
<anchor xml:id="bib152"/>
<ab type="implicit"><hi rend="bold">1905.</hi> Gray's Elegy / The Palmetto Press / W. L. Washburn / Eureka
Springs, Ark.
</ab><ab rend="right">(<hi rend="italic">152-N724a</hi>   </ab>
<ab rend="small">
[1905.] Pp. irregularly cut but about 5 1/2" x 4 1/2", pp. [16],
consisting of p. [1] blank; p. [2], ' "Here may thy storme-bett vessell
safely ryde; / This is the port of rest from troublous toyle, / The worlde's
sweet inn from paine and wearisome / turmoyle." ' p. [3] t-p as above
with design; p. [4], blank; pp. [5-13] text; p. [14] blank; p. [15] 'Here ends
the Elegy Written in a Country Churchyard, by Thomas Gray. Done into a booklet
by W. L. Washburn, at the Palmetto Press, Eureka Springs Arkansas, in the
month of July, MCMV., the title page and initial being designed by
Mrs. J[osephine]. S. Couper'; p. [16] blank. Withdrawn because of
typographical errors. See Ransom, <ref target="#bib329b">#329b</ref>,
p. 375.
</ab>
<pb n="25" xml:id="p1-25"/>
<anchor xml:id="bib152a"/>
<ab type="implicit"><hi rend="bold">1912.</hi> <hi rend="italic">Gray's Elegy. . .</hi> Boston: Bibliophile Society, 1912.
</ab><ab rend="right">(<hi rend="italic">152a-<ref target="/texts/diglib/secondary/NoC_1917/1/98#bib729">N729</ref></hi>   </ab>
<ab rend="small">
For N's '69 copies printed' read '469 copies printed.'
</ab><lb/>
<anchor xml:id="bib153"/>
<ab type="implicit"><hi rend="bold">1915.</hi> "Gray's Elegy." <hi rend="italic">The Times broadsheets for soldiers
and sailors.</hi> Six selected passages from great English writers. Selected by
Sir Walter Raleigh. Series No. 6. ("The Times" broadsheets,
No. 32). Printed by John Parkinson Bland at the Times office.
</ab><ab rend="right">NYP   (<hi rend="italic">153-N735f</hi>   </ab>
<ab rend="small">
A 2 pp. pamphlet with a covering envelope. 7 1/8" x 9 5/8".<lb/>
Noted by Solomon Eagle [John C. Squire] in <hi rend="italic">New Statesman,</hi> V (Sept. 11,
1915), p. 545.<lb/>
Reprinted in Geoffrey Dawson, ed., <hi rend="italic">A second book of broadsheets.</hi>
London: Methuen, 1929, pp. 31-35.
</ab><lb/>
<anchor xml:id="bib153a"/>
<ab type="implicit"><hi rend="bold">1915.</hi> Elegy / written in a country / church-yard / by / Thomas Gray
</ab><ab rend="right">NL   (<hi rend="italic">153a-N735g</hi>   </ab>
<ab rend="small">
28 x 22 cm. Pp. [3], 33, [1]. On the p. following the text: 'This edition of
sixty copies of Gray's / Elegy has been printed by hand for the / Right
Honourable Walter Runciman at / the Temple Sheen Press. June MCMXV.' One
stanza to a page.
</ab><lb/>
<anchor xml:id="bib154"/>
<ab type="implicit"><hi rend="bold">1916.</hi> In Maurice Baring, ed., <hi rend="italic">English landscape.</hi> Oxford:
University Press, 1916.
</ab><ab rend="right">(<hi rend="italic">154-N735h</hi>   </ab>
<ab rend="small">
I have not seen this book. Noted by Solomon Eagle [J. C. Squire] in <hi rend="italic">New
Statesman,</hi> VII (July 22, 1916), 377.
</ab><lb/>
<anchor xml:id="bib154a"/>
<ab type="implicit"><hi rend="bold">1917.</hi> <hi rend="italic">Elegy written in a country churchyard,</hi> by Thomas
Gray. East Aurora, N. Y.: The Roycrofters, [c. 1917].
</ab><ab rend="right">LC   (<hi rend="italic">154a</hi>   </ab>
<ab rend="small">
15 1/2 cm. Pp. 8.
</ab><lb/>
<anchor xml:id="bib155"/>
<ab type="implicit"><hi rend="bold">1925.</hi> <hi rend="italic">An elegy written in a country churchyard.</hi> With an
introduction by James Southall Wilson &amp; a foreword by William Andrews
Clark, Jr. San Francisco: Printed for William Andrews Clark, Jr. by John Henry
Nash, 1925. 2v.
</ab><ab rend="right">LC   (<hi rend="italic">155</hi>   </ab>
<ab rend="small">
Limited ed. of 200 copies.<lb/>
Frontispiece portr. by Wm H. Wilkes. Vol. I (14 1/2" x 9 1/4")
contains 'Historical and bibliographical foreword' by Clark (useful data on
early eds.), pp. vii-xx; 'Thomas Gray and the 'Elegy'' by Wilson (critical
essay), pp. xxiii-xxx; text (based on Gosse, <ref target="/texts/diglib/secondary/NoC_1917/1/7#bib41">N41</ref>),
pp. 3-11. Vol. II (10" x 8") is a reproduction of Fredk Locker's
first ed. with his pencil notes.
</ab><lb/>
<anchor xml:id="bib156"/>
<ab type="implicit"><hi rend="bold">1927.</hi> <hi rend="italic">An elegy wrote in a country church yard.</hi> Oxford:
Clarendon, 1927.
</ab><ab rend="right">HC, LfC   (<hi rend="italic">156</hi>   </ab>
<ab rend="small">
Limited ed. of 750 copies. Fac. of T. J. Wise's first ed.<lb/>
Noted in 'Reprints,' <hi rend="italic">TLS,</hi> Nov. 24, 1927, p. 891.
</ab><lb/>
<anchor xml:id="bib157"/>
<ab type="implicit"><hi rend="bold">1928.</hi> <hi rend="italic">Elegy written in a country churchyard.</hi> [Outside cover
entitled <hi rend="italic">The anthem of the obscure</hi>]. San Francisco: Johnck &amp;
Seeger. Presswork by Lawton R. Kennedy, 1928.
</ab><ab rend="right">SC   (<hi rend="italic">157</hi>   </ab>
<ab rend="small">
Limited ed. of 250 copies. About 6 3/8" x 9 3/4". Frontispiece of
Stoke Church and decorations by W. B. Cameron. El, pp. 3-11. 'Anthem of the
obscure' by David Anderson (The El caused 'the awakening of the human spirit
to the insistance on its dignity. . . .'), pp. 15-21.
</ab><lb/>
<anchor xml:id="bib158"/>
<ab type="implicit"><hi rend="bold">1929.</hi> Francis Griffin Stokes, ed. <hi rend="italic">An elegy written in a country
church yard by Thomas Gray;</hi> the text of the first quarto with the variants
of the MSS. and of the early editions (1751-71), a bibliographical &amp;
historical introduction 
<pb n="26" xml:id="p1-26"/>
&amp; appendices on "General Wolfe &amp; the 'Elegy'" &amp;
"The locality of the churchyard." Oxford: Clarendon Press, 1929.
</ab><ab rend="right">UP   (<hi rend="italic">158</hi>   </ab>
<ab rend="small">
Preface, pp. 7-8. Table of contents, p. 9. Date of composition,
pp. 13-16. Publication, pp. 17-20. Bibliography of MSS. and eds. 1751-71,
pp. 23-61 (Eton, Pembroke, Wharton, and Egerton MSS., pp. 23-26. Description
of quartos, pp. 27-34. Diagram of emblems on quartos, p. 35. Magazine
printings, pp. 36-42. Other eds., separate or in collections,
pp. 42-61.). Fac. of t-p of first ed., p. 65. Advertisement, p. 67. Text with
variant readings, pp. 69-79. Appendix A (Gen. Wolfe), pp. 83-88. Appendix B
(The locality), pp. 89-92. Fac. of p. 11 of 3d ed. of 1751 with Epitaph and
'Redbreast Stanza,' p. 93.<lb/>
Commented on with corrections by Fukuhara and Bergen, <ref target="#bib161">#161</ref>.<lb/>
Rev. L. Mackall, N. Y. <hi rend="italic">Herald Trib. Bks.,</hi> Nov. 10, 1929. p. 31;
<hi rend="italic">N&amp;Q,</hi> Apr. 27, 1929, p. 308; E. Morley, <hi rend="italic">YWES</hi>, X (1929), 279;
A. P[ollard]., <hi rend="italic">Library,</hi> 4th ser. X (1929) 112-13; <hi rend="italic">TLS,</hi> Apr. 25,
1929, p. 342; G. Troxell, <hi rend="italic">SRL,</hi> Oct. 12, 1929, p. 280; J. Wilks,
<hi rend="italic">MLR,</hi> XXIV (Oct., 1929), 478-80; B. Fehr, <hi rend="italic">Beibl.</hi> XLI (June,
1930), 180-81; P. McK[errow]., <hi rend="italic">RES,</hi> VII (Jan., 1931), 107-08; F. Wood,
<hi rend="italic">ESt</hi>, LXVI (1931), 277-78.
</ab><lb/>
<anchor xml:id="bib158a"/>
<ab type="implicit"><hi rend="bold">1930.</hi> <hi rend="italic">An elegy written in a country churchyard.</hi> With an
introduction by John T. Winterich. Portland, Me.: Southworth Press, 1930.
</ab><ab rend="right">CbC   (<hi rend="italic">158a</hi>   </ab>
<ab rend="small">
4 3/8" x 6 3/4". Pp. i-xvii, [xviii], 1-16, [17]. Illus. Designed by
Fred Anthoensen. An ed. of 990 copies. Described by Anthoensen and Ruth
Chaplin in their <hi rend="italic">Types and bookmaking. . .</hi> Portland, Me.:
Southworth-Anthoensen Press, 1943, pp. 16-17, 97, with specimen t-p. pp. x. 5
from the Southworth edition.
</ab><lb/>
<anchor xml:id="bib159"/>
<ab type="implicit"><hi rend="bold">1931.</hi> <hi rend="italic">An elegy written in a country churchyard.</hi> Decorated by
Frank Adams. London: Medici Society; New York: Wm Farquhar Payson, 1931.
</ab><ab rend="right">UM   (<hi rend="italic">159</hi>   </ab>
<ab rend="small">
Frontispiece portr. Each stanza printed on a separate leaf followed by a full
page illus. in color or in 2 tone brown. Epitaph on one p. in tombstone
border.<lb/>
Noted in 'Reprints,' <hi rend="italic">TLS</hi>, Nov. 5, 1931, p. 871.
</ab><lb/>
<anchor xml:id="bib160"/>
<ab type="implicit"><hi rend="italic">Elegy in a country church-yard.</hi> Written by Thomas Gray and newly
created into an illustrated book by John Vassos. New York: E. P. Dutton;
London: Dent, 1931.
</ab><ab rend="right">(<hi rend="italic">160</hi>   </ab>
<ab rend="small">
Typography by S. A. Jacobs. 18 modernistic illus.<lb/>
Noted in 'Reprints,' <hi rend="italic">TLS,</hi> Nov. 3, 1935, p. 819.<lb/>
Comment by F[ranklin]. P[ierce]. A[dams]., 'The conning tower,'
N. Y. <hi rend="italic">Herald Trib.,</hi> Jan. 1, 1932, p. 15. ('The Conning Tower, aroused
by the recent republication of Gray's immortal quatrains, with new and modern
illustrations by Mr. John Vassos, hereby presents the first three stanzas of
Elegy Written in a Country Churchyard by Thomas Gray. Illustrated by the
American Type Founders Co.')
</ab><lb/>
<anchor xml:id="bib161"/>
<ab type="implicit"><hi rend="bold">1933.</hi> <hi rend="italic">An elegy written in a country churchyard.</hi> By Thomas
Gray. The three manuscripts. Rintaro Fukuhara &amp; Hen. Bergen, eds. Primrose
Hill, London: Edw. Walters &amp; Geoffrey Miller, 1933.
</ab><ab rend="right">LC   (<hi rend="italic">161</hi>   </ab>
<ab rend="small">
Limited ed. of 250 copies (125 on handmade paper, 125 on machine paper).<lb/>
Foreword describing MSS, pp. i-[xiii]. Fac. of Eton MS., pp. 1-10. Fac. of
Wharton MS., pp. [13]-20. Fac. of Pembroke MS., pp. [23]-31. 'Final version'
from collation of <ref target="/texts/diglib/secondary/NoC_1917/1/10#bib52">N52</ref>,
<ref target="/texts/diglib/secondary/NoC_1917/1/31#bib178">N178</ref>,
and the 3 MSS., pp. 34-37. Notes (largely on the errors in various
reproductions and facs.), pp. 38-39. See also <ref target="#bib158">#158</ref>, <ref target="#bib352">352</ref>.<lb/>
Rev. <hi rend="italic">TLS,</hi> July 27, 1933, pp. 501-02.
</ab><lb/>
<anchor xml:id="bib162"/>
<ab type="implicit"><hi rend="bold">1934.</hi> <hi rend="italic">An elegy written in a country churchyard,</hi> by Thomas
Gray. Worcester, Eng.: Ebenezer Baylis &amp; son, Trinity Press,
1934. (Ebenezer Baylis Booklets, VIII)
</ab><ab rend="right">CbC   (<hi rend="italic">162</hi>   </ab>
<ab rend="small">
Designed by Leonard Jay. I have not seen this edition.
</ab>
<pb n="27" xml:id="p1-27"/>
<anchor xml:id="bib163"/>
<ab type="implicit"><hi rend="bold">1938.</hi> <hi rend="italic">Elegy written in a country churchyard.</hi> New Haven: Printed
for the members of Timothy Dwight College in Yale University [at the Press of
Timothy Dwight College], 1938.
</ab><ab rend="right">LC   (<hi rend="italic">163</hi>   </ab>
<ab rend="small">
Limited ed. of 200 copies.<lb/>
'The <hi rend="italic">Elegy</hi> in our time. An appreciation by Raymond W. Short, Ph. D.,
Fellow of Timothy Dwight College' (Objects to modern 'derogatory' attitude
toward Gray), pp. [vii] - [viii].
</ab><lb/>
<anchor xml:id="bib164"/>
<ab type="implicit"><hi rend="italic">Elegy written in a country church-yard</hi> by Thomas Gray with an
introduction by Sir Hugh Walpole decorated with [33] wood-engravings sketched
in the same country church-yard by Agnes Miller Parker. London: Printed for
members of the Limited Editions Club at the Raven Press, 1938.
</ab><ab rend="right">EPFL   (<hi rend="italic">164</hi>   </ab>
<ab rend="small">
1500 copies autographed by the artist. Foreword (Repeats fable of Gray's
descent into a tub of water - with additional touches: '. . .his poor toes
clinging to the rope and the pail of water waiting for him at the bottom.' In
El it is the 'combination of exquisite artistry and real, normal, simple life
that makes the poem so unique.'), pp. [v]-xv. Prefatory note, p. [1]. El
(based on <ref target="/texts/diglib/secondary/NoC_1917/1/10#bib52">N52</ref>),
pp. [2-65]. Reprinting of Eton MS., pp. 67-72.
</ab><lb/>
<anchor xml:id="bib165"/><ab type="implicit">
In Desmond Flower and A. N. L. Munby, eds. <hi rend="italic">English poetical autographs: a
collection of facsimiles of autograph poems from Sir Thomas Wyat to Rupert
Brooke.</hi> London: Cassell, 1938, pp. 15, 15<hi rend="sup">2</hi>, 15<hi rend="sup">3</hi>.
</ab><ab rend="right">BrM   (<hi rend="italic">165</hi>   </ab>
<ab rend="small">
Photographs of Wharton MS. of El in BM.
</ab><lb/>
<anchor xml:id="bib166"/><ab type="implicit">
In P. R. Brinton, <ref target="#bib187">#187</ref>.
</ab><ab rend="right">(<hi rend="italic">166</hi>   </ab>
<anchor xml:id="bib167"/>
<ab type="implicit"><hi rend="bold">1940.</hi> <hi rend="italic">Elegy written in a country churchyard.</hi> With thirty
woodcuts by J. J. Lankes. Preface by Robt. P. Tristram Coffin. New York:
Harper, 1940.
</ab><ab rend="right">LC   (<hi rend="italic">167</hi>   </ab>
<ab rend="small">
Noted Bookwright, N. Y. <hi rend="italic">Herald Trib. Bks.,</hi> Nov. 10, 1940, p. 45;
P. Quercus [C. Morley], <hi rend="italic">SRL,</hi> Nov. 9, 1940, p. 21.
</ab><lb/>
<anchor xml:id="bib168"/>
<ab type="implicit"><hi rend="bold">1946.</hi> <hi rend="italic">Gray's Elegy written in a country church-yard</hi> with a
foreword by Christopher Sandford and eight engravings by Gwenda
Morgan. London: Golden Cockerel Press, McMxlvi.
</ab><ab rend="right">CbC, LC   (<hi rend="italic">168</hi>   </ab>
<ab rend="small">
First impression of 750 numbered copies.<lb/>
Foreword, pp. 5-9. El (text from <ref target="/texts/diglib/secondary/NoC_1917/1/2#bib13">N13</ref>),
pp. 11-[20].
</ab><lb/>
<anchor xml:id="bib168a"/>
<ab type="implicit"><hi rend="bold">1951.</hi> <hi rend="italic">An elegy wrote in a country church yard.</hi> Los Angeles: Wm
Andrews Clark Memorial Library, Univ. of Calif., 1951. (Augustan Reprint
Society, XXXI)
</ab><ab rend="right">(<hi rend="italic">168a</hi>   </ab>
<ab rend="small">
Intro. by Geo. Sherburn, pp. i-xi. Fac. of copy of first ed. in Clark
Mem. Libr., pp. [xiii-xxiii]. Photographic repro. of Eton Coll. MS of El,
pp. [xxv-xxviii].
</ab>
<p rend="center">TRANSLATIONS<lb/><hi rend="italic">Czechoslovakian</hi></p>
<anchor xml:id="bib169"/>
<ab type="implicit"><hi rend="bold">1898.</hi> Jaroslava Vrchlického [<hi rend="italic">pseud.</hi> of Emil Bohuslav
Frida]. "Elegie psána na hřbitově
vesnickém." In his <hi rend="italic">Moderni básníci
angličtí, 1700-1800</hi> [Modern English poets]. Praze:
Jos. R. Vilímek, [1898], pp. 10-14.
</ab><ab rend="right">NYP   (<hi rend="italic">169-N737a</hi>   </ab>
<pb n="28" xml:id="p1-28"/>
<ab rend="small">
Begins, Zvon večerní uspává mroucí
den.   32 quatrains
</ab>
<p rend="center"><hi rend="italic">Danish</hi></p>
<anchor xml:id="bib170"/>
<ab type="implicit"><hi rend="bold">1785.</hi> C. A. Lund. "Landsbykirkegaarden." In Christian
Iversen, <hi rend="italic">Samling af Poesier for Aaret 1785.</hi> Odense: Iversen. 12mo.
</ab><ab rend="right">UC   (<hi rend="italic">170-N737b</hi>   </ab>
<ab rend="small">
Begins, Højt lyder Bedeklokkens Slag.   9 stanzas of 8 ll.<lb/>
Reprinted in <hi rend="italic">Dansk Laesebog og Exempelsamling til de laerde Skolers
Brug.</hi>  Samlet af K[nud]. L[yhne]. Rahbek. 3d ed. Kjøbenhavn:
J. Hostrup Shultz, 1825, II, 248-51 (Not in the first ed.). Also printed in
C. A. Lund's <hi rend="italic">Efterladte Digte</hi> [posthumous poems]. Kjøbenhavn:
Bianco Luno and Schneider, 1836, pp. 19-22. See <ref target="#bib182">#182</ref>.   UC
</ab>
<p rend="center"><hi rend="italic">French</hi><lb/>(See Rochedieu, <ref target="#bib17b">#17b</ref>.)</p>
<anchor xml:id="bib171"/>
<ab type="implicit"><hi rend="bold">1770.</hi> Marquis de Villevielle. Rochedieu (#17b, p. 130) notes this as
published Paris: Le Jay, 1770, 4 v. in-12. I have been unable to find it.
</ab><ab rend="right">(<hi rend="italic">171-<ref target="/texts/diglib/secondary/NoC_1917/1/101#bib740">N740</ref></hi>   </ab>
<anchor xml:id="bib172"/>
<ab type="implicit"><hi rend="bold">1788.</hi> Père Guédon de Berchère.
</ab><ab rend="right">BM   (<hi rend="italic">172-<ref target="/texts/diglib/secondary/NoC_1917/1/101#bib742">N742</ref></hi>   </ab>
<ab rend="small">
For Père read Pierre.
</ab><lb/>
<anchor xml:id="bib173"/>
<ab type="implicit"><hi rend="bold">1797.</hi> Pierre Jean George Cabanis. In <hi rend="italic">Mélanges de
littérature allemande, etc</hi>. Paris: Smits an V., 1797. 8vo.
</ab><ab rend="right">(<hi rend="italic">173-<ref target="/texts/diglib/secondary/NoC_1917/1/101#bib746">N746</ref></hi>   </ab>
<anchor xml:id="bib174"/><ab type="implicit">
Nicholas le Deist de Kérivalant. "Le cimetière. . ."
Revised form. Reprinted in <hi rend="italic">Monthly Magazine,</hi> supplementary no., XX
(Jan. 31, 1806), 650-52.
</ab><ab rend="right">(<hi rend="italic">174-<ref target="/texts/diglib/secondary/NoC_1917/1/102#bib749a">N749a</ref></hi>   </ab>
<ab rend="small">
32 quatrains
</ab><lb/>
<anchor xml:id="bib175"/><ab type="implicit">
M. de Nantes. "Le cimetière de campagne —
élégie. Traduite de l'anglaise de Gray." In <hi rend="italic">Paris
pendant l'année,</hi> XVI (Dec. 11, 1797), 359-62.
</ab><ab rend="right">NYP   (<hi rend="italic">175-N749c</hi>   </ab>
<ab rend="small">
Begins, De la cloche du soir j'entends les sons funèbres.   32
quatrains
</ab><lb/>
<anchor xml:id="bib176"/><ab type="implicit">
M. de St. Malo. "Les tombeaux champêtres. Elégie
imitée de Gray." In <hi rend="italic">Paris pendant l'année,</hi> XVI
(Dec. 11, 1797), 362-65.
</ab><ab rend="right">NYP   (<hi rend="italic">176-N749d</hi>   </ab>
<ab rend="small">
Begins, Dans les airs frémissans, j'entends le long murmure.   105
ll. (alexandrines)
</ab><lb/>
<anchor xml:id="bib177"/>
<ab type="implicit"><hi rend="bold">1898.</hi> Henri Potez. Ll. 1-16. In his <hi rend="italic">L'élégie. . .</hi>
(<ref target="#bib256">#256</ref>), pp. 307-10.
</ab><ab rend="right">(<hi rend="italic">177-N770a</hi>   </ab>
<ab rend="small">
Prose. Begins, Le couvre-feu sonne le glas du jour qui s'en va. . . .
</ab><lb/>
<anchor xml:id="bib178"/>
<ab type="implicit"><hi rend="bold">1925.</hi> Pierre Berger. "Elégie écrite dans un
cimetière de campagne." In his <ref target="#bib75">#75</ref>,
pp. 64-69.
</ab><ab rend="right">(<hi rend="italic">178</hi>   </ab>
<ab rend="small">
Begins, Le couvre-feu tinte le glas du jour qui s'en va.   32 quatrains
</ab><lb/>
<anchor xml:id="bib178a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Elégie écrite dans un
cimetière de campagne." In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, pp. 415-17.
</ab><ab rend="right">(<hi rend="italic">178a</hi>   </ab>
<ab rend="small">
Begins, Le couvre-feu sonne le glas du jour qui passe.   33 quatrains<lb/>
The 4 rejected stanzas of the Eton MS. are transl., p. 421.
</ab>
<pb n="29" xml:id="p1-29"/>
<ab rend="small">
Reprinted in revised form in <ref target="#bib76a">#76a</ref>.
</ab><lb/>
<anchor xml:id="bib179"/>
<ab type="implicit"><hi rend="bold">1946.</hi> Louis F. Cazamian. "Elégie écrite dans un
cimetière de campagne." In his <hi rend="italic">Anthologie de la poésie
anglaise. . .</hi> Paris: Delamain et Boutelleau, 1947 [Copyright date 1946],
pp. 149-52.
</ab><ab rend="right">LC   (<hi rend="italic">179</hi>   </ab>
<ab rend="small">
Begins, Le couvre-feu sonne le glas du jour qui tombe.   80
ll. (transl. of ll. 1-20, 29-36, 44-56, 73-76, 93-128.) Accompanied by English
text.
</ab><lb/>
<anchor xml:id="bib180"/><ab type="implicit">
Partially reprinted in his <hi rend="italic">Symbolisme et poésie. L'exemple
anglais.</hi> Neuchatel, Suisse: Histoire et société
d'aujourd'hui. Editions de la Baconnière, 1947, pp. 60-63.
</ab><ab rend="right">(<hi rend="italic">180</hi>   </ab>
<ab rend="small">
Translates ll. 1-16, 93-100, 105-116.
</ab>
<p rend="center"><hi rend="italic">Greek</hi></p>
<anchor xml:id="bib181"/>
<ab type="implicit"><hi rend="bold">1871.</hi> Geo. Denman. <hi rend="italic">Gray's Elegy, translated into Greek. . .</hi></ab>
<ab rend="right">(<hi rend="italic">181-<ref target="/texts/diglib/secondary/NoC_1917/1/89#bib632">N632</ref></hi>   </ab>
<ab rend="small">
Reprinted in <hi rend="italic">Intervalla:</hi> verses, Greek, Latin, and English by the
Rt. Hon. George Denman. . . For private circulation. Cambridge: University
Press, 1898, pp. 2-11.   LC
</ab>
<p rend="center"><hi rend="italic">Icelandic</hi></p>
<anchor xml:id="bib182"/>
<ab type="implicit"><hi rend="bold">1838.</hi> [Sveinbjörn Egilsson]. "Kirkjugarđs
vísur." In <hi rend="italic">Sunnan-Pósturinn</hi> [monthly] III
(Reykjavík, 1838), 29-30. 8vo.
</ab><ab rend="right">(<hi rend="italic">182-N795c</hi>   </ab>
<ab rend="small">
Begins, Heyri eg hlióm i húmi.   9 stanzas of 8 ll.<lb/>
Free transl. from the Danish of C. A. Lund, <ref target="#bib170">#170</ref>.<lb/>
Reprinted in Egilsson's <hi rend="italic">Ljódmoeli.</hi> Reykjavík, 1856,
8vo. Pp. 204-07.
</ab>
<p rend="center"><hi rend="italic">Italian</hi></p>
<anchor xml:id="bib182a"/>
<ab type="implicit"><hi rend="bold">1772.</hi> Melchiorre Cesarotti. "Elegia inglese. . ."
</ab><ab rend="right">(<hi rend="italic">182a-<ref target="/texts/diglib/secondary/NoC_1917/1/111#bib796">N796</ref></hi>   </ab>
<ab rend="small">
Reprinted in Marcello Mazzoni, ed. <hi rend="italic">Fiori e glorie della letteratura
inglese,</hi> offerti nelle due lingue inglese ed italiana da Marcello
Mazzoni. Milano: Pirotta, 1844, Pt. II, pp. 141-43. English text, Pt. I,
pp. 188-89 (ll. 1-56). Biog. sketch in Eng., Pt. I, pp. 186-87; in Ital.,
Pt. II, pp. 139-40.   LC
</ab><lb/>
<anchor xml:id="bib183"/>
<ab type="implicit"><hi rend="bold">1781.</hi> Giovanni Povoleri. A transl. into Tuscan?
</ab><ab rend="right">(<hi rend="italic">183-N799a</hi>   </ab>
<ab rend="small">
Mrs. Thrale (Oct. 15, 1781) notes that Povoleri made such a transl., but I can
find no record of its publication. See <hi rend="italic">Thraliana</hi>. . . K. G. Balderston,
ed., Oxford: Clarendon, 1942, I, 514-15.
</ab><lb/>
<anchor xml:id="bib183a"/>
<ab type="implicit"><hi rend="bold">1833.</hi> C. M. Vicenza. <hi rend="italic">Il cimitero campestre,</hi> libera versione di
C. M. Vicenza. Piccotti, 1833.
</ab><ab rend="right">(<hi rend="italic">183a-N809a</hi>   </ab>
<ab rend="small">
Noted by Fucilla (<ref target="#bib950">#950</ref>). I have been unable to
find a copy.
</ab><lb/>
<anchor xml:id="bib183b"/>
<ab type="implicit"><hi rend="bold">1837.</hi> <hi rend="italic">Traduzione dell'Elegia del celebre Tommaso Gray sopra un
cimitero di campagna.</hi> Verona: Paolo Libanti, 1837.
</ab><ab rend="right">(<hi rend="italic">183b-N810a</hi>   </ab>
<pb n="30" xml:id="p1-30"/>
<ab rend="small">
Noted by Fucilla (<ref target="#bib950">#950</ref>). I have been unable to
find a copy.
</ab><lb/>
<anchor xml:id="bib183c"/>
<ab type="implicit"><hi rend="bold">1841.</hi> Giovanni Vitali. "Elegia scritta in un cimiterio
campestre." In <hi rend="italic">Varie poesie inglesi in prosa italiana</hi> voltate da
Giovanni Vitali milanese. Milano: Luigi di Giacomo Pirola, 1841.
</ab><ab rend="right">(<hi rend="italic">183c-N810b</hi>   </ab>
<ab rend="small">
Noted by Fucilla (<ref target="#bib950">#950</ref>). I have been unable to
find a copy.
</ab><lb/>
<anchor xml:id="bib183d"/>
<ab type="implicit"><hi rend="bold">1916.</hi> Guglielmo Grant. <hi rend="italic">Elegia scritta in un rustico camposanto.</hi>
Versione di Gugl. Grant. Roma: t. del Senato, 1916.
</ab><ab rend="right">(<hi rend="italic">183d-N818b</hi>   </ab>
<ab rend="small">
16mo. Pp. 19. Eng. and Ital. texts on alternate pages.<lb/>
Begins, La mesta squilla annunzia el di che muore.   128 ll.
</ab><lb/>
<anchor xml:id="bib183e"/>
<ab type="implicit"><hi rend="bold">1946.</hi> Lauro Roberti-Fletcher [<hi rend="italic">pseud.</hi> of Guido
Manacorda]. <hi rend="italic">Elegia di un cimitero campestre:</hi> a cura di Lauro
Roberti-Fletcher. Firenze, Fussi, Sancasciano: tip. Stianti, s. a.,
[1946]. (Il Melograno. Scritti rari e rappresentativi di poesia e pensiero in
versione d'arte con testo a fronte, IV)
</ab><ab rend="right">BNF   (<hi rend="italic">183e</hi>   </ab>
<ab rend="small">
16mo. Pp. 44. Eng. and Ital. texts on alternate pages. Reprinted in 1952.<lb/>
Begins, Suona il coprifuoco: saluto estremo del morente giorno.   133 ll.
</ab>
<p rend="center"><hi rend="italic">Latin</hi></p>
<anchor xml:id="bib184"/>
<ab type="implicit"><hi rend="bold">1786.</hi> Arthur Murphy. "Elegia Thomae Gray, in carmen latinum
conversa. Ode. In coemeterio rustico scripta." In <hi rend="italic">The works of Arthur
Murphy. . .</hi> London: T. Cadell, 1786, VII, [225]-24O.
</ab><ab rend="right">UP   (<hi rend="italic">184-N826'. See <ref target="/texts/diglib/secondary/NoC_1917/1/118#bib840">N840</ref></hi>   </ab>
<ab rend="small">
Begins, Eheu! fugaces praecipiti rotâ.   178 ll.<lb/>
English text at bottom of pages.
</ab><lb/>
<anchor xml:id="bib185"/>
<ab type="implicit"><hi rend="bold">1924.</hi> Armine Kent. In "Memorabilia." <hi rend="italic">N&amp;Q,</hi> Nov. 29,
1924, p. 384, Kent is noted as having translated l. 36 as Fama regat currum,
stat tibi meta, mori.
</ab><ab rend="right">(<hi rend="italic">185</hi>   </ab>
<anchor xml:id="bib186"/>
<ab type="implicit"><hi rend="bold">1936.</hi> Hugh Andrew Johnstone Munro. In John H. Cameron. "Munro's
Latin version of Gray's Elegy." <hi rend="italic">The School, secondary section</hi>
(Toronto), XXV (Oct., 1936), 127-31.
</ab><ab rend="right">UP   (<hi rend="italic">186</hi>   </ab>
<ab rend="small">
Reprints Munro's 1873 transl. (<ref target="/texts/diglib/secondary/NoC_1917/1/119#bib846">N846</ref>). 128 ll.
</ab><lb/>
<anchor xml:id="bib187"/>
<ab type="implicit"><hi rend="bold">1938.</hi> P[ercival]. R[obt]. Brinton. <hi rend="italic">Fallentis semita vitae.</hi> A
rendering into Latin elegiac verse of Gray's Elegy written in a country
church-yard. By the Rev. P. R. Brinton. . . Oxford: Shakespeare Head Press,
Blackwell, 1938, pp. 15.
</ab><ab rend="right">LC   (<hi rend="italic">187</hi>   </ab>
<ab rend="small">
Begins, Vespertina diem luget campana cadentem.   32 quatrains<lb/>
Latin on the evenly numbered pp., English on the odd.<lb/>
Rev. <hi rend="italic">TLS,</hi> Feb 4. 1939, p. 78.
</ab>
<p rend="center"><hi rend="italic">Portuguese</hi></p>
<anchor xml:id="bib187a"/>
<ab type="implicit"><hi rend="bold">1792.</hi> Antonio de Araujo de Azevedo, conde de Barca.
</ab><ab rend="right">(<hi rend="italic">187a-<ref target="/texts/diglib/secondary/NoC_1917/1/120#bib858">N858</ref></hi>   </ab>
<pb n="31" xml:id="p1-31"/>
<ab rend="small">
A later ed. is recorded in an unidentified clipping from a Bowes &amp; Bowes
catalogue: Thomas Gray. <hi rend="italic">Elegia escrita no adro de uma igreja de aldeia,</hi>
traduzida na lingoa portugeza (de Araujo de Azevedo, conde de Barca),
1817. 4to. No place of publ. or printer's name but said to be printed at
Hamburg.
</ab>
<p rend="center"><hi rend="italic">Russian</hi></p>
<anchor xml:id="bib188"/>
<ab type="implicit"><hi rend="bold">1785.</hi> In <hi rend="italic">Pokoiashchiisia trudoliubets</hi> (Moscow), 1785,
pp. 187-93.
</ab><ab rend="right">(<hi rend="italic">188-N859a</hi>   </ab>
<ab rend="small">
I have not seen this periodical.
</ab><lb/>
<anchor xml:id="bib189"/>
<ab type="implicit"><hi rend="bold">1789.</hi> "Elegiia na sel'skoe kladbishche. Soch G. [Mr.]
Greia. "In <hi rend="italic">Beseduiushchii grazhdanin,</hi> III (1789), 138-44.
</ab><ab rend="right">LC, NYP   (<hi rend="italic">189-N859b</hi>   </ab>
<ab rend="small">
Prose. Begins, Uzhe slyshu plachevnyi zvuk kolokola. . . .
</ab><lb/>
<anchor xml:id="bib190"/>
<ab type="implicit"><hi rend="bold">1798.</hi> Petr Kozlovskii. "Syn Melankholii. Elegiia Greeva,
napisannaia na derevenskom kladbishche." In <hi rend="italic">Ippokrena, ili utekhi
liubosloviia,</hi> II (1798), 2-12.
</ab><ab rend="right">HU   (<hi rend="italic">190-N859c</hi>   </ab>
<ab rend="small">
Prose. Begins, Ia slyshu glukhoi ston vecherniago kolokola. . . .<lb/>
(There are two other passages which may refer to Gray in <hi rend="italic">Ippokrena,</hi> I,
249; III, 103.)
</ab><lb/>
<anchor xml:id="bib191"/>
<ab type="implicit"><hi rend="bold">1800.</hi> "Elegiia, pisannaia na sel'skom kladbishche." In
<hi rend="italic">Ippokrena, ili utekhi liubosloviia,</hi> VI (1800), 440-48.
</ab><ab rend="right">HU, LC   (<hi rend="italic">191-N859d</hi>   </ab>
<ab rend="small">
Prose. Begins, Pozdnyi kolokol vozvieshchaet smertnyi zvon prekhodiashchago
dnia. . . .<lb/>
Signed (p. 448): Gre.
</ab><lb/>
<anchor xml:id="bib192"/>
<ab type="implicit"><hi rend="bold">1801.</hi> A prose paraphrase of part of the El. In <hi rend="italic">Ippokrena, ili utekhi
liubosloviia,</hi> IX (1801), 117.
</ab><ab rend="right">HU, LC   (<hi rend="italic">192-N859e</hi>   </ab>
<anchor xml:id="bib193"/>
<ab type="implicit"><hi rend="bold">1802.</hi> Vasily Andreevich Zhukovsky (Zhukovskii). "Sel'skoe
kladbishche. . ." In <hi rend="italic">Vestnik Evropy,</hi> VI (1802), 319-25.
</ab><ab rend="right">LC   (<hi rend="italic">193-<ref target="/texts/diglib/secondary/NoC_1917/1/121#bib860">N860</ref></hi>   </ab>
<ab rend="small">
140 ll.
</ab>
<p rend="center"><hi rend="italic">Spanish</hi><lb/>(See also <ref target="#bib19b">#19b</ref>.)</p>
<anchor xml:id="bib194"/>
<ab type="implicit"><hi rend="bold">1805.</hi> "El cementerio del aldea. Elegía de Gray, traducida
libremente del inglés." In <hi rend="italic">Minerva ó el revisor general,
obra periódica</hi> (Madrid, Vega), no. 14 (Noviembre 15, 1805),
[105]-111.
</ab><ab rend="right">BNc   (<hi rend="italic">194-N861a</hi>   </ab>
<ab rend="small">
Prose. Begins, Oigo ya el fúnebre tañido de la campana que me
avisa de que se acaba el dia.<lb/>
See Peers, <ref target="#bib311">#311</ref>, p. 416.
</ab><lb/>
<anchor xml:id="bib195"/>
<ab type="implicit"><hi rend="bold">1822.</hi> Manuel Norberto Pérez del Camino. "Elegía
escrita sobre el cementerio de una aldea (Imitación del
inglés)." In Gabriel Legouvé, <hi rend="italic">El mérito de las
mugeres, los recuerdos, la sepultura, la melancolía; poemas de Gabriel
Legouvé. Traducidos en verso castellano,</hi> por Don M. N. Pérez
de Camino. Burdeos: Lawalle jóven, 1822, pp. 282-92.
</ab><ab rend="right">HS   (<hi rend="italic">195-N861b</hi>   </ab>
<ab rend="small">
Begins, Ya la campana en lúgubre lamento.   59 stanzas (171 ll.)
</ab>
<pb n="32" xml:id="p1-32"/>
<anchor xml:id="bib196"/>
<ab type="implicit"><hi rend="bold"><hi rend="italic">About</hi> 1823.</hi> José Antonio Miralla. Reprinted in following
publications:
</ab><ab rend="right">(<hi rend="italic">196-<ref target="/texts/diglib/secondary/NoC_1917/1/121#bib862">N862</ref></hi>   </ab>
<ab rend="small">
<hi rend="italic">Guardia nacional</hi> (Barcelona), May 29, 1837.<lb/>
    I have been unable to find this periodical. See Peers, <ref target="#bib311">#311</ref>, pp. 415-16.<lb/>
<hi rend="italic">La Tertulia. Periódico semanal de literatura y de artes</hi>
(Cádiz). Num. 42 (Domingo 29 abril de 1849), 4-5.   0U<lb/>
    Miralla's name is not mentioned.<lb/>
Calixto Oyuela, ed. <hi rend="italic">Antología poética hispano-americana con
notas biográficas y críticas.</hi> Buenos Aires: Angel Estrada,
1919-1920, I, [423]-28.   UT, LC<lb/>
    See also pp. 532-34.<lb/>
[Sir Eugen Millington-Drake, comp.], <hi rend="italic">Joyas de la poesía inglesa
desde Shakespeare hasta Kipling. . .</hi> Buenos Aires, 1941.<lb/>
    Miralla's transl. and English text printed on opposing pages, pp. 66-79.<lb/>
    Comment by Drake, pp. 24-27, by Patricio Gannon,
pp. 34-35. Biog. note, pp. 64-65.<lb/>
    2d ed, Buenos Aires: Eng. Assoc. of Argentine Culture and the British
Council, 1942, transl., pp. 70-83. Comments and note, pp. 26-29, 36-37,
68-69.   LC
</ab><lb/>
<anchor xml:id="bib197"/>
<ab type="implicit"><hi rend="bold">1840.</hi> José Fernández-Guerra. "El cementerio de la
aldea. (Imitación de Grai.)." In <hi rend="italic">La Alhambra; periódico
de ciencias, literatura y bellas artes</hi> (Granada), III (1840), 207-10.
</ab><ab rend="right">BN, UG, UT (<hi rend="italic">197-N863a</hi>   </ab>
<ab rend="small">
Begins, La campana ya fúnebre tañia.   211 ll.<lb/>
Read at a competition of the Liceo de Granada on the night of July 24,
1840. See Peers, <ref target="#bib311">#311</ref>, pp. 416-17, and
J. D. M. Ford, 'English influence upon Spanish literature in the early part of
the nineteenth century.' <hi rend="italic">PMLA,</hi> XVI (1901), 455.
</ab><lb/>
<anchor xml:id="bib198"/>
<ab type="implicit"><hi rend="bold"><hi rend="italic">Before</hi> 1841.</hi> José Vicente Alonso (1775-1841). (?)
</ab><ab rend="right">(<hi rend="italic">198-N863b</hi>   </ab>
<ab rend="small">
No data concerning title, publisher, date. In tercetos according to Leopoldo
Augusto de Cueto, <hi rend="italic">Poetas líricos del siglo XVIII,</hi> Madrid:
Rivadeneyra, 1875, III, 664. Also noted by Cueto in his <hi rend="italic">Historia
critica de la poesía castellana en el siglo XVIII,</hi> 3<hi rend="sup">a</hi>
ed., Madrid. «Sucesores de Rivadeneyra», 1893, III, 473. See
Menendez y Pelayo, <ref target="#bib255">#255</ref>, II, 410-11; Peers <ref target="#bib311">#311</ref>, 415n. Buchanan (<ref target="#bib272">#272</ref>) doubts that it was ever published.
</ab><lb/>
<anchor xml:id="bib199"/>
<ab type="implicit"><hi rend="bold">1843.</hi> José de Urcullu. "El cementerio de la aldea." In
<hi rend="italic">La Colmena. Periódico trimestre de ciencias, artes, historia y
literatura.</hi> Redactado por D. Angel de Villalobos. (London, Ackermann), II
(1843), 73-77, 175-78.
</ab><ab rend="right">CSB   (<hi rend="italic">199-N863c</hi>   </ab>
<ab rend="small">
Preface by Villalobos, pp. 73-74. Explanatory letter from Urcullu to one of
the Ackermanns, pp. 74. Text with nine engraved illus., pp. 74-77,
175-78. Described by Peers, <ref target="#bib311">#311</ref>, p. 416.<lb/>
Begins, Del moribundo dia.   32 stanzas of 6 ll.
</ab><lb/>
<anchor xml:id="bib200"/>
<ab type="implicit"><hi rend="bold">1850.</hi> José Fernandez-Guerra. "El cementerio de la
aldea. (Imitación de Gray.)." In <hi rend="italic">El Heraldo. Periódico
político, religioso, literario é industrial</hi> (edicion de
Madrid). (Paris: Director y propietario C. A. Saavedra) Número 2417
(April 7, 1850), [Photostats do not show any page numbers].
</ab><ab rend="right">BNc   (<hi rend="italic">200-N863d</hi>   </ab>
<ab rend="small">
In a memorial article on Fernández-Guerra signed by
M. Cañete.<lb/>
Begins, La luz desmaya que ostentara el dia.   178 ll. (tercetos)<lb/>
Reprinted in <hi rend="italic">Poesias de D. Manuel Cañete. . .</hi> Madrid:
Rivadeneyra, 1859. Note 33, pp. 284-88.   BNc, UT
</ab><lb/>
<anchor xml:id="bib201"/>
<ab type="implicit"><hi rend="bold">1860.</hi> [Enrique de Vedia.] Elegia / escrita en un cementerio campestre /
de Tomas Gray / traducida en verso castellano.
</ab><ab rend="right">BNc, UP   (<hi rend="italic">201-<ref target="/texts/diglib/secondary/NoC_1917/1/122#bib864">N864</ref></hi>   </ab>
<pb n="33" xml:id="p1-33"/>
<ab rend="small">
N. p., n. d. [Prefaced by a letter of dedication to Señor Don Carlos
Gutiérrez, Honduran minister, dated Liverpool, April 1, 1860, and
signed H. L. de Vedia]. 24mo. Pp. 16 consisting of p. [1], t-p; p. [2], blank;
p. [3], Dedication; p. [4], blank; pp. 5-6. 'Advertencia [By Vedia, explaining
that Torri's collection of transl. of El (<ref target="/texts/diglib/secondary/NoC_1917/1/83#bib581">N581</ref>)
inspired him to make this one]; pp. 7-16, text.<lb/>
Begins, Ya de la queda el toque reposado.   63 quatrains<lb/>
Withdrawn from circulation because of typographical errors but printed in
Spanish and American periodicals (unidentified) according to Menéndez y 
Pelayo, <ref target="#bib255">#255</ref>, II, 412n. See Peers, <ref target="#bib311">#311</ref>, pp. 417-18.<lb/>
Reprinted in Miguel Antonio Caro. <hi rend="italic">Traducciones poéticas.</hi>
Bogotá: Libreria Americana, 1889, pp. 206-16.   HS.  
Attributed by Caro to D. Hevia (Printer's error?).
</ab><lb/>
<anchor xml:id="bib201a"/>
<ab type="implicit"><hi rend="bold">1886.</hi> Eduardo Hall. "Elejia. Sobre un cementerio de aldea."
In his <hi rend="italic">Brisas tropicales. Colección de poesías de Eduardo
Hall</hi> [posthumous ed. by his son Guillermo F. Hall]. Nueva York: Louis
Weiss, 1886, pp. 36-41.
</ab><ab rend="right">HU, LC, TU   (<hi rend="italic">201a-N864''</hi>   </ab>
<ab rend="small">
Begins, Muere el día. Mujiendo va el ganado.   32 quatrains
</ab><lb/>
<anchor xml:id="bib202"/>
<ab type="implicit"><hi rend="bold">1888.</hi> Ignacio Gómez. "Elegía escrita en el
cementerio de una aldea." In Ramón Uriarte, <hi rend="italic">Galería
poética, centro-americana</hi>. . . [2 ed.] Guatemala: La Unión,
1888, I, 207-211.
</ab><ab rend="right">LC   (<hi rend="italic">202-N864b</hi>   </ab>
<ab rend="small">
Begins, Ya el bronce anuncia el moribundo día.
</ab><lb/>
<anchor xml:id="bib203"/>
<ab type="implicit"><hi rend="bold">1914.</hi> Roberto MacDouall. "Elegía escrita en un cementerio
de aldea." In <hi rend="italic">La revista del Ateneo hispano americano</hi>
(Washington), I, No. 1 (Feb., 1914), 12-18.
</ab><ab rend="right">PAU, UT   (<hi rend="italic">203-N864c</hi>   </ab>
<ab rend="small">
Transl. accompanied by Eng. text. Entire article is entitled 'La Elegía
de Gray. Traducción castellana del poeta colombiano Don Roberto
MacDouall.' 'Nota de la redacción,' pp. 12-13. appears in Eng. transl.,
p. 46.<lb/>
Begins, La tarde va a espirar, dobla la esquila.   35 quatrains, the last
3 'Epitafio,' The final quatrain is incorrectly numbered 'XXV.'<lb/>
Also in <hi rend="italic">Roberto Mc</hi> [sic] <hi rend="italic">Douall. Sus poesías.</hi> Proemio by
Daniel Arias Argaez. Bogotá: Editorial de Cromos. [19--],
pp. 126-33.   LC, PAU, YU<lb/>
Date of publication seems to be 1913 or later. Comment, p. xxi. Title:
'Elegía (Escrita en un cementerio de aldea).' No separate title for
Epitaph. Begins, La noche va a expirar, dobla la esquila.<lb/>
Commented on by Buchanan, <ref target="#bib272">#272</ref>, and in Roberto
Mc. [sic] Douall and V. E. Caro, trs. <hi rend="italic">Traducciones teatrales</hi>
(Biblioteca Aldeana de Colombia; selección Samper Ortega. Serie
teatro. No. 96). Bogotá: Editorial Minerva, 1936, p. 12.   UT
</ab>
<p rend="center">PARODIES AND IMITATIONS<lb/><hi rend="italic">English</hi></p>
<anchor xml:id="bib204"/>
<ab type="implicit"><hi rend="bold">1755.</hi> John Gilbert Cooper. <hi rend="italic">The tomb of Shakespeare. A poetical
vision.</hi> London: R. &amp; J. Dodsley, 1755. 4to. pp. 12.
</ab><ab rend="right">BM   (<hi rend="italic">204-N868a</hi>   </ab>
<ab rend="small">
Reprinted in Anderson's <hi rend="italic">Works of the British poets,</hi> London, 1795, X,
792-93. See also p. 770.<lb/>
Begins, What time the jocund rosy-bosom'd hours.   41 quatrains
</ab><lb/>
<anchor xml:id="bib204a"/>
<ab type="implicit"><hi rend="bold">1762.</hi> [Edw. Jerningham.] <hi rend="italic">The nunnery. . .</hi></ab>
<ab rend="right">(<hi rend="italic">204a-<ref target="/texts/diglib/secondary/NoC_1917/1/124#bib873b">N873b</ref></hi>   </ab>
<ab rend="small">
1762, rather than 1764 (See <ref target="/texts/diglib/secondary/NoC_1917/1/125#bib882">N882</ref>),
is the probable date since J. B. A. Suard published a French transl. of <hi rend="italic">The
nunnery</hi> in <hi rend="italic">Le journal étranqer,</hi> Sept., 1762. See Hunter, <ref target="#bib765">#765</ref>, p. 91.
</ab><lb/>
<anchor xml:id="bib204b"/>
<ab type="implicit"><hi rend="bold">1765.</hi> Wm Julius Mickle. <hi rend="italic">Pollio, an elegiac ode, written in the wood
near Roslin Castle</hi> [in 1762].
</ab><ab rend="right">(<hi rend="italic">204b-N888a</hi>   </ab>
<pb n="34" xml:id="p1-34"/>
<ab rend="small">
Begins, The peaceful evening breathes her balmy store.   34 quatrains<lb/>
According to Anderson, p. 629, published in 1765, 4to. I have not seen a
copy of this edition.<lb/>
Reprinted by Anderson, <hi rend="italic">British poets</hi> (1794), XI, 639-40. and by
Chalmers, <hi rend="italic">English poets</hi> (1810), XVII, 516-17.
</ab><lb/>
<anchor xml:id="bib205"/>
<ab type="implicit"><hi rend="bold">1769.</hi> Marcus. "Epitaph." Reprinted with Cole's indignant
comment in <hi rend="italic">The Monthly Magazine,</hi> XVII (May 1, 1804), 352-53.
</ab><ab rend="right">(<hi rend="italic">205-<ref target="/texts/diglib/secondary/NoC_1917/1/127#bib892">N892</ref></hi>   </ab>
<anchor xml:id="bib206"/>
<ab type="implicit"><hi rend="bold">1782.</hi> Tho. Edwards "Additional stanzas for the Elegy."
Reprinted in <hi rend="italic">The Port Folio,</hi> III (Aug. 27, 1803), 277.
</ab><ab rend="right">(<hi rend="italic">206-<ref target="/texts/diglib/secondary/NoC_1917/1/129#bib903">N903</ref></hi>   </ab>
<anchor xml:id="bib207"/>
<ab type="implicit"><hi rend="bold">1789.</hi> [Geo. Richards?]. <hi rend="italic">The political passing bell: an
elegy. . .</hi> Reprinted by Wm Abbatt in Extra no. 48 of <hi rend="italic">The Magazine of
History with Notes and Queries,</hi> XII, Extra nos. 45-48 (1916), [335]-353.
</ab><ab rend="right">UP   (<hi rend="italic">207-<ref target="/texts/diglib/secondary/NoC_1917/1/130#bib917">N917</ref></hi>   </ab>
<anchor xml:id="bib208"/>
<ab type="implicit"><hi rend="bold">1790.</hi> G. "Elegy." In <hi rend="italic">The Universal Magazine,</hi> LXXXVI
(June, 1790), 331-32.
</ab><ab rend="right">LCp   (<hi rend="italic">208-N918a</hi>   </ab>
<ab rend="small">
Begins, Loud screamed the owl, and bats had winged their way.   8
quatrains
</ab><lb/>
<anchor xml:id="bib209"/>
<ab type="implicit"><hi rend="bold">1791.</hi> Anna. "Reflections in a country church yard." In <hi rend="italic">The
Lady's Magazine,</hi> XXII (Jan., 1791), 46-47.
</ab><ab rend="right">HU, LC, YU   (<hi rend="italic">209-N918b</hi>   </ab>
<ab rend="small">
Begins, Soft o'er the gloomy mansions of the dead.   67 ll. (heroic
couplets with 1 triplet)
</ab><lb/>
<anchor xml:id="bib210"/>
<ab type="implicit"><hi rend="bold">1795.</hi> Hanslopiensis. "Reflections during an evening's walk in a
country churchyard." In <hi rend="italic">The Gentleman's Magazine,</hi> LXV (Nov.,
1795), 950-51.
</ab><ab rend="right">(<hi rend="italic">210-N922b</hi>   </ab>
<ab rend="small">
Begins, Hail, sacred Mansions of secure Repose.   54 ll.
</ab><lb/>
<anchor xml:id="bib211"/>
<ab type="implicit"><hi rend="bold">1796.</hi> I. T. R. "Elegy in Westminster Abbey." In <hi rend="italic">The
Monthly Magazine,</hi> I (Feb., 1796), 56.
</ab><ab rend="right">(<hi rend="italic">211-N926'</hi>   </ab>
<ab rend="small">
Begins, No more I wander the muse-haunted grove.   18 quatrains
</ab><lb/>
<anchor xml:id="bib211a"/>
<ab type="implicit"><hi rend="bold">1797.</hi> Wm Mason. "Elegy written in a church-yard in South
Wales." In his <hi rend="italic">Works. . .,</hi> York, 1797, III, 53-59.
</ab><ab rend="right">(<hi rend="italic">211a-N926b</hi>   </ab>
<ab rend="small">
Begins, From southern Cambria's richly varied clime.   26 quatrains<lb/>
Written in 1787. Reprinted in 'Biographical anecdotes and characters,['] in
<hi rend="italic">The New Annual Register,</hi> 1797, pp. 172-74.
</ab><lb/>
<anchor xml:id="bib212"/>
<ab type="implicit"><hi rend="bold">1798.</hi> I. T. R. "Elegy. Written in Fleet-Street." In <hi rend="italic">The
Monthly Magazine,</hi> VI (Oct., 1798), 285-86.
</ab><ab rend="right">(<hi rend="italic">212-N927a</hi>   </ab>
<ab rend="small">
Begins, St. Dunstan's bells proclaim departed day.   32 quatrains
</ab><lb/>
<anchor xml:id="bib213"/><ab type="implicit">
Valdarno [Wm Beckford of Jamaica?]. "Upon a winter's walk, in the
evening, in Westminster Abbey." In <hi rend="italic">The Monthly Mirror,</hi> VI (Dec.,
1798), 361-62.
</ab><ab rend="right">(<hi rend="italic">213-N927b</hi>   </ab>
<ab rend="small">
Begins, Ah! how I joy to tread these cloister'd aisles.   14 ll.
</ab><lb/>
<anchor xml:id="bib214"/>
<ab type="implicit"><hi rend="bold">1799.</hi> Lycidas. "Elegy." In <hi rend="italic">The Monthly Mirror,</hi>
VIII<lb/>(Aug., 1799), 106-08.
</ab><ab rend="right">(<hi rend="italic">214-N928a</hi>   </ab>
<ab rend="small">
Begins, With mind ill-tun'd I woke the Lyre of Gray.   20 quatrains
</ab>
<pb n="35" xml:id="p1-35"/>
<anchor xml:id="bib215"/>
<ab type="implicit"><hi rend="bold">1800.</hi> John Davis. "In me ipsum." In <hi rend="italic">The European
Magazine,</hi> XXXVII (June, 1800), 472.
</ab><ab rend="right">(<hi rend="italic">215-N930a</hi>   </ab>
<ab rend="small">
Imit. of Epitaph.<lb/>
Begins, Should some lone trav'ller, that delights in song.   6 quatrains
</ab><lb/>
<anchor xml:id="bib216"/>
<ab type="implicit"><hi rend="bold">1801.</hi> N. Bull. "Elegy, written during a burial in a country
church-yard." In <hi rend="italic">The Gentleman's Magazine,</hi> LXXXIX (Mar., 1801),
260.
</ab><ab rend="right">(<hi rend="italic">216-N930b</hi>   </ab>
<ab rend="small">
Begins, What sound, wide trembling on the passing gale.   7 quatrains
</ab><lb/>
<anchor xml:id="bib217"/>
<ab type="implicit"><hi rend="bold">1802.</hi> A parody. In the New York <hi rend="italic">Evening Post.</hi> Noted in <hi rend="italic">The
Port Folio,</hi> II (July 10, 1802), 215. I have not seen this parody, which is
said to be "at the expense of Mr. Jefferson and African philosophy."
</ab><ab rend="right">(<hi rend="italic">217-N931a</hi>   </ab>
<anchor xml:id="bib218"/>
<ab type="implicit"><hi rend="bold">1804.</hi> [John] Scott of Amwell. In <hi rend="italic">The Port Folio,</hi> IV (Dec. 1,
1804), 382-83.
</ab><ab rend="right">(<hi rend="italic">218-N933a</hi>   </ab>
<ab rend="small">
A prose summary of the El said to be reprinted from <hi rend="italic">The Monthly
Magazine,</hi> Sept., 1804, although I have not been able to find it in that
issue.
</ab><lb/>
<anchor xml:id="bib219"/>
<ab type="implicit"><hi rend="bold">1806.</hi> "In a country church-yard." In <hi rend="italic">The Gentleman's
Magazine,</hi> C (Sept., 1806), 848.
</ab><ab rend="right">(<hi rend="italic">219-N934a</hi>   </ab>
<ab rend="small">
Begins, Tread soft, ye mortals, o'er this hallow'd ground!   3 quatrains
</ab><lb/>
<anchor xml:id="bib219a"/>
<ab type="implicit"><hi rend="bold">1820.</hi> Peter Daniel. <hi rend="italic">An elegy written in St. Pancras
Churchyard. . .</hi> London, 1820.
</ab><ab rend="right">(<hi rend="italic">219a-<ref target="/texts/diglib/secondary/NoC_1917/1/136#bib957a">N957a</ref></hi>   </ab>
<ab rend="small">
A copy of another edition, London: for Jas Daniel, 1821, 8vo, 16 pp.,
according to Francesco Cordasco (<hi rend="italic">N&amp;Q,</hi> Apr. 14, 1951, p. 161), is
owned by HL; but investigation by H. R. Mead of HL and Prof. French Fogle has
definitely established that no copy of Daniel's <hi rend="italic">Elegy</hi> is at HL. See
Mead, <hi rend="italic">N&amp;Q</hi> Oct. 27, 1951, p. 482, and H. Starr, <hi rend="italic">Ibid.,</hi>
Dec. 22, p. 570.
</ab><lb/>
<anchor xml:id="bib219b"/>
<ab type="implicit"><hi rend="bold">1823.</hi> [Jas D. Knowles.] "Supplement to Gray's Elegy in a church
yard."
</ab><ab rend="right">(<hi rend="italic">219b-<ref target="/texts/diglib/secondary/NoC_1917/1/136#bib961">N961</ref></hi>   </ab>
<ab rend="small">
Begins, No airy dreams their fancies fired.   9 quatrains<lb/>
Reprinted in <ref target="#bib1212">#1212</ref> as 'Additional stanzas by
James D. Knowles.'
</ab><lb/>
<anchor xml:id="bib220"/>
<ab type="implicit"><hi rend="bold">1832.</hi> [Pierce Egan?]. "The gambler." Reprinted by Edgar
Syers, "A parody on Gray's 'Elegy'." <hi rend="italic">N&amp;Q,</hi> Oct. 7, 1939,
pp. 254-55.
</ab><ab rend="right">(<hi rend="italic">220-<ref target="/texts/diglib/secondary/NoC_1917/1/137#bib970">N970</ref></hi>   </ab>
<ab rend="small">
See Rhedecynian, Aug. 5, p. 98.
</ab><lb/>
<anchor xml:id="bib221"/>
<ab type="implicit"><hi rend="bold">1875.</hi> [Chas Wm] Shirley Brooks. "Mnemosyne. A prize poem." In
his <hi rend="italic">Wit and humor. . .</hi> London: Bradbury, Agnew, 1875, pp. 230-32.
</ab><ab rend="right">LCp   (<hi rend="italic">221-N992a</hi>   </ab>
<ab rend="small">
Poem dated 1865.<lb/>
Begins, Full many a gem of purest ray serene.   17 quatrains<lb/>
Reprinted in E[dmund]. V[alpy]. Knox, ed., <hi rend="italic">Humorous verse, an
anthology.</hi> London: Chatto &amp; Windus, Phoenix Libr., 1931, pp. 9-10.
</ab><lb/>
<anchor xml:id="bib222"/>
<ab type="implicit"><hi rend="bold">1916.</hi> [John Collins Squire]. "If Gray had had to write his Elegy
in the cemetery of Spoon River. . ." In <hi rend="italic">The Century,</hi> XCII (Sept.,
1916), [793].
</ab><ab rend="right">(<hi rend="italic">222-<ref target="/texts/diglib/secondary/NoC_1917/1/144#bib1021b">N1021b</ref></hi>   </ab>
<ab rend="small">
12 quatrains<lb/>
Reprinted in Squire's <hi rend="italic">Collected parodies,</hi> London: Hodder &amp;
Stoughton, [1921], pp. 86-88, and in David McCord, ed., <hi rend="italic">What cheer,</hi> New
York: Coward-McCann, 1945, reprinted as <hi rend="italic">The pocket book of humorous
verse,</hi> New York, 1946, pp. 254-56. 17 quatrains in these editions.
</ab>
<pb n="36" xml:id="p1-36"/>
<anchor xml:id="bib223"/>
<ab type="implicit"><hi rend="bold">1917.</hi> Christopher Morley. "Elegy written in a country
coal-bin." In <hi rend="italic">The Century Magazine,</hi> LXXI (Feb., 1917), 639-40.
</ab><ab rend="right">(<hi rend="italic">223</hi>   </ab>
<ab rend="small">
Begins, The furnace tolls the knell of falling steam.   6 quatrains<lb/>
Reprinted in Morley's <hi rend="italic">Songs for a little house,</hi> New York: Doran, 1917,
pp. 105-06; in his <hi rend="italic">Poems,</hi> Garden City: Doubleday, Doran, 1929, p. 116
(only the first 5 stanzas); and by Brenda H. Green in Howard Collins, 'Your
literary I. Q.,' <hi rend="italic">SRL,</hi> Dec. 25, 1948, p. 27, question 18 (only the first
stanza).
</ab><lb/>
<anchor xml:id="bib224"/>
<ab type="implicit"><hi rend="bold">1922.</hi> G. K. Chesterton. "Elegy in a country churchyard." In
his <hi rend="italic">The ballad of St. Barbara and other verses.</hi> London: Cecil Palmer,
1922, p. 9.
</ab><ab rend="right">SC   (<hi rend="italic">224</hi>   </ab>
<ab rend="small">
Begins, The men that worked for England.   3 quatrains<lb/>
Reprinted in Chesterton's <hi rend="italic">Collected poems,</hi> New York: Dodd, Mead, 1937,
p. 60; in Louis Untermeyer, ed., <hi rend="italic">A treasury of great poems,</hi> New York:
Simon &amp; Schuster, 1942, p. 1077; in David McCord, ed., <hi rend="italic">What cheer,</hi>
New York: Coward-McCann, 1945, reprinted as <hi rend="italic">The pocket book of humorous
verse,</hi> New York. 1946, p. 222.
</ab><lb/>
<anchor xml:id="bib225"/>
<ab type="implicit"><hi rend="bold">1928.</hi> Stephen Leacock. "An elegy written near a city freight
yard." In <hi rend="italic">The Forum</hi> (New York), LXXIX (May, 1928), [690-93].
</ab><ab rend="right">(<hi rend="italic">225</hi>   </ab>
<ab rend="small">
Drawings by Johan Bull.<lb/>
Begins, The Factory Whistles blow across the way.   16 quatrains
</ab><lb/>
<anchor xml:id="bib226"/><ab type="implicit">
Yadnarie. "Lines written in a cloistered rubbish-yard." In <hi rend="italic">The
Adelaide University Magazine,</hi> VI, no. 19 (Oct. 8, 1928), 24.
</ab><ab rend="right">(<hi rend="italic">226</hi>   </ab>
<ab rend="small">
Begins, The whistles scream the knell of parting day.   11 quatrains
</ab><lb/>
<anchor xml:id="bib227"/>
<ab type="implicit"><hi rend="bold">1929.</hi> J. C. H. Hill. "Gray up to date." In <hi rend="italic">Punch,</hi>
CLXXVII (Oct. 30, 1929), 484.
</ab><ab rend="right">(<hi rend="italic">227</hi>   </ab>
<ab rend="small">
Begins, The opening pub salutes the close of day.   10 quatrains
</ab><lb/>
<anchor xml:id="bib228"/>
<ab type="implicit"><hi rend="bold">1931.</hi> Oscar Lloyd. "Light Gray." In <hi rend="italic">Punch,</hi> CLXXXI
(Dec. 9, 1931), 639.
</ab><ab rend="right">(<hi rend="italic">228</hi>   </ab>
<ab rend="small">
Begins, In Upton-cum-Chalvey the curfew is sounding.   4 quatrains
</ab><lb/>
<anchor xml:id="bib229"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Al Graham. "'Elegy' in modern dress or radio advertising in
the 18th century." In <hi rend="italic">Scholastic,</hi>  XXV (Nov. 17, 1934), 6, 9.
</ab><ab rend="right">(<hi rend="italic">229</hi>   </ab>
<ab rend="small">
Said to be reprinted from 'The conning tower,' New York <hi rend="italic">Herald
Tribune</hi>.<lb/>
Prose. An 18th c. broadcast of the El.
</ab><lb/>
<anchor xml:id="bib230"/>
<ab type="implicit"><hi rend="bold">1935.</hi> [Sir] J[ohn]. C. S[quire]. "In another country
churchyard." In <hi rend="italic">Punch</hi>, CLXXXVIII (Feb. 6, 1935), 154.
</ab><ab rend="right">(<hi rend="italic">230</hi>   </ab>
<ab rend="small">
Begins, The curfew tolls the knell of parting day.   6 stanzas of 8
ll.<lb/>
Political satire.
</ab><lb/>
<anchor xml:id="bib231"/>
<ab type="implicit"><hi rend="bold">1939.</hi> [Sir] J[ohn]. S[quire]. "Elegy in a country churchyard. On
hearing of the appointment of a Controller of Bird-Seed." In
<hi rend="italic">Punch,</hi> CXCVII (Nov. 15, 1939), 542.
</ab><ab rend="right">(<hi rend="italic">231</hi>   </ab>
<ab rend="small">
Begins, Well, never mind what's past and gone.   75 ll.
</ab><lb/>
<anchor xml:id="bib232"/>
<ab type="implicit"><hi rend="bold">1942.</hi> Leo Kennedy. "Elegy in a suburban churchyard." In
<hi rend="italic">The Canadian Forum,</hi> XXI (Jan., 1942), 313.
</ab><ab rend="right">(<hi rend="italic">232</hi>   </ab>
<ab rend="small">
Subheading: 'AVAILABLE for retired persons, choice lots. . . for immediate
occupancy. Beautiful landscaped grounds. Complete
privacy. <hi rend="italic">Classified.</hi>'<lb/>
Begins, This village where the dead resort.   24 ll.
</ab>
<pb n="37" xml:id="p1-37"/>
<anchor xml:id="bib233"/>
<ab type="implicit"><hi rend="bold">1946.</hi> Gerald Lynton Kaufman. "Circle-elegee. Geo-metric verse,
poetry forms in mathematics written mostly for fanatics." In <hi rend="italic">SRL,</hi>
Oct. 12, 1946, p. 22.
</ab><ab rend="right">(<hi rend="italic">233</hi>   </ab>
<ab rend="small">
Begins, The curfew tolls.   15 ll.
</ab>
<p rend="center"><hi rend="italic">French</hi></p>
<anchor xml:id="bib234"/>
<ab type="implicit"><hi rend="bold">1810.</hi> Alphonse L. Lamartine. In <hi rend="italic">Correspondance de Lamartine,</hi>
publiée par Mme. Valentine de Lamartine. Deuxième
édition. Paris: Hachette; Furne: Jouvet, 1881, I, 145.
</ab><ab rend="right">(<hi rend="italic">234-N1024a</hi>   </ab>
<ab rend="small">
A 50 ll. poem in a letter to M. Aymon de Virieu, Mâcon, 30 août
1810, pp. 143-45. Roth (<ref target="#bib292">#292</ref>) notes debt of
ll. 39-42 to El, ll. 45-48, 57-60. 'Que de talents par cet oubli du sort /
Sont en naissant condamnés a la mort! / Peutêtre ici dans un
oubli stérile / Dort un rival d'Homère ou de Virgile.'
</ab><lb/>
<anchor xml:id="bib235"/>
<ab type="implicit"><hi rend="bold">1855.</hi> Pierre Chas Baudelaire. "Le Guignon." <hi rend="italic">Les fleurs du
mal.</hi>  In <hi rend="italic">Revue des deux mondes,</hi> 2d ser. X (June, 1855), 1091-92.
</ab><ab rend="right">UP   (<hi rend="italic">235-N1025'</hi>   </ab>
<ab rend="small">
Mainte fleur épanche à son regret / Son parfum doux comme un
secret / Dans les solitudes profondes. Cf. El, ll. 55-56.
</ab>
<p rend="center"><hi rend="italic">German</hi></p>
<anchor xml:id="bib235a"/>
<ab type="implicit"><hi rend="bold">1787.</hi> Friedrich Matthisson. "Elegie in den Ruinen eines alten
Bergschlosses geschrieben." In Voss'scher <hi rend="italic">Musen Almanach,</hi> 1787,
p. 3, and in Matthisson's <hi rend="italic">Gedichte. . .</hi> Mannheim in der neuen Hof- und
akademischen Buchhandlung, 1787, p. 5.
</ab><ab rend="right">(<hi rend="italic">235a-N1025c</hi>   </ab>
<ab rend="small">
Begins, Schweigend in der Abenddämmrung Schleier.   12 stanzas of 8
ll.<lb/>
For other eds. see the reprinting of the 'Elegie. . .' in Matthisson's
<hi rend="italic">Gedichte,</hi> Göttfried Bolsing, ed., Tübingen, 1912,
pp. 114-17. (Bibliothek des litterarischen Vereins in Stuttgart, CCLVII)
Bölsing also reprints Matthisson's essay 'Ein Blik in die Zukunft' (from
<hi rend="italic">Denkmale am Lebenswege,</hi> originally published as <hi rend="italic">Manuskript für
Freunde,</hi> 1782) in which the El, ll. 125-28, is quoted, p. 256. See also
Heckedorn, <ref target="#bib305">#305</ref>.
</ab>
<p rend="center"><hi rend="italic">Italian</hi></p>
<anchor xml:id="bib235b"/>
<ab type="implicit"><hi rend="bold">1845.</hi> Sigismondo Visconti. "Il cimitero di campagna." In
<hi rend="italic">Poesie del cavaliere Sigismondo Visconti. . .</hi> Milano: Luigi di Giacomo
Pirola, 1845, pp. [71]-73.
</ab><ab rend="right">UI   (<hi rend="italic">235b-N1025d</hi>   </ab>
<ab rend="small">
Begins, Ove son io? agli attoniti.   18 quatrains<lb/>
Reprinted in <hi rend="italic">Ricordo d'amicizia,</hi> dono pel capo d'anno e pei giorni
onomastici. Milano: Carlo Canadelli, 1845. Noted by Fucilla, <ref target="#bib950">#950</ref>.
</ab>
<p rend="center"><hi rend="italic">Norwegian</hi></p>
<anchor xml:id="bib236"/>
<ab type="implicit"><hi rend="bold">1833.</hi> Henrik Arnold Wergeland. "Til en gran." [To a
pine-tree] In his <hi rend="italic">Digte 2den Ring,</hi> 1833.
</ab><ab rend="right">(<hi rend="italic">236-N1026'</hi>   </ab>
<ab rend="small">
Begins, Bekrandste høie Aetling af.   10 stanzas of 7 ll.<lb/>
See stanza 4. Noted by Burchardt, <ref target="#bib692">#692</ref>, p. 91,
n. 2.<lb/>
Reprinted in Wergeland's <hi rend="italic">Digtervaerker og prosaiske Skrifter.</hi> Kjøbenhavn:
</ab>
<pb n="38" xml:id="p1-38"/>
<ab rend="small">
G. G. Gad, 1882-4 (LC); in his <hi rend="italic">Mindre digte,</hi> i udvalg ved dr. Arne
Løchen. Kristiania: H. Asche Houg, 1897 (Norske Klassikere, IV),
pp. 10-13; in his <hi rend="italic">Samlede Skrifter. . .</hi>, utgit av Herman
Jaeger. . . Kristiania: Steenske Forlag, 1918 (LC); transl. by Hardy in
Wergeland's <hi rend="italic">Poems,</hi> transl. G. M. Gathorne-Hardy, Jethro Bithell and
I. Grøndahl, intro. by Hardy, pref. by Francis Bull. Oslo, Gyldendal,
Norsk Forlag, Hodder &amp; Stoughton, 1929, pp. 34-37 (LC).
</ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib237"/>
<ab type="implicit"><hi rend="bold">1753.</hi> [John Hill]. <hi rend="italic">The Inspector. . .</hi> London, 1753, I, 19.
</ab><ab rend="right">(<hi rend="italic">237-<ref target="/texts/diglib/secondary/NoC_1917/1/145#bib1026a">N1026a</ref></hi>   </ab>
<ab rend="small">
Essay No. 2 in the 1753 ed. contains a poem 'To the author of an Elegy written
in a country church-yard,' which is omitted from the 1751 ed. noted by N.
</ab><lb/>
<anchor xml:id="bib238"/>
<ab type="implicit"><hi rend="bold">1793.</hi> Jas Boswell. Letter [to Jas Abercrombie], July 28, 1793. In
<hi rend="italic">The Port Folio,</hi> I (Jan. 10, 1801), 10-11.
</ab><ab rend="right">(<hi rend="italic">238-N1035a</hi>   </ab>
<anchor xml:id="bib239"/>
<ab type="implicit"><hi rend="bold">1797.</hi> "Original anecdotes. . . Robert Burns." In <hi rend="italic">The
Monthly Magazine,</hi> III (Mar., 1797), 214.
</ab><ab rend="right">(<hi rend="italic">239-N1039a</hi>   </ab>
<ab rend="small">
Burns' debt to the El.
</ab><lb/>
<anchor xml:id="bib240"/>
<ab type="implicit"><hi rend="bold">1801.</hi> A Hunter after Genius. Letter in <hi rend="italic">The Monthly Magazine,</hi> XI
(May, 1801), 315.
</ab><ab rend="right">(<hi rend="italic">240-N1039c</hi>   </ab>
<ab rend="small">
Quotes El, ll. 45-60, with comment.
</ab><lb/>
<anchor xml:id="bib241"/><ab type="implicit">
"The life of Parnell." In <hi rend="italic">The Port Folio,</hi> I (Oct. 31, 1801),
346.
</ab><ab rend="right">(<hi rend="italic">241-N1039d</hi>   </ab>
<ab rend="small">
Goldsmith's and Johnson's views on the <hi rend="italic">Night piece</hi> and the El.
</ab><lb/>
<anchor xml:id="bib242"/>
<ab type="implicit"><hi rend="bold">1805.</hi> "Silva No. 5." In <hi rend="italic">The Monthly Anthology,</hi> II
(July, 1805), 353.
</ab><ab rend="right">(<hi rend="italic">242-N1040'</hi>   </ab>
<ab rend="small">
Resemblance between El, ll. 4-8, and Collins' <hi rend="italic">Ode to eve.</hi>, ll. 9-12.
</ab><lb/>
<anchor xml:id="bib243"/>
<ab type="implicit"><hi rend="bold">1806.</hi> "Variety." In <hi rend="italic">The Port Folio,</hi> n. s. II (Oct. 4,
1806), 206.
</ab><ab rend="right">(<hi rend="italic">243-N1040''</hi>   </ab>
<ab rend="small">
On ll. 39-40.
</ab><lb/>
<anchor xml:id="bib244"/>
<ab type="implicit"><hi rend="bold">1808.</hi> [John Stickney]. "Elegiack poetry." In "Silva
No. 46," <hi rend="italic">The Monthly Anthology,</hi> V (Dec., 1808), 657.
</ab><ab rend="right">(<hi rend="italic">244-N1041'</hi>   </ab>
<ab rend="small">
The author can hardly, 'at one sitting, read even the Elegy. . . from one end
to the other.'
</ab><lb/>
<anchor xml:id="bib245"/>
<ab type="implicit"><hi rend="bold">1810.</hi> [Jas Savage]. "Silva No. 61. . . Gray's Elegy." In
<hi rend="italic">The Monthly Anthology,</hi> VIII (Mar., 1810), 166-67.
</ab><ab rend="right">(<hi rend="italic">245-N1041b</hi>   </ab>
<ab rend="small">
See Howe, <ref target="#bib635">#635</ref>, p. 225.
</ab><lb/>
<anchor xml:id="bib246"/>
<ab type="implicit"><hi rend="bold">1815.</hi> John Playfair. "Biographical account of the late John
Robison, LL. D. . . ." In <hi rend="italic">Transactions of the Royal Society of
Edinburgh,</hi> VII (1815), [495]-539.
</ab><ab rend="right">LC, UP   (<hi rend="italic">245-N1041b</hi>   </ab>
<ab rend="small">
Read Feb. 20, 1815. Robison's account of Gen. Wolfe's remarks on the El,
p. 499. Reprinted in Henry Mackenzie, <ref target="/texts/diglib/secondary/NoC_1917/1/220#bib1659">N1659</ref>,
and in <hi rend="italic">The works of John Playfair. . .</hi> Edinburgh: Archibald Constable;
London: Hurst, Robinson, 1822, IV, 126-27. LCp
</ab><lb/>
<anchor xml:id="bib247"/>
<ab type="implicit"><hi rend="bold">1819.</hi> K. "Original reading of Gray's Elegy." In <hi rend="italic">The
Monthly Magazine,</hi> XLVIII (Pt II for 1819, Dec. 1, 1819), 404-05.
</ab><ab rend="right">(<hi rend="italic">247-N1042b</hi>   </ab>
<pb n="39" xml:id="p1-39"/>
<ab rend="small">
'There are early editions of Gray's Elegy, in which it forms a finer work of
art than in its present shape.' Suggests a rearrangement of ll. and stanzas:
1. 3, 1. 2, 1. 1, 1. 4 and stanzas 2, 4, 1, 3.
</ab><lb/>
<anchor xml:id="bib248"/>
<ab type="implicit"><hi rend="bold">1831.</hi> Upton Church. Illus. <hi rend="italic">The Mirror,</hi> II (1831), 217.
</ab><ab rend="right">(<hi rend="italic">248-<ref target="/texts/diglib/secondary/NoC_1917/1/147#bib1046a">N1046a</ref></hi>   </ab>
<anchor xml:id="bib248a"/>
<ab type="implicit"><hi rend="bold">1861.</hi> J. M. Hoppin. "The scene of Gray's Elegy." In <hi rend="italic">The
Independent,</hi> XIII, (Jan. 24, 1861), 6.
</ab><ab rend="right">(<hi rend="italic">248a-N1061a</hi>   </ab>
<anchor xml:id="bib249"/>
<ab type="implicit"><hi rend="bold">1868.</hi> J. G. "Shenstone, Gray, and Dryden." In <hi rend="italic">The
Gentleman's Magazine,</hi> o. s. CCXXVI (Dec., 1868), 122.
</ab><ab rend="right">(<hi rend="italic">249-N1062a</hi>   </ab>
<ab rend="small">
Suggests that El, ll. 59-60. is from <hi rend="italic">Annus mirabilis,</hi> ll. 849-54, not
from <hi rend="italic">Schoolmistress</hi> as stated by Hatton, <ref target="#bib608">#608</ref>.
</ab><lb/>
<anchor xml:id="bib250"/>
<ab type="implicit"><hi rend="bold">1875.</hi> Wm Menzies. "Gray." In his <hi rend="italic">Forest trees and woodland
scenery, as described in ancient and modern poets.</hi> London: Longmans',
Green, 1875, pp. [111]-14.
</ab><ab rend="right">LC, YU   (<hi rend="italic">250-N1070a</hi>   </ab>
<ab rend="small">
Discusses trees in the El and suggests Upton as the churchyard. Illus. of
Upton Church.
</ab><lb/>
<anchor xml:id="bib251"/>
<ab type="implicit"><hi rend="bold">1876.</hi> Marcelino Menéndez y Pelayo. In his <hi rend="italic">Estudios criticos
sobre escritores montañeses.</hi> Santander: Telésforo
Martínez, 1876, p. 103.
</ab><ab rend="right">(<hi rend="italic">251-N1071b</hi>   </ab>
<ab rend="small">
Span. transl. (<ref target="#bib195">#195</ref>-<ref target="#bib198">98</ref>).<lb/>
Reprinted in his . . .<hi rend="italic">Obras completas</hi>. . ., XI, <hi rend="italic">Estudios y discursos
de crítica histórica y literaria,</hi> ed., Enrique
S. Reyes. Santander: S. A. de artes graficas, 1941, VI, 111.   UP
</ab><lb/>
<anchor xml:id="bib252"/>
<ab type="implicit"><hi rend="bold">1877.</hi> G. A. S. "Echoes of the week." In <hi rend="italic">The Illustrated
London News,</hi> LXXI (July 28, 1877), 90.
</ab><ab rend="right">(<hi rend="italic">252-N1076a</hi>   </ab>
<ab rend="small">
Mentions Doré's plan to illustrate the El. Suggests that El, ll. 1-4,
is indebted to Dante, <hi rend="italic">Inferno,</hi> Canto II.
</ab><lb/>
<anchor xml:id="bib253"/>
<ab type="implicit"><hi rend="bold">1889.</hi> Edmund Gosse. See <ref target="#bib126">#126</ref>.
</ab><ab rend="right">(<hi rend="italic">253-N1091a</hi>   </ab>
<ab rend="small">
The printing of the 'Redbreast' stanza.
</ab><lb/>
<anchor xml:id="bib254"/>
<ab type="implicit"><hi rend="bold">1891.</hi> W. H. Sutton. <hi rend="italic">N&amp;Q</hi>, Sept. 19, 1891, p. 227.
</ab><ab rend="right">(<hi rend="italic">254-N1094a</hi>   </ab>
<ab rend="small">
See also Corrie Leonard Thompson, Oct. 17, pp. 316-17; John Pickford, p. 317;
Everard Home Coleman, <hi rend="italic">Ibid.;</hi> Este, <hi rend="italic">Ibid.</hi> and Dec. 5, p. 456;
C. K., Sept. 10, 1892, p. 217; Este, Sept. 24, p. 255; C. K., Oct. 29,
p. 352.<lb/>
A discussion of the <hi rend="italic">Grand Magazine of Magazines</hi> and whether or not
it ever published the El. Comment on the controversy by Stokes, <ref target="#bib158">#158</ref>, p. 41.
</ab><lb/>
<anchor xml:id="bib255"/>
<ab type="implicit"><hi rend="bold">1893.</hi> Marcelino Menéndez y Pelayo. In his <hi rend="italic">Antologia de poetas
hispano-americanos.</hi> Madrid, 1893-5, 4v.
</ab><ab rend="right">(<hi rend="italic">255-N1095a</hi>   </ab>
<ab rend="small">
Span. transl.<lb/>
Reprinted in his <hi rend="italic">Historia de la poesía hispano-americana (Obras
completas).</hi> Madrid: Victoriano Suarez, 1913, I, 205, 228; II, 409-14.
</ab><lb/>
<anchor xml:id="bib256"/>
<ab type="implicit"><hi rend="bold">1898.</hi> Henri Potez. In his <hi rend="italic">L'Elégie en France avant le
Romantisme (de Parny à Lamartine), 1778-1820.</hi> Paris: Calmann
Lévy, 1898, pp. 307-310, 335, 350-51.
</ab><ab rend="right">BrM, SC   (<hi rend="italic">256-N1102a</hi>   </ab>
<ab rend="small">
Influence of El on the French, esp. Gabriel Legouvé. See <ref target="#bib177">#177</ref>.
</ab><lb/>
<anchor xml:id="bib257"/>
<ab type="implicit"><hi rend="bold">1899.</hi> [Francis Thompson]. "Landor and rose-water." In <hi rend="italic">The
Academy,</hi> Feb. 1899, pp. 209-11.
</ab><ab rend="right">(<hi rend="italic">257-N1103b</hi>   </ab>
<ab rend="small">
Discusses Landor's criticism of the El., p. 210.
</ab>
<pb n="40" xml:id="p1-40"/>
<ab rend="small">
Reprinted by Connolly, <ref target="#bib1157">#1157</ref>, pp. 37-38.
</ab><lb/>
<anchor xml:id="bib258"/>
<ab type="implicit"><hi rend="bold">1900.</hi> Tho. O'Hagan. In his <hi rend="italic">Studies in poetry critical, analytical,
interpretative.</hi> Boston: Marlier, Callanan, 1900, pp. [102]-14. Portr.
</ab><ab rend="right">(<hi rend="italic">258-N1111a</hi>   </ab>
<anchor xml:id="bib259"/>
<ab type="implicit"><hi rend="bold">1903-1934.</hi> Chas Evans. In his <hi rend="italic">American bibliography: a chronological
dictionary of all . . . publications printed in the United States
. . . 1639 . . . to . . . 1820.</hi> Chicago: Privately printed by the Blakely
Press. 1903-1934, 12v.
</ab><ab rend="right">(<hi rend="italic">259-N1114a</hi>   </ab>
<ab rend="small">
Descriptions of early American eds. of El.
</ab><lb/>
<anchor xml:id="bib260"/>
<ab type="implicit"><hi rend="bold">1910.</hi> Edwin Watts Chubb. "Gray writes the Elegy." In his
<hi rend="italic">Stories of authors, British and American.</hi> New York: Macmillan, 1910,
1926, pp. 37-41.
</ab><ab rend="right">(<hi rend="italic">260-N1133a</hi>   </ab>
<anchor xml:id="bib261"/>
<ab type="implicit"><hi rend="bold">1911.</hi> Pietro Bardi. In his <hi rend="italic">Scrittori inglesi dell' ottocento.</hi>
Bari: Gius. Laterza e Figli, 1911, 1912, pp. 2, [289]-290.
</ab><ab rend="right">(<hi rend="italic">261-N1134a</hi>   </ab>
<anchor xml:id="bib262"/>
<ab type="implicit"><hi rend="bold">1913.</hi> Arthur Bartlett Maurice. "The churchyard of Grey's
<hi rend="italic">[sic]</hi> Elegy." In <hi rend="italic">The Bookman</hi> (New York), XXXVII (June,
1913), 421.
</ab><ab rend="right">(<hi rend="italic">262-N1139a</hi>   </ab>
<ab rend="small">
Quotes ll. 33-36 with photo, of Stoke church and cemetery.
</ab><lb/>
<anchor xml:id="bib263"/><ab type="implicit">
"General Wolfe's copy of Gray's Elegy. A discovery in Paris." In The
London <hi rend="italic">Daily Times,</hi> Jan. 15, 1913, p. 6.
</ab><ab rend="right">(<hi rend="italic">263-N1140a</hi>   </ab>
<ab rend="small">
Location and description of the copy given to Wolfe by Katharine Lowther. See
also Beckles Willson, 'Wolfe's copy of Gray's "Elegy".'
<hi rend="italic">Ibid.,</hi> Jan. 21, 1913,  p. 8.
</ab><lb/>
<anchor xml:id="bib264"/><ab type="implicit">
Paget Toynbee. "Original manuscripts: Gray's 'Elegy'." In The London
<hi rend="italic">Daily Times,</hi> Dec. 12, 1913, p. 11.
</ab><ab rend="right">(<hi rend="italic">264-N1140b</hi>   </ab>
<anchor xml:id="bib265"/>
<ab type="implicit"><hi rend="bold">1915.</hi> Gustave Lanson. In his ed. of Lamartine's <hi rend="italic">Méditations
poétiques.</hi> Paris: Hachette, 1915, I, xv, lxviii, 12n, 52n, 196n.
</ab><ab rend="right">UP   (<hi rend="italic">265-N1142b</hi>   </ab>
<anchor xml:id="bib266"/>
<ab type="implicit"><hi rend="bold">1916.</hi> Paget Toynbee. "Gray's 'Elegy'." In <hi rend="italic">TLS,</hi> Jan 27,
1916, p. 45.
</ab><ab rend="right">(<hi rend="italic">266-N1143a</hi>   </ab>
<ab rend="small">
Incorrect numbering of the lines in the Pembroke MS.
</ab><lb/>
<anchor xml:id="bib267"/>
<ab type="implicit"><hi rend="bold">1917.</hi> Geo. A. Macmillan "T. E. Kebbel and H. A. J. Munro."
In <hi rend="italic">TLS,</hi> Nov. 16, 1917, p. 556.
</ab><ab rend="right">(<hi rend="italic">267</hi>   </ab>
<ab rend="small">
Replies: J. E. Sandys, <hi rend="italic">Ibid.,</hi> Nov. 23, p. 569; J. P. Postgate,
pp. 569-70; A. A. B., p. 570; Geo. G. Loane, Nov. 30, p. 583; Wm Ridqeway,
p. 583; H. C. Prideaux, Dec. 14, p. 620; Geo. Sloane Thomson, Mar. 1, 1918,
p. 106; J. E. Sandys, Mar. 22, p. 141; Geo. G. T. Treherne, p. 141.<lb/>
A discussion of the Kebbel and Munro controversy (See <ref target="/texts/diglib/secondary/NoC_1917/1/116#bib825">N825</ref>,
<ref target="/texts/diglib/secondary/NoC_1917/1/119#bib846">846</ref>)
and of the transl. of the El made by Munro (N846), Wakefield (N825), Cooke (<ref target="/texts/diglib/secondary/NoC_1917/1/109#bib784">N784</ref>),
Denman (<ref target="/texts/diglib/secondary/NoC_1917/1/89#bib632">N632</ref>, 
<ref target="/texts/diglib/secondary/NoC_1917/1/110#bib793">793</ref>),
and Davi[e]s (<ref target="/texts/diglib/secondary/NoC_1917/1/122#bib865">N865</ref>). 
</ab><lb/>
<anchor xml:id="bib268"/><ab type="implicit">
"Books and reading." In The New York <hi rend="italic">Evening Post,</hi> Apr. 24,
1917, p. 8.
</ab><ab rend="right">(<hi rend="italic">268</hi>   </ab>
<ab rend="small">
Parodies and transl. of the El (based on Northup, <ref target="#bib3">#3</ref>).
</ab><lb/>
<anchor xml:id="bib269"/><ab type="implicit">
"1916 and after." In The New York <hi rend="italic">Times Bk. Rev.</hi> Jan. 21,
<pb n="41" xml:id="p1-41"/>
1917, p. 20.
</ab><ab rend="right">(<hi rend="italic">269</hi>   </ab>
<ab rend="small">
Gray bi-centenary and restoration of Stoke church.
</ab><lb/>
<anchor xml:id="bib270"/><anchor xml:id="bib271"/><ab type="implicit">
Clark S. Northup. "Byron and Gray." In <hi rend="italic">MLN,</hi> XXXII (1917),
310-12.
</ab><ab rend="right">(<hi rend="italic">270-71</hi>   </ab>
<ab rend="small">
An Armenian transl. of El incorrectly attributed to Byron. See <ref target="/texts/diglib/secondary/NoC_1917/1/100#bib736">N736</ref>.
</ab><lb/>
<anchor xml:id="bib272"/>
<ab type="implicit"><hi rend="bold">1918.</hi> Milton A. Buchanan. "Gray's 'Elegy' in Spanish." In
<hi rend="italic">TLS,</hi> Apr. 19, 1918, p. 185. Also in <hi rend="italic">MLN,</hi> XXXIII (1918), 441-42;
<hi rend="italic">Nation,</hi> CVI (Apr. 4, 1918), 404.
</ab><ab rend="right">(<hi rend="italic">272</hi>   </ab>
<ab rend="small">
Supplements Northup, <ref target="#bib3">#3</ref>. Mentions <ref target="#bib194">#194</ref>-<ref target="#bib201">201</ref>, <ref target="#bib202">202</ref>-<ref target="#bib203">03</ref>.
</ab><lb/>
<anchor xml:id="bib273"/><ab type="implicit">
"Notes on sales." In <hi rend="italic">TLS,</hi> Nov. 15, 1918, p. 560.
</ab><ab rend="right">(<hi rend="italic">273</hi>   </ab>
<ab rend="small">
El first ed. sold at Sotheby's for £655.
</ab><lb/>
<anchor xml:id="bib274"/>
<ab type="implicit"><hi rend="bold">1919.</hi> John Bailey. "Poetry and commonplace." (Warton Lec. on
Eng. Poetry, X) In <hi rend="italic">Proceedings of the British Academy,</hi> 1919-20,
pp. 232-34.
</ab><ab rend="right">(<hi rend="italic">274</hi>   </ab>
<anchor xml:id="bib275"/><ab type="implicit">
Julia Patton. In her <hi rend="italic">The English village: a literary study, 1750-1850.</hi>
New York: Macmillan, 1919.
</ab><ab rend="right">(<hi rend="italic">275</hi>   </ab>
<anchor xml:id="bib276"/>
<ab type="implicit"><hi rend="bold">1920.</hi> Miguel Antonio Caro. "Ensayo métrico de una
traducción de Byron." In his <hi rend="italic">Obras completas.</hi> II:
<hi rend="italic">Estudios literarios,</hi> primera serie. Victor E. Caro and Antonio
Gómez Restrepo, eds. Bogotá: Imprenta Nacional, 1920,
pp. 348-49.
</ab><ab rend="right">UP   (<hi rend="italic">276</hi>   </ab>
<ab rend="small">
Discusses the transl. of Miralla (<ref target="#bib196">#196</ref>) and
Vedia (<ref target="#bib201">#201</ref>).
</ab><lb/>
<anchor xml:id="bib277"/><ab type="implicit">
Ben C. Clough. "Full many a gem." In <hi rend="italic">MLN,</hi> XXXV (1920), 117.
</ab><ab rend="right">(<hi rend="italic">277</hi>   </ab>
<ab rend="small">
Suggests R. Wild's <hi rend="italic">Iter boreale,</hi> 1671, as source of El, l. 53.
</ab><lb/>
<anchor xml:id="bib278"/><ab type="implicit">
Chas Hen. Lockitt. In his <hi rend="italic">The relations of French and English society
(1763-1793).</hi> London: Longmans, Green, 1920. See index and p. 95.
</ab><ab rend="right">(<hi rend="italic">278</hi>   </ab>
<anchor xml:id="bib279"/><ab type="implicit">
". . .Shall Gray's monument [erected by John Penn] be sold? . . ."
In The London <hi rend="italic">Daily Times,</hi> June 19, 1920, p. 6.
</ab><ab rend="right">(<hi rend="italic">279</hi>   </ab>
<ab rend="small">
Further accounts <hi rend="italic">ibid.,</hi> July 16, p. 16; Aug. 20, p. 8; Sept. 8, p. 7;
Nov. 16, p. 12; Jan. 24, 1921, p. 7. See also New York <hi rend="italic">Times,</hi> Sept. 8,
1920, p. 17. See <ref target="#bib302">#302</ref>.
</ab><lb/>
<anchor xml:id="bib280"/><ab type="implicit">
E. Allison Peers. "Some provincial periodicals in Spain during the
Romantic Movement." In <hi rend="italic">MLR,</hi> XV (1920), 383, 385, 386, 387.
</ab><ab rend="right">(<hi rend="italic">280</hi>   </ab>
<ab rend="small">
Comments on Guerra's transl.
</ab><lb/>
<anchor xml:id="bib281"/>
<ab type="implicit"><hi rend="bold">1921.</hi> E. Basil Lupton. "Gray's 'Elegy'." In <hi rend="italic">N&amp;Q,</hi>
April 9, 1921, p. 294.
</ab><ab rend="right">(<hi rend="italic">281</hi>   </ab>
<ab rend="small">
Replies: C. C. B., <hi rend="italic">ibid.,</hi> Apr. 16, p. 319; Edw. Bensly, Apr. 23,
p. 339; Harold Williams, Apr. 30, p. 358; J. Foster Palmer, June 4,
p. 457;<lb/>
Discussion of <hi rend="italic">silent, even,</hi> or <hi rend="italic">noiseless tenour</hi> in l. 76 and of
the interpretation of the Epitaph.
</ab><lb/>
<anchor xml:id="bib282"/><ab type="implicit">
J. B. McGovern. "Variations in Gray's 'Elegy'." In <hi rend="italic">N&amp;Q,</hi>
Mar. 26, 1921, pp. 249-50.
</ab><ab rend="right">(<hi rend="italic">282</hi>   </ab>
<ab rend="small">
Asks what is the final text of the El. Reply by Edw. Bensly, <hi rend="italic">ibid.,</hi> Apr.
</ab>
<pb n="42" xml:id="p1-42"/>
<ab rend="small">
23, p. 336.
</ab><lb/>
<anchor xml:id="bib283"/><ab type="implicit">
Howard Edwards. "American edition of Gray's 'Elegy'." In
<hi rend="italic">N&amp;Q,</hi> June 25, 1921, p. 509.
</ab><ab rend="right">(<hi rend="italic">283</hi>   </ab>
<ab rend="small">
Replies: Stevenson H. Walsh, <hi rend="italic">ibid.,</hi> Aug. 27, p. 176; M. Ray Sanborn,
Oct. 8, p. 296.<lb/>
Descriptions of <ref target="#bib141">#141</ref>, <ref target="/texts/diglib/secondary/NoC_1917/1/76#bib517">N517</ref>,
and <ref target="/texts/diglib/secondary/NoC_1917/1/81#bib560">N560</ref>.
</ab><lb/>
<anchor xml:id="bib284"/><ab type="implicit">
*P[aul]. Van Tieghem. In his <hi rend="italic">La poésie de la nuit et des tombeaux en
Europe au XVIII<hi rend="sup">e</hi> siècle.</hi> Paris: F. Rieder, 1921.
</ab><ab rend="right">(<hi rend="italic">284</hi>   </ab>
<ab rend="small">
Reprinted with <hi rend="italic">Les idylles de Gessner et le rêve pastoral</hi> as
vol. II of <hi rend="italic">Le préromantisme.</hi> Paris: Félix Alcan,
1930.<lb/>
Influence of El on English and Continental writers, esp. the French.
</ab><lb/>
<anchor xml:id="bib285"/>
<ab type="implicit"><hi rend="bold">1922.</hi> Theodore Maynard. In his <hi rend="italic">Our best poets, English and
American.</hi> New York: Holt, 1922, p. 95.
</ab><ab rend="right">(<hi rend="italic">285</hi>   </ab>
<ab rend="small">
Squire's parody noted.
</ab><lb/>
<anchor xml:id="bib286"/><ab type="implicit">
John Middleton Murry. "The poetry of William Collins." In his
<hi rend="italic">Countries of the mind: essays in literary criticism.</hi> New York: Dutton,
1922, pp. 93-94, 99n.
</ab><ab rend="right">(<hi rend="italic">286</hi>   </ab>
<ab rend="small">
Sources of El in Thomson and Lucretius.
</ab><lb/>
<anchor xml:id="bib287"/><ab type="implicit">
"Notes on sales," <hi rend="italic">TLS,</hi> Nov. 23, 1922, p. 768.
</ab><ab rend="right">(<hi rend="italic">287</hi>   </ab>
<ab rend="small">
J. W. G. Bond's first ed. of El sold for £650.
</ab><lb/>
<anchor xml:id="bib288"/>
<ab type="implicit"><hi rend="bold">1923.</hi> Elbridge Colby. "Two slices of literature." In
<hi rend="italic">MLN,</hi> XXXVIII (1923), 479.
</ab><ab rend="right">(<hi rend="italic">288</hi>   </ab>
<ab rend="small">
El as a poem representative of the 1740's.
</ab><lb/>
<anchor xml:id="bib289"/><ab type="implicit">
R. S. Crane. "Gray's <hi rend="italic">Elegy</hi> and <hi rend="italic">Lycidas,</hi>" In
<hi rend="italic">MLN,</hi> XXXVIII (1923), 183-84.
</ab><ab rend="right">(<hi rend="italic">289</hi>   </ab>
<ab rend="small">
Suggests that some of the popularity of the El was due to its resemblance to
<hi rend="italic">Lycidas.</hi> Quotes Hill, <ref target="#bib237">#237</ref>.
</ab><lb/>
<anchor xml:id="bib290"/><ab type="implicit">
Leonard R. Holme. "The church of Gray's Elegy."  In New York
<hi rend="italic">Times Magazine,</hi> Nov. 18, 1923, p. 6.
</ab><ab rend="right">(<hi rend="italic">290</hi>   </ab>
<ab rend="small">
IIlus. article on the danger to the church from real estate developments. See
also Albert B. Kerr, N. Y. <hi rend="italic">Times,</hi> Oct. 19, p. 18, and <hi rend="italic">ibid.,</hi>
Sect. IX, Oct. 21, p. 9. See <ref target="#bib302">#302</ref>.
</ab><lb/>
<anchor xml:id="bib291"/><ab type="implicit">
Newman Levy [<hi rend="italic">pseud.</hi> Flaccus]. "The Elegy." In <hi rend="italic">Harper's
Magazine,</hi> CXLVII (Oct., 1923), 709-10.
</ab><ab rend="right">(<hi rend="italic">291</hi>   </ab>
<ab rend="small">
A burlesque account of the writing of the El.
</ab><lb/>
<anchor xml:id="bib292"/><ab type="implicit">
Georges Roth. "Lamartine et le <hi rend="italic">Cimetière de campagne</hi> de
Th. Gray." In <hi rend="italic">RLC,</hi> III (Oct., 1923), 651-52.
</ab><ab rend="right">(<hi rend="italic">292</hi>   </ab>
<ab rend="small">
See <ref target="#bib234">#234</ref>.
</ab><lb/>
<anchor xml:id="bib293"/><ab type="implicit">
*Odell Shepard. "A youth to fortune and to fame unknown." In
<hi rend="italic">MP,</hi> XX (May, 1923), 347-73.
</ab><ab rend="right">(<hi rend="italic">293</hi>   </ab>
<ab rend="small">
Believes that the Epitaph was originally written as a separate poem in memory
of Rich. West. See Starr, <ref target="#bib410">#410</ref>. 
</ab><lb/>
<anchor xml:id="bib294"/>
<ab type="implicit"><hi rend="bold">1924.</hi> Hen. Broadbent. "A literary discovery at Eton." In
<hi rend="italic">TLS,</hi> May 22, 1924, p. 322. Also in <hi rend="italic">Eton College Chronicle,</hi> May
19.
</ab><ab rend="right">(<hi rend="italic">294</hi>   </ab>
<ab rend="small">
Previously unknown first ed. at Eton. Comment in The London <hi rend="italic">Daily Times,</hi>
</ab>
<pb n="43" xml:id="p1-43"/>
<ab rend="small">
May 19, p. 12, and in <hi rend="italic">N&amp;Q,</hi> May 24, p. 379.
</ab><lb/>
<anchor xml:id="bib295"/><ab type="implicit">
Antonio Cippico. "The poetry of Ugo Foscolo." (Annual Italian
Lecture) In <hi rend="italic">Proceedings of the British Academy,</hi> XI (1924-25), 21.
</ab><ab rend="right">(<hi rend="italic">295</hi>   </ab>
<anchor xml:id="bib296"/><ab type="implicit">
"Memorabilia." In <hi rend="italic">N&amp;Q,</hi> Dec. 20, 1924, p. 438.
</ab><ab rend="right">(<hi rend="italic">296</hi>   </ab>
<ab rend="small">
El first ed. sold for £1550.
</ab><lb/>
<anchor xml:id="bib297"/><ab type="implicit">
Eric Partridge. In his <hi rend="italic">The French romantics' knowledge of English
literature (1820-1848) according to contemporary French memoirs, letters, and
periodicals.</hi> Paris: Champion, 1924. (Bibliothèque de la Revue de
littérature comparée, XIV)
</ab><ab rend="right">(<hi rend="italic">297</hi>   </ab>
<ab rend="small">
'. . . the French have read too much sadness into his work.'
</ab><lb/>
<anchor xml:id="bib298"/><ab type="implicit">
*Amy Louise Reed. In her <hi rend="italic">The background of Gray's Elegy, a study in the
taste for melancholy poetry 1700-1751.</hi> New York: Columbia Univ. Studies in
Eng. &amp; Comparative Lit., XXXV, 1924.
</ab><ab rend="right">(<hi rend="italic">298</hi>   </ab>
<ab rend="small">
Rev. E. Morley, <hi rend="italic">YWES,</hi> V (1924), 226-27; H. Clark, <hi rend="italic">SRL,</hi> Dec. 27,
1924, p. 416; O. Burdett, <hi rend="italic">LM,</hi> XII (June, 1925), 216-18; E. Greenlaw,
<hi rend="italic">SP,</hi> XXII (1925), 541-42; R. Martin, <hi rend="italic">RAA,</hi> III (1925), 155-56;
C. Moore, <hi rend="italic">MLN,</hi> XL (1925), 431-35; G. M[oore]. S[mith]., <hi rend="italic">MLR,</hi> XX
(Oct., 1925), 498; <hi rend="italic">TLS,</hi> Aug. 13, 1925, pp. 525-26; N. Crawford,
<hi rend="italic">Poetry,</hi> XXVII (Feb., 1926), 283-86; H. Schöffler, <hi rend="italic">Beibl.</hi>,
XXXVIII (Mar., 1927), 68-71.
</ab><lb/>
<anchor xml:id="bib299"/><ab type="implicit">
Vincent Starrett. "The most quoted poem and its author." In <hi rend="italic">The
Mentor,</hi> XII (Dec., 1924), 55.
</ab><ab rend="right">(<hi rend="italic">299</hi>   </ab>
<ab rend="small">
Photo. of Stoke church and churchyard. Gray's early life and the publication
of the El.
</ab><lb/>
<anchor xml:id="bib300"/><ab type="implicit">
H. W. V. Temperley. "Two legends connected with Thomas Gray. II: Wolfe
and Gray's <hi rend="italic">Elegy,</hi>" In <hi rend="italic">In memoriam Adolphus William Ward, Master
of Peterhouse, 1900-1924.</hi> Cambridge: University Press, 1924, pp. 113-23.
</ab><ab rend="right">(<hi rend="italic">300</hi>   </ab>
<anchor xml:id="bib301"/><ab type="implicit">
The London <hi rend="italic">Daily Times,</hi> July 5, 1924, p. 11.
</ab><ab rend="right">(<hi rend="italic">301</hi>   </ab>
<ab rend="small">
First ed. of El sold for £1550.
</ab><lb/>
<anchor xml:id="bib302"/><ab type="implicit">
H. Howard Vyse and A. T. Barnett. "Stoke Poges in danger." In The
London <hi rend="italic">Daily Times,</hi> Apr. 21, 1924, p. 9.
</ab><ab rend="right">(<hi rend="italic">302</hi>   </ab>
<ab rend="small">
Further comment: Leading article, <hi rend="italic">ibid.: ibid.,</hi> p. 11; A. G. Shaw,
Apr. 25, p. 6; May 12, p. 16; Vyse and Barnett, June 10, p. 8; Leading
article, <hi rend="italic">ibid.,</hi> p. 13; 2 photos, <hi rend="italic">ibid.,</hi> p. 16; T. S. Sterling,
June 12, p. 8; Aug. 1, p. 14; 'Gray's country churchyard and the "madding
crowd",' <hi rend="italic">The World's Work,</hi> XLVIII (Sept., 1924), 473-74. See 
<ref target="#bib279">#279</ref>, <ref target="#bib290">290</ref>,
<ref target="#bib304">304</ref>, <ref target="#bib306">306</ref>,
<ref target="#bib302">307</ref>, <ref target="#bib334">334</ref>.
</ab><lb/>
<anchor xml:id="bib303"/>
<ab type="implicit"><hi rend="bold">1925.</hi> W[m]. N[ewnham]. C[hattin] Carlton. <hi rend="italic">Thomas Gray's Elegy
written in a country church yard: a bibliographical and descriptive note.</hi>
New York: Privately printed at the Vreeland Press for the Geo. D. Smith Book
Co., 1925.
</ab><ab rend="right">(<hi rend="italic">303</hi>   </ab>
<ab rend="small">
Limited ed. of 1000 copies with description and fac. of t-p of first ed.
</ab><lb/>
<anchor xml:id="bib304"/><ab type="implicit">
C. L. Graves. "Elegy and eulogy." In <hi rend="italic">Punch,</hi> CLXVIII (May 13,
1925), 518.
</ab><ab rend="right">(<hi rend="italic">304</hi>   </ab>
<ab rend="small">
Poem commemorating the El and the preservation of the churchyard.
</ab><lb/>
<anchor xml:id="bib305"/><ab type="implicit">
Baron Heckedorn. "Un plagiaire allemand." In <hi rend="italic">L'Alsace</hi>
<pb n="44" xml:id="p1-44"/>
<hi rend="italic">française,</hi> IX (May 16, 1925), 468-69.
</ab><ab rend="right">HU, NYP   (<hi rend="italic">305</hi>   </ab>
<ab rend="small">
Matthisson's debt to the El. See <ref target="#bib235a">#235a</ref>.
</ab><lb/>
<anchor xml:id="bib306"/><ab type="implicit">
"Gray's churchyard saved." In The New York <hi rend="italic">Times,</hi> April 20,
1925, p. 2.
</ab><ab rend="right">(<hi rend="italic">306</hi>   </ab>
<anchor xml:id="bib307"/><ab type="implicit">
"Gray's churchyard saved. World-wide response to the appeal. Land to be
handed to the National Trust." In The London <hi rend="italic">Daily Times,</hi> April
20, 1925, p. 11.
</ab><ab rend="right">(<hi rend="italic">307</hi>   </ab>
<ab rend="small">
Further comment: <hi rend="italic">ibid.,</hi> p. 15; May 6, pp. 13, 17, 20 (with photos. of
Lord Grey, church, and Gray memorial).
</ab><lb/>
<anchor xml:id="bib307a"/>
<ab type="implicit"><hi rend="bold">1926.</hi> *A. Bruce Black. "Parallelisms between Gray and other
authors." In <hi rend="italic">The Bookman's Journal. . .,</hi> XIV (Sept.-Oct., 1926),
153-55.
</ab><ab rend="right">(<hi rend="italic">307a</hi>   </ab>
<anchor xml:id="bib308"/><ab type="implicit">
*D. L. Drew. "Gray's Elegy and the classics." In <hi rend="italic">CW,</hi> XIX
(Feb. 1, 1926), 109-11.
</ab><ab rend="right">(<hi rend="italic">308</hi>   </ab>
<ab rend="small">
The debt of  the El, ll. 1-72, to Virgil (<hi rend="italic">Georgics,</hi> II, 458-513) and of
El, ll. 33-36, 83-92, to Lucretius, III, 1034-45, and III, 830-1094.
</ab><lb/>
<anchor xml:id="bib309"/><ab type="implicit">
Mary Louise McLennan. "Stoke Poges: the inspiration of Gray's
Elegy." In <hi rend="italic">The Canadian Magazine,</hi> April, 1926, pp. 28-29.
</ab><ab rend="right">(<hi rend="italic">309</hi>   </ab>
<anchor xml:id="bib310"/><ab type="implicit">
"First edition of 'Elegy' brings $3000 at sale." In The New
York <hi rend="italic">Times,</hi> Jan. 16, 1926, p. 3.
</ab><ab rend="right">(<hi rend="italic">310</hi>   </ab>
<anchor xml:id="bib311"/><ab type="implicit">
E. Allison Peers. "The influence of Young and Gray in Spain." In
<hi rend="italic">MLR,</hi> XXI (1926), 415-18.
</ab><ab rend="right">(<hi rend="italic">311</hi>   </ab>
<anchor xml:id="bib312"/><ab type="implicit">
Aaron Schaffer. "Chateaubriand's reading during his 'emigration'."
In <hi rend="italic">PQ,</hi> V (1926), 263.
</ab><ab rend="right">(<hi rend="italic">312</hi>   </ab>
<anchor xml:id="bib312a"/>
<ab type="implicit"><hi rend="italic">Stoke Poges Church</hi> [a guide-book].
</ab><ab rend="right">(<hi rend="italic">312a</hi>   </ab>
<ab rend="small">
A 16 pp. pamphlet with 5 photographs. Professor Northup's copy was received in
June, 1926.
</ab><lb/>
<anchor xml:id="bib313"/><ab type="implicit">
Francis Griffin Stokes. "Gray's 'Elegy': the fourth edition." In
<hi rend="italic">TLS,</hi> Dec. 16, 1926, p. 935.
</ab><ab rend="right">(<hi rend="italic">313</hi>   </ab>
<ab rend="small">
Believes there were two 'discrepant impressions.'
</ab><lb/>
<anchor xml:id="bib314"/>
<ab type="implicit"><hi rend="bold">1927.</hi> A[nson]. C[onger]. Goodyear. In his <hi rend="italic">The American and English
autograph collection of Mr. A. C. Goodyear. . .</hi> Buffalo, N. Y. Anderson
galleries, [1927], Item no. 240.
</ab><ab rend="right">(<hi rend="italic">314</hi>   </ab>
<ab rend="small">
Wrapper of El MS. with note by Mason.
</ab><lb/>
<anchor xml:id="bib315"/><ab type="implicit">
Ruth Avaline Hesselgrave. In her <hi rend="italic">Lady Miller and the Batheaston literary
circle.</hi> New Haven: Yale Univ. Press, 1927, pp. 46-47.
</ab><ab rend="right">(<hi rend="italic">315</hi>   </ab>
<anchor xml:id="bib316"/><ab type="implicit">
Fredk M. Hopkins. "The world of rare books." In <hi rend="italic">SRL,</hi> Aug. 20,
1927, p. 63.
</ab><ab rend="right">(<hi rend="italic">316</hi>   </ab>
<ab rend="small">
Augustine Birrell's copy of first ed. sold for £350, £500,
£1000.
</ab><lb/>
<anchor xml:id="bib317"/><ab type="implicit">
"Price of Gray's Elegy." In The New York <hi rend="italic">Times,</hi> Mar. 27,
1927, Sec. VIII, p. 14.
</ab><ab rend="right">(<hi rend="italic">317</hi>   </ab>
<ab rend="small">
Copies sold at $5000 and $7000.
</ab>
<pb n="45" xml:id="p1-45"/>
<anchor xml:id="bib318"/><ab type="implicit">
"Bidder [Chas Sessler] pays $4900 for Gray's 'Elegy'." In The
New York <hi rend="italic">Times,</hi> Nov. 3, 1927, p. 14.
</ab><ab rend="right">(<hi rend="italic">318</hi>   </ab>
<anchor xml:id="bib319"/><ab type="implicit">
Fredk Clarke Prescott. In his <hi rend="italic">Poetry and myth.</hi> New York: Macmillan,
1927.
</ab><ab rend="right">(<hi rend="italic">319</hi>   </ab>
<ab rend="small">
Interpretation of l. 20, p. 124. See also index.
</ab><lb/>
<anchor xml:id="bib320"/><ab type="implicit">
Félix Walter. In his <hi rend="italic">La littérature portugaise en Angleterre
à l'époque romantique.</hi> Paris: Champion, 1927.
</ab><ab rend="right">(<hi rend="italic">320</hi>   </ab>
<anchor xml:id="bib320a"/>
<ab type="implicit"><hi rend="bold">1928.</hi> David Anderson. In <ref target="#bib157">#157</ref>,
pp. 15-21.
</ab><ab rend="right">(<hi rend="italic">320a</hi>   </ab>
<anchor xml:id="bib321"/><ab type="implicit">
Mary Louise Beech. "While the char-à-banc waited at Stoke
Poges." In <hi rend="italic">EJ,</hi> XVII (Nov., 1928), 760-62.
</ab><ab rend="right">(<hi rend="italic">321</hi>   </ab>
<anchor xml:id="bib322"/><ab type="implicit">
T. Llechid Jones. "First edition of Gray's 'Elegy': 'The MacGeorge
Copy'." In <hi rend="italic">N&amp;Q,</hi> Apr. 21, 1928, p. 281. See also London
<hi rend="italic">Daily Times,</hi> Mar. 20, p. 18.
</ab><ab rend="right">(<hi rend="italic">322</hi>   </ab>
<ab rend="small">
MacG. copy sold for £1550, another copy for £1290. Replies,
<hi rend="italic">N&amp;Q,</hi> (May 5) by Archibald Sparke, p. 319, and by T. F. D.,
pp. 319-20.
</ab><lb/>
<anchor xml:id="bib323"/><ab type="implicit">
Eugène Rovillain. "L.-S. Mercier et l'<hi rend="italic">Elegy</hi> de
Gráy." In <hi rend="italic">MLN,</hi> XLIII (1928), 442-45.
</ab><ab rend="right">(<hi rend="italic">323</hi>   </ab>
<ab rend="small">
Influence of El on Mercier's <hi rend="italic">L'Homme sauvage,</hi> 1767.
</ab><lb/>
<anchor xml:id="bib324"/><ab type="implicit">
Geo. H. W. Rylands. In his <hi rend="italic">Words and poetry.</hi> With an introduction by
Lytton Strachey. London: Hogarth Press; New York: Payson &amp; Clarke, 1928,
pp. xiii, 34, 84-85.
</ab><ab rend="right">(<hi rend="italic">324</hi>   </ab>
<anchor xml:id="bib325"/>
<ab type="implicit"><hi rend="bold">1929.</hi> John Alex. Chapman. In his <hi rend="italic">Papers on Shelley, Wordsworth,
&amp; others.</hi> London: Oxford, 1929, pp. 108-09.
</ab><ab rend="right">(<hi rend="italic">325</hi>   </ab>
<anchor xml:id="bib326"/><ab type="implicit">
June E. Downey. In her <hi rend="italic">Creative imagination: studies in the psychology of
literature.</hi> New York: Harcourt, Brace; London: Kegan Paul, Trench,
Trubner, 1929.
</ab><ab rend="right">(<hi rend="italic">326</hi>   </ab>
<anchor xml:id="bib327"/><ab type="implicit">
Jay B. Hubbell. In his <hi rend="italic">The enjoyment of literature.</hi> New York:
Macmillan, 1929.
</ab><ab rend="right">(<hi rend="italic">327</hi>   </ab>
<anchor xml:id="bib328"/><ab type="implicit">
J. B. McGovern. "The site of the churchyard of Gray's 'Elegy'." In
<hi rend="italic">N&amp;Q,</hi> May 11, 1929, p. 330.
</ab><ab rend="right">(<hi rend="italic">328</hi>   </ab>
<ab rend="small">
Defends Stoke Poges as the site. Replies by: A. H. Taylor, June 1, pp. 394-95
(St Nicholas Thanington as site); Rich. Bentley, <hi rend="italic">ibid.,</hi> p. 395 (Upton);
W. H. J., Sept. 14, p. 193 (Stoke Poges).
</ab><lb/>
<anchor xml:id="bib329"/><ab type="implicit">
Daniel Mornet. In his <hi rend="italic">French thought in the eighteenth century.</hi>
Transl. by Lawrence M. Levin. New York: Prentice-Hall, 1929, p. 216.
</ab><ab rend="right">(<hi rend="italic">329</hi>   </ab>
<anchor xml:id="bib329a"/><ab type="implicit">
Sir Arthur Quiller-Couch. "The English elegy, I, II." In his
<hi rend="italic">Studies in literature. Third series.</hi> Cambridge: Univ. Press, 1929; New
York: Putnam, 1930.
</ab><ab rend="right">(<hi rend="italic">329a</hi>   </ab>
<anchor xml:id="bib329b"/><ab type="implicit">
Will Ransom. In his <hi rend="italic">Private presses and their books.</hi> New York:
R. R. Bowker, 1929, p. 375, no. 8.
</ab><ab rend="right">(<hi rend="italic">329b</hi>   </ab>
<ab rend="small">
Description of <ref target="#bib157">#157</ref>.
</ab><lb/>
<anchor xml:id="bib330"/><ab type="implicit">
I. A. Richards. In his <hi rend="italic">Practical criticism.</hi> London: Kegan Paul, Trench,
Trubner; New York: Harcourt, Brace, 1929.
</ab><pb n="46" xml:id="p1-46"/>
<ab rend="right">(<hi rend="italic">330</hi>   </ab>
<ab rend="small">
Chap. III, 'Sense and feeling,' pp. 206-07 (Discusses El 'as a supreme
instance to show how powerful an exquisitely adjusted tone may be.'); Chap. V,
'Irrelevant associations and stock responses,' pp. 252-53 (Stock responses to
El); Chap. VI, 'Sentimentality and inhibition,' p. 265.<lb/>
Chap. III reprinted in Schorer, <ref target="#bib1171">#1171</ref>,
pp. 524-33.
</ab><lb/>
<anchor xml:id="bib331"/><ab type="implicit">
A. D. T. In <hi rend="italic">N&amp;Q,</hi> May 25, 1929, pp. 371-72.
</ab><ab rend="right">(<hi rend="italic">331</hi>   </ab>
<ab rend="small">
The meaning of ll. 69-70 of El. Replies by: Otto F. Babler, June 8, p. 412
(ref. to Vrchlického, <ref target="#bib169">#169</ref>), and
H. Askew, June 15, p. 429.
</ab><lb/>
<anchor xml:id="bib332"/><ab type="implicit">
Aneurin Williams. "Polyglott versions of Gray's Elegy." In
<hi rend="italic">N&amp;Q,</hi> Jan. 29, 1929, p. 461.
</ab><ab rend="right">(<hi rend="italic">332</hi>   </ab>
<ab rend="small">
Reply by Edw. Bensly, Sept. 21, p. 212.
</ab><lb/>
<anchor xml:id="bib333"/><ab type="implicit">
John T. Winterich. "Gray's 'Elegy'." In <hi rend="italic">Publishers' Weekly,</hi>
CXVI (Dec. 21, 1929), 2839-44.
</ab><ab rend="right">(<hi rend="italic">333</hi>   </ab>
<ab rend="small">
Describes composition and publication of El. Illus. with picture of Stoke,
fac. of ll. 45-76, fac. of t-p of first ed., portr.<lb/>
Reprinted in Winterich's <hi rend="italic">23 books &amp; the stories behind them.</hi>
Berkeley: Book Arts Club of the Univ. of Calif., 1938, pp. 13-21.
</ab><lb/>
<anchor xml:id="bib334"/>
<ab type="implicit"><hi rend="bold">1930.</hi> Dorothy Allhusen. "For Gray's country churchyard." In
The New York <hi rend="italic">Times,</hi> Mar. 5, 1930, p. 22.
</ab><ab rend="right">(<hi rend="italic">334</hi>   </ab>
<ab rend="small">
Appeal for funds. See also 'Industry's advance menaces church of Gray's
Elegy,' <hi rend="italic">Ibid.,</hi> July 26, p. 6.
</ab><lb/>
<anchor xml:id="bib335"/><anchor xml:id="bib336"/><ab type="implicit">
"On the tip of the tongue." In The New York <hi rend="italic">Times,</hi> Apr. 27,
1930, p. 4 (editorial).
</ab><ab rend="right">(<hi rend="italic">335-6</hi>   </ab>
<ab rend="small">
Edison's quotation of El. Comment by W. S., May 1, p. 28.
</ab><lb/>
<anchor xml:id="bib337"/><ab type="implicit">
Geo. R. Stewart, Jr. In his <hi rend="italic">The technique of English verse.</hi> New York:
Holt, 1930.
</ab><ab rend="right">(<hi rend="italic">337</hi>   </ab>
<anchor xml:id="bib338"/><ab type="implicit">
Paul Dottin. In his <hi rend="italic">La littérature anglaise.</hi> Paris: Armand
Colin, 1931.
</ab><ab rend="right">(<hi rend="italic">338</hi>   </ab>
<anchor xml:id="bib339"/><ab type="implicit">
P. C. Ghosh. "Gray and Catullus." <hi rend="italic">Beibl.,</hi> XLII (1931), 31-32.
</ab><ab rend="right">(<hi rend="italic">339</hi>   </ab>
<ab rend="small">
Catullus as source of El, l. 70.
</ab><lb/>
<anchor xml:id="bib340"/><ab type="implicit">
Paul Hazard. "Foscolo et Gray au Nouveau-monde." In <hi rend="italic">RLC,</hi> XI
(1931), 5-12.
</ab><ab rend="right">(<hi rend="italic">340</hi>   </ab>
<ab rend="small">
Discussion of Miralla's transl. of El (<ref target="#bib196">#196</ref>).
</ab><lb/>
<anchor xml:id="bib341"/><ab type="implicit">
"Gray's Elegy is laid in Upton, not Stokes [<hi rend="italic">sic</hi>]." In The New
York <hi rend="italic">Times,</hi> Nov. 30, 1931, p. 8.
</ab><ab rend="right">(<hi rend="italic">341</hi>   </ab>
<anchor xml:id="bib342"/><ab type="implicit">
Edw. G. Punke. "The attitude of English literature toward the humble,
1760-1798." In <hi rend="italic">Ohio State Univ. Abstracts of doctor's diss., June,
1931,</hi> VI, 296.
</ab><ab rend="right">(<hi rend="italic">342</hi>   </ab>
<anchor xml:id="bib343"/><ab type="implicit">
E. Monro Purkis. In his <hi rend="italic">William Shenstone. Poet and landscape gardener.</hi>
Wolverhampton: Whitehead Bros., 1931, pp. 123, 128.
</ab><ab rend="right">(<hi rend="italic">343</hi>   </ab>
<ab rend="small">
Debt of El to Shenstone and Gray's criticism of Shenstone.<lb/>
Rev. <hi rend="italic">TLS,</hi> Dec. 24, 1931, p. 1039 (See <ref target="#bib345">#345</ref>).
</ab><lb/>
<anchor xml:id="bib344"/>
<ab type="implicit"><hi rend="bold">1932.</hi> Jas Boyd. In his <hi rend="italic">Goethe's knowledge of English literature.</hi>
Oxford: Clarendon, 1932.
</ab><ab rend="right">(<hi rend="italic">344</hi>   </ab>
<pb n="47" xml:id="p1-47"/>
<ab rend="small">
Influence of El on <hi rend="italic">Werther.</hi>
</ab><lb/>
<anchor xml:id="bib345"/><ab type="implicit">
H. H. Brown. "Gray and Shenstone." In <hi rend="italic">TLS,</hi> Jan. 14, 1932,
p. 28.
</ab><ab rend="right">(<hi rend="italic">345</hi>   </ab>
<ab rend="small">
Comment on <hi rend="italic">TLS</hi> rev. of Purkis (<ref target="#bib343">#343</ref>),
discussing question of Gray's criticism of and debt to Shenstone. Replies by
Leonard Whibley, Jan. 21, p. 44, and Marjorie Williams, Jan. 28, p. 60.
</ab><lb/>
<anchor xml:id="bib346"/><ab type="implicit">
B. Ifor Evans. "Tennyson and the origins of the Golden Treasury." In
<hi rend="italic">TLS,</hi> Dec. 8, 1932, p. 941.
</ab><ab rend="right">(<hi rend="italic">346</hi>   </ab>
<ab rend="small">
Tennyson's praise of the El.
</ab><lb/>
<anchor xml:id="bib347"/><ab type="implicit">
C. P. "Over Gray's churchyard debate rages." In The New York
<hi rend="italic">Times Magazine,</hi> Mar. 13, 1932, pp. 14, 23.
</ab><ab rend="right">(<hi rend="italic">347</hi>   </ab>
<ab rend="small">
Discusses attempts to identify churchyard. Photo. of Stoke. Eckhardt portr.
</ab><lb/>
<anchor xml:id="bib347a"/><ab type="implicit">
*Eleanor M. Sickels. In her <hi rend="italic">The gloomy egotist. . .</hi> See <ref target="#bib917">#917</ref>.
</ab><ab rend="right">(<hi rend="italic">347a</hi>   </ab>
<anchor xml:id="bib348"/><ab type="implicit">
Fredk T. Wood. "Parodies of Gray's Elegy." In <hi rend="italic">N&amp;Q,</hi> Feb.
13, 1932, p. 122.
</ab><ab rend="right">(<hi rend="italic">348</hi>   </ab>
<anchor xml:id="bib349"/>
<ab type="implicit"><hi rend="bold">1933.</hi> G. K. Chesterton. "On Mr. Thomas Gray." In his <hi rend="italic">All I
survey; a book of essays.</hi> New York: Dodd, Mead, 1933, pp. 144-55.
</ab><ab rend="right">(<hi rend="italic">349</hi>   </ab>
<ab rend="small">
Remarks that the identification of the churchyard is unimportant.
</ab><lb/>
<anchor xml:id="bib350"/><ab type="implicit">
Norman R. F. Maier and H. Willard Reninger. In their <hi rend="italic">A psychological
approach to literary criticism.</hi> New York and London: Appleton, 1933,
pp. 65-66.
</ab><ab rend="right">(<hi rend="italic">350</hi>   </ab>
<anchor xml:id="bib351"/><ab type="implicit">
V. R. "Gray's Elegy: classical reminiscence." In <hi rend="italic">N&amp;Q,</hi>
Nov. 25, 1933, p. 371.
</ab><ab rend="right">(<hi rend="italic">351</hi>   </ab>
<ab rend="small">
Suggests Horace as the source of El, l. 15, and Virgil as source of ll. 51-52,
59.
</ab><lb/>
<anchor xml:id="bib352"/><ab type="implicit">
*"Gray's Elegy." In <hi rend="italic">TLS</hi> (Leading article), July 27, 1933,
pp. 501-02.
</ab><ab rend="right">(<hi rend="italic">352</hi>   </ab>
<ab rend="small">
An analysis and criticism of the workmanship of the El (See <ref target="#bib161">#161</ref>). Further comment Aug. 3, p. 527, and by
E. E. Kellett, Aug. 10, p. 537.
</ab><lb/>
<anchor xml:id="bib353"/><anchor xml:id="bib354"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Walter Crick. "Gray's Elegy." In The London <hi rend="italic">Daily
Times,</hi> Apr. 20, 1934, p. 10.
</ab><ab rend="right">(<hi rend="italic">353-4</hi>   </ab>
<ab rend="small">
A quatrain attributed to Gray. Reply by W. A. S. Archbold, Apr. 24, p. 10.
</ab><lb/>
<anchor xml:id="bib355"/><ab type="implicit">
L. C. Martin. "Thomas Warton and the early poems of Milton." (Warton
Lec. on Eng. Poetry) In <hi rend="italic">Proceedings of the British Academy,</hi> XX (1934),
29.
</ab><ab rend="right">(<hi rend="italic">355</hi>   </ab>
<anchor xml:id="bib356"/><ab type="implicit">
Ernest G. Moll. In his <hi rend="italic">Poetry: the problem of appreciation.</hi> Eugene,
Ore., Univ. of Ore. Pub. IV, no. 8 (1934), p. 7. (Studies in College Teaching,
I, Bulletin no. 4)
</ab><ab rend="right">(<hi rend="italic">356</hi>   </ab>
<anchor xml:id="bib357"/><ab type="implicit">
"Famed churchyard safe." In The New York <hi rend="italic">Times,</hi> Apr. 1, 1934,
sec. IV, p. 2.
</ab><ab rend="right">(<hi rend="italic">357</hi>   </ab>
<anchor xml:id="bib358"/><ab type="implicit">
[Miss H. F. Westron]. "Elegiac." In <hi rend="italic">Punch,</hi> CLXXXVII (Aug. 8,
1934), 159.
</ab><ab rend="right">(<hi rend="italic">358</hi>   </ab>
<ab rend="small">
Comic prose dialog on the El.
</ab>
<pb n="48" xml:id="p1-48"/>
<anchor xml:id="bib358a"/>
<ab type="implicit"><hi rend="bold">1935.</hi> J. Fisher. "James Hammond and the quatrain of Gray's
<hi rend="italic">Elegy.</hi>" In <hi rend="italic">MP,</hi> XXXII (1935), 301-10.
</ab><ab rend="right">(<hi rend="italic">358a</hi>   </ab>
<anchor xml:id="bib359"/><ab type="implicit">
Lewis M. Stark. "English literature as reflected in bookplate
design." In <hi rend="italic">Franklin Lectures.</hi> Sunapee, N. H.: Univ. of N. H.,
Aug., 1935, p. 61.
</ab><ab rend="right">(<hi rend="italic">359</hi>   </ab>
<anchor xml:id="bib360"/><ab type="implicit">
"Gray's 'Elegy' cantata at Stoke Poges." In The London <hi rend="italic">Daily
Times,</hi> July 31, 1935, p. 10.
</ab><ab rend="right">(<hi rend="italic">360</hi>   </ab>
<anchor xml:id="bib361"/>
<ab type="implicit"><hi rend="bold">1936.</hi> [Ben Abramson]. See <ref target="#bib980">#980</ref>.
</ab><ab rend="right">(<hi rend="italic">361</hi>   </ab>
<anchor xml:id="bib362"/><ab type="implicit">
R. W. Chapman. "Bibliographical notes: Young's 'Night Thoughts'." In
<hi rend="italic">TLS,</hi> Mar. 28, 1936, p. 284.
</ab><ab rend="right">(<hi rend="italic">362</hi>   </ab>
<ab rend="small">
Reprintings of the El with <hi rend="italic">Night thoughts.</hi>
</ab><lb/>
<anchor xml:id="bib363"/><ab type="implicit">
A. H. Daehler. "The meaning of poetry." In <hi rend="italic">Four lectures on the
fine arts.</hi> Colorado Springs, Col., 1936, p. 21. (Colorado College
Publication, Gen. Ser., No. 207)
</ab><ab rend="right">(<hi rend="italic">363</hi>   </ab>
<anchor xml:id="bib364"/><ab type="implicit">
Margaret Lee Wiley. "Eighteenth-century ideas of literary genius."
In [Univ. of Va.] <hi rend="italic">Abstracts of dissertations. . .,</hi> 1936, p. 27.
</ab><ab rend="right">(<hi rend="italic">364</hi>   </ab>
<anchor xml:id="bib365"/>
<ab type="implicit"><hi rend="bold">1937.</hi> J. Fisher. "Shenstone, Gray, and the 'Moral Elegy'." In
<hi rend="italic">MP,</hi> XXXIV (Feb., 1937), 273-94.
</ab><ab rend="right">(<hi rend="italic">365</hi>   </ab>
<ab rend="small">
Relative dates of Gray's and Shenstone's elegies and the influence of
Shenstone on the El.
</ab><lb/>
<anchor xml:id="bib366"/><ab type="implicit">
Hibernicus. "Gray's Elegy: 'await' or 'awaits'?" In <hi rend="italic">N&amp;Q,</hi>
May 1, 1937, 320-21.
</ab><ab rend="right">(<hi rend="italic">366</hi>   </ab>
<anchor xml:id="bib367"/><ab type="implicit">
*Francis Griffin Stokes. "Gray's 'Elegy'." In <hi rend="italic">TLS,</hi> Feb. 6,
1937, p. 92.
</ab><ab rend="right">(<hi rend="italic">367</hi>   </ab>
<ab rend="small">
Describes Owen's <hi rend="italic">Miscellaneous Pieces,</hi> the 4th ed. (<ref target="#bib136">#136</ref>), and suggests that if the first ed. (as yet
undiscovered) contained the El, it may antedate the Dodsley, 1751, first
ed. of the El.
</ab><lb/>
<anchor xml:id="bib368"/><ab type="implicit">
Edwin Wolf, 2nd. "Wolfe's copy of Gray's Elegy." In <hi rend="italic">The
Colophon,</hi> n. s. II (Summer, 1937), 381-91.
</ab><ab rend="right">(<hi rend="italic">368</hi>   </ab>
<ab rend="small">
A description and history of Wolfe's 1754 copy.
</ab><lb/>
<anchor xml:id="bib368a"/>
<ab type="implicit"><hi rend="bold">1938.</hi> Wm Empson. In his <hi rend="italic">English pastoral poetry</hi> [British title:
<hi rend="italic">Some versions of pastoral</hi>]. New York: W. W. Norton, 1938.
</ab><ab rend="right">UP   (<hi rend="italic">368a</hi>   </ab>
<ab rend="small">
Mentions Bard (p. 207) and discusses El (pp. 4-5) as bourgeois propaganda with
its 'complacence' and 'cheat in the implied politics.' See <ref target="#bib381">#381</ref>.
</ab><lb/>
<anchor xml:id="bib369"/><ab type="implicit">
Paul H. Johnstone. "Turnips and romanticism." In <hi rend="italic">Agricultural
History,</hi> XII (1938), 234, 247.
</ab><ab rend="right">(<hi rend="italic">369</hi>   </ab>
<anchor xml:id="bib370"/><ab type="implicit">
Henri Martineau. "Thomas Gray, Beaudelaire et P.-J. Toulet." In
<hi rend="italic">Yggdrasill,</hi> Feb. 25, 1938, pp. 182-83.
</ab><ab rend="right">(<hi rend="italic">370</hi>   </ab>
<ab rend="small">
Influence of El, ll. 53-56, upon Baudelaire and Toulet.
</ab><lb/>
<anchor xml:id="bib371"/><ab type="implicit">
R. Michéa. "Le 'plaisir des tombeaux' au XVIII<hi rend="sup">e</hi>
siècle." In <hi rend="italic">RLC,</hi> XVIII (1938), 287, 303, 307, 310.
</ab><ab rend="right">(<hi rend="italic">371</hi>   </ab>
<anchor xml:id="bib371a"/><ab type="implicit">
Robt K. Root. In his <hi rend="italic">The poetical career of Alexander</hi>
<pb n="49" xml:id="p1-49"/>
<hi rend="italic">Pope.</hi> Princeton: Univ. Press, 1938.
</ab><ab rend="right">(<hi rend="italic">371a</hi>   </ab>
<ab rend="small">
Rev. S. Chew, N. Y. <hi rend="italic">Herald Trib. Bks.</hi>, Dec. 11, 1938, p. 24.
</ab><lb/>
<anchor xml:id="bib372"/><ab type="implicit">
Michael Rothkrug. "An apparently unrecorded appearance of Gray's
<hi rend="italic">Elegy,</hi> 1751: an appendix to Stokes." In <hi rend="italic">Papers in honor of
Andrew Keogh.</hi> New Haven: Privately printed, 1938, pp. 343-53.
</ab><ab rend="right">(<hi rend="italic">372</hi>   </ab>
<ab rend="small">
Description of <ref target="#bib135">#135</ref>.
</ab><lb/>
<anchor xml:id="bib373"/>
<ab type="implicit"><hi rend="bold">1939.</hi> *E. R. Briggs. "Gray's Elegy: a French source?" In
<hi rend="italic">RLC,</hi> XIX (July-Sept., 1939), 451-71.
</ab><ab rend="right">(<hi rend="italic">373</hi>   </ab>
<ab rend="small">
Suggests as sources of El, Racan's <hi rend="italic">Les Bergeries ou Artenice</hi> and
<hi rend="italic">Stances sur la retraite.</hi> Points out many general resemblances between
<hi rend="italic">Bergeries</hi> and El, ll. 1-68, 73-77, 97-122. 'If he [Gray] has nowhere
referred to the origins of . . . the <hi rend="italic">Elegy,</hi> may it not be that his
candour failed him . . . because any mention of Racan would have revealed
analogies much more numerous and important than in . . . [<hi rend="italic">Ode on
Spring</hi>] ?' 'As regards documentary proof that Gray was acquainted with the
poetry of Racan, we do not possess it at present. . . .'
</ab><lb/>
<anchor xml:id="bib374"/><ab type="implicit">
Rhedecynian. "Imitations of Gray's 'Elegy'." In <hi rend="italic">N&amp;Q,</hi>
Aug. 5, 1939, p. 98.
</ab><ab rend="right">(<hi rend="italic">374</hi>   </ab>
<ab rend="small">
Replies by: Wm Jaggard, Aug. 19, pp. 141-42; Lawrence Thompson, Sept. 16,
p. 214; John Walker McCain, Jr., Sept. 23, p. 228.
</ab><lb/>
<anchor xml:id="bib375"/><ab type="implicit">
H. D. Watson, "Punctuation of Gray's Elegy [l. 85]." In <hi rend="italic">TLS,</hi>
Feb. 11, 1939, p. 89.
</ab><ab rend="right">(<hi rend="italic">375</hi>   </ab>
<ab rend="small">
Reply by Geo. G. Loane, Feb. 18. p. 105.
</ab><lb/>
<anchor xml:id="bib376"/>
<ab type="implicit"><hi rend="bold">1940.</hi> "Topics of the times." In The New York <hi rend="italic">Times,</hi>
Sept. 22, 1940, sec. IV, p. 6.
</ab><ab rend="right">(<hi rend="italic">376</hi>   </ab>
<anchor xml:id="bib376a"/><ab type="implicit">
In <hi rend="italic">The New Yorker,</hi> Mar. 9, 1940, p. 66.
</ab><ab rend="right">(<hi rend="italic">376a</hi>   </ab>
<ab rend="small">
Quotes El, ll. 5-8.
</ab><lb/>
<anchor xml:id="bib377"/><ab type="implicit">
Elizabeth Nitchie. "Romantic permutations and combinations in
England." In <hi rend="italic">PMLA,</hi> LV (1940), 53.
</ab><ab rend="right">(<hi rend="italic">377</hi>   </ab>
<anchor xml:id="bib378"/><ab type="implicit">
E. Alison Peers. In his <hi rend="italic">A history of the romantic movement in Spain.</hi>
Cambridge: Univ. Press, 1940, 2v.
</ab><ab rend="right">(<hi rend="italic">378</hi>   </ab>
<anchor xml:id="bib379"/><ab type="implicit">
N. Hardy Wallis. "'Fugitive poetry.' An eighteenth century
collection." In <hi rend="italic">Essays by divers hands. Being the transactions of the
Royal Society of Literature of the United Kingdom,</hi> n. s. XVIII (London:
Milford, 1940), 63-64.
</ab><ab rend="right">(<hi rend="italic">379</hi>   </ab>
<ab rend="small">
Echoes of the El in the work of John Langhorne and John Scott.
</ab><lb/>
<anchor xml:id="bib380"/>
<ab type="implicit"><hi rend="bold">1941.</hi> Carlos Baker. "Spenser, the eighteenth century, and
Shelley's <hi rend="italic">Queen Mab.</hi>" In <hi rend="italic">MLQ,</hi> II (1941), 81, 88-90, 94.
</ab><ab rend="right">(<hi rend="italic">380</hi>   </ab>
<ab rend="small">
Influence of El on <hi rend="italic">Mab.</hi>
</ab><lb/>
<anchor xml:id="bib381"/><ab type="implicit">
Kenneth Burke. In his <hi rend="italic">The philosophy of literary form. Studies in symbolic
action.</hi> [N. p.]: Louisiana State Univ. Press, 1941, pp. 422-24.
</ab><ab rend="right">(<hi rend="italic">381</hi>   </ab>
<ab rend="small">
Discussion of Empson, <ref target="#bib368a">#368a</ref>.
</ab><lb/>
<anchor xml:id="bib382"/><ab type="implicit">
Saml. C. Chew. "The web of English culture." In <hi rend="italic">The Pierpont
Morgan Library: the British tradition. . . Eleventh to nineteenth
century. Guide to an exhibition held Nov. 25,</hi> 
<pb n="50" xml:id="p1-50"/>
<hi rend="italic">1941 - March 30, 1942.</hi> 1941, p. xii.
</ab><ab rend="right">(<hi rend="italic">382</hi>   </ab>
<anchor xml:id="bib383"/><ab type="implicit">
Graham Pollard. "Notes on the size of the sheet." In <hi rend="italic">Library,</hi>
4th ser. XXII (1941), 123.
</ab><ab rend="right">(<hi rend="italic">383</hi>   </ab>
<anchor xml:id="bib384"/>
<ab type="implicit"><hi rend="bold">1942.</hi> Cleanth Brooks. "The language of paradox." In <hi rend="italic">The
language of poetry,</hi> ed. Allen Tate. Princeton: University Press; London:
Milford, 1942, pp. 43-44.
</ab><ab rend="right">(<hi rend="italic">384</hi>   </ab>
<ab rend="small">
Reprinted in Brooks, <ref target="#bib404">#404</ref>, and in Schorer, <ref target="#bib1171">#1171</ref>.
</ab><lb/>
<anchor xml:id="bib385"/><ab type="implicit">
Robt P. T. Coffin. In his <hi rend="italic">The substance that is poetry.</hi> New York:
Macmillan, 1942, pp. 10-11, 49-50, 134.
</ab><ab rend="right">(<hi rend="italic">385</hi>   </ab>
<anchor xml:id="bib386"/><ab type="implicit">
L. McCormick-Goodhart. "Who wrote this?" In <hi rend="italic">SRL,</hi> Nov. 7,
1942, p. 12.
</ab><ab rend="right">(<hi rend="italic">386</hi>   </ab>
<ab rend="small">
The 'redbreast' stanzas. Replies by: Miriam Allen deFord, Dec. 19, p. 13;
J. A. Lauritis, Dec. 26, p. 13.
</ab><lb/>
<anchor xml:id="bib387"/>
<ab type="implicit"><hi rend="bold">1943.</hi> "Topics of the times." In The New York <hi rend="italic">Times,</hi>
June 27, 1943, sec. IV, p. 10.
</ab><ab rend="right">(<hi rend="italic">387</hi>   </ab>
<anchor xml:id="bib388"/><ab type="implicit">
V. R. "Gray's Elegy: a restored reading." In <hi rend="italic">N&amp;Q,</hi>
Feb. 13, 1943, pp. 102-03.
</ab><ab rend="right">(<hi rend="italic">388</hi>   </ab>
<ab rend="small">
'Awaits' in l. 35. Replies by: Stephen Gaselee, Mar. 13, p. 174; Hibernicus,
Mar. 27, p. 204; B. W., Apr. 10, pp. 237-38.
</ab><lb/>
<anchor xml:id="bib389"/><ab type="implicit">
John Lakmord Wayne. "Gray's 'Elegy written in a country
churchyard'." In <hi rend="italic">Hobbies, the-magazine-for-collectors,</hi> XLVIII
(Aug., 1943), 82-83.
</ab><ab rend="right">(<hi rend="italic">389</hi>   </ab>
<anchor xml:id="bib390"/>
<ab type="implicit"><hi rend="bold">1944.</hi> Rich. Wilcox (descriptive text), David E. Scherman (photographs),
Christopher Morley (preface). <hi rend="italic">Literary England: photographs of places made
memorable in English literature.</hi> New York: Random, [1944], No. 19.
</ab><ab rend="right">(<hi rend="italic">390</hi>   </ab>
<ab rend="small">
Reprints El, ll. 13-16, 57-60, with photo. of Stoke church.
</ab><lb/>
<anchor xml:id="bib391"/>
<ab type="implicit"><hi rend="bold">1945.</hi> D. G. B. "Byron, Gray and Dante." In <hi rend="italic">N&amp;Q,</hi>
June 16, 1945, p. 257.
</ab><ab rend="right">(<hi rend="italic">391</hi>   </ab>
<anchor xml:id="bib392"/><ab type="implicit">
John Butt. "The inspiration of Pope's poetry." In <ref target="#bib394">#394</ref>, p. 75.
</ab><ab rend="right">(<hi rend="italic">392</hi>   </ab>
<ab rend="small">
El, l. 13. an echo of <hi rend="italic">Comus,</hi> l. 354.
</ab><lb/>
<anchor xml:id="bib393"/><ab type="implicit">
Ernest Earnest. In his <hi rend="italic">A foreword to literature.</hi> New York:
Appleton-Century, 1945.
</ab><ab rend="right">(<hi rend="italic">393</hi>   </ab>
<anchor xml:id="bib394"/><ab type="implicit">
*H[eathcote]. W[m]. Garrod. "Notes on the composition of Gray's
<hi rend="italic">Elegy.</hi>" In <hi rend="italic">Essays on the eighteenth century presented to David
Nichol Smith in honor of his seventieth birthday.</hi> Oxford: Clarendon, 1945,
pp. 111-16.
</ab><ab rend="right">(<hi rend="italic">394</hi>   </ab>
<ab rend="small">
A valuable summary of evidence bearing on the date of composition.
</ab><lb/>
<anchor xml:id="bib395"/><ab type="implicit">
Donald Gunn. "General Wolfe and Gray's 'Elegy'." In <hi rend="italic">N&amp;Q,</hi>
Oct. 20, 1945, pp. 165-66.
</ab><ab rend="right">(<hi rend="italic">395</hi>   </ab>
<anchor xml:id="bib396"/><ab type="implicit">
Philip Allison Shelley. "An exchange of letters with Longfellow." In
<hi rend="italic">PMLA,</hi> LX (1945), 612-13.
</ab><ab rend="right">(<hi rend="italic">396</hi>   </ab>
<ab rend="small">
Müller's transl. of El (<ref target="/texts/diglib/secondary/NoC_1917/1/89#bib638">N638</ref>).
</ab>
<pb n="51" xml:id="p1-51"/><ab type="implicit">
"Versification is vexation." In The London <hi rend="italic">Daily Times,</hi>
Mar. 3, 1945, p. 5.
</ab><ab rend="right">(<hi rend="italic">397</hi>   </ab>
<ab rend="small">
Jane Austen's misquotation of El. Comment by: G. D. Roberts, Mar. 8, p. 5 (on
R. L. Stevenson); Phyllis W. Norman, Mar. 10, p. 5; S. Graham Brade-Birks,
Mar. 13, p. 5.
</ab><lb/>
<anchor xml:id="bib398"/>
<ab type="implicit"><hi rend="bold">1946.</hi> John K. Hutchens. "People who read and write." In The
New York <hi rend="italic">Times Book Review,</hi> June 16, 1946, sec. VII, p. 22.
</ab><ab rend="right">(<hi rend="italic">398</hi>   </ab>
<ab rend="small">
First ed. of El sold for $4,200.
</ab><lb/>
<anchor xml:id="bib399"/><ab type="implicit">
*W. M. Newman. "When curfew tolled the knell." In <hi rend="italic">National
Review,</hi> CXXVII (Sept., 1946), 244-48.
</ab><ab rend="right">(<hi rend="italic">399</hi>   </ab>
<ab rend="small">
Accepts Tovey's dating of El as Aug., 1746, and interprets the poem in the
light of the political events of that time — especially the trial of the
Jacobite rebels of 1745.
</ab><lb/>
<anchor xml:id="bib400"/><ab type="implicit">
"$7,250 is paid for 'Elegy'." In The New York <hi rend="italic">Times,</hi>
Nov. 6, 1946, p. 31.
</ab><ab rend="right">(<hi rend="italic">400</hi>   </ab>
<anchor xml:id="bib401"/><ab type="implicit">
Fritz Strich. In his <hi rend="italic">Goethe und die Weltliteratur.</hi> Bern: A. Francke,
1946.
</ab><ab rend="right">(<hi rend="italic">401</hi>   </ab>
<ab rend="small">
Transl by C. A. M. Sym, <hi rend="italic">Goethe and world literature.</hi> New York: Hafner,
1949.
</ab><lb/>
<anchor xml:id="bib402"/><ab type="implicit">
"Gray's Elegy." In The London <hi rend="italic">Daily Times,</hi> June 5, 1946,
p. 3.
</ab><ab rend="right">(<hi rend="italic">402</hi>   </ab>
<ab rend="small">
First ed. sold for £1,050.
</ab><lb/>
<anchor xml:id="bib403"/>
<ab type="implicit"><hi rend="bold">1947.</hi> Fredk Bracher. "The silent foot in pentameter verse."
In <hi rend="italic">PMLA</hi>, LXII (1947), 1106.
</ab><ab rend="right">(<hi rend="italic">403</hi>   </ab>
<anchor xml:id="bib404"/><ab type="implicit">
*Cleanth Brooks. "Gray's storied urn." In his <hi rend="italic">The well wrought
urn: studies in the structure of poetry.</hi> New York: Reynal &amp; Hitchcock,
1947, pp. 96-113. See also index.
</ab><ab rend="right">(<hi rend="italic">404</hi>   </ab>
<ab rend="small">
An analysis of the poetic technique of the El with the emphasis upon Gray's
use of irony.<lb/>
Rev. J. Berryman, <hi rend="italic">Nation,</hi> CLXIV (June 28, 1947), 775-76; R. Blackmur,
N. Y. <hi rend="italic">Times Bk. Rev.,</hi> June 8, 1947, p. 6; G. Whicher, N. Y. <hi rend="italic">Herald
Trib. Bks.,</hi> Apr. 20, 1947, p. 2; <hi rend="italic">TLS,</hi> Jan. 13, 1950, p. 26. Comment
by Bateson, <ref target="#bib412">#412</ref>.
</ab><lb/>
<anchor xml:id="bib405"/><ab type="implicit">
John Butt. "Science and man in eighteenth-century poetry." In
<hi rend="italic">Durham University Journal,</hi> XXXIX (Mar., 1947), 87.
</ab><ab rend="right">(<hi rend="italic">405</hi>   </ab>
<anchor xml:id="bib406"/><ab type="implicit">
"Part of one of the three extant holograph copies of Gray's 'Elegy' owned
by the [Pembroke] college." In <hi rend="italic">Illustrated London News,</hi> CCX (June
28, 1947), 695.
</ab><ab rend="right">(<hi rend="italic">406</hi>   </ab>
<ab rend="small">
Photo. of p. 1 of MS., ll. 1-20.
</ab><lb/>
<anchor xml:id="bib406a"/>
<ab type="implicit"><hi rend="bold">1948.</hi> E. C. Ashmore. "Gray's Elegy." In <hi rend="italic">N&amp;Q,</hi>
Mar. 20, 1948, p. 127.
</ab><ab rend="right">(<hi rend="italic">406a</hi>   </ab>
<ab rend="small">
The memorial stone at Stoke.
</ab><lb/>
<anchor xml:id="bib407"/><ab type="implicit">
Cleanth Brooks. "Irony and 'ironic' poetry." In <hi rend="italic">CE,</hi> IX (Feb.,
1948), 232, 234.
</ab><ab rend="right">(<hi rend="italic">407</hi>   </ab>
<anchor xml:id="bib408"/><ab type="implicit">
Wallace Cable Brown. In his <hi rend="italic">The triumph of form: a study of the later
masters of the heroic couplet.</hi> Chapel Hill: Univ. of N. C. Press, 1948.
</ab><ab rend="right">(<hi rend="italic">408</hi>   </ab>
<pb n="52" xml:id="p1-52"/>
<anchor xml:id="bib408a"/>
<ab type="implicit"><hi rend="bold">1949.</hi> H. P. "Gray's Elegy written in a country churchyard,
73-74." In <hi rend="italic">The Explicator,</hi> VIII (Oct., 1949), Q1.
</ab><ab rend="right">(<hi rend="italic">408a</hi>   </ab>
<ab rend="small">
The interpretation of <hi rend="italic">far</hi> and <hi rend="italic">madding,</hi> l. 73. Replies by
Theodore C. Hoepfner, <hi rend="italic">ibid.</hi> (Mar., 1950), 35, and René Rapin,
<hi rend="italic">ibid.,</hi> IX (Nov., 1950), 14.
</ab><lb/>
<anchor xml:id="bib409"/><ab type="implicit">
Francis Scarfe. "Romanticism in modern poetry." In <hi rend="italic">A new romantic
anthology,</hi> Stefan Schimanski and Henry Treece, eds. London: Grey Walls
Press, 1949, p. 61.
</ab><ab rend="right">(<hi rend="italic">409</hi>   </ab>
<anchor xml:id="bib410"/><ab type="implicit">
*Herbert W. Starr. "'A youth to fortune and to fame unknown': a
re-estimation." In <hi rend="italic">JEGP,</hi> XLVIII (1949), 97-107.
</ab><ab rend="right">(<hi rend="italic">410</hi>   </ab>
<ab rend="small">
Objections to Shepard, <ref target="#bib293">#293</ref>. Comment by
W. P. Jones, <hi rend="italic">PQ,</hi> XXIX (1950), 276-77.
</ab><lb/>
<anchor xml:id="bib411"/><ab type="implicit">
Geoffrey Tillotson. "Pope's 'Epistle to Harley': an introduction and
analysis." In <hi rend="italic">Pope and his contemporaries: essays presented to
Geo. Sherburn.</hi> James L. Clifford and Louis A. Landa, eds. Oxford:
Clarendon, 1949, pp. 59-60.
</ab><ab rend="right">(<hi rend="italic">411</hi>   </ab>
<anchor xml:id="bib411a"/><ab type="implicit">
"The Hardwicke Society. Poetry and the law." In The London <hi rend="italic">Daily
Times,</hi> Dec. 20, 1949, p. 2.
</ab><ab rend="right">(<hi rend="italic">411a</hi>   </ab>
<anchor xml:id="bib411b"/>
<ab type="implicit"><hi rend="bold">1950.</hi> *Sergio Baldi. "L'Unità sentimentale dell' 'Elegia'
di Gray." In <hi rend="italic">Revista di letterature moderne,</hi> n. s. I (1950),
95-105.
</ab><ab rend="right">(<hi rend="italic">411b</hi>   </ab>
<ab rend="small">
Attempts to find a culminating unity in El based on Crocean aesthetic,
starting with the poet's sense of unachieved potentialities and ending in the
marmoreal contemplation of death. The synthesis of the opposites — night
and morning, old age and youth, action and potentiality — is thus
sublimated in an organic poetic unity.
</ab><lb/>
<anchor xml:id="bib412"/><ab type="implicit">
*F[redk]. W[ilse]. Bateson. "Gray's <hi rend="italic">Elegy</hi> reconsidered." In
his <hi rend="italic">English poetry: a critical introduction.</hi> London: Longmans, Green,
1950, pp. 181-93.
</ab><ab rend="right">(<hi rend="italic">412</hi>   </ab>
<ab rend="small">
". . . many of Brooks's [<ref target="#bib404">#404</ref>] incidental
comments are shrewd and relevant. They do not, however, <hi rend="italic">add up</hi> to
anything very substantial.' Discusses writing of El, its literary merit, its
reflection of events in Gray's life (quarrel with Walpole and death of West),
its 'indictment of the ruling aristocracy' and social significance.
</ab><lb/>
<anchor xml:id="bib412a"/><ab type="implicit">
Kenneth MacLean. In his <hi rend="italic">Agrarian age: a background for Wordsworth.</hi> New
Haven: Yale Univ. Press; London: Cumberlege, Oxford, 1950.
</ab><ab rend="right">(<hi rend="italic">412a</hi>   </ab>
<anchor xml:id="bib412b"/><ab type="implicit">
[Branford P. Millar.] ". . . Thomas Gray . . . Elegy . . ." In [John
F. A. Taylor, gen. ed.] <hi rend="italic">An introduction to literature &amp; the fine
arts.</hi> [East Lansing:] Michigan State College Press, 1950, pp. 260-63.
</ab><ab rend="right">(<hi rend="italic">412b</hi>   </ab>
<ab rend="small">
An appreciative essay. Quotes Adv, ll. 1-8, and Eton, ll. 91-100.
</ab><lb/>
<anchor xml:id="bib412c"/><ab type="implicit">
"Rare book missing . . ." In The London <hi rend="italic">Daily Times,</hi> Mar. 11,
1950, p. 6.
</ab><ab rend="right">(<hi rend="italic">412c</hi>   </ab>
<ab rend="small">
£100 reward for a missing first ed. of the El.
</ab><lb/>
<anchor xml:id="bib412d"/>
<ab type="implicit"><hi rend="bold">1951.</hi> *Frank H. Ellis. "Gray's <hi rend="italic">Elegy:</hi> the biographical
problem in literary criticism." In <hi rend="italic">PMLA,</hi> LXVI (1951), 971-
<pb n="53" xml:id="p1-53"/>
1008.
</ab><ab rend="right">(<hi rend="italic">412d</hi>   </ab>
<ab rend="small">
Disagrees with the 'biographical' interpretations, pointing out that the El is
a carefully developed rhetorical structure modeled on <hi rend="italic">Lycidas.</hi> Rev. by
W. P. Jones, <hi rend="italic">PQ,</hi> XXXI (July, 1952), 274-75.
</ab><lb/>
<anchor xml:id="bib412e"/><ab type="implicit">
Fredk L. Gwynn. "Hopkins' 'The Windhover': a new simplification." In
<hi rend="italic">MLN,</hi> LXVI (June, 1951), 369.
</ab><ab rend="right">(<hi rend="italic">412e</hi>   </ab>
<anchor xml:id="bib412f"/><ab type="implicit">
H. W. Jones. "A new allusion in Gray's 'Elegy'?" In <hi rend="italic">N&amp;Q,</hi>
Apr. 28, 1951, pp. 184-85. 
</ab><ab rend="right">(<hi rend="italic">412f</hi>   </ab>
<ab rend="small">
Suggests <hi rend="italic">Macbeth</hi>, III, ii. Beply by J. C. Maxwell. <hi rend="italic">ibid.</hi>, June
9, p. 262, who notes parallels with Virgil (<hi rend="italic">Aen.</hi>, XII, 397) and Tacitus
(<hi rend="italic">Agric.</hi>, VI, 4).
</ab><lb/>
<anchor xml:id="bib412g"/><ab type="implicit">
"Winter in a country churchyard." In The New York <hi rend="italic">Herald
Tribune,</hi> Feb. 18, 1951, sec. II, p. 4.
</ab><ab rend="right">(<hi rend="italic">412g</hi>   </ab>
<anchor xml:id="bib412h"/><ab type="implicit">
"Answers to queries." In The Philadelphia <hi rend="italic">Evening Bulletin,</hi>
Feb. 8, 1951, p. 55.
</ab><ab rend="right">(<hi rend="italic">412h</hi>   </ab>
<ab rend="small">
Account of Stoke Poges.
</ab><lb/>
<anchor xml:id="bib412i"/><ab type="implicit">
"[Huntington] Library shows rare Gray 'Elegy' copy." In The Richmond
<hi rend="italic">News Leader,</hi> Feb. 15, 1951, p. 56.
</ab><ab rend="right">(<hi rend="italic">412i</hi>   </ab>
<ab rend="small">
Also in Phila. <hi rend="italic">Inquirer,</hi> Feb. 16, 1951, p. 25.
</ab><lb/>
<anchor xml:id="bib412j"/><ab type="implicit">
"Celebrating the bicentenary of Gray's immortal 'Elegy'." In The
Richmond <hi rend="italic">Times-Dispatch,</hi> Feb. 11, 1951, sec. II, p. 2-B.
</ab><ab rend="right">(<hi rend="italic">412j</hi>   </ab>
<ab rend="small">
Photo. of Stoke church and churchyard.<lb/>
See also Ross Valentine, 'The church bell at Stoke Poges,' <hi rend="italic">ibid.,</hi>
Feb. 18, sec. II, p. 2-B.
</ab><lb/>
<anchor xml:id="bib412k"/><ab type="implicit">
*Geo. Sherburn. In <ref target="#bib168a">#168a</ref>, pp. i-xi.
</ab><ab rend="right">(<hi rend="italic">412k</hi>   </ab>
<ab rend="small">
Discusses the merit and appeal of the El, its revisions, date, and publication.
</ab><lb/>
<anchor xml:id="bib412l"/><ab type="implicit">
*Carl J. Weber. "The bicentenary of Gray's 'Elegy'." In <hi rend="italic">The Colby
Library Quarterly,</hi> Series III, No. 1 (Feb., 1951). 20 pp.
</ab><ab rend="right">(<hi rend="italic">412l</hi>   </ab>
<ab rend="small">
Describes first publication of El and discusses various criticisms of it,
defending Gray's originality as 'the pioneer literary spokesman for the
Ordinary Man.' Useful bibliographical information.<lb/>
Comment by J. D. Adams, 'Speaking of books.' N. Y. <hi rend="italic">Times Bk. Rev.,</hi>
Mar. 2, 1952, p. 2.
</ab><lb/>
<p rend="center"><hi rend="bold">EPITAPHS (LATIN) ON ROBERT ANTROBUS AND JONATHAN
ROGERS</hi></p>
<anchor xml:id="bib413"/>
<ab type="implicit"><hi rend="bold">1804.</hi> <hi rend="italic">European Magazine,</hi> July, 1804?.
</ab><ab rend="right">(<hi rend="italic">413-N1144a</hi>   </ab>
<ab rend="small">
According to Mitford the Epitaphs are printed in this number, but I have been
unable to find them there.<lb/>
Also in 'Two Latin epitaphs in the church of Burnham, in Buckinghamshire, from
the pen of Mr. Gray.' In <hi rend="italic">The Monthly Magazine,</hi> XVII (July 1, 1804),
549.<lb/>
Printed from the Cole MSS in the BM (Add. MS. 5833 P14142).<lb/>
Reprinted in Mitford, <ref target="/texts/diglib/secondary/NoC_1917/1/5#bib30">N30</ref>,
I, ci-cii.
</ab><lb/>
<p rend="center"><hi rend="bold">EPITAPH ON HIS MOTHER</hi></p>
<anchor xml:id="bib414"/>
<ab type="implicit"><hi rend="bold">1803.</hi> Reprinted in <hi rend="italic">Port Folio,</hi> III (Aug. 20, 1803), 268.
</ab><ab rend="right">(<hi rend="italic">414-N1145a</hi>   </ab>
<pb n="54" xml:id="p1-54"/>
<anchor xml:id="bib415"/>
<ab type="implicit"><hi rend="bold">1948.</hi> In Leigh Mitchell Hodges. "The optimist." The
Philadelphia <hi rend="italic">Evening Bulletin,</hi> Nov. 17, 1948, p. 18.
</ab><ab rend="right">(<hi rend="italic">415</hi>   </ab><lb/>
<p rend="center"><hi rend="bold">A FAREWELL TO
FLORENCE</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib415a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. Ll. 5-9. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, p. 305.
</ab><ab rend="right">(<hi rend="italic">415a</hi>   </ab>
<ab rend="small">
L. 5 reads, je ne vous verrai plus du vallon de l'Arnus.
</ab><lb/>
<p rend="center"><hi rend="bold">THE FATAL SISTERS</hi><lb/>EDITIONS</p>
<anchor xml:id="bib416"/>
<ab type="implicit"><hi rend="bold">1942.</hi> "'Old and true' — 981" In The London <hi rend="italic">Daily
Times,</hi> Nov. 21, 1942, p. 6.
</ab><ab rend="right">(<hi rend="italic">416</hi>   </ab>
<ab rend="small">
Reprints ll. 37-40.
</ab>
<p rend="center">TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib417"/>
<ab type="implicit"><hi rend="bold">1925.</hi> Pierre Berger. "Les soeurs fatales." In his <hi rend="italic">Les
poètes. . .</hi> <ref target="#bib75">#75</ref>, pp. 61-63.
</ab><ab rend="right">(<hi rend="italic">417</hi>   </ab>
<ab rend="small">
Begins, Maintenant la tempête devient menaçante.   16
quatrains
</ab><lb/>
<anchor xml:id="bib417a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Les soeurs fatales," [ll. 9-16, 45-56,
61-64]. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>,
pp. 385, 386.
</ab><ab rend="right">(<hi rend="italic">417a</hi>   </ab>
<ab rend="small">
L. 9 reads, Voyez grandir l'affreuse étoffe.
</ab>
<p rend="center">PARODIES AND IMITATIONS<lb/><hi rend="italic">English</hi></p>
<anchor xml:id="bib418"/>
<ab type="implicit"><hi rend="bold">1792.</hi> X. Y. "The battle of Hastings." In <hi rend="italic">The European
Magazine,</hi> XXII (Dec., 1792), 454-55.
</ab><ab rend="right">(<hi rend="italic">418-N1170'</hi>   </ab>
<ab rend="small">
Begins, Leave, Sisters, leave your hellish work!   6 stanzas of 6 ll.
</ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib419"/>
<ab type="implicit"><hi rend="bold">1927.</hi> S. "Parallel between Gray and Sophocles." In
<hi rend="italic">N&amp;Q,</hi> April 16, 1927, p. 280.
</ab><ab rend="right">(<hi rend="italic">419</hi>   </ab>
<ab rend="small">
Warton's comparison of FS and <hi rend="italic">Ajax.</hi> Replies by: Edw. Bensly, Apr. 30,
p. 318; V. R., <hi rend="italic">ibid.;</hi> W. J. Harding, May 14, pp. 358-59.
</ab><lb/>
<anchor xml:id="bib420"/>
<ab type="implicit"><hi rend="bold">1941.</hi> C. A. "Gray's 'The Fatal Sisters'." In <hi rend="italic">N&amp;Q,</hi>
Aug. 16, 1941, p. 91.
</ab><ab rend="right">(<hi rend="italic">420</hi>   </ab>
<ab rend="small">
The source of the sisters' names. Reply by L. R. M. Strachan, Sept. 6, p. 135.
</ab><lb/>
<p rend="center"><hi rend="bold">FRAGMENT OF A LATIN POEM ON THE
GAURUS</hi><lb/>TRANSLATIONS</p>
<pb n="55" xml:id="p1-55"/>
<ab rend="center"><hi rend="italic">English</hi><lb/><lb/></ab>
<anchor xml:id="bib421"/>
<ab type="implicit"><hi rend="bold">1805.</hi> "Mount Gaurus. Translated from a Latin fragment of of
Gray." In <hi rend="italic">The Port Folio,</hi> V (Sept. 7, 1805), 280.
</ab><ab rend="right">(<hi rend="italic">421-N1172a</hi>   </ab>
<ab rend="small">
Vv. 1-56. Begins, Lo! where, his head high towering mid the skies.   
72 ll. of blank verse
</ab><lb/>
<anchor xml:id="bib421a"/>
<ab type="implicit"><hi rend="bold">1807.</hi> In <hi rend="italic">The Port Folio,</hi> n. s. IV (Sept. 12, 1807), 161-62.
</ab><ab rend="right">(<hi rend="italic">421a-<ref target="/texts/diglib/secondary/NoC_1917/1/159#bib1173">N1173</ref></hi>   </ab>
<ab rend="small">
Vv. 40-61. Begins, No more the plough is seen to break the soil.   26 ll.
</ab>
<p rend="center"><hi rend="italic">French</hi></p>
<anchor xml:id="bib421b"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Gaurus," [ll. 7-23, 30-34, 40-48]. In his
<hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, pp. 305, 306.
</ab><ab rend="right">(<hi rend="italic">421b</hi>   </ab>
<ab rend="small">
L. 7 reads, On dit qu'un jour les champs dormaient dans le manteau.
</ab><lb/>
<p rend="center"><hi rend="bold">GENERIC CHARACTERS OF THE ORDERS OF
INSECTS</hi><lb/>TRANSLATION<lb/><hi rend="italic">English</hi></p>
<anchor xml:id="bib422"/>
<ab type="implicit"><hi rend="bold">1927.</hi> W. H. Kirk. "Generick characters of the orders of insects
and of the genera of the first six orders named, Coleoptera, Hemiptera,
Lepidoptera, Neuroptera, Hymenoptera &amp; Diptera; expressed in technical
verses." Printed by Harry B. Weiss, "Thomas Gray's interest in
entomology," in <hi rend="italic">American Collector,</hi> III (Feb., 1927), 185-87.
</ab><ab rend="right">(<hi rend="italic">422</hi>   </ab>
<ab rend="small">
Begins, The Coleoptera have wings covered with armor.
</ab><lb/>
<p rend="center"><hi rend="bold">HYMN TO ADVERSITY</hi><lb/>EDITIONS</p>
<anchor xml:id="bib423"/>
<ab type="implicit"><hi rend="bold">1759.</hi> In <hi rend="italic">Love-elegies</hi> by Mr. Hammond. . ., pp. 35-36. See <ref target="#bib39">#39</ref>.
</ab><ab rend="right">(<hi rend="italic">423-N1181a</hi>   </ab>
<p rend="center">TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib424"/>
<ab type="implicit"><hi rend="bold">1925.</hi> Pierre Berger. "Hymne à l'adversité." In
his <hi rend="italic">Les poètes préromantiques. . .</hi> <ref target="#bib75">#75</ref>, pp. 47-49.
</ab><ab rend="right">(<hi rend="italic">424</hi>   </ab>
<ab rend="small">
Begins, Fille de Jupiter, puissance implacable.   6 stanzas of 8 ll.
</ab><lb/>
<anchor xml:id="bib424a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Hymne à l'adversite." In his
<hi rend="italic">Essai . . .</hi> <ref target="#bib948">#948</ref>, pp. 397-98.
</ab><ab rend="right">(<hi rend="italic">424a</hi>   </ab>
<ab rend="small">
Begins, Fille de Jupiter, implacable Puissance.   6 stanzas of 8 ll.
</ab>
<p rend="center"><hi rend="italic">Italian</hi></p>
<anchor xml:id="bib424b"/>
<ab type="implicit"><hi rend="bold">1835.</hi> "Ode all'avversità," In <hi rend="italic">Il gondoliere,
giornale di</hi> 
<pb n="56" xml:id="p1-56"/>
<hi rend="italic">scienze, lettere, arti, mode, e teatri.</hi> Anno terzo, N. 13 (Sabato 14
Febbrajo 1835), pp. [49]-50.
</ab><ab rend="right">HU   (<hi rend="italic">424b-N1186a</hi>   </ab>
<ab rend="small">
Begins, Figlia di Giove, a soggiogar bastante.   6 stanzas of 8 ll.<lb/>
Published anonymously with a short critical preface on p. [49].
</ab>
<p rend="center"><hi rend="italic">Russian</hi></p>
<anchor xml:id="bib425"/>
<ab type="implicit"><hi rend="bold">1792.</hi> M. "Oda. Neshchastie, iz stikhotvoreni G. Greia." In
<hi rend="italic">Chtenie dlia vkusa, gasuma i chuvstvovanii,</hi> V (1792), 4-7.
</ab><ab rend="right">LC   (<hi rend="italic">425-N1188a</hi>   </ab>
<ab rend="small">
Prose. Begins, Dshcher' Iupitera! . . . .
</ab><lb/>
<anchor xml:id="bib426"/>
<ab type="implicit"><hi rend="bold">1800.</hi> P. . . . L'v. . . . "Napast'." In <hi rend="italic">Ippokrena, ili
utekhi liuvosloviia,</hi> VI (1800), 150-53.
</ab><ab rend="right">HU, LC   (<hi rend="italic">426-N1188b</hi>   </ab>
<ab rend="small">
Dated 1799. Prose. Begins, Sila neumolimiia . . . .
</ab><lb/>
<p rend="center"><hi rend="bold">HYMN TO IGNORANCE</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib426a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Hymne à l'ignorance,"
ll. 11-22. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>,
p. 367.
</ab><ab rend="right">(<hi rend="italic">426a</hi>   </ab>
<ab rend="small">
L. 11 reads, Trois fois Hypérion a tourné son année.
</ab><lb/>
<p rend="center"><hi rend="bold">IMPROMPTU, SUGGESTED BY A VIEW, IN 1766,<lb/>OF THE SEAT
AND RUINS OF A DECEASED NOBLEMAN, AT KINGSGATE, KENT</hi><lb/>EDITIONS</p>
<anchor xml:id="bib426b"/>
<ab type="implicit"><hi rend="bold">1929.</hi> In Hugh Kingsmill, ed., <hi rend="italic">An anthology of invective and
abuse.</hi> New York: Dial Press, 1929, pp. 92-93.
</ab><ab rend="right">(<hi rend="italic">426b</hi>   </ab>
<p rend="center">TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib426c"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. Ll. 13-16. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, p. 243.
</ab><ab rend="right">(<hi rend="italic">426c</hi>   </ab>
<ab rend="small">
L. 13 reads, Ici se dressent des temples croulant et des créneaux.
</ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib427"/>
<ab type="implicit"><hi rend="bold">1930.</hi> Leonard Whibley. "Gray's satirical poems." In
<hi rend="italic">TLS,</hi> Oct. 9, 1930, p. 805.
</ab><ab rend="right">(<hi rend="italic">427</hi>   </ab>
<ab rend="small">
Dates poem summer, 1768. Best version is that of Thomas Wharton's MS.
</ab><lb/>
<p rend="center"><hi rend="bold">JOURNAL IN THE LAKES</hi><lb/>SELECTIONS</p>
<pb n="57" xml:id="p1-57"/>
<anchor xml:id="bib428"/>
<ab type="implicit"><hi rend="bold">1921.</hi> W[m]. Peacock, ed. <hi rend="italic">English prose.</hi> London: Oxford, 1921,
5v. (World's Classics, CCXX)
</ab><ab rend="right">(<hi rend="italic">428</hi>   </ab>
<ab rend="small">
Journal from Keswick to Kendal, II, 588-91; T. &amp; W. no. 422, pp. 591-93.
</ab><lb/>
<p rend="center"><hi rend="bold">JOURNAL FOR 1754</hi><lb/>EDITIONS</p>
<anchor xml:id="bib429"/>
<ab type="implicit"><hi rend="bold">1939.</hi> H. T. Swedenberg, Jr., ed. "Thomas Gray's 'Journal for 1754
from the first of March'." In <hi rend="italic">HLQ,</hi> III (Oct., 1939), 77-102.
</ab><ab rend="right">(<hi rend="italic">429</hi>   </ab>
<ab rend="small">
Gray's record of natural history observations from Mar. 1 to Sept. 30, 1754
(Huntington Library MS. 12549). Introductory discussion of Gray s scholarship
by Swedenberg.
</ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib430"/>
<ab type="implicit"><hi rend="bold">1916.</hi> <hi rend="italic">TLS,</hi> Dec. 14, 1916, p. 608.
</ab><ab rend="right">(<hi rend="italic">430-N1211b</hi>   </ab>
<ab rend="small">
The sale of the MS.
</ab><lb/>
<p rend="center"><hi rend="bold">LETTERS</hi><lb/>EDITIONS</p>
<anchor xml:id="bib431"/>
<ab type="implicit"><hi rend="bold">1935.</hi> Paget Toynbee and Leonard Whibley, eds. <hi rend="italic">The Correspondence of
Thomas Gray.</hi> Oxford: Clarendon, 1935, 3v.
</ab><ab rend="right">(<hi rend="italic">431</hi>   </ab>
<ab rend="small">
Eckhardt, Mapletoft, Wilson portr.<lb/>
Invaluable. Prints many new letters and first drafts of poems (See <ref target="#bib25a">#25a</ref>) with detailed annotation. Contains Appendixes
A-Z (III, 1195-1304) entitled: The case submitted to Dr. Audley, Gray's Tripos
verses, Gray's corrections of West's poems, Quarrel between Gray and Walpole,
Gray's standing as Fellow-commoner, Gray's legal studies, Henry Tuthill,
Controversy between the Master of Pembroke and his Fellows, Composition of the
Elegy, Gray's removal from Peterhouse to Pembroke, Gray's rooms in Peterhouse
and Pembroke, Gray and James Macpherson, Gray's studies of Welsh poetry, Gray
and Thomas Percy, Gray's correspondence with How and Algarotti, Contest for
High Stewardship and Gray's Verses on Lord Sandwich, Advice to a friend
travelling in Scotland, Mason's Ode on Dr. John Brown, Gray and the
Professorship of Modern History, Gray's Verses on Lord Holland's villa, Gray's
property in Hand Alley, Letter of Bonstetten to his mother, Letters relating
to Gray's last illness and death, Gray's will, Walpole's Memoir of Gray,
Norton Nicholls's Reminiscences of Gray. Also contains genealogical tables
(pp. 1306-1314) entitled: Gray's pedigree on father's side, Gray's pedigree on
mother's side, Antrobus and Nutting families, Pedigree of Wharton family,
Children of Thomas Wharton, Mason's pedigree, Pedigree of Edward
Bedingfield.<lb/>
For letters omitted from T. &amp; W. see <ref target="#bib447">#447</ref>,
<ref target="#bib450a">450a</ref>.<lb/>
Rev. E. Blunden, <hi rend="italic">Fortnightly Rev.</hi>, CXLIV (Dec., 1935), 749-50;
E. Morley, <hi rend="italic">YWES,</hi> XVI (1935), 284-85; E. Muir, <hi rend="italic">LM,</hi> XXXIII (Dec.,
1935), 206-07; <hi rend="italic">N&amp;Q,</hi> Dec. 21, 1935, pp. 448-49; [G. Tillotson],
<hi rend="italic">TLS,</hi> Oct 24, 1935, pp. [657]-58 (reprinted in <ref target="#bib1087">#1087</ref>); H. F. B. B.-S., <hi rend="italic">Oxford Mag.,</hi> LV
(Nov. 5, 1936), 135-36; A. Brandl, <hi rend="italic">Deutsche Literaturzeitung,</hi> LVII
(Mar. 22, 1936), 490-94; S. Chew, <hi rend="italic">Christian Science Monitor,</hi> Jan. 29,
1936, p. 11; W. P. Jones, <hi rend="italic">SRL,</hi> Mar. 14, 1936, p. 11;
L. Kronenberger, N. Y. <hi rend="italic">Times Bk. Rev.</hi> Jan. 19, 1936, p. 2;
<hi rend="italic">Manchester Guardian,</hi> Jan. 28, 1936, p. 5; <hi rend="italic">Nation,</hi> CXLII
(Jan. 15, 1936), 82; G. Shuster, <hi rend="italic">Commonweal</hi> XXIV (May 22, 1936),
108-09; C. Tinker, <hi rend="italic">YR,</hi> XXVI (Autumn, 1936), 204-06; F. Wood,
<hi rend="italic">ESt,</hi> LXX (1936), 408-09; J. Butt, <hi rend="italic">MLR,</hi> XXXII (Jan., 1937),
101-03; T. R. G., <hi rend="italic">EHR,</hi> LII (1937), 365-66; A. Tillotson, <hi rend="italic">RES,</hi>
XIII (July, 1937), 361-64.
</ab>
<p rend="center">SELECTIONS</p>
<pb n="58" xml:id="p1-58"/>
<anchor xml:id="bib432"/>
<ab type="implicit"><hi rend="bold">1790.</hi> Selections. In Vicesimus Knox, ed. <hi rend="italic">Elegant epistles, or a
copious collection of familiar and amusing letters selected for the
improvement of young persons and for general entertainment.</hi> London:
C. Dilly, 1790.
</ab><ab rend="right">(<hi rend="italic">432-N1227'</hi>   </ab>
<ab rend="small">
Reprinted London: W. Flint, 1807 (LC). 62 letters of Gray in vol. II.
</ab><lb/>
<anchor xml:id="bib433"/>
<ab type="implicit"><hi rend="bold">1798.</hi> Letters from . . . Walpole to . . . Gray. In <hi rend="italic">The Works of
Horatio Walpole.</hi> London, 1798. 5v.
</ab><ab rend="right">(<hi rend="italic">433-<ref target="/texts/diglib/secondary/NoC_1917/1/168#bib1227a">N1227a</ref></hi>   </ab>
<ab rend="small">
Publication noted in <hi rend="italic">Monthly Mag.,</hi> IV {July, 1797), 53.
</ab><lb/>
<anchor xml:id="bib434"/>
<ab type="implicit"><hi rend="bold">1853.</hi> John Mitford, ed. <hi rend="italic">The correspondence of . . . Gray and
. . . Mason.</hi> London, 1853.
</ab><ab rend="right">(<hi rend="italic">434-N1236a</hi>   </ab>
<ab rend="small">
Rev. <hi rend="italic">Spectator,</hi> XXVI (Oct. 8, 1853), 973.
</ab><lb/>
<anchor xml:id="bib435"/>
<ab type="implicit"><hi rend="bold">1907.</hi> Selections. In Edw. Verrall Lucas, ed. <hi rend="italic">The gentlest art: a
choice of letters by entertaining hands.</hi> London: Methuen; New York:
Macmillan, 1907, pp. 144-46, 340-41, 351-52.
</ab><ab rend="right">(<hi rend="italic">435-N1243a</hi>   </ab>
<ab rend="small">
T. &amp; W. nos. 422, 22 (extract), 26.
</ab><lb/>
<anchor xml:id="bib436"/><anchor xml:id="bib437"/>
<ab type="implicit"><hi rend="bold">1915.</hi> Paget Toynbee, ed. <hi rend="italic">The correspondence of Gray, Walpole, West
and Ashton. . .</hi> Oxford, 1915, 2v.
</ab><ab rend="right">(<hi rend="italic">436-7-<ref target="/texts/diglib/secondary/NoC_1917/1/171#bib1248">N1248</ref></hi>   </ab>
<ab rend="small">
Rev. Solomon Eagle [J. C. Squire], <hi rend="italic">New Statesman,</hi> VI (Jan. 8, 1916),
329 [Reprinted as 'Gray and Horace Walpole' in his <hi rend="italic">Books in general,</hi>
New York: Knopf, 1919, pp. 155-60]; <hi rend="italic">TLS,</hi> Jan. 20, 1916, p. 30 [See also
<ref target="#bib113">#113</ref> and P. Toynbee, <hi rend="italic">TLS,</hi> Jan. 27, 1916,
p. 45]; G. C. M. Smith, <hi rend="italic">MLR,</hi> XII (Apr., 1917), 226-29; W. H. Hulme,
<hi rend="italic">MLN,</hi> XXX (1918), 38-45. For additional revs. see <ref target="/texts/diglib/secondary/NoC_1917/1/171#bib1248">N1248</ref>
(Addenda, p. [255]).
</ab><lb/>
<anchor xml:id="bib438"/>
<ab type="implicit"><hi rend="bold">1917.</hi> Selections. In Margaret Coult, ed. <hi rend="italic">Letters from many pens: a
collection of letters.</hi> New York: Macmillan's pocket American and English
classics, 1917, pp. 161-69.
</ab><ab rend="right">(<hi rend="italic">438</hi>   </ab>
<ab rend="small">
T. &amp; W. nos. 60, 77, 422.
</ab><lb/>
<anchor xml:id="bib439"/>
<ab type="implicit"><hi rend="bold">1922.</hi> Selections. In Edmund D[avid]. Jones, ed. <hi rend="italic">English critical
essays (sixteenth, seventeenth, and eighteenth centuries)</hi>. London: Oxford
Univ. Press, 1922 (World's Classics, No. CCXL), pp. 309-14.
</ab><ab rend="right">(<hi rend="italic">439</hi>   </ab>
<ab rend="small">
T. &amp; W. nos. 103 (extract), 144 (extract). Also Johnson's Life of Gray,
pp. 436-50.<lb/>
Rev. E. Morley, <hi rend="italic">YWES,</hi> 1922, pp. 138-39.
</ab><lb/>
<anchor xml:id="bib440"/>
<ab type="implicit"><hi rend="bold">1925.</hi> <hi rend="italic">Letters of Thomas Gray.</hi> Selected with an introduction by
John Beresford. London: Oxford Univ. Press, 1925. (World's Classics,
No. CCLXXXIII)
</ab><ab rend="right">(<hi rend="italic">440</hi>   </ab>
<ab rend="small">
Intro., pp. v-x. Contains 'about one-half of all Gray's letters.' Text based
on Tovey's edition and on Toynbee, <ref target="#bib436">#436-7</ref>.<lb/>
Rev. E. Morley, <hi rend="italic">YWES,</hi> VI (1925), 222-23; <hi rend="italic">Contemporary Rev.,</hi>
CXXVIII (1925), 669-70; E. B., <hi rend="italic">MLR,</hi> XXI (1926), 110; H. Schöffler,
<hi rend="italic">Beibl.,</hi> XXXVIII (Mar., 1927), 68-71.
</ab><lb/>
<anchor xml:id="bib441"/><anchor xml:id="bib442"/>
<ab type="implicit"><hi rend="bold">1932.</hi> Selections. In Louis I. Bredvold, Robt K. Root, Geo. Sherburn,
eds. <hi rend="italic">Eighteenth century prose by the most eminent English authors.</hi> New
York: Nelson, 1932, pp. 657-72.
</ab><ab rend="right">(<hi rend="italic">441-2</hi>   </ab>
<ab rend="small">
T. &amp; W. nos. 33, 26, 59, 71, 74, 86, 88, 103, 157, 247, 276, 303, 313, 422.
</ab>
<pb n="59" xml:id="p1-59"/>
<anchor xml:id="bib443"/>
<ab type="implicit"><hi rend="bold">1939.</hi> Desmond Flower, ed. <hi rend="italic">The pursuit of poetry: a book of letters
about poetry written by English poets 1550-1930.</hi> London: Cassell, 1939,
pp. 53-55, 59-61.
</ab><ab rend="right">(<hi rend="italic">443</hi>   </ab>
<ab rend="small">
T. &amp; W. nos. 103, 544. Text based on Tovey (p. 295). Biog. notes, pp. 52,
55, 58-59, 61-62. Repeats 'tub of water' story, p. 52.
</ab><lb/>
<anchor xml:id="bib444"/>
<ab type="implicit"><hi rend="bold">1941.</hi> Selections. In Virgil Heltzel, ed. <hi rend="italic">Types of English prose:
non-fiction.</hi> New York: Macmillan, 1941, pp. 157-59.
</ab><ab rend="right">(<hi rend="italic">444</hi>   </ab>
<ab rend="small">
T. &amp; W. nos. 26, 259.
</ab><lb/>
<anchor xml:id="bib445"/>
<ab type="implicit"><hi rend="bold">1948.</hi> W. S. Lewis, Geo. L. Lam, Chas H. Bennett, eds. <hi rend="italic">Horace
Walpole's correspondence.</hi> Vol. XIII: <hi rend="italic">Correspondence with Thomas Gray,
Richard West, and Thomas Ashton.</hi> Vol. XIV: <hi rend="italic">Correspondence with Thomas
Gray.</hi> New Haven: Yale Univ. Press; London: Cumberlege, 1948.
</ab><ab rend="right">(<hi rend="italic">445</hi>   </ab>
<ab rend="small">
The Gray letters are in T. &amp; W., <ref target="#bib431">#431</ref>, but
here the spelling, capitalization, and punctuation are modernized. Useful
additional notes (See XIII, xxxviii-xxxix). Prints for the first time
quotations from Gray's 'Naturalist's Journal' (See XIII, xxxviii, xlv; XIV,
161, 167, 181, 187) owned by Carl Pforzheimer.<lb/>
Rev. L. Bacon, <hi rend="italic">YR,</hi> XXXVIII (1949), 552-54; D. M. Clark, <hi rend="italic">AHR,</hi> LIV
(1949), 663-64; P. B. Daghlian, <hi rend="italic">JEGP,</hi> XLVIII (1949), 420-22;
R. Halsband, N. Y. <hi rend="italic">Times Bk. Rev.,</hi> Jan. 2, 1949, p. 11; W. P. Jones,
<hi rend="italic">PQ,</hi> XXVIII (1949), 409-10; R. K. Root, <hi rend="italic">MLN,</hi>, LXIV (1949),
349-50; A. B. Shepperson, <hi rend="italic">VQR,</hi> XXV (1949), 290-93; <hi rend="italic">TLS,</hi> July 22,
1949, p. 472; H. Williams, <hi rend="italic">MLR,</hi> XLV (Apr., 1950), 247-49.
</ab>
<p rend="center">SINGLE LETTERS</p>
<anchor xml:id="bib446"/>
<ab type="implicit"><hi rend="bold">1783.</hi> To Thomas Warton, Apr. 15, 1770 [T. &amp; W. no. 518]. In <hi rend="italic">The
Gentleman's Magazine,</hi> LIII (1783), 100-101.
</ab><ab rend="right">(<hi rend="italic">446-N1250c</hi>   </ab>
<ab rend="small">
The outline for a history of English poetry.
</ab><lb/>
<anchor xml:id="bib447"/>
<ab type="implicit"><hi rend="bold">1804.</hi> Letter to Wm Cole, Cambridge, July 7, 1764. In "Coliana
. . . Pot pourri; or, perfumed jar or pot," <hi rend="italic">Monthly Magazine,</hi> XVII
(July 1, 1804), 550.
</ab><ab rend="right">(<hi rend="italic">447-N1252a</hi>   </ab>
<ab rend="small">
Comment by Rosalba, <hi rend="italic">Monthly Mag.,</hi> XVIII (Sept. 1, 1804), 117; and by
Rosarubra, <hi rend="italic">ibid.,</hi> (Nov. 1), 312. The Gray letter (text from Cole's copy
- BM Add. MS. 5825, ff. 283<hi rend="sup">b</hi>, 284<hi rend="sup">b</hi>), and the letters of
Rosalba and Rosarubra are reprinted by H. W. Starr, 'Pot-pourri: a missing
Gray letter,' <hi rend="italic">TLS,</hi> Mar. 30, 1951, p. 204.
</ab><lb/>
<anchor xml:id="bib448"/><ab type="implicit">
Letter to Edw. Bedingfield, Stoke, Aug. 10, 1757. In "John Home,
Esq.," <hi rend="italic">The European Magazine,</hi> XLV (June, 1804), 404.
</ab><ab rend="right">(<hi rend="italic">448-N1252b</hi>   </ab>
<ab rend="small">
T. &amp; W. no. 244 (extract).
</ab><lb/>
<anchor xml:id="bib449"/>
<ab type="implicit"><hi rend="bold">1922.</hi> Letter to Hor. Walpole, May 28, 1752, Cambridge. Printed by Paget
Toynbee. In London <hi rend="italic">Daily Times,</hi> May 15, 1922, p. 16.
</ab><ab rend="right">(<hi rend="italic">449</hi>   </ab>
<ab rend="small">
T. &amp; W. no. 167.
</ab><lb/>
<anchor xml:id="bib450"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Letter to Mrs. Gray, June 21, 1739, Rheims. In Rose Macaulay,
ed. <hi rend="italic">The minor pleasures of life.</hi> London: Gollancz, 1934; New York:
Harper, [1935].
</ab><ab rend="right">(<hi rend="italic">450</hi>   </ab>
<ab rend="small">
T. &amp; W. no. 64 (extract).
</ab><lb/>
<anchor xml:id="bib450a"/>
<ab type="implicit"><hi rend="bold">1937.</hi> Letter to Rich. West, [May 22, 1737]. Printed by
<pb n="60" xml:id="p1-60"/>
Leonard Whibley, "A new letter by Gray." In <hi rend="italic">TLS,</hi> Oct. 23,
1937, p. 776.
</ab><ab rend="right">(<hi rend="italic">450a</hi>   </ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib451"/>
<ab type="implicit"><hi rend="bold">1803.</hi> "An author's evenings. . ." In <hi rend="italic">The Port Folio,</hi>
III (May 14, 1803), 157.
</ab><ab rend="right">(<hi rend="italic">451-N1267a</hi>   </ab>
<ab rend="small">
Gray's comments on Sterne, T. &amp; W., no. 313.
</ab><lb/>
<anchor xml:id="bib452"/><ab type="implicit">
"An author's evenings. . ." In <hi rend="italic">The Port Folio,</hi> III (May 21,
1803), 162.
</ab><ab rend="right">(<hi rend="italic">452-N1267b</hi>   </ab>
<ab rend="small">
Gray's comments on Highland poetry, T. &amp; W. no. 315.
</ab><lb/>
<anchor xml:id="bib453"/>
<ab type="implicit"><hi rend="bold">1805.</hi> "Observations on modern tours . . . in Wales . . ." In
<hi rend="italic">The Monthly Magazine,</hi> XIX (Mar. 1, 1805), 135.
</ab><ab rend="right">(<hi rend="italic">453-N1267c</hi>   </ab>
<ab rend="small">
Gray's remarks on Welsh scenery.
</ab><lb/>
<anchor xml:id="bib454"/>
<ab type="implicit"><hi rend="bold">1914.</hi> Paget Toynbee. "Gray and Walpole. An unfounded
inference." In The London <hi rend="italic">Daily Times,</hi> Mar. 23, 1914, p. 9.
</ab><ab rend="right">(<hi rend="italic">454-N1286a</hi>   </ab>
<ab rend="small">
Corrects Tovey's belief that there was a second quarrel between Gray and
Walpole.
</ab><lb/>
<anchor xml:id="bib454a"/>
<ab type="implicit"><hi rend="bold">1919.</hi> Paget Toynbee. See <ref target="#bib113">#114</ref>.
</ab><ab rend="right">(<hi rend="italic">454a</hi>   </ab>
<anchor xml:id="bib455"/>
<ab type="implicit"><hi rend="bold">1920.</hi> Hen. A. Beers. "The art of letter writing." In his
<hi rend="italic">The Connecticut Wits and other essays.</hi> New Haven: Yale Univ. Press;
London: Oxford, 1920, pp. 75, 80, 84, 86, 87.
</ab><ab rend="right">(<hi rend="italic">455</hi>   </ab>
<anchor xml:id="bib456"/><ab type="implicit">
John Sargeaunt. "The text of Walpole's and Gray's letters." In
<hi rend="italic">TLS,</hi> May 13, 1920, p. 302.
</ab><ab rend="right">(<hi rend="italic">456</hi>   </ab>
<ab rend="small">
Textual corrections of errors in Tovey's ed.
</ab><lb/>
<anchor xml:id="bib457"/>
<ab type="implicit"><hi rend="bold">1925.</hi> E. C. Cox. "Some writers of the eighteenth century." In
<hi rend="italic">Nineteenth Century,</hi> XCVII (May, 1925), 764.
</ab><ab rend="right">(<hi rend="italic">457</hi>   </ab>
<anchor xml:id="bib458"/><ab type="implicit">
Paget Toynbee. "A Gray-Mason enigma solved." In <hi rend="italic">TLS,</hi>
Sept. 17, 1925, p. 600.
</ab><ab rend="right">(<hi rend="italic">458</hi>   </ab>
<ab rend="small">
Mitford's inadequacies as an editor of Gray.
</ab><lb/>
<anchor xml:id="bib459"/><ab type="implicit">
Leonard Whibley. "A correction in Gray's letters." In <hi rend="italic">TLS,</hi>
Oct. 1, 1925, p. 639.
</ab><ab rend="right">(<hi rend="italic">459</hi>   </ab>
<ab rend="small">
T. &amp; W. no. 179.<lb/>
Reply and announcement of his forthcoming ed. of the letters by Paget Toynbee,
Oct. 8, p. 656.
</ab><lb/>
<anchor xml:id="bib460"/>
<ab type="implicit"><hi rend="bold">1926.</hi> Tho. L[ucian]. Cline. In his <hi rend="italic">Critical opinion in the
eighteenth century; English personal letter.</hi> [Ann Arbor, Mich.:
Mimeographed and printed by Edwards Brothers, 1926]. Univ. of Va. diss.
</ab><ab rend="right">(<hi rend="italic">460</hi>   </ab>
<ab rend="small">
Inaccurate in spots.
</ab><lb/>
<anchor xml:id="bib461"/><ab type="implicit">
"Notes on rare books." In the N. Y. <hi rend="italic">Times Bk. Rev.,</hi> June 6,
1926, sec. III, p. 27.
</ab><ab rend="right">(<hi rend="italic">461</hi>   </ab>
<ab rend="small">
Discusses the letters and Toynbee's plan to print them.
</ab><lb/>
<anchor xml:id="bib462"/><ab type="implicit">
Paget Toynbee. "Gray and the Regius Professorship: a
<pb n="61" xml:id="p1-61"/>
misplaced letter." In <hi rend="italic">TLS,</hi> Oct. 14, 1926, p. 698.
</ab><ab rend="right">(<hi rend="italic">462</hi>   </ab>
<ab rend="small">
Suggests that the date of T. &amp; W. no. 147* is 1748.
</ab><lb/>
<anchor xml:id="bib463"/><ab type="implicit">
Paget Toynbee. "Letters of Norton Nicholls to Gray." In
<hi rend="italic">N&amp;Q,</hi> May 8, 1926, p. 330. ———. "Norton
Nicholls' letter to Gray." In <hi rend="italic">TLS,</hi> May 20, 1926, p. 339.
</ab><ab rend="right">(<hi rend="italic">463</hi>   </ab>
<ab rend="small">
Wishes to know the location of Nicholls' letters.
</ab><lb/>
<anchor xml:id="bib463a"/>
<ab type="implicit"><hi rend="bold">1927.</hi> Paget Toynbee. "'Sionites' in Gray's letters." In
<hi rend="italic">TLS,</hi> July 7, 1927, p. 472.
</ab><ab rend="right">(<hi rend="italic">463a</hi>   </ab>
<ab rend="small">
Suggests Lord Holdernesse as Sionites. See T. &amp; W. no. 162.
</ab><lb/>
<anchor xml:id="bib464"/>
<ab type="implicit"><hi rend="bold">1928.</hi> Joseph Bunn Heidler. <hi rend="italic">The history, from 1700 to 1800, of
English criticism of prose fiction.</hi> Urbana: Univ. of Ill. Press,
1928. (Univ. of Ill. Studies in Lang. and Lit., Vol. XIII, No. 2) Diss.
</ab><ab rend="right">(<hi rend="italic">464</hi>   </ab>
<anchor xml:id="bib465"/><anchor xml:id="bib466"/><ab type="implicit">
Paget Toynbee. "'Jack' and 'Johnny' in Gray's letters." In
<hi rend="italic">TLS,</hi> Sept. 13, 1928, p. 648.
</ab><ab rend="right">(<hi rend="italic">465-6</hi>   </ab>
<ab rend="small">
Believes 'Jack' (T. &amp; W. no. 294) refers to Stonhewer.
</ab><lb/>
<anchor xml:id="bib467"/>
<ab type="implicit"><hi rend="bold">1929.</hi> Paget Toynbee. "Missing letters of Gray [to John
Clerke]." In <hi rend="italic">TLS,</hi> Feb. 7, 1929, p. 98.
</ab><ab rend="right">(<hi rend="italic">467</hi>   </ab>
<anchor xml:id="bib468"/><ab type="implicit">
Paget Toynbee. "Some Gray queries." In <hi rend="italic">TLS,</hi> Oct. 3, 1929,
p. 766.
</ab><ab rend="right">(<hi rend="italic">468</hi>   </ab>
<ab rend="small">
Replies by Edw. Bensly, Oct. 10, p. 794; Oct. 17, p. 822.
</ab><lb/>
<anchor xml:id="bib469"/>
<ab type="implicit"><hi rend="bold">1930.</hi> Paget Toynbee. "Gray and 'Lady Bath' in 1769." In
<hi rend="italic">TLS,</hi> July 17, 1930, p. 592.
</ab><ab rend="right">(<hi rend="italic">469</hi>   </ab>
<ab rend="small">
Identifies 'Lady Bath' (T. &amp; W. no. 494) as Frances Pulteney.
</ab><lb/>
<anchor xml:id="bib470"/>
<ab type="implicit"><hi rend="bold">1931.</hi> Paget Toynbee. "A Gray query." In <hi rend="italic">TLS,</hi> Oct. 15,
1931, p. 802.
</ab><ab rend="right">(<hi rend="italic">470</hi>   </ab>
<ab rend="small">
An allusion in T. &amp; W. no. 420.
</ab><lb/>
<anchor xml:id="bib471"/><ab type="implicit">
Paget Toynbee. "'Mrs. E' in Gray's letters" In <hi rend="italic">TLS,</hi> Feb. 12,
1931, p. 116.
</ab><ab rend="right">(<hi rend="italic">471</hi>   </ab>
<ab rend="small">
Identifies 'Mrs. E.' as Mrs. Erskine (T. &amp; W. no. 533). Additional
information E. G. Box, Feb. 19, p. 135; P. Toynbee, Feb. 26, p. 154.
</ab><lb/>
<anchor xml:id="bib472"/><ab type="implicit">
A[lfred]. C[has]. Ward. In his <hi rend="italic">Foundations of English prose.</hi> London:
Bell, 1931, pp. 176-77.
</ab><ab rend="right">(<hi rend="italic">472</hi>   </ab>
<anchor xml:id="bib473"/>
<ab type="implicit"><hi rend="bold">1932.</hi> Melville B. Anderson. "Paget Toynbee: some personal
reminiscences." In <hi rend="italic">RR,</hi> XXIII (1932), 373-74.
</ab><ab rend="right">(<hi rend="italic">473</hi>   </ab>
<anchor xml:id="bib474"/><ab type="implicit">
Lyn Ll. Irvine. <hi rend="italic">Ten letter-writers.</hi> London: L. and V. Woolf, Hogarth
Press, 1932. See index and p. 53.
</ab><ab rend="right">(<hi rend="italic">474</hi>   </ab>
<anchor xml:id="bib475"/>
<ab type="implicit"><hi rend="bold">1933.</hi> Edw. B. Hall. <hi rend="italic">"The Temple of Tragedy."</hi> In
<hi rend="italic">TLS,</hi> May 18, 1933, p. 348.
</ab><ab rend="right">(<hi rend="italic">475</hi>   </ab>
<ab rend="small">
Believes <hi rend="italic">Temple of tragedy</hi> (See T. &amp; W. no. 399) was written by
John Langhorne.
</ab><lb/>
<anchor xml:id="bib476"/>
<ab type="implicit"><hi rend="bold">1936.</hi> Richmond P. Bond. "Eighteenth century correspondence: a
survey." In <hi rend="italic">SP,</hi> XXXIII (Oct., 1936), 573, 574, 575, 577.
</ab><ab rend="right">(<hi rend="italic">476</hi>   </ab>
<pb n="62" xml:id="p1-62"/>
<anchor xml:id="bib477"/><ab type="implicit">
Wm John Tucker. "Great English letter writers." In <hi rend="italic">The Catholic
World,</hi> CXLIII (1936), 699-700.
</ab><ab rend="right">(<hi rend="italic">477</hi>   </ab>
<anchor xml:id="bib478"/>
<ab type="implicit"><hi rend="bold">1937.</hi> *Edgar Johnson. In his <hi rend="italic">One mighty torrent; the drama of
biography.</hi> New York: Stackpole, 1937.
</ab><ab rend="right">(<hi rend="italic">478</hi>   </ab>
<ab rend="small">
Discusses esp. the parodies and burlesques in the letters.
</ab><lb/>
<anchor xml:id="bib479"/>
<ab type="implicit"><hi rend="bold">1943.</hi> In Martin Armstrong, ed. <hi rend="italic">The major pleasures of life.</hi>
London: Gollancz, [1943].
</ab><ab rend="right">(<hi rend="italic">479</hi>   </ab>
<anchor xml:id="bib480"/>
<ab type="implicit"><hi rend="bold">1945.</hi> Jas Sutherland. "Some aspects of eighteenth-century
prose." In <hi rend="italic">Essays. . .</hi> <ref target="#bib394">#394</ref>,
pp. 101-03.
</ab><ab rend="right">(<hi rend="italic">480</hi>   </ab>
<ab rend="small">
Comment on T. &amp; W. no. 5.
</ab><lb/>
<p rend="center"><hi rend="bold">LINES SPOKEN BY THE GHOST OF JOHN DENNIS<lb/>AT THE DEVIL
TAVERN</hi></p>
<anchor xml:id="bib480a"/>
<ab type="implicit"><hi rend="bold">1915.</hi> First printed by Toynbee in <hi rend="italic">The correspondence of Gray,
Walpole, West and Ashton. . .</hi> <ref target="#bib436">#436</ref>, I,
12-15.
</ab><ab rend="right">(<hi rend="italic">480a</hi>   </ab>
<ab rend="small">
Reprinted by Toynbee and Whibley, <ref target="#bib431">#431</ref>, letter
no. 4.
</ab>
<p rend="center">TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib480b"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Taverne du diable," [ll. 1-41]. In his
<hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, pp. 299-300.
</ab><ab rend="right">(<hi rend="italic">480b</hi>   </ab>
<ab rend="small">
Begins, Des ruisseaux murmurants et des Champs Elysées.
</ab><lb/>
<p rend="center"><hi rend="bold">A LONG STORY</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib480c"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Longue histoire," [ll. 13-16, 23-24,
45-48, 61-68, 83-88, 122-28, 141-44]. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, pp. 379, 380, 381.
</ab><ab rend="right">(<hi rend="italic">480c</hi>   </ab>
<ab rend="small">
L. 13 reads, Sa barbe en broussaille et ses lacets verts.
</ab><lb/>
<p rend="center"><hi rend="bold">LUNA HABITABILIS</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">English</hi></p>
<anchor xml:id="bib481"/>
<ab type="implicit"><hi rend="bold">1917.</hi> Lines 92-95, with Latin text. In G. G. L. "The pleasures of
quotation," <hi rend="italic">TLS,</hi> Jan. 5, 1917, p. 10.
</ab><ab rend="right">(<hi rend="italic">481</hi>   </ab>
<ab rend="small">
Begins, England, that long has ridden the sea.   5 ll.<lb/>
See <ref target="#bib485">#485</ref>.
</ab><lb/>
<anchor xml:id="bib482"/>
<ab type="implicit"><hi rend="bold">1940.</hi> "Old and true, CCCLVIII." In The London <hi rend="italic">Daily
Times,</hi> Nov. 18, 1940, p. 7.
</ab><ab rend="right">(<hi rend="italic">482</hi>   </ab>
<ab rend="small">
Transl. of selections from the Lat. ll. 80-95. Not the same transl. as <ref target="#bib481">#481</ref>. Begins, The time will come, when thou shalt
lift thine eyes.   8 ll.<lb/>
Reprinted as 'Prophecy,' in <hi rend="italic">Baltimore and Ohio Magazine,</hi> May, 1941, p.
</ab>
<pb n="63" xml:id="p1-63"/>
<ab rend="small">
[41]; in the N. Y. <hi rend="italic">Times,</hi> June 22, 1941, sec. VII, p. 2; as 'A prophecy
of British air power,' in <hi rend="italic">Current History,</hi> n. s. II (Aug., 1942),
436.<lb/>
See <ref target="#bib485">#485</ref>.
</ab><lb/>
<anchor xml:id="bib483"/>
<ab type="implicit"><hi rend="bold">1941.</hi> Lines 80-95. In Dave H. Morris, "Prophecy,"
<hi rend="italic">Newsweek,</hi> XVII, no. 16 (Apr. 21, 1941), 8.
</ab><ab rend="right">(<hi rend="italic">483</hi>   </ab>
<ab rend="small">
Transl. given to Morris by Wm Adams Delano.<lb/>
Begins, A time will be when thou shalt spy.   17 ll.
</ab>
<p rend="center"><hi rend="italic">French</hi></p>
<anchor xml:id="bib483a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. Ll. 16-17, 42-50. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, p. 305.
</ab><ab rend="right">(<hi rend="italic">483a</hi>   </ab>
<ab rend="small">
L. 16 reads, d'où coule la douceur qui blanchit la campagne.
</ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib484"/>
<ab type="implicit"><hi rend="bold">1936.</hi> Marjorie Nicolson. In her <hi rend="italic">A world in the moon: a study of the
changing attitude toward the moon in the seventeenth and eighteenth
centuries.</hi> Northampton, Mass.: Smith College Studies in Mod. Languages,
Vol. XVII, no. 2, 1936, pp. 51-52.
</ab><ab rend="right">(<hi rend="italic">484</hi>   </ab>
<ab rend="small">
Discussion and summary of the poem.
</ab><lb/>
<anchor xml:id="bib485"/>
<ab type="implicit"><hi rend="bold">1943.</hi> C. W. Brodribb. "Gray's so-called prophecy of aerial
warfare." In <hi rend="italic">N&amp;Q,</hi> Feb. 13, 1943, pp. 104-05.
</ab><ab rend="right">(<hi rend="italic">485</hi>   </ab>
<ab rend="small">
Believes 'longos coetus' means 'long companies or trains' of men flying to the
moon. Comments on <ref target="#bib481">#481</ref> and <ref target="#bib482">#482</ref>.
</ab><lb/>
<anchor xml:id="bib486"/>
<ab type="implicit"><hi rend="bold">1948.</hi> Marjorie Hope Nicolson. In her <hi rend="italic">Voyages to the Moon.</hi> New
York: Macmillan, 1948.
</ab><ab rend="right">(<hi rend="italic">486</hi>   </ab>
<ab rend="small">
Regards Luna H. as 'the deftest and most romantic Latin verse written on the
subject.' Gives a summary.
</ab><lb/>
<p rend="center"><hi rend="bold">MARGINALIA</hi><lb/>EDITIONS</p>
<anchor xml:id="bib486a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Notes on his health ("Notes de Gray sur sa santé,
extraites de son carnet de poche pour l'année 1755"). In Martin,
<hi rend="italic">Chronologie. . .</hi> <ref target="#bib897">#897</ref>, pp. 151-55.
</ab><ab rend="right">(<hi rend="italic">486a</hi>   </ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib487"/>
<ab type="implicit"><hi rend="bold">1917.</hi> Clark S. Northup. "Gray's books and MSS." In
<hi rend="italic">N&amp;Q,</hi> May, 1917, pp. 291-93; June, 1917, pp. 326-28.
</ab><ab rend="right">(<hi rend="italic">487</hi>   </ab>
<ab rend="small">
Description and location of Gray's books and marginalia. Further information
from Herbert Maxwell, <hi rend="italic">ibid.,</hi> July, p. 363.
</ab><lb/>
<p rend="center"><hi rend="bold">NOTES ON <hi rend="italic">AMADIS DE GAUL</hi></hi><lb/>EDITIONS</p>
<anchor xml:id="bib488"/>
<ab type="implicit"><hi rend="bold">1932.</hi> Printed with comments by Paget Toynbee, "Gray on
<pb n="64" xml:id="p1-64"/>
the origin and date of 'Amadis de Gaul'." In <hi rend="italic">MLR,</hi> XXVII (Jan.,
1932), 60-61.
</ab><ab rend="right">(<hi rend="italic">488</hi>   </ab><lb/>
<p rend="center"><hi rend="bold">NOTES ON SOPHOCLES' <hi rend="italic">AJAX</hi> AND
<hi rend="italic">ELECTRA</hi></hi><lb/>EDITIONS</p>
<anchor xml:id="bib489"/>
<ab type="implicit"><hi rend="bold">1936.</hi> Printed by La Rue Van Hook, "New light on the classical
scholarship of Gray." In <hi rend="italic">AJP,</hi> LVII (Jan., 1936), 1-9.
</ab><ab rend="right">(<hi rend="italic">489</hi>   </ab>
<ab rend="small">
See also Jones, <ref target="#bib1003">#1003</ref>, pp. 65-66.
</ab><lb/>
<p rend="center"><hi rend="bold">NOTES ON CHURCHILL</hi><lb/>EDITIONS</p>
<anchor xml:id="bib490"/>
<ab type="implicit"><hi rend="bold">1918.</hi> Printed by Edmund Gosse, "Gray's notes on Churchill."
In <hi rend="italic">Transactions of the Royal Society of Literature of the United
Kingdom,</hi> 2d ser., XXXVI (1918), [161]-179.
</ab><ab rend="right">(<hi rend="italic">490</hi>   </ab>
<ab rend="small">
Gosse's comments, pp. [161]-164; Gray's notes, pp. 164-79.
</ab><lb/>
<p rend="center"><hi rend="bold">NOTEBOOKS</hi><lb/>EDITIONS</p>
<anchor xml:id="bib490a"/>
<ab type="implicit"><hi rend="bold">1937.</hi> W. P. Jones in his <hi rend="italic">Thomas Gray, scholar. . .</hi> <ref target="#bib1003">#1003</ref>, prints two of notebooks in the Pierpont
Morgan Library.
</ab><ab rend="right">(<hi rend="italic">490a</hi>   </ab>
<ab rend="small">
'Gray's early catalogue of his library,' pp. [151]-63. (See also <ref target="#bib1023">#1023</ref>.)<lb/>
'Notes on learned journals,' pp. [164]-74.
</ab><lb/>
<p rend="center"><hi rend="bold">ODE ATTRIBUTED TO GRAY</hi><lb/>CRITICISM</p>
<anchor xml:id="bib491"/>
<ab type="implicit"><hi rend="bold">1914.</hi> Paget Toynbee. "Gray and Walpole: the pseudonym
'Celadon'." In The London <hi rend="italic">Daily Times,</hi> Mar. 9, 1914, p. 9.
</ab><ab rend="right">(<hi rend="italic">491-N1325a</hi>   </ab>
<ab rend="small">
Corrects Gosse: the ode is by Walpole.
</ab><lb/>
<p rend="center"><hi rend="bold">ODE ON A DISTANT PROSPECT OF ETON
COLLEGE</hi><lb/>EDITIONS</p>
<anchor xml:id="bib492"/>
<ab type="implicit"><hi rend="bold">1924.</hi> <hi rend="italic">Ode on a distant prospect of Eton College, 1747.</hi> The
Clarendon Press. Type-facsimile reprints of poetical pieces of the Restoration
period and the Eighteenth Century. Oxford: Clarendon, 1924.
</ab><ab rend="right">LfC   (<hi rend="italic">492</hi>   </ab>
<ab rend="small">
Paper covers. Folio fac. of T. J. Wise's first ed.<lb/>
Noted <hi rend="italic">TLS,</hi> Jan. 29, 1925, p. 76; Mar. 5, p. 152. Rev. J. St. Loe
Strachey, N. Y. <hi rend="italic">Times Bk. Rev.,</hi> Mar. 1, 1925, sec. III, p. 10
(portr.).
</ab><lb/>
<anchor xml:id="bib492a"/>
<ab type="implicit"><hi rend="bold">1950.</hi> Geoffrey Fredk Lamb, ed. <hi rend="italic">The English at school.</hi> London:
Allen &amp; Unwin, 1950, pp. 66-67.
</ab><ab rend="right">(<hi rend="italic">492a</hi>   </ab>
<p rend="center">TRANSLATIONS</p>
<pb n="65" xml:id="p1-65"/>
<ab rend="center"><hi rend="italic">French</hi><lb/><lb/></ab>
<anchor xml:id="bib493"/>
<ab type="implicit"><hi rend="bold">1925.</hi> Pierre Berger. "Ode sur une vue éloignée du
Collège d'Eton." In his <hi rend="italic">Les poètes
préromantiques. . .</hi> <ref target="#bib75">#75</ref>, pp. 44-47.
</ab><ab rend="right">(<hi rend="italic">493</hi>   </ab>
<ab rend="small">
Beqins, Vous, clochers lointains, vous, tours antiques.   10 stanzas of
10 ll.
</ab><lb/>
<anchor xml:id="bib493a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Ode sur Eton." In his <hi rend="italic">Essai. . .</hi>
<ref target="#bib948">#948</ref>, pp. 393-95.
</ab><ab rend="right">(<hi rend="italic">493a</hi>   </ab>
<ab rend="small">
Beqins, O vous, lointains clochers et tours antiques.   10 stanzas of 10
ll.
</ab><lb/>
<anchor xml:id="bib494"/>
<ab type="implicit"><hi rend="bold">1937.</hi> Chas Augustin Sainte-Beuve. "Le collège
d'Eton. . ." Reprinted in Thomas G. S. Combe. <hi rend="italic">Sainte-Beuve
poète et les poètes anglais.</hi> Bordeaux: Delmas, 1937,
pp. 189-91.
</ab><ab rend="right">(<hi rend="italic">494-N1334a, p. [255]</hi>   </ab>
<ab rend="small">
See <ref target="#bib502">#502</ref>.
</ab>
<p rend="center">PARODIES AND IMITATIONS</p>
<anchor xml:id="bib495"/>
<ab type="implicit"><hi rend="bold">1782.</hi> John Scott (of Amwell). "To childhood." In <hi rend="italic">The
poetical works of John Scott, Esq.,</hi> the second edition. London: Printed
for J. Buckland, MDCCLXXXVI, pp. 176-77.
</ab><ab rend="right">(<hi rend="italic">495-N1344a</hi>   </ab>
<ab rend="small">
First ed., 1782.<lb/>
Begins, Childhood! happiest stage of life.   20 ll.
</ab><lb/>
<anchor xml:id="bib495a"/>
<ab type="implicit"><hi rend="bold">1822.</hi> R. [Philip Freneau] "Ode. On a remote perspective view of
Princeton College, or Nassau Hall, from a remarkable woody eminence in
Monmouth county called by the neighborhood, Pine Hill. —Sept. 25th
1822." In <hi rend="italic">The True American</hi> (Trenton), Oct. 26, 1822.
</ab><ab rend="right">NJSL   (<hi rend="italic">495a-N1344b</hi>   </ab>
<ab rend="small">
Begins, The expanse above no cloud deforms.   118 ll.<lb/>
Also, signed N. R., in <hi rend="italic">The Fredonian</hi> (New Brunswick), Oct. 31,
1822.   RUL<lb/>
Reprinted with comment by Rudolf Kirk, 'Freneau's View of Princeton,'
<hi rend="italic">JRUL,</hi> III (Dec., 1939), [20]-25. Comment by Leary, <ref target="#bib1073a">#1073a</ref>, pp. 406-07.
</ab><lb/>
<anchor xml:id="bib496"/>
<ab type="implicit"><hi rend="bold">1824.</hi> T[ho]. H[ood]. "Ode on a distant prospect of Clapham
Academy." In <hi rend="italic">The New Monthly Magazine,</hi> X (Apr., 1824), 355-57.
</ab><ab rend="right">UP   (<hi rend="italic">496-N1344c</hi>   </ab>
<ab rend="small">
Begins, Ah me! those old familiar bounds!   20 stanzas of 6 ll.<lb/>
Reprinted in R. M. Leonard, ed. <hi rend="italic">A book of light verse.</hi> London: Oxford,
1910, pp. 14-17.<lb/>
Also in Walter Jerrold, ed. <hi rend="italic">The complete poetical works of Thomas Hood.</hi>
London: Oxford, 1920, pp. 411-12.
</ab><lb/>
<anchor xml:id="bib497"/>
<ab type="implicit"><hi rend="bold">1931.</hi> Chas Stuart Calverley. "Ode — 'on a distant prospect'
of making a fortune," . . . 1872. Reprinted by E[dmund]. V[alpy]. Knox,
ed. <hi rend="italic">Humorous verse, an anthology.</hi> London: Chatto and Windus, 1931,
pp. 223-25.
</ab><ab rend="right">(<hi rend="italic">497-<ref target="/texts/diglib/secondary/NoC_1917/1/181#bib1348a">N1348a</ref></hi>   </ab>
<ab rend="small">
Begins, Now the 'rosy morn appearing.'   8 stanzas of 8 ll.
</ab><lb/>
<anchor xml:id="bib498"/>
<ab type="implicit"><hi rend="bold">1933.</hi> J. C. H. Hill. "Gray on the links. (The poet meditates yet
another ode on the futility of human aspirations.),"
<pb n="66" xml:id="p1-66"/>
In <hi rend="italic">Punch,</hi> CLXXXIX (Mar. 15, 1933), 289.
</ab><ab rend="right">(<hi rend="italic">498</hi>   </ab>
<ab rend="small">
Begins, Again Apollo's genial beams.   4 stanzas of 10 ll.
</ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib498a"/>
<ab type="implicit"><hi rend="bold">1796.</hi> Wm Parsons. <hi rend="italic">An ode to a boy at Eton, with three sonnets, and
one epigram.</hi> London: T. Cadell, J. and W. Davies, 1796. 4to.
</ab><ab rend="right">BM, LC   (<hi rend="italic">498a-N1351a</hi>   </ab>
<ab rend="small">
Reprinted as 'Ode to Bertie Greatheed, intended to counteract the effect of
the mistaken and querulous picture of human nature, drawn by Mr. Gray in his
Ode on a distant prospect of Eton College.' In 'Biographical anecdotes and
characters' in <hi rend="italic">The New Annual Register, or General Repository. . .</hi>,
1796, pp. 162-64; and in <ref target="#bib109a">#109a</ref>, II,
210-20.   UP<lb/>
Begins, Me tho' mistaken Kindness doom'd.   5 stanzas of 20 ll.
</ab><lb/>
<anchor xml:id="bib499"/>
<ab type="implicit"><hi rend="bold">1797.</hi> Sinboron. "On the happiness of youth." In <hi rend="italic">The
Monthly Magazine,</hi> III (June, 1797), 439.
</ab><ab rend="right">(<hi rend="italic">499-N1351a</hi>   </ab>
<anchor xml:id="bib500"/>
<ab type="implicit"><hi rend="bold">1889.</hi> Francis Thompson. "Literary coincidence." In <hi rend="italic">Merry
England,</hi> Apr., 1889, p. 424.
</ab><ab rend="right">(<hi rend="italic">500-N1353b</hi>   </ab>
<ab rend="small">
Prior as a possible source of Eton, ll. 99-100.<lb/>
Reprinted by Connolly, <ref target="#bib1157">#1157</ref>, p. 452.
</ab><lb/>
<anchor xml:id="bib501"/>
<ab type="implicit"><hi rend="bold">1922.</hi> C. W. B. "Walpole and Gray." In <hi rend="italic">TLS,</hi> Mar. 23,
1922, p. 196.
</ab><ab rend="right">(<hi rend="italic">501</hi>   </ab>
<anchor xml:id="bib502"/><ab type="implicit">
Georges Roth. "Sur les imitations en vers, par Sainte-Beuve, de
poèmes anglais." In <hi rend="italic">RG,</hi> XIII (1922), 406, 408-09.
</ab><ab rend="right">(<hi rend="italic">502</hi>   </ab>
<ab rend="small">
Comment on <ref target="#bib494">#494</ref>.
</ab><lb/>
<anchor xml:id="bib503"/>
<ab type="implicit"><hi rend="bold">1942.</hi> Meyer Howard Abrams. "Unconscious expectations in the
reading of poetry." In <hi rend="italic">ELH,</hi> IX (1942), 237.
</ab><ab rend="right">(<hi rend="italic">503</hi>   </ab>
<ab rend="small">
Defends Eton against Johnson's objections.
</ab><lb/>
<anchor xml:id="bib504"/>
<ab type="implicit"><hi rend="bold">1947.</hi> C[ecil]. Day-Lewis. In his <hi rend="italic">The poetic image.</hi> London: Cape;
New York: Oxford Univ. Press, 1947, pp. 55-56, 60. (The Clark Lectures,
Cambridge)
</ab><ab rend="right">(<hi rend="italic">504</hi>   </ab>
<anchor xml:id="bib504a"/>
<ab type="implicit"><hi rend="bold">1948.</hi> "The sale room." In The London <hi rend="italic">Daily Times,</hi>
Feb. 11, 1948, p. 6.
</ab><ab rend="right">(<hi rend="italic">504a</hi>   </ab>
<ab rend="small">
First ed. of Eton sold for £180.
</ab><lb/>
<anchor xml:id="bib504b"/>
<ab type="implicit"><hi rend="bold">1951.</hi> Karl F. Thompson. "Gray's <hi rend="italic">Ode on a distant prospect of
Eton College.</hi>" In <hi rend="italic">The Explicator,</hi> IX (Feb., 1951), 28.
</ab><ab rend="right">(<hi rend="italic">504b</hi>   </ab>
<ab rend="small">
Defends Gray's use of generalizations and abstractions in Eton.
</ab><lb/>
<p rend="center"><hi rend="bold">ODE ON THE DEATH OF A FAVOURITE CAT,<lb/>DROWNED IN A TUB
OF GOLD FISHES</hi><lb/>EDITIONS</p>
<anchor xml:id="bib505"/>
<ab type="implicit"><hi rend="bold">1748.</hi> <hi rend="italic">"On a favourite Cat call'd</hi> SELIMA, <hi rend="italic">that fell into
a China Cistern, with Gold Fishes in it, and was drown'd."</hi> In <hi rend="italic">The
Newcastle General Magazine,</hi> II (Jan., 1748), 24.
</ab><pb n="67" xml:id="p1-67"/>
<ab rend="right">(<hi rend="italic">505-<ref target="/texts/diglib/secondary/NoC_1917/1/182#bib1354a">N1354a</ref></hi>   </ab>
<ab rend="small">
The 2d ed. of the poem, apparently published late in Jan. or early in Feb.,
since on p. 48 there is an '<hi rend="italic">Abstract of the London</hi> WEEKLY BILL, <hi rend="italic">from
Dec. 22. to Jan. 26.</hi>' Published anonymously. For a detailed description
see Eaves, <ref target="#bib511">#511</ref>.<lb/>
'On a favourite cat that fell into a china cistern which had gold fishes in
it, and was drowned.' In <hi rend="italic">The Scots Magazine,</hi> X (June, 1748),
279-80. Published anonymously. Reprinted and described by Eaves, <ref target="#bib511a">511a</ref>.
</ab><lb/>
<anchor xml:id="bib505a"/>
<ab type="implicit"><hi rend="bold">1755.</hi> "On a female cat, named Selima, who fell into a Cistern with
Gold Fishes in it, and was drown'd." In Mary Masters. <hi rend="italic">Familiar letters
and poems on several occasions.</hi> London, 1755, pp. 248-50.
</ab><ab rend="right">BM   (<hi rend="italic">505a-<ref target="/texts/diglib/secondary/NoC_1917/1/182#bib1354b">N1354b</ref></hi>   </ab>
<ab rend="small">
8vo. Printed under the name of 'Mr. D. Grey.' Described by Maurice Hussey,
'Gray's Favourite Cat: additional publication,' <hi rend="italic">N&amp;Q,</hi> Nov. 10, 1951,
p. 498.
</ab>
<p rend="center">TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib505b"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Ode sur la mort d'une chatte favorite,
noyée dans une vasque de poissons d'or." In his <hi rend="italic">Essai . . .</hi>
<ref target="#bib948">#948</ref>, pp. 376-77.
</ab><ab rend="right">(<hi rend="italic">505b</hi>   </ab>
<ab rend="small">
Begins, Sur la rive escarpée d'un vase.   7 stanzas of 6 ll.
</ab>
<p rend="center"><hi rend="italic">Italian</hi></p>
<anchor xml:id="bib505c"/>
<ab type="implicit"><hi rend="bold">1839.</hi> Girolamo Orti. "Dall'inglese di Mr. Gray — In morte di
una gatta favorita." In <hi rend="italic">Volgarizzamento del ratto di Elena di
Coluto</hi> con altre varie traduzioni di Girolamo Orti. Verona: G. Antonelli,
1839.
</ab><ab rend="right">(<hi rend="italic">505c-N1365a</hi>   </ab>
<ab rend="small">
I have been unable to find this translation, but it is noted by Fucilla, <ref target="#bib950">#950</ref>, p. 279.
</ab>
<p rend="center">PARODIES AND IMITATIONS</p>
<anchor xml:id="bib506"/>
<ab type="implicit"><hi rend="bold">1748.</hi> A / sorrowful ditty; / or, the lady's / lamentation / for the
death / of her / favourite cat. / A / parody. / <hi rend="italic">Sequitur non passibus
aequis.</hi> Virg. / London: / Printed for J. Tomlinson, near
St. <hi rend="italic">Paul's.</hi> 1748.
</ab><ab rend="right">CaU   (<hi rend="italic">506-N1366a</hi>   </ab>
<ab rend="small">
Folio. Pp. 12. P. [1], t-p; p. [2], blank; pp. 3-12, text.<lb/>
Begins, Well! Thanks to my Stars! I'm at last all alone.   19 stanzas of
9 ll.<lb/>
Bears little resemblance to Gray's Cat.
</ab><lb/>
<anchor xml:id="bib506a"/>
<ab type="implicit"><hi rend="bold">1797.</hi> Philip Freneau. "On a bee drinking from a glass of
water." In <hi rend="italic">Time-Piece,</hi> Sept. 6, 1797.
</ab><ab rend="right">(<hi rend="italic">506a-N1370a</hi>   </ab>
<ab rend="small">
Begins, Thou, born to sip the lake or spring.   6 stanzas of 6 ll.<lb/>
Reprinted in <hi rend="italic">Carey's United States Recorder,</hi> Apr. 14, 1798, and as 'On
a honey bee, drinking from a glass of wine, and drowned therein. (By Hezekiah
Salem),' in Freneau's <hi rend="italic">Poems,</hi> Phila.: Lydia R. Bailey, 1809, II,
97-98.<lb/>
See also Leary, <ref target="#bib1073a">#1073a</ref>, pp. 276, 465.
</ab><lb/>
<anchor xml:id="bib507"/>
<ab type="implicit"><hi rend="bold">1805.</hi> Lodinus. "Lines written, at the request of a lady, on the
death of a favourite dog." In <hi rend="italic">The Port Folio,</hi> V (Aug. 31, 1805),
272.
</ab><ab rend="right">(<hi rend="italic">507-N1373a</hi>   </ab>
<pb n="68" xml:id="p1-68"/>
<ab rend="small">
Begins, Ariel! lo thy mistress here.   40 ll.
</ab><lb/>
<anchor xml:id="bib508"/>
<ab type="implicit"><hi rend="bold">1921.</hi> N. Hanssen. "On a favourite cat. Slain as a cure for
face-ache (With apologies to T. Gray.)." In <hi rend="italic">Punch,</hi> CLX (Apr. 27,
1921), 337.
</ab><ab rend="right">(<hi rend="italic">508</hi>   </ab>
<ab rend="small">
Begins, I read a chemist's counsel sage.   5 stanzas of 6 ll.
</ab><lb/>
<anchor xml:id="bib509"/>
<ab type="implicit"><hi rend="bold">1935.</hi> [Bernard Fergusson] "Ode on the death of a favourite
cockatoo." In <hi rend="italic">Punch,</hi> CLXXXVIII (May 15, 1935), 576.
</ab><ab rend="right">(<hi rend="italic">509</hi>   </ab>
<ab rend="small">
Begins, Gentlemen, let's / Sing a dirge to the sweetest of pets.   10
stanzas of 3 ll.
</ab><lb/>
<anchor xml:id="bib510"/>
<ab type="implicit"><hi rend="bold">1939.</hi> J[ohn]. C. S[quire]. "To a favourite barrage balloon."
In <hi rend="italic">Punch,</hi> CXCVII (Dec. 13, 1939), 643.
</ab><ab rend="right">(<hi rend="italic">510</hi>   </ab>
<ab rend="small">
Begins, Gold in the dawn I've seen you shine.   5 stanzas of 4 ll.
</ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib511"/>
<ab type="implicit"><hi rend="bold">1949.</hi> *T. C. Duncan Eaves. "The second edition of Thomas Gray's
<hi rend="italic">Ode on the death of a favourite cat.</hi>" In <hi rend="italic">PQ,</hi> XXVIII (Oct.,
1949), 512-15.
</ab><ab rend="right">(<hi rend="italic">511</hi>   </ab>
<ab rend="small">
A description of <ref target="#bib505">#505</ref>. Thinks it from copy made
at a later date than the the Walpole and Warton MSS. and apparently sent from
Edinburgh.
</ab><lb/>
<anchor xml:id="bib511a"/>
<ab type="implicit"><hi rend="bold">1951.</hi> T. C. Duncan Eaves. "Further pursuit of Selima." In
<hi rend="italic">PQ,</hi> XXX (Jan., 1951), 91-94.
</ab><ab rend="right">(<hi rend="italic">511a</hi>   </ab>
<ab rend="small">
A reprinting and description of the <hi rend="italic">Scots Mag.</hi> version of Cat, <ref target="#bib505">#505</ref>.
</ab><lb/>
<p rend="center"><hi rend="bold">ODE ON THE PLEASURE ARISING FROM
VICISSITUDE</hi><lb/>EDITIONS</p>
<anchor xml:id="bib512"/>
<ab type="implicit"><hi rend="bold">1803.</hi> Reprinted with Mason's additions in inverted commas in <hi rend="italic">The
Port Folio,</hi> III (Aug. 20, 1803), 268-69.
</ab><ab rend="right">(<hi rend="italic">512-N1376'</hi>   </ab>
<anchor xml:id="bib513"/>
<ab type="implicit"><hi rend="bold">1933.</hi> Ode / on the pleasure arising from vicissitude / left unfinished
by Mr. Gray, and since completed. / With an introduction by / Leonard Whibley
/ [Publisher's emblem] / San Francisco: / Printed for William Andrews Clark,
Jr. / by John Henry Nash / 1933   2v.
</ab><ab rend="right">LC   (<hi rend="italic">513</hi>   </ab>
<ab rend="small">
Vol. I:<lb/>
8 blank leaves; blank p.; caricature of Gray by Tho. Rowlandson; p. [i], t-p;
p. [ii], blank; p. [iii], Dedication to A. S. W. Rosenbach; p. [iv], blank;
pp. v-ix, 'Some observations' by Clark; p. x, blank; pp. xi-xviii, intro. by
Whibley; pp. xix-xx, notes; p. [1], introductory note; p. 2, blank; pp. 3-9,
text with Mason's additions in italics; p. [10], blank; p. [11], copy number;
5 blank leaves.<lb/>
Vol. II (a fac. of Clark's copy of the first ed.):<lb/>
P. [i], t-p (Ode / on the pleasure arising from vicissitude. / left unfinished
by Mr. Gray, and since completed.); p. [ii], introductory note; pp. [1]-4,
text; p. [5], copy number.
</ab>
<p rend="center">TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<pb n="69" xml:id="p1-69"/>
<anchor xml:id="bib513a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Sur le plaisir qui naît de la
vicissitude." In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, pp. 399-400.
</ab><ab rend="right">(<hi rend="italic">513a</hi>   </ab>
<ab rend="small">
Begins, Voici que l'Aube d'or, dans le ciel.   67 ll.
</ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib514"/>
<ab type="implicit"><hi rend="bold">1806.</hi> "Pope and Gray." In <hi rend="italic">The Monthly Anthology,</hi> III
(June, 1806), 304.
</ab><ab rend="right">(<hi rend="italic">514-N1377a</hi>   </ab>
<ab rend="small">
<hi rend="italic">Essay on man,</hi> I, 117-122, as source of Vic, ll. 41-44.
</ab><lb/>
<anchor xml:id="bib515"/>
<ab type="implicit"><hi rend="bold">1938.</hi> G. G. L. "The simplest note that swells the gale." In
<hi rend="italic">N&amp;Q,</hi> July 2, 1938, p. 9.
</ab><ab rend="right">(<hi rend="italic">515</hi>   </ab>
<ab rend="small">
Interpretation of Vic, l. 50. Replies: Hibernicus, <hi rend="italic">N&amp;Q,</hi> July 30,
p. 83; T. O. M., <hi rend="italic">ibid.;</hi> K. G., <hi rend="italic">ibid.;</hi> G. G. L., <hi rend="italic">ibid.,</hi>
Oct. 1, p. 251.
</ab><lb/>
<p rend="center"><hi rend="bold">ODE ON THE SPRING</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib516"/>
<ab type="implicit"><hi rend="bold">1925.</hi> Pierre Berger. "Ode au printemps ou midi." In his <hi rend="italic">Les
poètes préromantiques. . .</hi> <ref target="#bib75">#75</ref>, pp. 42-43.
</ab><ab rend="right">(<hi rend="italic">516</hi>   </ab>
<ab rend="small">
Begins, Voici que les Heures aux seins rosés.   5 stanzas of 10 ll.
</ab><lb/>
<anchor xml:id="bib516a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Ode sur le printemps." In his
<hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, pp. 390-91.
</ab><ab rend="right">(<hi rend="italic">516a</hi>   </ab>
<ab rend="small">
Begins, Voici que les Heures au sein de rose.   5 stanzas of 10 ll.
</ab>
<p rend="center">PARODIES AND IMITATIONS</p>
<anchor xml:id="bib517"/>
<ab type="implicit"><hi rend="bold">1806.</hi> [John Owen.] "Ode on the spring, by a man of fashion."
In a letter from A. B. in <hi rend="italic">The Port Folio,</hi> n. s. II (Oct. 18, 1806),
236.
</ab><ab rend="right">(<hi rend="italic">517-<ref target="/texts/diglib/secondary/NoC_1917/1/186#bib1393">N1393</ref></hi>   </ab>
<anchor xml:id="bib518"/>
<ab type="implicit"><hi rend="bold">1808.</hi> [John Sylvester John Gardiner.] "Ode to winter." In
"Silva, No. 36," <hi rend="italic">The Monthly Anthology,</hi> V (Feb., 1808), 101.
</ab><ab rend="right">(<hi rend="italic">518-N1394b</hi>   </ab>
<ab rend="small">
Begins, Hail, wayward Winter! child of snow.   6 stanzas of 8 ll.<lb/>
Reprinted by Starr, <ref target="#bib1201">#1201</ref>, p. 541.<lb/>
See also Howe, <ref target="#bib635">#635</ref>, p. 138.
</ab><lb/>
<anchor xml:id="bib519"/><ab type="implicit">
[John Sylvester John Gardiner.] "Ode on summer." In "Silva,
No. 41," <hi rend="italic">The Monthly Anthology,</hi> V (July, 1808), 357.
</ab><ab rend="right">(<hi rend="italic">519-N1394c</hi>   </ab>
<ab rend="small">
Begins, Lo! sun-born Summer's golden eye.   6 stanzas of 10 ll.<lb/>
Reprinted by Starr, <ref target="#bib1201">#1201</ref>, p. 12.<lb/>
See also Howe, <ref target="#bib635">#635</ref>, p. 148.
</ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib520"/>
<ab type="implicit"><hi rend="bold">1811.</hi> [Geo. Ticknor.] "Silva, No. 74. Hypercriticism." In
<hi rend="italic">The Monthly Anthology,</hi> X (Apr., 1811), 248.
</ab><ab rend="right">(<hi rend="italic">520-N1396a</hi>   </ab>
<ab rend="small">
Source of Spr, l. 5, is <hi rend="italic">Essay on man,</hi> III, 33, not Hesiod or Lucretius.
</ab>
<pb n="70" xml:id="p1-70"/>
<anchor xml:id="bib521"/>
<ab type="implicit"><hi rend="bold">1915.</hi> Lafcadio Hearn. "Some poems about insects." In his
<hi rend="italic">Interpretations of literature,</hi> ed. John Erskine. New York: Dodd, Mead,
1915, II, 269-71.
</ab><ab rend="right">(<hi rend="italic">521-<ref target="/texts/diglib/secondary/NoC_1917/1/187#bib1400a">N1400a</ref></hi>   </ab>
<ab rend="small">
Reprinted 1920. Also reprinted in his <hi rend="italic">Books and habits,</hi> ed. John
Erskine. New York, Dodd, Mead, 1921, pp. 202-03.
</ab><lb/>
<anchor xml:id="bib522"/>
<ab type="implicit"><hi rend="bold">1930.</hi> Geo. G. Williams. "The beginnings of nature poetry in the
eighteenth century." In <hi rend="italic">SP,</hi> XXVII (Oct., 1930), 593.
</ab><ab rend="right">(<hi rend="italic">522</hi>   </ab>
<ab rend="small">
Quotes Spr, ll. 11-20.
</ab><lb/>
<p rend="center"><hi rend="bold">ODE PERFORMED IN THE SENATE-HOUSE AT CAMBRIDGE, JULY 1,
1769</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib522a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Ode avec musique," [ll. 27-34, 35-56, 56,
71-76, 83-88]. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>,
pp. 388, 389.
</ab><ab rend="right">(<hi rend="italic">522a</hi>   </ab>
<ab rend="small">
L. 27 reads, Bosquets aux voûtes brunes.
</ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib523"/>
<ab type="implicit"><hi rend="bold">1803.</hi> "Cantabrigiana. Dr. Randall's music to the Ode on the
installation of the Duke of Grafton." In <hi rend="italic">The Monthly Magazine,</hi> XV
(Apr. 1, 1803), 236.
</ab><ab rend="right">(<hi rend="italic">523-N1416a</hi>   </ab>
<anchor xml:id="bib524"/>
<ab type="implicit"><hi rend="bold">1942.</hi> Roland B. Botting. "Gray and Christopher Smart." In
<hi rend="italic">MLN,</hi> LVII (1942), 360-61.
</ab><ab rend="right">(<hi rend="italic">524</hi>   </ab>
<ab rend="small">
Believes that the use of 'sweet' in ll. 61-64 is indebted to <hi rend="italic">Song to
David.</hi>
</ab><lb/>
<p rend="center"><hi rend="bold">PLAY EXERCISE AT ETON</hi><lb/>CRITICISM</p>
<anchor xml:id="bib525"/>
<ab type="implicit"><hi rend="bold">1921.</hi> C. W. Brodribb. "Gray's Eton exercise and Pope." In
<hi rend="italic">N&amp;Q,</hi> Feb. 5, 1921, p. 101.
</ab><ab rend="right">(<hi rend="italic">525</hi>   </ab>
<ab rend="small">
Quotes parallel passages to prove <hi rend="italic">Essay on man</hi> as the source.
</ab><lb/>
<p rend="center"><hi rend="bold">THE PROGRESS OF
POESY</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib526"/>
<ab type="implicit"><hi rend="bold">1925.</hi> Pierre Berger. "Le progrès de la poésie."
In his <hi rend="italic">Les poètes préromantiques. . .</hi> <ref target="#bib75">#75</ref>, pp. 49-54.
</ab><ab rend="right">(<hi rend="italic">526</hi>   </ab>
<ab rend="small">
Begins, Eveille-toi, lyre éolienne, éveille-toi.   123 ll.
</ab><lb/>
<anchor xml:id="bib526a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Progrès de la poésie." In
his <hi rend="italic">Essai</hi> . . . <ref target="#bib948">#948</ref>, pp. 439-41.
</ab><ab rend="right">(<hi rend="italic">526a</hi>   </ab>
<ab rend="small">
Begins, Eveille-toi, lyre éolienne, éveille-toi,<lb/>
        et prête à mes transports tes cordes
frémissantes!   123 ll.
</ab>
<p rend="center">CRITICISM</p>
<pb n="71" xml:id="p1-71"/>
<anchor xml:id="bib527"/>
<ab type="implicit"><hi rend="bold">1798.</hi> "Extracts from the port folio of a man of letters." In
<hi rend="italic">The Monthly Magazine,</hi> VI (Nov., 1798), 364.
</ab><ab rend="right">(<hi rend="italic">527-N1452a</hi>   </ab>
<ab rend="small">
Virgil as the source of PP, l. 41. Comment on 'laughing,' l. 5.
</ab><lb/>
<anchor xml:id="bib528"/>
<ab type="implicit"><hi rend="bold">1800.</hi> G. Dyer. "On the word dramatic." In <hi rend="italic">The Monthly
Magazine,</hi> IX, Part I, (Feb. 1, 1800), 8.
</ab><ab rend="right">(<hi rend="italic">528-N1452b</hi>   </ab>
<ab rend="small">
Dramatic point of view in PP.
</ab><lb/>
<anchor xml:id="bib529"/><ab type="implicit">
"From the port-folio of a man of letters. . ." In <hi rend="italic">The Monthly
Magazine,</hi> IX, Part I (Apr. 1, 1800), 258.
</ab><ab rend="right">(<hi rend="italic">529-N1452c</hi>   </ab>
<ab rend="small">
Johnson's remarks on PP, ll. 97-102.
</ab><lb/>
<anchor xml:id="bib530"/>
<ab type="implicit"><hi rend="bold">1802.</hi> ". . .Retrospect of domestic literature. . ." In <hi rend="italic">The
Monthly Magazine,</hi> XII (Jan. 20, 1802), 582.
</ab><ab rend="right">(<hi rend="italic">530-N1452d</hi>   </ab>
<anchor xml:id="bib531"/>
<ab type="implicit"><hi rend="bold">1818.</hi> "Remarks on the signs of inns." In <hi rend="italic">The Gentleman's
Magazine,</hi> o. s. CXXIV (Nov., 1818), 398-99.
</ab><ab rend="right">(<hi rend="italic">531-N1452e</hi>   </ab>
<ab rend="small">
Quotes PP, ll. 20-24.
</ab><lb/>
<anchor xml:id="bib532"/>
<ab type="implicit"><hi rend="bold">1906.</hi> Frank Egar Farley. "Three 'Lapland Songs'." In
<hi rend="italic">PMLA,</hi> XXI (1906), 1-2.
</ab><ab rend="right">(<hi rend="italic">532-N1453a</hi>   </ab>
<anchor xml:id="bib533"/>
<ab type="implicit"><hi rend="bold">1915.</hi> Paget Toynbee. "A misprint in Gray." In <hi rend="italic">TLS,</hi>
Apr. 22, 1915, p. 135.
</ab><ab rend="right">(<hi rend="italic">533-N1455a</hi>   </ab>
<ab rend="small">
Gray's noting of misprints in PP, ll. 70, 71 (T. &amp; W. no. 243.).
</ab><lb/>
<anchor xml:id="bib534"/>
<ab type="implicit"><hi rend="bold">1928.</hi> Paget Toynbee. "An alleged holograph of Gray." In
<hi rend="italic">TLS,</hi> Nov. 8, 1928, p. 834.
</ab><ab rend="right">(<hi rend="italic">534</hi>   </ab>
<ab rend="small">
Denies that a copy of PP in a vol. of Bentley's <hi rend="italic">Designs</hi> is the original
MS. Supported by Leonard Whibiey, 'Manuscript poems of Gray,' <hi rend="italic">TLS,</hi>
Nov. 15, p. 859.
</ab><lb/>
<anchor xml:id="bib535"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Robt A. Aubin. "Materials for a study of the influence of
<hi rend="italic">Cooper's Hill.</hi>" In <hi rend="italic">ELH,</hi> I (1934), 201.
</ab><ab rend="right">(<hi rend="italic">535</hi>   </ab>
<ab rend="small">
Influence of <hi rend="italic">Cooper's Hill</hi> on PP, ll. 7-8.
</ab><lb/>
<anchor xml:id="bib536"/>
<ab type="implicit"><hi rend="bold">1945.</hi> Houston Peterson and Wm S. Lynch, eds. <hi rend="italic">Poet to poet. A
treasury of golden criticism.</hi> New York: Prentice-Hall, 1945.
</ab><ab rend="right">(<hi rend="italic">536</hi>   </ab>
<ab rend="small">
Prints PP, ll. 83-123, pp. 140-41, and Tho. Warton's sonnet <hi rend="italic">To
Mr. Gray,</hi> p. 171.
</ab><lb/>
<anchor xml:id="bib537"/>
<ab type="implicit"><hi rend="bold">1947.</hi> Bertrand H. Bronson. "Personification reconsidered." In
<hi rend="italic">ELH,</hi> XIV (Sept., 1947), 166.
</ab><ab rend="right">(<hi rend="italic">537</hi>   </ab>
<ab rend="small">
Disagrees with Coleridge's objection to personification in PP.
</ab><lb/>
<anchor xml:id="bib538"/><ab type="implicit">
H. W. Starr. "A note on Gray and Trumbull." In <hi rend="italic">N&amp;Q,</hi> June
14, 1947, pp. 254-55.
</ab><ab rend="right">(<hi rend="italic">538</hi>   </ab>
<ab rend="small">
Influence of PP on Trumbull.
</ab><lb/>
<anchor xml:id="bib539"/>
<ab type="implicit"><hi rend="bold">1948.</hi> Reuben A. Brower. "The Theban eagle in English
plumage." In <hi rend="italic">CP,</hi> XLIII (1948), 28, 29.
</ab><ab rend="right">(<hi rend="italic">539</hi>   </ab>
<ab rend="small">
PP has 'little Pindaric continuity.'
</ab><lb/>
<anchor xml:id="bib539a"/>
<ab type="implicit"><hi rend="bold">1951.</hi> R. V. H. "Gray's 'The Progress of Poesy'." In <hi rend="italic">The
Explicator,</hi> IX (Feb., 1951), Q3.
</ab><ab rend="right">(<hi rend="italic">539a</hi>   </ab>
<ab rend="small">
Requests an explanation of l. 123. Reply by Arthur Dickson, <hi rend="italic">ibid.</hi>
(May), Item 49.
</ab>
<pb n="72" xml:id="p1-72"/>
<ab rend="center"><hi rend="bold">PROPERTIUS,
LIB. III. 5. V. ELEG. 19</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">French</hi><lb/><lb/></ab>
<anchor xml:id="bib539b"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. Ll. 1-10, 39-42, 45-50. In his <hi rend="italic">Essai . . .</hi>
<ref target="#bib948">#948</ref>, p. 319.
</ab><ab rend="right">(<hi rend="italic">539b</hi>   </ab>
<ab rend="small">
Begins, Tant que de la jeunesse dureront les heures joyeuses.
</ab><lb/>
<p rend="center"><hi rend="bold">PROPERTIUS,
LIB. II. ELEG. 1</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib539c"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. Ll. 97-102, 104-08. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, p. 322.
</ab><ab rend="right">(<hi rend="italic">539c</hi>   </ab>
<ab rend="small">
L. 97 reads, Un cortège d'amis en deuil entoure la civière.<lb/>
(Ll. 99-104, 107-10 of the text as printed in T. &amp; W. no. 105.)
</ab><lb/>
<p rend="center"><hi rend="bold">PROPOSAL AS TO THE PROFESSORSHIP OF MODERN
HISTORY</hi><lb/>EDITIONS</p>
<anchor xml:id="bib540"/>
<ab type="implicit"><hi rend="bold">1926.</hi> Paget Toynbee. "Gray's 'Proposal' as to the Professorship of
Modern History." In <hi rend="italic">TLS,</hi> Mar. 4, 1926, p. 163.
</ab><ab rend="right">(<hi rend="italic">540</hi>   </ab>
<ab rend="small">
See also T. &amp; W., <ref target="#bib431">#431</ref>, III, Appen. S,
pp. 1253-59.
</ab><lb/>
<p rend="center"><hi rend="bold">SAPPHICS</hi><lb/>("Horridos tractus, Boreaeque
linquens")<lb/>EDITIONS</p>
<anchor xml:id="bib541"/>
<ab type="implicit"><hi rend="bold">1808.</hi> "Latin lines addressed to Mr. West, from Genoa."
Reprinted in "Silva, No. 46," <hi rend="italic">The Monthly Anthology,</hi> V (Dec.,
1808), 655.
</ab><ab rend="right">(<hi rend="italic">541-N1464'</hi>   </ab><lb/>
<p rend="center"><hi rend="bold">SHAKESPEARE VERSES</hi><lb/>EDITIONS</p>
<anchor xml:id="bib542"/>
<ab type="implicit"><hi rend="bold">1930.</hi> Paget Toynbee. "A newly discovered draft of Gray's lines,
'William Shakespeare to Mrs. Anne'." In <hi rend="italic">MLR,</hi> XXV (1930), 83-85.
</ab><ab rend="right">(<hi rend="italic">542</hi>   </ab>
<ab rend="small">
From a Gray notebook owned by Lt. Col. John Murray. Reprinted in T. &amp;
W. no. 407.
</ab>
<p rend="center">TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib542a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "William Shakespeare à Madame Anne
. . .," [ll. 9-12, 17-20]. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, p. 375.
</ab><ab rend="right">(<hi rend="italic">542a</hi>   </ab>
<ab rend="small">
L. 9 reads, Le naturel de notre maître, c'est certain.
</ab>
<pb n="73" xml:id="p1-73"/>
<ab rend="center"><hi rend="bold">SKETCH OF HIS OWN
CHARACTER</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">French</hi><lb/><lb/></ab>
<anchor xml:id="bib542b"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. Ll. 1-2, 5-6. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, p. 28.
</ab><ab rend="right">(<hi rend="italic">542b</hi>   </ab>
<ab rend="small">
Begins, Trop pauvre pour être acheté, trop fier pour importuner.
</ab><lb/>
<p rend="center"><hi rend="bold">SONG<lb/>(THYRSIS)</hi><lb/>EDITIONS</p>
<anchor xml:id="bib543"/>
<ab type="implicit"><hi rend="bold">1803.</hi> In "An author's evenings." <hi rend="italic">The Port Folio,</hi> II
(Jan 15, 1803), 411.
</ab><ab rend="right">(<hi rend="italic">543-<ref target="/texts/diglib/secondary/NoC_1917/1/195#bib1471a">N1471a</ref></hi>   </ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib544"/>
<ab type="implicit"><hi rend="bold">1932.</hi> E. E. Kellett. "Gray's 'Thyrsis'." In <hi rend="italic">TLS,</hi>
Feb. 11, 1932, p. 95.
</ab><ab rend="right">(<hi rend="italic">544</hi>   </ab>
<ab rend="small">
Points out the resemblance of Thyrsis to a song by Götz, 'Thamire an die
Rosen.'
</ab><lb/>
<p rend="center"><hi rend="bold">SONNET ON THE DEATH OF MR. RICHARD
WEST</hi><lb/>EDITIONS</p>
<anchor xml:id="bib545"/>
<ab type="implicit"><hi rend="bold">1803.</hi> Reprinted in "Life of Thomas Gray." <hi rend="italic">The Port
Folio,</hi> III (Aug. 13, 1803), 261.
</ab><ab rend="right">(<hi rend="italic">545-N1484a</hi>   </ab>
<p rend="center">TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib545a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, p. 324.
</ab><ab rend="right">(<hi rend="italic">545a</hi>   </ab>
<ab rend="small">
Begins, En vain brille pour moi le matin souriant.   14 ll.
</ab><lb/>
<anchor xml:id="bib546"/>
<ab type="implicit"><hi rend="bold">1938.</hi> Fernand Baldensperger "Sur la mort de Richard West." In
his <hi rend="italic">D'Edmond Spenser à Alan Seegar. Cent petits poèmes
anglais traduits en vers français.</hi> Cambridge: Harvard Univ. Press;
London: Oxford, 1938, p. 38.
</ab><ab rend="right">(<hi rend="italic">546</hi>   </ab>
<ab rend="small">
Begins, En vain sourit pour moi des matins la merveille.   14 ll.
</ab>
<p rend="center">CRITICISM</p>
<anchor xml:id="bib547"/>
<ab type="implicit"><hi rend="bold">1800.</hi> Wm Wordsworth. In his <hi rend="italic">Lyrical ballads, with other poems.</hi>
In two volumes. By W. Wordsworth. . . Vol. I. Second edition. London: Printed
for T. N. Longman and O. Rees, Paternoster-Row, by Biggs and
Co. Bristol. 1800.
</ab><ab rend="right">(<hi rend="italic">547-N1493a</hi>   </ab>
<ab rend="small">
Pp. xxiv-xxv. Sonnet reprinted, p. xxiv.
</ab><lb/>
<anchor xml:id="bib548"/>
<ab type="implicit"><hi rend="bold">1903.</hi> [Francis Thompson]. "The sonnet." In <hi rend="italic">The
Academy,</hi> LXIV (Feb. 21, 1903), 182.
</ab><ab rend="right">(<hi rend="italic">548-N1494a</hi>   </ab>
<pb n="74" xml:id="p1-74"/>
<ab rend="small">
Reprinted by Connolly, <ref target="#bib1157">#1157</ref>, p. 263.
</ab><lb/>
<p rend="center"><hi rend="bold">SOPHONISBA TO
MASINISSA</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib548a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. Ll. 4-6, 39-52. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, pp. 323, 324.
</ab><ab rend="right">(<hi rend="italic">548a</hi>   </ab>
<ab rend="small">
L. 4 reads, J'aurais franchi les eaux du Styx non impure.
</ab><lb/>
<p rend="center"><hi rend="bold">STANZAS TO MR. RICHARD BENTLEY</hi><lb/>EDITIONS</p>
<anchor xml:id="bib549"/>
<ab type="implicit"><hi rend="bold">1803.</hi> Reprinted in "Life of Thomas Gray," <hi rend="italic">The Port
Folio,</hi> III (Aug. 20, 1803), 268.
</ab><ab rend="right">(<hi rend="italic">549-N1500'</hi>   </ab>
<p rend="center">TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib549a"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. "Strophes à Bentley." In his
<hi rend="italic">Essai . . .</hi> <ref target="#bib948">#948</ref>, pp. 372-73.
</ab><ab rend="right">(<hi rend="italic">549a</hi>   </ab>
<ab rend="small">
Begins, En silence, parmi le choeur harmonieux.   7 quatrains
</ab><lb/>
<p rend="center"><hi rend="bold">TASSO,
GERUS. LIB. CANT. XIV. ST. 32</hi><lb/>TRANSLATIONS<lb/><hi rend="italic">French</hi></p>
<anchor xml:id="bib549b"/>
<ab type="implicit"><hi rend="bold">1934.</hi> Roger Martin. Ll. 57-70. In his <hi rend="italic">Essai. . .</hi> <ref target="#bib948">#948</ref>, pp. 318-19.
</ab><ab rend="right">(<hi rend="italic">549b</hi>   </ab>
<ab rend="small">
L. 57 reads, Ils vont plus loin, où coulent des minéraux qui se
forment.
</ab><lb/>
<p rend="center"><hi rend="bold">TOPHET</hi><lb/>CRITICISM</p>
<anchor xml:id="bib550"/>
<ab type="implicit"><hi rend="bold">1930.</hi> Leonard Whibley. "Gray's satirical poems." In
<hi rend="italic">TLS,</hi> Oct. 9, 1930, p. 805.
</ab><ab rend="right">(<hi rend="italic">550</hi>   </ab>
<ab rend="small">
Believes Tophet was written c. 1750.
</ab><lb/>
</div><div type="section"><head rend="center"><hi rend="bold">8. GENERAL CRITICISM</hi></head>
<anchor xml:id="bib551"/>
<ab type="implicit"><hi rend="bold">1760.</hi> Geo. Colman and Robt Lloyd. <hi rend="italic">Two odes. . .</hi>
London. . . MDCCLX.
</ab><ab rend="right">(<hi rend="italic">551-<ref target="/texts/diglib/secondary/NoC_1917/1/204#bib1535">N1535</ref></hi>   </ab>
<ab rend="small">
Commented on by [Nathaniel Appleton Haven], 'Silva, No. 44,' <hi rend="italic">The Monthly
Anthology,</hi> V (Oct., 1808), 550-51.
</ab><lb/>
<anchor xml:id="bib552"/>
<ab type="implicit"><hi rend="bold">1761.</hi> In <hi rend="italic">The Library: or, Moral and Critical Magazine,</hi> I (1761),
158, 238.
</ab><ab rend="right">(<hi rend="italic">552-N1535a</hi>   </ab>
<anchor xml:id="bib553"/>
<ab type="implicit"><hi rend="bold">1767.</hi> [Archibald Campbell.] In his <hi rend="italic">The sale of authors, a dialogue,
in imitation of Lucian's sale of philosophers.</hi>
<pb n="75" xml:id="p1-75"/>
London: Printed, and sold by the Booksellers in London and and
Westminster. 1767.
</ab><ab rend="right">FLP, M   (<hi rend="italic">553-N1539a</hi>   </ab>
<ab rend="small">
4 1/4" x 6 7/8". Pp. xvi, 250. A poem containing an account of the
sale of Gray to the bookdealers for half a guinea with several unflattering
anecdotes and sneers at his poetry. See esp. pp. xi, xii, 2-3, 9-10, 21-25.
</ab><lb/>
<anchor xml:id="bib554"/><ab type="implicit">
"An essay on elegies." In <hi rend="italic">The Annual Register. . . for the year
1767,</hi> pp. 220-22.
</ab><ab rend="right">(<hi rend="italic">554-N1539b</hi>   </ab>
<anchor xml:id="bib555"/>
<ab type="implicit"><hi rend="bold">1771.</hi> Hor. Walpole. "Memoir of Gray." . . . 
</ab><ab rend="right">(<hi rend="italic">555-<ref target="/texts/diglib/secondary/NoC_1917/1/206#bib1545">N1545</ref></hi>   </ab>
<ab rend="small">
See J. G. Fairfax, 'Horace Walpole's view on literature,' in <hi rend="italic">Eighteenth
century literature, an Oxford miscellany,</hi> Oxford: Clarendon, 1899,
pp. 115, 123. Reprinted 1909. See also pp. 104, 118, 122.
</ab><lb/>
<anchor xml:id="bib556"/>
<ab type="implicit"><hi rend="bold">1778.</hi> Percival Stockdale. In his <hi rend="italic">An inquiry into the nature, and
genuine laws of poetry; including a particular defense of the writings, and
genius of Mr. Pope.</hi> London: Printed for N. Conant, 1778, pp. 92-124.
</ab><ab rend="right">LC   (<hi rend="italic">556-<ref target="/texts/diglib/secondary/NoC_1917/1/255#bib1565a">N1565a</ref>, p. [255]</hi>   </ab>
<ab rend="small">
A vigorous attack on Gray's taste and poetry.
</ab><lb/>
<anchor xml:id="bib557"/>
<ab type="implicit"><hi rend="bold">1781.</hi> Johnson's <hi rend="italic">Life of Gray</hi> quoted in <hi rend="italic">The Critical
Review,</hi> LII (Aug., 1781), 86-89.
</ab><ab rend="right">(<hi rend="italic">557-<ref target="/texts/diglib/secondary/NoC_1917/1/209#bib1571">N1571</ref></hi>   </ab>
<anchor xml:id="bib558"/>
<ab type="implicit"><hi rend="bold">1782.</hi> [John Callander of Craigforth.] In his <hi rend="italic">Deformities of
Dr. Samuel Johnson. Selected from his works. . .</hi> Edinburgh: Printed for
the author; and sold by W. Creech, and T. Longman, and J. Stockdale,
London. M. DCC. LXXII.
</ab><ab rend="right">(<hi rend="italic">558-N1572b</hi>   </ab>
<ab rend="small">
A defense of Gray against Johnson's criticism, pp. 17-21, 24.
</ab><lb/>
<anchor xml:id="bib559"/>
<ab type="implicit"><hi rend="bold">1783.</hi> Hugh Blair. "Lecture XXXIX." In his <hi rend="italic">Lectures on
rhetorick and belles lettres.</hi> London: Printed for W. Strahan, T. Cadell,
and W. Creech, 1783, p. 360.
</ab><ab rend="right">(<hi rend="italic">559-N1575a</hi>   </ab>
<anchor xml:id="bib560"/><ab type="implicit">
"Account of the life and writings of William Mason, M. A." In <hi rend="italic">The
European Magazine,</hi> IV (Dec., 1783), 410-13.
</ab><ab rend="right">(<hi rend="italic">560-N1575b</hi>   </ab>
<anchor xml:id="bib561"/>
<ab type="implicit"><hi rend="bold">1789.</hi> [Wm Belsham.] In his <hi rend="italic">Essays, philosophical, historical, and
literary. . .</hi> London: Printed for C. Dilly, in the Poultry. MDCCLXXXIX. I,
230.
</ab><ab rend="right">M   (<hi rend="italic">561-N1584a</hi>   </ab>
<ab rend="small">
Reprinted Dublin, by J. Moore, No. 45, College-Green, M. DCC. XC. (FLP) Also
<hi rend="italic">Essays, philosophical and moral, historical and literary.</hi> London:
Printed for G. G. and J. Robinson, 1799, I, 43; II, 504, 505.
</ab><lb/>
<anchor xml:id="bib562"/>
<ab type="implicit"><hi rend="bold">1794.</hi> [Tho. Jas Mathias.] <hi rend="italic">The pursuits of literature. . .</hi></ab>
<ab rend="right">(<hi rend="italic">562-<ref target="/texts/diglib/secondary/NoC_1917/1/212#bib1594">N1594</ref></hi>   </ab>
<ab rend="small">
Comments by T. L. M. in <hi rend="italic">The Monthly Mag.,</hi> V (Apr., 1798), 246; Gilbert
Wakefield, 'Greek version of Gray's Elegy,' <hi rend="italic">ibid.,</hi> May, pp. 321-22;
T. S. S., <hi rend="italic">ibid.,</hi> VI (Nov., 1798), 326.
</ab><lb/>
<anchor xml:id="bib563"/>
<ab type="implicit"><hi rend="bold">1797.</hi> "Provincial occurrences. . . Deaths. . ." In <hi rend="italic">The
Monthly Magazine,</hi> III (Apr., 1797), 325.
</ab><ab rend="right">(<hi rend="italic">563-N1596'</hi>   </ab>
<ab rend="small">
Mason's admiration for Gray.
</ab><lb/>
<anchor xml:id="bib564"/>
<ab type="implicit"><hi rend="bold">1798.</hi> "Imitations and similarities." In <hi rend="italic">The Monthly
Magazine,</hi> VI (Aug., 1798), 113-14.
</ab><ab rend="right">(<hi rend="italic">564-N1598a</hi>   </ab>
<ab rend="small">
Disagrees with Johnson's objections to Spr, l. 26, and Bard, l. 51. Suggests
</ab>
<pb n="76" xml:id="p1-76"/>
<ab rend="small">
Dryden as source of Bard, l. 51. and <hi rend="italic">Hudibras</hi> and <hi rend="italic">Paradise Lost,</hi>
I, 535, as source of Bard, l. 20.
</ab><lb/>
<anchor xml:id="bib565"/><ab type="implicit">
"Extracts from the port folio of a man of letters." In <hi rend="italic">The
Monthly Magazine,</hi> V (May, 1798), 365-66.
</ab><ab rend="right">(<hi rend="italic">565-N1598b</hi>   </ab>
<ab rend="small">
Points out echoes of Pope, Milton, Shakespeare, Otway, and Butler in Spr, Adv,
Bard, PP.
</ab><lb/>
<anchor xml:id="bib566"/><ab type="implicit">
[Hor. Walpole.] "Walpoliana, No. VI." In <hi rend="italic">The Monthly
Magazine,</hi> VI (Aug., 1798), 118; ". . .No. VII." <hi rend="italic">Ibid.,</hi>
(Oct.), 279.
</ab><ab rend="right">(<hi rend="italic">566-N1599'</hi>   </ab>
<ab rend="small">
Extracts from Walpole's letters in which he compares Hume and Gray, describes
Gray's appearance and religious opinions, and accepts the blame for his
quarrel with Gray.
</ab><lb/>
<anchor xml:id="bib567"/>
<ab type="implicit"><hi rend="bold">1800.</hi> J. T. R. "To a lady, on her demand of a promised ode."
In <hi rend="italic">The Monthly Magazine,</hi> IX, Part I (Apr. 1, 1800), 262.
</ab><ab rend="right">(<hi rend="italic">567-N1606a</hi>   </ab>
<ab rend="small">
Poem. Comments on Gray, ll. 1-4.
</ab><lb/>
<anchor xml:id="bib568"/><anchor xml:id="bib569"/>
<ab type="implicit"><hi rend="bold">1801.</hi> "Eighteenth century. Old Man." In <hi rend="italic">The Monthly
Magazine,</hi> XI (Mar., 1801), 152.
</ab><ab rend="right">(<hi rend="italic">568-9-N1606b</hi>   </ab>
<ab rend="small">
A poem. Comment on Gray, l. 42.
</ab><lb/>
<anchor xml:id="bib570"/><ab type="implicit">
Letter to the editor. In <hi rend="italic">The Monthly Magazine,</hi> XII (Sept. l, 1801),
106-07.
</ab><ab rend="right">(<hi rend="italic">570-N1607a</hi>   </ab>
<ab rend="small">
Comparison of Gray's odes to <hi rend="italic">The shield</hi> of Tho. Little [Tho. Moore].
</ab><lb/>
<anchor xml:id="bib571"/>
<ab type="implicit"><hi rend="bold">1802.</hi> Philologicus. "Strictures on a poem of Mason." In
<hi rend="italic">The Monthly Magazine,</hi> XIV (Oct. 1, 1802), 226.
</ab><ab rend="right">(<hi rend="italic">571-N1608a</hi>   </ab>
<anchor xml:id="bib572"/><ab type="implicit">
In <hi rend="italic">The Port Folio,</hi> II (Feb. 27, 1802), 61.
</ab><ab rend="right">(<hi rend="italic">572-N1608b</hi>   </ab>
<anchor xml:id="bib573"/><ab type="implicit">
Senex. Letter to Mr. Saunter in "The American lounger, by Samuel Saunter,
Esq." <hi rend="italic">The Port Folio,</hi> II (Aug. 7, 1802), [241].
</ab><ab rend="right">(<hi rend="italic">573-N1608c</hi>   </ab>
<anchor xml:id="bib574"/>
<ab type="implicit"><hi rend="bold">1803.</hi> John Aikin. "Letter XIV." In his <hi rend="italic">Letters to a young
lady on a course of English poetry.</hi> London, 1803.
</ab><ab rend="right">(<hi rend="italic">574-N1609a</hi>   </ab>
<ab rend="small">
A critical account of Gray's poetry, esp. Spr, Eton, Adv, FS, the Pindaric
odes, PP, Bard, El, Ed.<lb/>
Reprinted, London, 1804; pp. 184-93; New York: By Hopkins and Seymour for
J. Osborn, 1806, pp 184-93; Boston: Printed at the Anthology Office, Published
by Thomas and Whipple, Newburyport, 1806, pp. 141-47.
</ab><lb/>
<anchor xml:id="bib575"/><ab type="implicit">
A. B. Letter to the editor. In <hi rend="italic">The Monthly Magazine,</hi> XVI (Dec. 1,
1803), 399.
</ab><ab rend="right">(<hi rend="italic">575-N1609b</hi>   </ab>
<anchor xml:id="bib576"/><ab type="implicit">
". . .Biographical memoirs. . . Dr. Beattie." In <hi rend="italic">The Monthly
Magazine,</hi> XVI (Nov. 1, 1803), 377.
</ab><ab rend="right">(<hi rend="italic">576-N1609c</hi>   </ab>
<ab rend="small">
Gray's advice to Beattie concerning the <hi rend="italic">Minstrel.</hi>
</ab><lb/>
<anchor xml:id="bib577"/><ab type="implicit">
"Cantabrigiana. . . Milton." In <hi rend="italic">The Monthly Magazine,</hi> XVI
(Sept. 1, 1803), 133.
</ab><ab rend="right">(<hi rend="italic">577-N1609d</hi>   </ab>
<anchor xml:id="bib578"/><ab type="implicit">
"Coleana. Consisting of selections from the . . . MSS. bequeathed by the
late Mr. Cole, to the British Museum. . . Mr. Gray." In <hi rend="italic">The Monthly
Magazine,</hi> XVI (Oct. 1, 1803), 209.
</ab><ab rend="right">(<hi rend="italic">578-N1609e</hi>   </ab>
<pb n="77" xml:id="p1-77"/>
<ab rend="small">
Cole's description of Gray's personal appearance and his opinion that the
profile portr. in Mason's ed. (<ref target="#bib20">#20</ref>) is
'horrible.'
</ab><lb/>
<anchor xml:id="bib579"/><ab type="implicit">
"Cantabrigiana. . . Gray on Ossian's poems." In <hi rend="italic">The Monthly
Magazine,</hi> XV (Feb. 1, 1803), 35.
</ab><ab rend="right">(<hi rend="italic">579-N1609f</hi>   </ab>
<anchor xml:id="bib580"/><ab type="implicit">
"An author's evenings. . ." In <hi rend="italic">The Port Folio,</hi> III (May 28,
1803), 170-72.
</ab><ab rend="right">(<hi rend="italic">580-N1610a</hi>   </ab>
<anchor xml:id="bib581"/><ab type="implicit">
"Life of Thomas Gray, LL. B." In <hi rend="italic">The Port Folio,</hi> III
(Aug. 13, 1803), 260-61; (Aug. 20), 268-69; (Aug. 27), 276-78.
</ab><ab rend="right">(<hi rend="italic">581-N1610b</hi>   </ab>
<ab rend="small">
This appears to be a reworked version of Anderson's biog. (<ref target="/texts/diglib/secondary/NoC_1917/1/16#bib79">N79</ref>, X,
185-213). It reprints <ref target="#bib81">#81</ref>, <ref target="#bib83">83</ref>, <ref target="#bib93">93</ref>, <ref target="#bib145">145</ref>, <ref target="#bib206">206</ref>, <ref target="#bib414">414</ref>, <ref target="#bib512">512</ref>, <ref target="#bib545">545</ref>, <ref target="#bib549">549</ref>, See also 
Ellis, <ref target="#bib651">#651</ref>, p. 192.
</ab><lb/>
<anchor xml:id="bib582"/><ab type="implicit">
"Extracts from the port-folio of a man of letters. . . Mr. Gray." In
<hi rend="italic">The Monthly Magazine,</hi> XVI (Sept. 1, 1803), 144.
</ab><ab rend="right">(<hi rend="italic">582-N1611a</hi>   </ab>
<ab rend="small">
Walpole's comments on Gray's humor and on the portr. of Gray in <ref target="#bib20">#20</ref>.
</ab><lb/>
<anchor xml:id="bib583"/>
<ab type="implicit"><hi rend="bold">1804.</hi> "Cantabrigiana. . . Gray, the poet." In <hi rend="italic">The Monthly
Magazine,</hi> XVII (Feb. 1, 1804), 37.
</ab><ab rend="right">(<hi rend="italic">583-N1613a</hi>   </ab>
<ab rend="small">
Gray's carriage and Christopher Smart's comment on it.
</ab><lb/>
<anchor xml:id="bib584"/><ab type="implicit">
"The caravansery." In <hi rend="italic">The Port Folio,</hi> IV (Dec. 15, 1804),
398.
</ab><ab rend="right">(<hi rend="italic">584-N1614a</hi>   </ab>
<anchor xml:id="bib585"/><ab type="implicit">
H[or]. W[alpole]. "Coliana. . . letters from Lord Orford to Mr. Cole
[Apr. 11, 1775]." In <hi rend="italic">The Monthly Magazine,</hi> XVIII (Sept. 1, 1804),
127-29.
</ab><ab rend="right">(<hi rend="italic">585-N1614b</hi>   </ab>
<ab rend="small">
Praises Mason's <hi rend="italic">Memoir</hi> (<ref target="#bib20">#20</ref>).
</ab><lb/>
<anchor xml:id="bib586"/>
<ab type="implicit"><hi rend="bold">1805.</hi> [John Sylvester John Gardiner.] "Remarker No. 2." In
<hi rend="italic">The Monthly Anthology,</hi> II (Sept., 1805), 517-19.
</ab><ab rend="right">(<hi rend="italic">586-N1615a</hi>   </ab>
<anchor xml:id="bib587"/><ab type="implicit">
"Cantabrigiana. Men's opinions and judgments concerning
unbelievers. Mr. Gray." In <hi rend="italic">The Monthly Magazine,</hi> XIX (Mar. 1,
1805), 126.
</ab><ab rend="right">(<hi rend="italic">587-N1615b</hi>   </ab>
<ab rend="small">
Walpole said Gray was an unbeliever, but Gray disliked Hume and Voltaire.<lb/>
Reprinted in 'Anecdotes. Mr Gray,' in <hi rend="italic">The Literary Magazine and American
Register,</hi> IV (Aug., 1805), 147-48.
</ab><lb/>
<anchor xml:id="bib588"/>
<ab type="implicit"><hi rend="bold">1806.</hi> Sir Wm Forbes. <hi rend="italic">Account of the life and writings of James
Beattie. . .</hi></ab>
<ab rend="right">(<hi rend="italic">588-<ref target="/texts/diglib/secondary/NoC_1917/1/215#bib1618">N1618</ref></hi>   </ab>
<ab rend="small">
Gray's advice on <hi rend="italic">The Minstrel</hi> noted in rev. in <hi rend="italic">Monthly Mag.,</hi>
XXII (Jan. 25, 1807), 634.
</ab><lb/>
<anchor xml:id="bib589"/><ab type="implicit">
"Londiniana. Cornhill." In <hi rend="italic">The Monthly Magazine,</hi> XXI (May 1,
1806), 314.
</ab><ab rend="right">(<hi rend="italic">589-N1618'</hi>   </ab>
<ab rend="small">
The burning of Gray's birthplace in 1748.
</ab><lb/>
<anchor xml:id="bib590"/><ab type="implicit">
[Wm Tudor, Jr.] "Silva. No. 12." In <hi rend="italic">The Monthly Anthology,</hi>
III (Feb., 1806), 62-63.
</ab><ab rend="right">(<hi rend="italic">590-N1618''</hi>   </ab>
<ab rend="small">
Defends Johnson's criticism of Gray and points out debt of Bard and El to
Celio Magno and Petrarch.
</ab><lb/>
<anchor xml:id="bib591"/>
<ab type="implicit"><hi rend="bold">1807.</hi> [Anne Macvicar Grant.] In her <hi rend="italic">Letters from the </hi> 
<pb n="78" xml:id="p1-78"/>
<hi rend="italic">mountains; being the real correspondence of a lady, between the years 1773
and 1807.</hi> London: Longman, Hurst, Rees, and Orme, 1807. 3d ed., I, 73, 91;
III, 56.
</ab><ab rend="right">(<hi rend="italic">591-N1618b</hi>   </ab>
<ab rend="small">
Comments on Adv, quotes PP, El.
</ab><lb/>
<anchor xml:id="bib592"/>
<ab type="implicit"><hi rend="bold">1808.</hi> Elizabeth Carter and Catherine Talbot. In their <hi rend="italic">A series of
letters between Mrs. Elisabeth Carter and Miss Catherine Talbot, from the year
1741 to 1770. To which are added, letters from Mrs. Elisabeth Carter to
Mrs. Vesey, between the years 1763 and 1787. . .</hi> In two
volumes. . . . London: Printed for F. C. and J. Rivington. . . 1808.
</ab><ab rend="right">(<hi rend="italic">592-N1622a</hi>   </ab>
<ab rend="small">
Vol. I: Mrs. C. to Miss T., Feb. 14, 1751, p. 250 (El); Miss T. to Mrs. C.,
Mar. 16, 1751, p. 257 (El); Miss T. to Mrs. C., Sept. 27, 1751, p. 283 (quotes
El, ll. 53-56).<lb/>
Vol. II: Mrs. C. to Mrs. V., May 21, 1765, p. 114 ('your party on Friday with
Mr. Gray'); Mrs. C. to Mrs. V., July 28, 1769, p. 189 (Music); Mrs. C. to
Mrs. V., Oct. 22, 1779, p. 352 (Bard).
</ab><lb/>
<anchor xml:id="bib593"/><ab type="implicit">
*[John Sylvester John Gardiner.] "Silva, No. 36. . . Gray." In
<hi rend="italic">The Monthly Anthology,</hi> V (Feb., 1808), 100-01.
</ab><ab rend="right">(<hi rend="italic">593-N1622b</hi>   </ab>
<ab rend="small">
This article commences in <hi rend="italic">The Monthly Anthology</hi> for 1808 a long and, on 
Gardiner's part, rather acrimonious controversy concerning the merits of
Gray's poetry. In the course of it Gardiner, supporting Johnson's views,
attacks Gray's odes, frequently by means of parodies (See <ref target="#bib106">#106</ref>, <ref target="#bib518">518</ref>, <ref target="#bib519">519</ref>, <ref target="#bib1201">1201</ref>). Gardiner's articles appear as follows: 
'Silva, No. 41,' (July), 357; 'Remarker, No. 35. . . Letter to the Remarker,
No. 34,' (Aug.) 416-19; 'Silva, No. 43,' (Sept.), 495- 97; 'Silva, No. 46,'
(Dec), 654-55. Gray's odes are defended anonymously by Joseph Stevens
Buckminster in 'Remarker, No. 34,' (July), 367-72, and in 'To the author of
the 35th Remarker. Vindication of Gray,' (Sept.), 484-86. See also [Alexander
Hill Everett], 'Silva, No. 42. Blair's Grave,' (Aug.), 426, and <ref target="#bib110">#110</ref>, <ref target="#bib586">586</ref>,
<ref target="#bib594">594</ref>. For identification of the contributors see
Howe, <ref target="#bib635">#635</ref>, pp. 317-28.
</ab><lb/>
<anchor xml:id="bib594"/>
<ab type="implicit"><hi rend="bold">1809.</hi> R. [Paul Allen] "Defence of Gray." <ref target="#bib110">#110</ref>.
</ab><ab rend="right">(<hi rend="italic">594-N1624a</hi>   </ab>
<anchor xml:id="bib595"/><ab type="implicit">
D. "Classical disquisitions. Pindar." In <hi rend="italic">The Athenaeum, a
magazine of literary and miscellaneous information. . .</hi> V (Feb., 1809),
131.
</ab><ab rend="right">(<hi rend="italic">595-N1625a</hi>   </ab>
<ab rend="small">
Gray's comment on the union of subject and simile in Pindar.
</ab><lb/>
<anchor xml:id="bib596"/>
<ab type="implicit"><hi rend="bold">1810.</hi> [Jacob Bigelow.] "Silva, No. 67." In <hi rend="italic">The Monthly
Anthology,</hi> IX (Sept. 1810), 162.
</ab><ab rend="right">(<hi rend="italic">596-N1627'</hi>   </ab>
<anchor xml:id="bib597"/><ab type="implicit">
"Copy of a letter, occasioned by the death of the Rev. Norton
Nicholls. . ." In <hi rend="italic">The Monthly Magazine,</hi> XXIX (June 1, 1810),
424-25, 427.
</ab><ab rend="right">(<hi rend="italic">597-N1627c</hi>   </ab>
<anchor xml:id="bib598"/>
<ab type="implicit"><hi rend="bold">1811.</hi> Observator. "Extract from Gray's Life." In <hi rend="italic">The
Monthly Magazine,</hi> XXXII (Sept. 1, 1811), 124-25.
</ab><ab rend="right">(<hi rend="italic">598-N1628a</hi>   </ab>
<ab rend="small">
Gray's interest in Linnaeus.
</ab><lb/>
<anchor xml:id="bib599"/><anchor xml:id="bib600"/>
<ab type="implicit"><hi rend="bold">1813.</hi> <hi rend="italic">The philosophy of nature; or the influence of scenery on the
mind and heart.</hi> London: John Murray, 1813, I, 68, 252; II, 68-69, 159,
195, 198, 206, 265.
</ab><ab rend="right">(<hi rend="italic">599-600-N1632a</hi>   </ab>
<anchor xml:id="bib601"/>
<ab type="implicit"><hi rend="bold">1830.</hi> η. In David Brewster, ed. <hi rend="italic">Edinburgh encyclopaedia.</hi>
Edinburgh, 1830, X, 456-58.
</ab><ab rend="right">(<hi rend="italic">601-N1671a</hi>   </ab>
<anchor xml:id="bib601a"/>
<ab type="implicit"><hi rend="bold">1835.</hi> Saml T. Coleridge. Table talk for Apr. 21, 1811, 
<pb n="79" xml:id="p1-79"/>
and Oct. 23, 1833. In his <hi rend="italic">Specimens of the table talk of the late Samuel
Taylor Coleridge.</hi> [ed. Hen. N. Coleridge.] London: Murray, 1835, 2v.
</ab><ab rend="right">(<hi rend="italic">601a-N1681a</hi>   </ab>
<ab rend="small">
Comparison of Collins and Gray, criticism of Music and Bard.
</ab><lb/>
<anchor xml:id="bib601b"/>
<ab type="implicit"><hi rend="bold">1836.</hi> [Edgar Allan Poe.] "Pinakidia." In <hi rend="italic">The Southern
Literary Messenger,</hi> II (Aug., 1836), 575, 578.
</ab><ab rend="right">(<hi rend="italic">601b-N1685a</hi>   </ab>
<ab rend="small">
Sources of the El.
</ab><lb/>
<anchor xml:id="bib602"/><ab type="implicit">
[Robt E. A. Willmott.] "Gray and Mason. A summer day with the
muses." In his <hi rend="italic">Conversations at Cambridge.</hi> London: John W. Parker,
1836, pp. 160-218.
</ab><ab rend="right">LC   (<hi rend="italic">602-N1685b</hi>   </ab>
<ab rend="small">
An imaginary conversation paraphrasing Gray's critical opinions
</ab><lb/>
<anchor xml:id="bib602a"/>
<ab type="implicit"><hi rend="bold">1837.</hi> [Sir] Jas Prior. In his <hi rend="italic">The life of Oliver Goldsmith. . .</hi>
London: Murray, MDCCCXXXVII, I, 231, 438, 446; II, 19, 23-25, 59, 62, 160,
212, 286, 367-68, 464, 548, 550-51, 561.
</ab><ab rend="right">(<hi rend="italic">602a-N1190a</hi>   </ab>
<ab rend="small">
Largely concerned with Goldsmith's opinion of Gray's poetry.
</ab><lb/>
<anchor xml:id="bib603"/>
<ab type="implicit"><hi rend="bold">1838.</hi> Robt Southey. In his <hi rend="italic">Poetical works. . .</hi> London: Longman,
Orme, Brown, Green, &amp; Longmans, 1838, I, viii.
</ab><ab rend="right">(<hi rend="italic">603-N1694a</hi>   </ab>
<anchor xml:id="bib604"/>
<ab type="implicit"><hi rend="bold">1847.</hi> [Chas Knight, J. Thorne, G. Dodd, A. Winter, Harriet Martineau,
W. Wylie.] In <hi rend="italic">The land we live in. A pictorial and literary sketch-book of
the British Empire.</hi> London: Chas Knight, [n. d.], 4v.
</ab><ab rend="right">(<hi rend="italic">604-N1718a</hi>   </ab>
<ab rend="small">
[1847-50.]<lb/>
I, 123. Account of Gray at Cambridge; 235, PP, ll. 83-94 quoted; IV, 164,
Gray's bust in Westminster Abbey.
</ab><lb/>
<anchor xml:id="bib605"/>
<ab type="implicit"><hi rend="bold">1849.</hi> Chas Augustin Sainte-Beuve. "Deuxième
leçon." In his <hi rend="italic">Chateaubriand et son groupe littéraire
sous l'empire, cours professé à Liége en
1848-1849. . .</hi> Paris: Garnier, 1861.
</ab><ab rend="right">(<hi rend="italic">605-N1724a</hi>   </ab>
<ab rend="small">
Reprinted Paris: Michel Lévy, 1872, I, 85. Influence of Gray on
Fontanes.
</ab><lb/>
<anchor xml:id="bib606"/>
<ab type="implicit"><hi rend="bold">1854.</hi> Chas Knight. In his <hi rend="italic">Once upon a time.</hi> London: Murray,
1854, II, 39, 43, 69-70, 72, 77, 79, 88, 233.
</ab><ab rend="right">(<hi rend="italic">606-N1742a</hi>   </ab>
<ab rend="small">
Quarrel with Walpole, death, opinion of Garrick and of Sterne.
</ab><lb/>
<anchor xml:id="bib607"/><ab type="implicit">
W[alter]. S[avage]. L[andor]. "Goldsmith and Gray." In <hi rend="italic">The
Examiner,</hi> No. 2433, Sept. 16, 1854, p. 585.
</ab><ab rend="right">(<hi rend="italic">607-N1742b</hi>   </ab>
<ab rend="small">
Reprinted in his <hi rend="italic">Dry sticks,</hi> 1858 (<ref target="/texts/diglib/secondary/NoC_1917/1/228#bib1749">N1749</ref>).
</ab><lb/>
<anchor xml:id="bib608"/>
<ab type="implicit"><hi rend="bold">1868.</hi> Joseph Hatton. "On some pleasant books." In <hi rend="italic">The
Gentleman's Magazine,</hi> n. s. I (Nov., 1868), 790, 792.
</ab><ab rend="right">(<hi rend="italic">608-N1763a</hi>   </ab>
<ab rend="small">
Gray's manner and Disraeli's belief that Shenstone inspired El.
</ab><lb/>
<anchor xml:id="bib608a"/>
<ab type="implicit"><hi rend="bold">1871.</hi> C[harlotte]. M[aria]. Birch [Salwey]. "To Thomas Gray."
In her <hi rend="italic">Reveries of song.</hi> London: Bell and Daldy, 1871, pp. [9]-13.
</ab><ab rend="right">NYP   (<hi rend="italic">608a-N1770a</hi>   </ab>
<ab rend="small">
A poem.
</ab>
<pb n="80" xml:id="p1-80"/>
<anchor xml:id="bib609"/>
<ab type="implicit"><hi rend="bold">l874.</hi> Sara Coleridge. In her <hi rend="italic">Memoir and letters of Sara Coleridge
edited by her daughter.</hi> New York: Harper, 1874, pp. 472-73.
</ab><ab rend="right">(<hi rend="italic">609-N1773a</hi>   </ab>
<ab rend="small">
See also Broughton, <ref target="#bib996">#996</ref>.
</ab><lb/>
<anchor xml:id="bib609a"/>
<ab type="implicit"><hi rend="bold">1880.</hi> Chas Algernon Swinburne. In his introduction to Collins in <hi rend="italic">The
English poets.</hi> Selections, with critical introductions by various
writers. Tho. Humphrey Ward, ed. London: Macmillan, 1880, III, 278.
</ab><ab rend="right">(<hi rend="italic">609a-N1793'</hi>   </ab>
<ab rend="small">
Reprinted in Swinburne's <hi rend="italic">Miscellanies.</hi> London: Chatto &amp; Windus,
1886, pp. 56, 57, 58, 61.
</ab><lb/>
<anchor xml:id="bib610"/>
<ab type="implicit"><hi rend="bold">1885.</hi> Laurence Hutton. In his <hi rend="italic">Literary landmarks of London.</hi>
London: Unwin, 1885; New York: Harper, 1897.
</ab><ab rend="right">(<hi rend="italic">610-N1815a</hi>   </ab>
<anchor xml:id="bib611"/>
<ab type="implicit"><hi rend="bold">1886.</hi> *Alois [Leonhard] Brandl. In his <hi rend="italic">Samuel Taylor Coleridge und
die englische Romantik.</hi> Strassburg: Trübner; Berlin: Oppenheim, 1886.
</ab><ab rend="right">(<hi rend="italic">611-N1823a</hi>   </ab>
<ab rend="small">
Many sections on the influence of Gray, esp. his odes, on Coleridge's early
style.<lb/>
Translated into English as <hi rend="italic">Samuel Taylor Coleridge and the English romantic
school.</hi> Eng. ed. by Lady Eastlake assisted by the author. London: Murray,
1887. No index. See pp. 17, 24, 30, 33, 35, 36, 37, 82, 86, 87, 105, 151, 152,
175, 233.
</ab><lb/>
<anchor xml:id="bib612"/>
<ab type="implicit"><hi rend="bold">1887.</hi> Saml Longfellow, ed. In his <hi rend="italic">Final memorials of Henry Wadsworth
Longfellow.</hi> Boston: Ticknor, 1887.
</ab><ab rend="right">(<hi rend="italic">612-N1825a</hi>   </ab>
<anchor xml:id="bib613"/>
<ab type="implicit"><hi rend="bold">1891.</hi> Jas C. Parsons. In his <hi rend="italic">English versification for the use of
students.</hi> Boston: Leach, Shewell, and Sanborn, 1891.
</ab><ab rend="right">(<hi rend="italic">613-N1844a</hi>   </ab>
<anchor xml:id="bib614"/><ab type="implicit">
Wm Connor Sydney. In his <hi rend="italic">England and the English in the eighteenth century,
chapters in the social history of the times.</hi> London: Ward &amp; Downey;
New York: Macmillan, 1891, I, 327; II, 84, 98-99, 105, 106, 110, 248-49, 263,
370, 371.
</ab><ab rend="right">(<hi rend="italic">614-N1845a</hi>   </ab>
<ab rend="small">
Many brief references to Bard, El, Duncombe's parody of El (<ref target="/texts/diglib/secondary/NoC_1917/1/123#bib868">N868</ref>),
Gray's opinion of mathematics, Cambridge, and the Lakes.
</ab><lb/>
<anchor xml:id="bib615"/>
<ab type="implicit"><hi rend="bold">1892.</hi> Arthur Christopher Benson, "Thomas Gray." [a sonnet.]
In <hi rend="italic">Le cahier jaune.</hi> Poems by Arthur Christopher Benson. Eton: Geo. New
[Privately printed], 1892, p. 32.
</ab><ab rend="right">LC   (<hi rend="italic">615-N1846a</hi>   </ab>
<ab rend="small">
Reprinted in his <hi rend="italic">Poems,</hi> London: Lane, 1909, p. 55.
</ab><lb/>
<anchor xml:id="bib616"/><ab type="implicit">
Lewis Addison Rhoades. In his <hi rend="italic">Höltys Verhältnis zu der englischen
Literatur.</hi> Göttingen [diss.], 1892, pp. 14, 16-19, 37, 40, 46.
</ab><ab rend="right">(<hi rend="italic">616-N1850a</hi>   </ab>
<ab rend="small">
Gray's influence on Ludwig H. C. Hölty.
</ab><lb/>
<anchor xml:id="bib617"/>
<ab type="implicit"><hi rend="bold">1895.</hi> Arthur Christopher Benson. <hi rend="italic">Thomas Gray.</hi> [verse monologue.]
Eton: Drake, 1895.
</ab><ab rend="right">(<hi rend="italic">617-<ref target="/texts/diglib/secondary/NoC_1917/1/238#bib1864">N1864</ref></hi>   </ab>
<ab rend="small">
Reprinted in his <hi rend="italic">The professor and other poems,</hi> London: Lane, 1900,
pp. 73-89, and in his <hi rend="italic">Poems</hi> (<ref target="#bib615">#615</ref>),
pp. 24-33.
</ab>
<pb n="81" xml:id="p1-81"/>
<anchor xml:id="bib618"/><ab type="implicit">
Saml Taylor Coleridge. In his <hi rend="italic">Anima poetae. From the unpublished
note-books. . .</hi> Edited by Ernest Hartley Coleridge. London: Heinemann,
MDCCCXCV, pp. 5, 270. Boston: Houghton Mifflin, 1895, pp. 4, 228.
</ab><ab rend="right">(<hi rend="italic">618-N1864a</hi>   </ab>
<ab rend="small">
Unfavorable criticism of Bard and El.
</ab><lb/>
<anchor xml:id="bib619"/><ab type="implicit">
G. F. Reynolds Anderson. "Thomas Gray." In <hi rend="italic">The white book of
muses.</hi> Edinburgh: G. P. Johnston, 1895, pp. 53-54.
</ab><ab rend="right">(<hi rend="italic">619-N1868'</hi>   </ab>
<ab rend="small">
Poem. 18 ll.
</ab><lb/>
<anchor xml:id="bib620"/>
<ab type="implicit"><hi rend="bold">1898.</hi> Susan Hale. "Horace Walpole and Gray." In her <hi rend="italic">Men
and manners of the eighteenth century.</hi> Meadville: Flood and Vincent
(Chautauqua Reading Circle Literature), 1898, 203-32.
</ab><ab rend="right">(<hi rend="italic">620-N1885a</hi>   </ab>
<anchor xml:id="bib621"/>
<ab type="implicit"><hi rend="bold">1900.</hi> E. Yardley. "Dryden." In <hi rend="italic">N&amp;Q,</hi> May 5, 1900,
p. 353.
</ab><ab rend="right">(<hi rend="italic">621-N1906a</hi>   </ab>
<ab rend="small">
Echoes of Dryden, Virgil, Homer, Lucretius in El and PP.
</ab><lb/>
<anchor xml:id="bib621a"/>
<ab type="implicit"><hi rend="bold">1901.</hi> A. Serena. In his <hi rend="italic">Alessandro Pope e i traduttori veneti
dall'inglese.</hi> Treviso, 1901.
</ab><ab rend="right">(<hi rend="italic">621a-N1909a</hi>   </ab>
<ab rend="small">
According to Fucilla (<ref target="#bib950">#950</ref>) Serena mentions
some versions from Gray by Osvaldo Tossadoni. I have been unable to find
either Serena or Tossadoni.
</ab><lb/>
<anchor xml:id="bib622"/><ab type="implicit">
Tho. Herbert Warren. "Gray and Dante." (1901) Reprinted in his
<hi rend="italic">Essays of poets and poetry. . .</hi> See also p. vi.
</ab><ab rend="right">(<hi rend="italic">622-<ref target="/texts/diglib/secondary/NoC_1917/1/241#bib1910">N1910</ref></hi>   </ab>
<anchor xml:id="bib623"/>
<ab type="implicit"><hi rend="bold">1902.</hi> J[ohn]. H[epburn]. Millar. In his <hi rend="italic">The mid-eighteenth
century.</hi> New York: Scribner's, 1902.
</ab><ab rend="right">(<hi rend="italic">623-N1910a</hi>   </ab>
<ab rend="small">
Gray as a poet, pp. 192-95, as a letter-writer, pp. 304-06.
</ab><lb/>
<anchor xml:id="bib624"/>
<ab type="implicit"><hi rend="bold">1903.</hi> D[avid]. Nichol Smith. In his <hi rend="italic">Eighteenth century essays on
Shakespeare.</hi> Glasgow: Jas MacLehose, 1903, p. xxxiv.
</ab><ab rend="right">(<hi rend="italic">624-N1921a</hi>   </ab>
<anchor xml:id="bib625"/>
<ab type="implicit"><hi rend="bold">1904.</hi> Leslie Stephen. In his <hi rend="italic">English literature and society in the
eighteenth century</hi> (Ford Lectures, 1903). London: Duckworth; New York:
Putnam's, 1904, pp. 17, 172, 174-75, 177, 210, 214.
</ab><ab rend="right">(<hi rend="italic">625-N1921b</hi>   </ab>
<ab rend="small">
Gray's interest in scholarship, Norse myth, and Ossian.
</ab><lb/>
<anchor xml:id="bib626"/><ab type="implicit">
Stephen L. Gwynn. "Young, Thomson, Collins, and Gray." In his <hi rend="italic">The
masters of English literature.</hi> London: Macmillan, 1904.
</ab><ab rend="right">(<hi rend="italic">626-N1924a</hi>   </ab>
<ab rend="small">
Revised eds., Macmillan, 1908, 1925.
</ab><lb/>
<anchor xml:id="bib627"/><ab type="implicit">
Geo. Saintsbury. In his <hi rend="italic">A history of criticism and literary taste in
Europe. . .</hi></ab>
<ab rend="right">(<hi rend="italic">627-<ref target="/texts/diglib/secondary/NoC_1917/1/243#bib1928">N1928</ref></hi>   </ab>
<ab rend="small">
Reprinted in his <hi rend="italic">A history of English criticism, being the English chapters
of A history of criticism and literary taste in Europe.</hi> New York: Dodd,
Mead, [1911].
</ab><lb/>
<anchor xml:id="bib628"/><ab type="implicit">
Theodore Watts-Dunton. <hi rend="italic">. . .Poetry and the renascence of wonder. . .</hi>
1916. See also pp. 37, 231, 288-89.
</ab><ab rend="right">(<hi rend="italic">628-<ref target="/texts/diglib/secondary/NoC_1917/1/243#bib1929a">N1929a</ref></hi>   </ab>
<pb n="82" xml:id="p1-82"/>
<ab rend="small">
Rev. C. Northup, <hi rend="italic">JEGP,</hi> XVI (1917), 624-27.
</ab><lb/>
<anchor xml:id="bib628a"/>
<ab type="implicit"><hi rend="bold">1905.</hi> Alexandre Beljame and Emile Legouis. In their <hi rend="italic">Morceaux choisis
de littérature anglais, a l'usage des classes supérieures.</hi>
Paris: Hachette, 1905.
</ab><ab rend="right">(<hi rend="italic">628a-N1930a</hi>   </ab>
<anchor xml:id="bib629"/><ab type="implicit">
J[ohn]. S[emple]. Smart. In his <hi rend="italic">James Macpherson, an episode in
literature.</hi> London: David Nutt, 1905.
</ab><ab rend="right">(<hi rend="italic">629-N1934a</hi>   </ab>
<anchor xml:id="bib630"/>
<ab type="implicit"><hi rend="bold">1906.</hi> Chas Cestre. In his <hi rend="italic">La révolution française et
les poètes anglais (1789-1809)</hi>. Paris: Hachette, 1906.
</ab><ab rend="right">(<hi rend="italic">630-N1934b</hi>   </ab>
<anchor xml:id="bib631"/><ab type="implicit">
Emily J. Climenson, ed. In her <hi rend="italic">Elizabeth Montagu. . .</hi></ab>
<ab rend="right">(<hi rend="italic">631-<ref target="/texts/diglib/secondary/NoC_1917/1/243#bib1935">N1935</ref></hi>   </ab>
<ab rend="small">
Also publ. New York: Dutton, 1906.
</ab><lb/>
<anchor xml:id="bib632"/>
<ab type="implicit"><hi rend="bold">1907.</hi> F[ernand]. Baldensperger. In his <hi rend="italic">Etudes d'histoire
litteraire,</hi> I<hi rend="sup">e</hi> série. Paris: Hachette, 1907, p. 93.
</ab><ab rend="right">(<hi rend="italic">632-N1939a</hi>   </ab>
<ab rend="small">
Also 1910, p. 188.
</ab><lb/>
<anchor xml:id="bib633"/>
<ab type="implicit"><hi rend="bold">1908.</hi> Wm Page, ed. In his <hi rend="italic">The Victoria history of the County of
Buckingham.</hi> Vol. II: London: Constable, 1908, p. 199. Vol. III: London:
St. Catherine Press, 1925, pp. 302-30.
</ab><ab rend="right">(<hi rend="italic">633-<ref target="/texts/diglib/secondary/NoC_1917/1/245#bib1956">N1956</ref></hi>   </ab>
<anchor xml:id="bib634"/><ab type="implicit">
Guido Muoni. In his <hi rend="italic">Poesia notturna pre-romantica. La mente e la fama di
Gerolamo Cardano.</hi> Milano: Società Editrice Libraria, 1908, p. 43.
</ab><ab rend="right">YU   (<hi rend="italic">634-N1956a</hi>   </ab>
<anchor xml:id="bib634a"/>
<ab type="implicit"><hi rend="bold">1909.</hi> Lacy Collison-Morley. In his <hi rend="italic">Giuseppe Baretti: with an account
of his literary friendships and feuds in Italy and in England in the days of
Dr. Johnson.</hi> London: Murray, 1909. (Intro. by F. Marion Crawford)
</ab><ab rend="right">(<hi rend="italic">634a-N1960a</hi>   </ab>
<anchor xml:id="bib634b"/>
<ab type="implicit"><hi rend="bold">1910.</hi> Eugenio Donadoni. In his <hi rend="italic">Ugo Foscolo, pensatore, critico,
poeta: saggio.</hi> Palermo: Remo Sandron, 1910.
</ab><ab rend="right">(<hi rend="italic">634b-N1967a</hi>   </ab>
<ab rend="small">
Reprinted 1927 (ColU). Gray's influence on Foscolo, pp. 486-87.
</ab><lb/>
<anchor xml:id="bib635"/><ab type="implicit">
M[ark]. A[ntony]. De Wolfe Howe, ed. In his <hi rend="italic">Anthology Society. Journal of
the proceedings of the society which conducts The monthly anthology &amp;
Boston review, October 3, 1805, to July 2, 1811.</hi> Boston: Boston Athenaeum,
1910.
</ab><ab rend="right">(<hi rend="italic">635-N1968a</hi>   </ab>
<ab rend="small">
See <ref target="#bib593">#593</ref>.
</ab><lb/>
<anchor xml:id="bib636"/><ab type="implicit">
Grace Harriet Macurdy. "The classical element in Gray's poetry." In
<hi rend="italic">CW,</hi> IV (Dec. 3, 1910), 58-62.
</ab><ab rend="right">(<hi rend="italic">636-N1968b</hi>   </ab>
<ab rend="small">
Further comment by Kenneth C. M. Sills, 'A lesson from Gray's Elegy,'
<hi rend="italic">ibid.</hi> (Feb. 4, 1911), 116-17.
</ab><lb/>
<anchor xml:id="bib637"/><ab type="implicit">
Ralph Straus. "Dodsley, Gray, and Horace Walpole." In his <hi rend="italic">Robert
Dodsley, poet, publisher &amp; playwright.</hi> London: Lane, 1910,
pp. 153-68.
</ab><ab rend="right">(<hi rend="italic">637-N1973a</hi>   </ab>
<pb n="83" xml:id="p1-83"/>
<ab rend="small">
A discussion of Gray's relations with Dodsley. See also index.
</ab><lb/>
<anchor xml:id="bib638"/>
<ab type="implicit"><hi rend="bold">1911.</hi> Wm Jaggard. In his <hi rend="italic">Shakespeare bibliography: a dictionary of
every known issue of the writings of our national poet. . .</hi>
Stratford-on-Avon: Shakespeare Press, 1911, p. 499, col. 2.
</ab><ab rend="right">(<hi rend="italic">638-N1977a</hi>   </ab>
<ab rend="small">
Gray's annotated copy of Shakespeare's Works (London, 1740) at Warwick Castle.
</ab><lb/>
<anchor xml:id="bib639"/><ab type="implicit">
Harry Thurston Peck. In his <hi rend="italic">A history of classical philology from the
seventh century B. C. to the twentieth century A. D.</hi> New York: Macmillan,
1911, p. 371.
</ab><ab rend="right">(<hi rend="italic">639-N1979a</hi>   </ab>
<anchor xml:id="bib640"/><ab type="implicit">
Helene Richter. In her <hi rend="italic">Geschichte der englischen Romantik.</hi> Halle:
Niemeyer. Vol. I, 1911. Vol. II, 1916.
</ab><ab rend="right">(<hi rend="italic">640-N1979b</hi>   </ab>
<anchor xml:id="bib641"/><ab type="implicit">
Fr. Viglione. "Di alcune relazioni di Angelo Mazza con la letteratura
inglese." In <hi rend="italic">Fanfulla della Domenica,</hi> 22 gennaio, 1911, p. 2.
</ab><ab rend="right">(<hi rend="italic">641-N1980'</hi>   </ab>
<anchor xml:id="bib642"/>
<ab type="implicit"><hi rend="bold">1912.</hi> L[aurence]. C[hurton]. Collins. In his <hi rend="italic">Life and memoirs of
John Churton Collins.</hi> London: Lane, 1912.
</ab><ab rend="right">(<hi rend="italic">642-<ref target="/texts/diglib/secondary/NoC_1917/1/247#bib1980b">N1980b</ref></hi>   </ab>
<anchor xml:id="bib643"/><ab type="implicit">
Oliver Elton. In his <hi rend="italic">A survey of English literature, 1780-1830.</hi> London:
Arnold, 1912.
</ab><ab rend="right">(<hi rend="italic">643-N1980c</hi>   </ab>
<anchor xml:id="bib644"/><ab type="implicit">
Arthur Gray. "The times of Gray." In his <hi rend="italic">Cambridge and its
story.</hi> London: Methuen, 1912, pp. 246-65.
</ab><ab rend="right">(<hi rend="italic">644-N1980d</hi>   </ab>
<ab rend="small">
Reprinted as <hi rend="italic">Cambridge University: an episodical history.</hi> Cambridge:
Heffer, 1926, pp. 224-41. See also pp. 118, 198, 208, 242, 243, 248, 294 for
further material concerning Gray and his life at Cambridge.
</ab><lb/>
<anchor xml:id="bib645"/><ab type="implicit">
Raymond D. Havens. "Romantic aspects of the age of Pope." In
<hi rend="italic">PMLA,</hi> XXVII (1912), 307-08, 313.
</ab><ab rend="right">(<hi rend="italic">645-N1980e</hi>   </ab>
<ab rend="small">
Gray's interest in natural history and mountain scenery.
</ab><lb/>
<anchor xml:id="bib646"/><ab type="implicit">
Daniel Mornet. In his <hi rend="italic">Le Romantisme en France au XVIII<hi rend="sup">e</hi>
siècle.</hi> Paris: Hachette, 1912, pp. 115, 120, 272.
</ab><ab rend="right">(<hi rend="italic">646-N1983a</hi>   </ab>
<anchor xml:id="bib647"/>
<ab type="implicit"><hi rend="bold">1913.</hi> F[rancis]. M. Connell. In his <hi rend="italic">A text-book for the study of
poetry.</hi> New York: Allyn and Bacon, 1913. See pp. iv-v and index.
</ab><ab rend="right">(<hi rend="italic">647-N1987a</hi>   </ab>
<anchor xml:id="bib648"/>
<ab type="implicit"><hi rend="bold">1914.</hi> Arthur Grant. "Stoke Pogis and Thomas Gray." In his
<hi rend="italic">In the old paths. Memories of literary pilgrimages.</hi> Boston: Houghton,
1914, pp. 63-73.
</ab><ab rend="right">(<hi rend="italic">648-N1991b</hi>   </ab>
<ab rend="small">
An appreciative description of Stoke country and church and Gray's affection
for Stoke. Reprints omitted stanzas from El, p. [62]. See also pp. 20, 28, 29,
37, 42, 44, 49, 129, 135, 140-41, 150-51, 154, 155, 176, 212, 223, 275.
</ab><lb/>
<anchor xml:id="bib649"/><ab type="implicit">
Paget Toynbee. "Horace Walpole and 'Mrs. G.' Suggested solution of an
enigma." In The London <hi rend="italic">Daily Times,</hi> Apr. 13, 1914, p. 9.
</ab><ab rend="right">(<hi rend="italic">649-N1992b'</hi>   </ab>
<anchor xml:id="bib650"/>
<ab type="implicit"><hi rend="bold">1915.</hi> Wm Prideaux Courtney and David Nichol Smith. In their <hi rend="italic">A
bibliography of Samuel Johnson.</hi> Oxford: Clarendon, 1915.
</ab><ab rend="right">(<hi rend="italic">650-N1992c'</hi>   </ab>
<pb n="84" xml:id="p1-84"/>
<anchor xml:id="bib651"/><ab type="implicit">
Harold Milton Ellis. In his <hi rend="italic">Joseph Dennie and his circle. A study in
American literature from 1792 to 1812.</hi> Austin, Tex., 1915. (Bulletin of
the Univ. of Tex., no. 40, Studies in English, no. 3)
</ab><ab rend="right">(<hi rend="italic">651-N1992c''</hi>   </ab>
<anchor xml:id="bib652"/><ab type="implicit">
Eduard Engel. In his <hi rend="italic">Geschichte der englischen Literatur von den
Anfängen bis zur Gegenwart. Mit einem Anhang: Die nord-amerikanische
Literatur.</hi> Leipzig: Brandstetter, 1915.
</ab><ab rend="right">(<hi rend="italic">652-N1992c'''</hi>   </ab>
<anchor xml:id="bib653"/><ab type="implicit">
Alice M. Killen. In her <hi rend="italic">Le roman "terrifiant" ou roman
"noir" de Walpole à Anne Radcliffe et son influence sur la
littérature française jusqu'en 1840.</hi> Paris: Georges
Crès, 1915.
</ab><ab rend="right">(<hi rend="italic">653-N1992e</hi>   </ab>
<ab rend="small">
Reprinted Paris: Champion, 1923 (Bibliothèque de la Revue de
littérature comparée, no. 4).<lb/>
Rev. P. Van Tieghem, <hi rend="italic">RSH,</hi> XXXVIII (1924), 152.
</ab><lb/>
<anchor xml:id="bib654"/><ab type="implicit">
G[eo]. F[rancis]. Richardson. In his <hi rend="italic">A neglected aspect of the English
romantic revolt.</hi> In Univ. of Calif. Publications in Modern Philology, III
(May 20, 1915), 266, 320, 326-27, 347. Diss.
</ab><ab rend="right">(<hi rend="italic">654-N1993'</hi>   </ab>
<anchor xml:id="bib655"/>
<ab type="implicit"><hi rend="bold">1916.</hi> A[rthur]. C[hristopher]. Benson. "The secret of Gray."
In <hi rend="italic">Living Age,</hi> CCXCI (Dec. 23, 1916), 761-62, and in <hi rend="italic">Poetry
Review,</hi> VII (Dec. 1916), 385-86.
</ab><ab rend="right">(<hi rend="italic">655-N1993''</hi>   </ab>
<ab rend="small">
Gray did speak out; the real appeal of his poems 'lies in the passionate
individuality behind them' (the Epitaph in the El).
</ab><lb/>
<anchor xml:id="bib656"/><ab type="implicit">
Geo. Saintsbury. In his <hi rend="italic">The peace of the Augustans. A survey of eighteenth
century literature as a place of rest and refreshment.</hi> London: Bell, 1916.
</ab><ab rend="right">(<hi rend="italic">656-N1993h</hi>   </ab>
<ab rend="small">
Largely concerned with Gray as a letter-writer and poet.
</ab><lb/>
<anchor xml:id="bib657"/><ab type="implicit">
R. A. Taylor. "Gray and his friends." In <hi rend="italic">The London Quarterly
Review,</hi> CXXVI (Oct., 1916), 218-26.
</ab><ab rend="right">(<hi rend="italic">657-N1993i</hi>   </ab>
<anchor xml:id="bib658"/><ab type="implicit">
In The London <hi rend="italic">Daily Times,</hi> Nov. 22, 1916, p. 10.
</ab><ab rend="right">(<hi rend="italic">658-N1993j</hi>   </ab>
<ab rend="small">
The Gray bicentenary. See 'Poetry and war. Lord Crewe on generals and
romance.' <hi rend="italic">Ibid.,</hi> Dec. 16, p. 5.
</ab><lb/>
<anchor xml:id="bib659"/><ab type="implicit">
"Thomas Gray's birthplace." In The London <hi rend="italic">Daily Times,</hi>
Dec. 26, 1916, p. 3.
</ab><ab rend="right">(<hi rend="italic">659-N1993k</hi>   </ab>
<anchor xml:id="bib660"/>
<ab type="implicit"><hi rend="bold">1917.</hi> Marjorie Latta Barstow. In her <hi rend="italic">Wordsworth's theory of poetic
diction, a study of the historical and personal background of the Lyrical
ballads.</hi> New Haven: Yale Univ. Press; London: Oxford, 1917. (Yale Stud. in
Eng., LVII)
</ab><ab rend="right">(<hi rend="italic">660</hi>   </ab>
<anchor xml:id="bib661"/><ab type="implicit">
David H. Bishop. "The father of the Wartons." In <hi rend="italic">SAQ,</hi> XVI
(1917), 367.
</ab><ab rend="right">(<hi rend="italic">661</hi>   </ab>
<anchor xml:id="bib662"/><ab type="implicit">
The Dean of Norwich. "The bicentenary of Gray." In <hi rend="italic">The Cornhill
Magazine,</hi> n. s. XLII (Jan., 1917), 98-106.
</ab><ab rend="right">(<hi rend="italic">662</hi>   </ab>
<ab rend="small">
A general discussion of Gray as a literary man.
</ab>
<pb n="85" xml:id="p1-85"/>
<anchor xml:id="bib663"/><ab type="implicit">
John Drinkwater. "Thomas Gray." In his <hi rend="italic">Prose papers.</hi> London:
Elkin Mathews, 1917, pp. 94-108.
</ab><ab rend="right">(<hi rend="italic">663</hi>   </ab>
<ab rend="small">
A reprint of his intro. to <hi rend="italic">The poems of Thomas Gray,</hi> London: Dent, 1912
(<ref target="/texts/diglib/secondary/NoC_1917/1/9#bib49">N49</ref>).
Also reprinted in his <hi rend="italic">The muse in council. . .</hi> Boston, Houghton, 1925,
pp. [114]-125.
</ab><lb/>
<anchor xml:id="bib664"/><ab type="implicit">
J. Paul Kaufman. "Stockdale on Gray's productivity." In <hi rend="italic">MLN,</hi>
XXXII (1917), 439-40.
</ab><ab rend="right">(<hi rend="italic">664</hi>   </ab>
<ab rend="small">
Believes that Stockdale (<ref target="#bib556">#556</ref>) provides the
'first detailed explanation of the meagreness of Gray's literary production.'
</ab><lb/>
<anchor xml:id="bib665"/><ab type="implicit">
"Gray." In <hi rend="italic">The Living Age,</hi> CCXCII (Feb. 17, 1917), 418-23.
</ab><ab rend="right">(<hi rend="italic">665</hi>   </ab>
<ab rend="small">
Reprinted from <hi rend="italic">TLS,</hi> Dec. 21, 1916, pp. 617-18 (<ref target="/texts/diglib/secondary/NoC_1917/1/256#bib1993f">N1993f</ref>,
p. 256).
</ab><lb/>
<anchor xml:id="bib666"/><ab type="implicit">
C. A. Moore. "The return to nature in English poetry of the eighteenth
century." In <hi rend="italic">SP,</hi> XIV (1917), 265.
</ab><ab rend="right">(<hi rend="italic">666</hi>   </ab>
<anchor xml:id="bib667"/><ab type="implicit">
*H. P. Stokes. "Thomas Gray and his Cambridge relatives." In <hi rend="italic">The
Cambridge Review,</hi> XXXVIII (Jan. 17, 1917), 164-67.
</ab><ab rend="right">(<hi rend="italic">667</hi>   </ab>
<ab rend="small">
Corrects mistakes of Tovey and Gosse and prints a genealogical table of Gray
and his relatives.
</ab><lb/>
<anchor xml:id="bib668"/><ab type="implicit">
Lawrence E. Tanner "Thomas Gray." In <hi rend="italic">N&amp;Q,</hi> Jan. 13, 1917,
p. 32.
</ab><ab rend="right">(<hi rend="italic">668</hi>   </ab>
<ab rend="small">
A reply to McGovern (<ref target="/texts/diglib/secondary/NoC_1917/1/249#bib1993b">N1993b</ref>.
See also N1993b, p. 256) concerning Gray memorials at Cambridge and repeating
'tub of water' story. Further comment by J. B. McGovern, <hi rend="italic">N&amp;Q,</hi>
Feb. 3, 1917, p. 99; Edw. Bensly, <hi rend="italic">ibid.,</hi> Feb. 24, p. 153; Albert
Matthews, Mar. 24, p. 237 (refutes 'tub of water' story by quoting Kittredge,
<ref target="/texts/diglib/secondary/NoC_1917/1/241#bib1902">N1902</ref>).
</ab><lb/>
<anchor xml:id="bib669"/><ab type="implicit">
"News in brief." In The London <hi rend="italic">Daily Times,</hi> Apr. 18, 1917,
p. 5.
</ab><ab rend="right">(<hi rend="italic">669</hi>   </ab>
<ab rend="small">
See <ref target="#bib680">#680</ref>.
</ab><lb/>
<anchor xml:id="bib670"/>
<ab type="implicit"><hi rend="bold">1918.</hi> Laurence Binyon. In his <hi rend="italic">English poetry in its relation to
painting and the other arts.</hi> The British Academy third annual lecture on
art in relation to civilization. Henriette Hertz Trust. [From Proceedings of
the Brit. Acad., Vol. VIII.] London: Oxford, n. d. Read June 5, 1918.
</ab><ab rend="right">(<hi rend="italic">670</hi>   </ab>
<ab rend="small">
[1918.]<lb/>
Style of El (p. 16) and of Agrippina (p. 17).
</ab><lb/>
<anchor xml:id="bib670a"/><ab type="implicit">
Caroline Goad. In her <hi rend="italic">Horace in the English literature of the eighteenth
century.</hi> New Haven: Yale Univ. Press; London: Oxford, 1918, pp. 272, 288,
560-61, 572-73, 605. (Yale Studies in English, LVIII)
</ab><ab rend="right">(<hi rend="italic">670a</hi>   </ab>
<ab rend="small">
Rev. P. Van Tieghem, <hi rend="italic">RSH,</hi> XXX (1920), 205.
</ab><lb/>
<anchor xml:id="bib671"/><ab type="implicit">
Edmund Gosse. "The text of Gray's poems." In <hi rend="italic">TLS,</hi> May 24,
1918, p. 245.
</ab><ab rend="right">(<hi rend="italic">671</hi>   </ab>
<ab rend="small">
Comments on mistakes in his ed. which are corrected by Poole (<ref target="#bib51">#51</ref>). Reply by Paget Toynbee, pointing out errors in
Gosse's letter, June 6, p. 264.
</ab><lb/>
<anchor xml:id="bib672"/><ab type="implicit">
Alice I[sabel]. Hazeltine. In her <hi rend="italic">A study of William Shenstone and of his
critics, with fifteen of his unpublished poems and five of his unpublished
Latin inscriptions.</hi> 
<pb n="86" xml:id="p1-86"/>
Menasha, Wis: Geo. Banta, 1918, pp. 9, 18, 23-24, 25, 29, 32, 34, 36, 43, 45,
46, 50-51, 53.
</ab><ab rend="right">(<hi rend="italic">672</hi>   </ab>
<ab rend="small">
Points out debts of El to Shenstone and objects to Gray's criticism of
Shenstone.<lb/>
Rev. G. F. Whicher, <hi rend="italic">JEGP,</hi> XXI (1922), 549-51.
</ab><lb/>
<anchor xml:id="bib673"/><ab type="implicit">
A. Edw. Newton. In his <hi rend="italic">The amenities of book-collecting and kindred
affections.</hi> Boston: Atlantic Monthly Press, 1918.
</ab><ab rend="right">(<hi rend="italic">673</hi>   </ab>
<ab rend="small">
Includes an account of Wolfe's copy of the El.
</ab><lb/>
<anchor xml:id="bib674"/><ab type="implicit">
Fredk E. Pierce. In his <hi rend="italic">Currents and eddies in the English romantic
generation.</hi> New Haven: Yale Univ. Press; London: Oxford, 1918.
</ab><ab rend="right">(<hi rend="italic">674</hi>   </ab>
<anchor xml:id="bib675"/><anchor xml:id="bib676"/><anchor xml:id="bib677"/><ab type="implicit">
Robt Shafer. In his <hi rend="italic">The English ode to 1660. An essay in literary
history.</hi> Princeton: Univ. Press; London: Oxford, 1918. Diss.
</ab><ab rend="right">(<hi rend="italic">675-7</hi>   </ab>
<anchor xml:id="bib678"/><ab type="implicit">
Hor. Walpole. In <hi rend="italic">Supplement to the letters of Horace Walpole. . . together
with upwards of 150 letters addressed to Walpole between 1735 and 1796.</hi>
Chronologically arranged and edited with notes and indices by Paget
Toynbee. Oxford: Clarendon. Vols. I, II, 1918. Vol. III, 1926.
</ab><ab rend="right">(<hi rend="italic">678</hi>   </ab>
<ab rend="small">
A few previously unprinted refs. to Gray.<lb/>
Rev. Paul Yvon, <hi rend="italic">RAA,</hi> III (1926), 550-53.
</ab><lb/>
<anchor xml:id="bib679"/><ab type="implicit">
Sir Herbert Warren. "Thomas Gray, 'the poet of Cornhill'." In <hi rend="italic">The
Fortnightly Review,</hi> n. s. CIII, o. s. CIX (June, 1918), 866-74.
</ab><ab rend="right">(<hi rend="italic">679</hi>   </ab>
<ab rend="small">
Biographical and appreciative discussion, esp. of El. Delivered in Church of
St. Michael, Mar 22, 1918.
</ab><lb/>
<anchor xml:id="bib680"/><ab type="implicit">
"Thomas Gray's birthplace." In The London <hi rend="italic">Daily Times,</hi>
Mar. 9, 1918, p. 3.
</ab><ab rend="right">(<hi rend="italic">680</hi>   </ab>
<ab rend="small">
Unveiling of tablet, Mar. 22, at No. 39 Cornhill. See also <hi rend="italic">Daily Times,</hi>
Mar. 23, p. 3; Mar. 25, p. 5. See <ref target="#bib669">#669</ref>.
</ab><lb/>
<anchor xml:id="bib681"/>
<ab type="implicit"><hi rend="bold">1919.</hi> Irving Babbitt. In his <hi rend="italic">Rousseau and romanticism.</hi> Boston:
Houghton, 1919.
</ab><ab rend="right">(<hi rend="italic">681</hi>   </ab>
<ab rend="small">
Place of the El in the history of romantic melancholy.
</ab><lb/>
<anchor xml:id="bib681a"/><ab type="implicit">
"Blake's Designs for Gray. Light on their history." In The London
<hi rend="italic">Daily Times,</hi> Nov. 5, 1919, p. 15.
</ab><ab rend="right">(<hi rend="italic">681a</hi>   </ab>
<anchor xml:id="bib682"/><ab type="implicit">
Geo. B. Denton. "A stanza ascribed to Thomas Gray." In <hi rend="italic">MP,</hi>
XVII (1919), 55-56.
</ab><ab rend="right">(<hi rend="italic">682</hi>   </ab>
<ab rend="small">
Points out that fragments attributed to Gray by Tovey (<ref target="/texts/diglib/secondary/NoC_1917/1/8#bib45">N45</ref>,
<ref target="/texts/diglib/secondary/NoC_1917/1/200#bib1506">N1506</ref>)
on the strength of a reference by Mrs. Piozzi to 'Mr. Gray' were probably by
Robt Gray.
</ab><lb/>
<anchor xml:id="bib683"/><ab type="implicit">
Edw. Elgar. "Gray, Walpole, West and Ashton — the quadruple
alliance." In <hi rend="italic">TLS,</hi> Sept. 5, 1919, p. 473.
</ab><ab rend="right">(<hi rend="italic">683</hi>   </ab>
<ab rend="small">
Origin of the names adopted by the four friends and comments on <ref target="#bib436">#436-7</ref>.
</ab><lb/>
<anchor xml:id="bib684"/><ab type="implicit">
C[has]. R[obt]. L[eslie]. Fletcher. In his <hi rend="italic">Historical portraits.</hi>
Oxford: Clarendon. Vol. III, 1919.
</ab><ab rend="right">(<hi rend="italic">684</hi>   </ab>
<ab rend="small">
Biog. and Eckhardt portr., pp. 243-45.
</ab>
<pb n="87" xml:id="p1-87"/>
<anchor xml:id="bib685"/><ab type="implicit">
C[has]. H[arold]. Herford. In his <hi rend="italic">Norse myth in English poetry.</hi>
Manchester: Univ. Press, Longmans, Green, 1919, pp. 10-14.
</ab><ab rend="right">(<hi rend="italic">685</hi>   </ab>
<ab rend="small">
Discusses FS, Odin, PP, and Bard. 'Gray's "runic" poems appeared in
1768, and fairly started the Norse vogue.' (p. 14)
</ab><lb/>
<anchor xml:id="bib686"/><ab type="implicit">
John Livingston Lowes. In his <hi rend="italic">Convention and revolt in poetry.</hi> New
York: Houghton, 1919; London: Constable, 1930, pp. 291-92, 297.
</ab><ab rend="right">(<hi rend="italic">686</hi>   </ab>
<anchor xml:id="bib687"/><ab type="implicit">
Paul Elmer More. "Gray's letters." In his <hi rend="italic">With the wits.</hi>
Shelburne essays. Tenth series. Boston: Houghton, 1919, pp. 255-76.
</ab><ab rend="right">(<hi rend="italic">687</hi>   </ab>
<ab rend="small">
Reprinted from <hi rend="italic">Nation,</hi> XCVI (June 12, 1913), 592-95 (<ref target="/texts/diglib/secondary/NoC_1917/1/174#bib1286">N1286</ref>).
</ab><lb/>
<anchor xml:id="bib688"/><ab type="implicit">
Elizabeth Nitchie. In her <hi rend="italic">Vergil and the English poets.</hi> New York:
Columbia Univ. Press, 1919. (Col. Univ. Studies in Eng. and Compar. Lit.)
</ab><ab rend="right">(<hi rend="italic">688</hi>   </ab>
<anchor xml:id="bib689"/><ab type="implicit">
"Notes on sales." In <hi rend="italic">TLS,</hi> Nov. 14, 1919, p. 656.
</ab><ab rend="right">(<hi rend="italic">689</hi>   </ab>
<ab rend="small">
Grierson's discovery of the Duke of Hamilton's copy of Blake's <hi rend="italic">Designs.</hi>
</ab><lb/>
<anchor xml:id="bib690"/>
<ab type="implicit"><hi rend="bold">1920.</hi> Max von Boehn. In his <hi rend="italic">England im 18. Jahrhundert.</hi> Berlin:
Askanischer, 1920, pp. 495-96, 520.
</ab><ab rend="right">(<hi rend="italic">690</hi>   </ab>
<anchor xml:id="bib691"/><ab type="implicit">
*Stopford A. Brooke. "Collins and Gray." In his <hi rend="italic">Naturalism in
English poetry.</hi> New York: Dutton, 1920, pp. 42-66. See also pp. 2, 12, 28,
29, 32, 38, 41, 73, 81, 93, 94, 114, 162-66.
</ab><ab rend="right">(<hi rend="italic">691</hi>   </ab>
<ab rend="small">
Gray's use of the classics and nature, a comparison of the treatment of nature
in Gray and Wordsworth. Believes Gray was not as 'true' a poet as Collins.<lb/>
Rev. <hi rend="italic">Saturday Rev.</hi> CXXX (Aug. 14, 1920), 141; H. Gorman, N. Y. <hi rend="italic">Times
Bk. Rev.,</hi> Jan. 16, 1921, p. 14.
</ab><lb/>
<anchor xml:id="bib692"/><anchor xml:id="bib693"/><ab type="implicit">
C[arl]. [John] B[irch]. Burchardt. In his <hi rend="italic">Norwegian life and
literature. English accounts and views especially in the 19th century.</hi>
London: Oxford, 1920.
</ab><ab rend="right">(<hi rend="italic">692-3</hi>   </ab>
<anchor xml:id="bib694"/><ab type="implicit">
Louis Cazamian. In his <hi rend="italic">L'évolution psychologique et la
littérature en Angleterre 1660-1914.</hi> Paris: Alcan, 1920, pp. 134,
137.
</ab><ab rend="right">(<hi rend="italic">694</hi>   </ab>
<anchor xml:id="bib695"/><ab type="implicit">
Arundell Del Re. "Gray and Cambridge in 1769." In <hi rend="italic">TLS,</hi>
Sept. 23, 1920, p. 619.
</ab><ab rend="right">(<hi rend="italic">695</hi>   </ab>
<ab rend="small">
Quotes account of visit to Gray as described by Bonstetten (<ref target="/texts/diglib/secondary/NoC_1917/1/221#bib1674">N1674</ref>).
Reply discussing Gray's attachment to Miss Speed by Paget Toynbee, 'Bonstetten
on Gray,' <hi rend="italic">TLS,</hi> Sept. 30, p. 636.
</ab><lb/>
<anchor xml:id="bib696"/><ab type="implicit">
Chas Mills Gayley and Benj. Putnam Kurtz. In their <hi rend="italic">Methods and materials of
literary criticism, lyric, epic, and allied forms of poetry.</hi> Boston: Ginn,
1920.
</ab><ab rend="right">(<hi rend="italic">696</hi>   </ab>
<anchor xml:id="bib697"/><ab type="implicit">
*Marie-L. Herking. In her <hi rend="italic">Charles-Victor de Bonstetten, 1745-1832: sa vie,
ses oeuvres.</hi> Lausanne: La Concorde, 1920. Berne diss.
</ab><ab rend="right">UP   (<hi rend="italic">697</hi>   </ab>
<ab rend="small">
This consists of only pp. [9]-12, [211]-446. The entire thesis was printed
Lausanne: Imprimerie La Concorde, 1921 (UM). It contains a detailed account of
Bonstetten's friendship with Gray.<lb/>
</ab>
<pb n="88" xml:id="p1-88"/>
<ab rend="small">
Rev. P. Van Tieghem, <hi rend="italic">RSH,</hi> XXXII (1921), 145.
</ab><lb/>
<anchor xml:id="bib698"/><ab type="implicit">
Chas Herbert Huffman. In his <hi rend="italic">The eighteenth-century novel in theory and
practice.</hi> Dayton, Va.: Ruebush-Kieffer, [1920]. Va. diss.
</ab><ab rend="right">(<hi rend="italic">698</hi>   </ab>
<anchor xml:id="bib699"/><ab type="implicit">
Robt Lynd. "Gray and Collins." In his <hi rend="italic">The art of letters.</hi>
London: Unwin, 1920; New York: Scribner's, 1921, pp. 99-105.
</ab><ab rend="right">(<hi rend="italic">699</hi>   </ab>
<ab rend="small">
Concerned largely with the natural style of the El.
</ab><lb/>
<anchor xml:id="bib700"/><ab type="implicit">
Bliss Perry. In his <hi rend="italic">A study of poetry.</hi> Boston: Houghton, 1920.
</ab><ab rend="right">(<hi rend="italic">700</hi>   </ab>
<ab rend="small">
Gray's views on lyric poetry.
</ab><lb/>
<anchor xml:id="bib701"/><ab type="implicit">
Mark Van Doren. In his <hi rend="italic">The poetry of John Dryden.</hi> New York: Harcourt,
Brace and Howe, 1920.
</ab><ab rend="right">(<hi rend="italic">701</hi>   </ab>
<ab rend="small">
Gray's interest in Dryden. Reprinted New York: Holt, 1946.
</ab><lb/>
<anchor xml:id="bib702"/><ab type="implicit">
Robt C. Whitford. "Lexiphanes: satire's view of Doctor Johnson." In
<hi rend="italic">SAQ,</hi> XIX (1920), 148-49.
</ab><ab rend="right">(<hi rend="italic">702</hi>   </ab>
<ab rend="small">
Johnson's criticism of Gray 'roused the greatest storm of satirical
resentment.'
</ab><lb/>
<anchor xml:id="bib703"/>
<ab type="implicit"><hi rend="bold">1921.</hi> Edmund Kemper Broadus. In his <hi rend="italic">The laureateship: a study of the
office of poet laureate in England. With some account of the poets.</hi>
Oxford: Clarendon, 1921.
</ab><ab rend="right">(<hi rend="italic">703</hi>   </ab>
<ab rend="small">
Gray's refusal of the laureateship.
</ab><lb/>
<anchor xml:id="bib704"/><ab type="implicit">
Seymour De Ricci. In his <hi rend="italic">The book collector's guide, a practical handbook
of British and American bibliography.</hi> Philadelphia: Rosenbach, 1921.
</ab><ab rend="right">(<hi rend="italic">704</hi>   </ab>
<ab rend="small">
Describes first eds. of Eton, El, <hi rend="italic">Odes,</hi> Cand, Bentley's <hi rend="italic">Designs,</hi>
Music and lists their prices and owners.
</ab><lb/>
<anchor xml:id="bib705"/><ab type="implicit">
John W. Draper. "Queen Anne's Act: a note on English copyright." In
<hi rend="italic">MLN,</hi> XXXVI (1921), 149, 151, 152, 153.
</ab><ab rend="right">(<hi rend="italic">705</hi>   </ab>
<ab rend="small">
Mason's suit against Murray.
</ab><lb/>
<anchor xml:id="bib706"/><ab type="implicit">
Alice Galimberti. In her <hi rend="italic">Dante nel pensiero inglese con traduzioni
originale e 6 tavole fuori testo.</hi> Firenze: Le Monnier, 1921.
</ab><ab rend="right">(<hi rend="italic">706</hi>   </ab>
<ab rend="small">
Influence of Dante on Gray.
</ab><lb/>
<anchor xml:id="bib707"/><ab type="implicit">
S. H. Hamer. "Stoke Poges churchyard." In The London <hi rend="italic">Daily
Times,</hi> Feb. 1, 1921, p. 6.
</ab><ab rend="right">(<hi rend="italic">707</hi>   </ab>
<anchor xml:id="bib708"/><ab type="implicit">
Giuseppe Manacorda. In his <hi rend="italic">Studi foscoliani</hi> (postumo). Bari: Laterza
&amp; Figli, 1921, pp. 142, 143, 150, 153, 218, 287, 302-03.
</ab><ab rend="right">(<hi rend="italic">708</hi>   </ab>
<ab rend="small">
Influence of Gray on Foscolo.
</ab><lb/>
<anchor xml:id="bib709"/><ab type="implicit">
Paget Toynbee. "A Walpole allusion explained." In <hi rend="italic">TLS,</hi>
Oct. 20, 1921, p. 680.
</ab><ab rend="right">(<hi rend="italic">709</hi>   </ab>
<ab rend="small">
A thrust at the public's lack of enthusiasm for the Bard and PP.
</ab><lb/>
<anchor xml:id="bib710"/><ab type="implicit">
Geo. Edw. Woodberry. "Friend of Gray [West]." In his <hi rend="italic">Studies of a
litterateur.</hi> New York: Harcourt, Brace, 1921,
<pb n="89" xml:id="p1-89"/>
pp. 101-05.
</ab><ab rend="right">(<hi rend="italic">710</hi>   </ab>
<ab rend="small">
A revision of his rev. of Tovey in <hi rend="italic">Nation,</hi> LI (Oct. 9, 1890), 293-94
(<ref target="/texts/diglib/secondary/NoC_1917/1/8#bib45">N45</ref>).
</ab><lb/>
<anchor xml:id="bib711"/>
<ab type="implicit"><hi rend="bold">1922.</hi> Laurence Binyon. "The English ode." In <hi rend="italic">Essays by
divers hands.</hi> Being the transactions of the Royal Society of Literature of
the United Kingdom. N. s. Vol. II. Ed., Wm Ralph Inge. London: Oxford, 1922,
pp. 9, 12-13.
</ab><ab rend="right">(<hi rend="italic">711</hi>   </ab>
<anchor xml:id="bib712"/>
<ab type="implicit"><hi rend="italic">William Blake's Designs for Gray's poems.</hi> Reproduced full-size in
monochrome or colour from the unique copy belonging to. . . the Duke of
Hamilton with an introduction by H. J. C. Grierson. London: Oxford, 1922.
</ab><ab rend="right">(<hi rend="italic">712</hi>   </ab>
<ab rend="small">
Folio. 116 plates of mono., 6 of color. Limited ed. of 650 copies. In
intro. (pp. [5]-18) Grierson states that Blake enjoyed 'Gray's imaginative and
finished personifications and his feeling for the romantic element in older
Ehglish history, and. . . in. . . Celtic and Scandinavian myth and poetry.'
Much of the intro. and illus. for Spr., t-p of <hi rend="italic">Poems,</hi> Cat, Eton, LS
appear in <hi rend="italic">The Periodical,</hi> VIII (Feb., 1922), 165-66; (May 15),
[189]-95. See <ref target="#bib764a">#764a</ref>.<lb/>
Noted <hi rend="italic">TLS,</hi> May 4, 1922, p. 293. Rev. A. Clutton-Brock, London <hi rend="italic">Daily
Times,</hi> May 4, 1922, p. 16; E. Morley, <hi rend="italic">YWES,</hi> 1922, pp. 141-42;
G. Mullin, <hi rend="italic">Literary Rev.,</hi> III (Sept. 16, 1922), 22; J. St. Loe
Strachey, <hi rend="italic">Spectator,</hi> CXXVIII (May 27, 1922), 655-56; <hi rend="italic">TLS,</hi> May
11, 1922, p. 304; T. Craven, <hi rend="italic">New Republic,</hi> XXXIV (Apr. 11, 1923),
Spring Bk. Sec., Suppl. 10-11; G. Eglington. <hi rend="italic">International Studio,</hi>
LXXIX (Apr., 1924), 39-47.
</ab><lb/>
<anchor xml:id="bib713"/><ab type="implicit">
Clare I. Cogan. "John Trumbull, satirist." In <hi rend="italic">The Colonnade,</hi>
XIV (1919-1922), 80, 83-84. (Publ. by The Andiron Club)
</ab><ab rend="right">(<hi rend="italic">713</hi>   </ab>
<ab rend="small">
Trumbull's debt to Gray.
</ab><lb/>
<anchor xml:id="bib714"/><ab type="implicit">
*0swald Doughty. In his <hi rend="italic">English lyric in the age of reason.</hi> London:
Daniel O'Connor, 1922.
</ab><ab rend="right">(<hi rend="italic">714</hi>   </ab>
<ab rend="small">
A thorough discussion of Gray as a poet and his place in the romantic
movement. See esp. pp. 159-99.<lb/>
Rev. H. I'A. Faussett, <hi rend="italic">Bookman</hi> (Lond.), LXIII (Mar., 1923). 283-84;
F. Lucas, <hi rend="italic">New Statesman,</hi> XX (Jan. 6, 1923), 408; <hi rend="italic">TLS,</hi> Jan 18,
1923, 33-34.
</ab><lb/>
<anchor xml:id="bib715"/><ab type="implicit">
F[rancis]. Y[von]. Eccles. In his <hi rend="italic">Racine in England</hi> (Taylorian Lecture,
1921). Oxford: Clarendon, 1922, pp. 21-22.
</ab><ab rend="right">(<hi rend="italic">715</hi>   </ab>
<ab rend="small">
Gray's imitation of Racine in Agrippina.
</ab><lb/>
<anchor xml:id="bib716"/><ab type="implicit">
Raymond Dexter Havens. In his <hi rend="italic">The influence of Milton on English
poetry.</hi> Cambridge: Harvard Univ. Press, 1922.
</ab><ab rend="right">(<hi rend="italic">716</hi>   </ab>
<ab rend="small">
Rev. L. Bredvold, <hi rend="italic">MLN,</hi> XL (1925), 107.
</ab><lb/>
<anchor xml:id="bib717"/><ab type="implicit">
Maurice Hewlett. "A fair-weather apologue." In his <hi rend="italic">Extemporary
essays.</hi> London: Oxford, 1922, pp. 197-99.
</ab><ab rend="right">(<hi rend="italic">717</hi>   </ab>
<ab rend="small">
Discusses Gray's stoicism and his corres. with Butler of Andover.
</ab><lb/>
<anchor xml:id="bib718"/><ab type="implicit">
Fredk Clarke Prescott. In his <hi rend="italic">The poetic mind.</hi> New York: Macmillan,
1922.
</ab><ab rend="right">(<hi rend="italic">718</hi>   </ab>
<anchor xml:id="bib719"/><ab type="implicit">
Sir Arthur Quiller-Couch. In his <hi rend="italic">Studies in literature.</hi> Second
series. New York: Putnam's; Cambridge, Eng.: Univ. Press, 1922.
</ab><ab rend="right">(<hi rend="italic">719</hi>   </ab>
<anchor xml:id="bib720"/><ab type="implicit">
Herbert Schöffler. In his <hi rend="italic">Protestantismus und Literatur. Neue Wege zur
englischen Literatur des 18. Jahrhunderts.</hi> Leipzig: Tauchnitz, 1922.
</ab><ab rend="right">(<hi rend="italic">720</hi>   </ab>
<pb n="90" xml:id="p1-90"/>
<anchor xml:id="bib721"/><ab type="implicit">
*Chauncey Brewster Tinker. In his <hi rend="italic">Nature's simple plan</hi> (Vanuxem
Lectures). Princeton: Univ. Press; London: Oxford, 1922.
</ab><ab rend="right">(<hi rend="italic">721</hi>   </ab>
<ab rend="small">
Gray's place in the development of the theory of simplicity and the
eighteenth-century concept of primitive man, poetry, and poets (emphasizes
Bard and PP esp.).<lb/>
Rev. C. Van Doren, <hi rend="italic">Literary Rev.,</hi> II (June 3, 1922), 702; S. Sherman,
<hi rend="italic">Yale Rev.,</hi> n. s. XII (Jan. 1923), 403-07.
</ab><lb/>
<anchor xml:id="bib722"/><ab type="implicit">
Iolo A. Williams, ed. In his <hi rend="italic">By-ways round Helicon: a kind of
anthology.</hi> With an introduction by J. C. Squire. London: Heinemann, 1922.
</ab><ab rend="right">(<hi rend="italic">722</hi>   </ab>
<ab rend="small">
In index read p. <hi rend="italic">34</hi> for p. <hi rend="italic">4.</hi> Shows Gray's influence on minor
eighteenth-century poets.
</ab><lb/>
<anchor xml:id="bib723"/><ab type="implicit">
D[enys]. A[rthur]. Winstanley. In his <hi rend="italic">The University of Cambridge in the
eighteenth century.</hi> Cambridge: Univ. Press, 1922.
</ab><ab rend="right">(<hi rend="italic">723</hi>   </ab>
<anchor xml:id="bib724"/>
<ab type="implicit"><hi rend="bold">1923.</hi> John Bailey. In his <hi rend="italic">The continuity of letters.</hi> Oxford:
Clarendon, 1923, pp. 2, 43, 253, 270.
</ab><ab rend="right">(<hi rend="italic">724</hi>   </ab>
<ab rend="small">
Refs. in essays reprinted from <hi rend="italic">Essays and studies</hi> (Eng. Assoc.), II
(1911), 125; <hi rend="italic">Brit. Acad.,</hi> Warton Lecture on Eng. Poetry for 1919
(<ref target="#bib274">#274</ref>); <hi rend="italic">Fortnightly Rev.,</hi> CXVIII (July
1, 1922), 138.
</ab><lb/>
<anchor xml:id="bib725"/><ab type="implicit">
J. M. Beatty, Jr. "The English Lake District before Wordsworth." In
<hi rend="italic">SAQ,</hi> XXII (1923), 337-38.
</ab><ab rend="right">(<hi rend="italic">725</hi>   </ab>
<anchor xml:id="bib726"/><ab type="implicit">
Hugh I'Anson Fausset. In his <hi rend="italic">Studies in idealism.</hi> London: Dent; New
York: Dutton, 1923, pp. 137, 139, 140, 141, 142, 146.
</ab><ab rend="right">(<hi rend="italic">726</hi>   </ab>
<ab rend="small">
Gray's 'feeling for man or nature in their universal aspect.'
</ab><lb/>
<anchor xml:id="bib727"/><ab type="implicit">
Sir Edmund Gosse. "Blake and Gray." In his <hi rend="italic">More books on the
table.</hi> London: Heinemann; New York: Scribner, 1923, pp. 343-50.
</ab><ab rend="right">(<hi rend="italic">727</hi>   </ab>
<ab rend="small">
Discussion of <ref target="#bib712">#712</ref>. See also p. 173 and p. 319
(influence of El on Lamartine's <hi rend="italic">Le lac</hi>).
</ab><lb/>
<anchor xml:id="bib728"/><ab type="implicit">
Fredk M. Hopkins. "Book sales and rare books." In <hi rend="italic">The Literary
Review,</hi> June 30, 1923, p. 807.
</ab><ab rend="right">(<hi rend="italic">728</hi>   </ab>
<ab rend="small">
Discussion of Wise, <ref target="#bib5">#5</ref>.
</ab><lb/>
<anchor xml:id="bib729"/><anchor xml:id="bib730"/><ab type="implicit">
Percy Hazen Houston. In his <hi rend="italic">Doctor Johnson: a study in eighteenth century
humanism.</hi> Cambridge: Harvard Univ. Press, 1923.
</ab><ab rend="right">(<hi rend="italic">729-30</hi>   </ab>
<ab rend="small">
Discusses the value and significance of Johnson's criticism of Gray.
</ab><lb/>
<anchor xml:id="bib731"/><ab type="implicit">
Arthur H. Nethercot. "The reputation of Abraham Cowley (1660-1800)."
In <hi rend="italic">PMLA,</hi> XXXVIII (1923), 620, 640n.
</ab><ab rend="right">(<hi rend="italic">731</hi>   </ab>
<anchor xml:id="bib732"/><ab type="implicit">
Arthur [A. W. H.] Ponsonby. In his <hi rend="italic">English diaries: a review of English
diaries from the sixteenth to the twentieth century. . .</hi> London: Methuen;
New York: Doran, 1923.
</ab><ab rend="right">(<hi rend="italic">732</hi>   </ab>
<ab rend="small">
Gray's travels in France, 1739, and in the Lake country, 1769.
</ab><lb/>
<anchor xml:id="bib733"/><ab type="implicit">
H. M. Ridley. "Great friendships: V.—Thomas Gray and Horace
Walpole." In <hi rend="italic">The Canadian Magazine,</hi> LX (Feb., 1923),
<pb n="91" xml:id="p1-91"/>
328-32.
</ab><ab rend="right">(<hi rend="italic">733</hi>   </ab>
<ab rend="small">
Eckhardt portr., p. 330.
</ab><lb/>
<anchor xml:id="bib734"/><ab type="implicit">
[Sir] Chas Russell. "Dr. Johnson and Walpole." In <hi rend="italic">The Fortnightly
Review,</hi> n. s. CXIV (Oct., 1923), 659, 665.
</ab><ab rend="right">(<hi rend="italic">734</hi>   </ab>
<ab rend="small">
Believes that the <hi rend="italic">Life of Gray</hi> contributed to Walpole's dislike of
Johnson.
</ab><lb/>
<anchor xml:id="bib735"/><ab type="implicit">
*Edw. Douglas Snyder. In his <hi rend="italic">The Celtic revival in English literature
1760-1800.</hi> Cambridge: Harvard Univ. Press; London: Milford, 1923.
</ab><ab rend="right">(<hi rend="italic">735</hi>   </ab>
<ab rend="small">
A chapter on Gray as a dominant figure in the Celtic revival.<lb/>
Rev. E. Morley, <hi rend="italic">YWES,</hi> IV (1923), 195-96; H. Huscher, <hi rend="italic">Beibl.,</hi>
XXXV (June, 1924), 181-90; C. Northup, <hi rend="italic">SR,</hi> XXXII (1924), 505-07;
F. Pierce, <hi rend="italic">JEGP,</hi> XXIII (1924), 307-08; J. Tupper, <hi rend="italic">MLN,</hi> XXXIX
(1924), 125-26; E. Greenlaw, <hi rend="italic">SP,</hi> XXII (1925), 542; F. Wood, <hi rend="italic">ESt,</hi>
LXVII (1932), 132-34.
</ab><lb/>
<anchor xml:id="bib736"/><ab type="implicit">
Hor. Walpole. In his <hi rend="italic">Journal of the printing-office at Strawberry Hill.</hi>
Now first printed from the MS. of Horace Walpole. With notes by Paget
Toynbee. . . [London]: Printed at the Chiswick Press for Constable and Co. and
Houghton Mifflin Co., 1923.
</ab><ab rend="right">LC   (<hi rend="italic">736</hi>   </ab>
<ab rend="small">
Useful information on the <hi rend="italic">Odes</hi> of 1757, but see <ref target="#bib1083">#1083</ref>.
</ab><lb/>
<anchor xml:id="bib737"/>
<ab type="implicit"><hi rend="bold">1924.</hi> In the <hi rend="italic">Catalogue of the William Harris Arnold collection of
manuscripts, books and autograph letters to be sold by the order of Gertrude
Weld Arnold. . . Nov. 10-11, 1924.</hi> New York: Anderson Galleries, 1924,
nos. 372-375. [Books from Gray's library.]
</ab><ab rend="right">(<hi rend="italic">737</hi>   </ab>
<ab rend="small">
No. 372, <hi rend="italic">Poems</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/10#bib52">N52</ref>);
373, <hi rend="italic">Gotfr. Hegeniti itinerarium. . .</hi>, 1630; 374, Eustathius,
<hi rend="italic">Ismeniae et Ismenes. . .</hi>, 1644; 374A Francis Quarles, <hi rend="italic">Shepheard's
week,</hi> 1646; 375, G. J. Vossi. <hi rend="italic">Rhetorices contractae. . .</hi>, 1671.
</ab><lb/>
<anchor xml:id="bib738"/><ab type="implicit">
Alice Townsend Bidwell and Isabelle Denison Rosenstiel. In their <hi rend="italic">The places
of English literature: a literary guide to the British Isles.</hi> Boston:
Strafford, 1924.
</ab><ab rend="right">(<hi rend="italic">738</hi>   </ab>
<anchor xml:id="bib739"/><ab type="implicit">
*Gamaliel Bradford. "Bare souls. II: Thomas Gray." In <hi rend="italic">Harper's
Magazine,</hi> CXLVIII (May, 1924), 734-42.
</ab><ab rend="right">(<hi rend="italic">739</hi>   </ab>
<ab rend="small">
Eckhardt portr., p. 737; Sketch of Gray at age of 15, p. 739.<lb/>
Sympathetic discussion of Gray's character and tastes.<lb/>
Reprinted in his <hi rend="italic">Bare souls.</hi> New York: Harper, 1924, pp. 61-96.<lb/>
Rev. <hi rend="italic">Book Rev. Dig.,</hi> XX (1924), 77; <hi rend="italic">Bookman,</hi> LX (Dec., 1924),
490; S. Coblentz, <hi rend="italic">International Book Rev.,</hi> III (Dec., 1924), 11, 14
(portr.); P. Hutchinson, N. Y. <hi rend="italic">Times Bk. Rev.,</hi> Oct. 12, 1924, p. 1;
I. Paterson, N. Y. <hi rend="italic">Herald Trib.,</hi> Oct. 19, 1924, p. 4; A. Vernon,
<hi rend="italic">SRL,</hi> Dec. 6, 1924, 345-46; E. Wagenknecht, Boston <hi rend="italic">Transcript,</hi>
Oct. 4, 1924, p. 3; <hi rend="italic">Saturday Rev.,</hi> CXXXIX (Feb. 7, 1925), 139;
G. Greever, N. Y. <hi rend="italic">Evening Post Lit. Rev.,</hi> Oct. 25, 1924, p. 5.
</ab><lb/>
<anchor xml:id="bib740"/><ab type="implicit">
Harko G. De Maar. In his <hi rend="italic">A history of modern English romanticism.</hi>
Vol. I: <hi rend="italic">Elizabethan and modern romanticism in the eighteenth century.</hi>
London: Oxford, 1924.
</ab><ab rend="right">(<hi rend="italic">740</hi>   </ab>
<anchor xml:id="bib741"/><ab type="implicit">
Oswald Doughty. In his <hi rend="italic">Forgotten lyrics of the eighteenth century.</hi>
London: H. F. &amp; G. Witherby, 1924.
</ab><ab rend="right">(<hi rend="italic">741</hi>   </ab>
<ab rend="small">
Rev. F. Lucas, <hi rend="italic">New Statesman,</hi> XXIV (Feb. 28, 1925), 599-600.
</ab><lb/>
<anchor xml:id="bib742"/><ab type="implicit">
*John W. Draper. In his <hi rend="italic">William Mason, a study in eighteenth-century
culture.</hi> New York: N. Y. U. Press, 1924.
</ab><ab rend="right">(<hi rend="italic">742</hi>   </ab>
<pb n="92" xml:id="p1-92"/>
<ab rend="small">
A detailed account of Gray's friendship with and influence on Mason.<lb/>
Rev. B. Crawford, <hi rend="italic">PQ,</hi> IV (1925), 382; R. Martin, <hi rend="italic">RAA,</hi> III
(1925), 75-77; G. Moore-Smith, <hi rend="italic">MLR,</hi> XX (1925), 476-78; E. Morley,
<hi rend="italic">RES,</hi> I (1925), 497-98; <hi rend="italic">N&amp;Q,</hi> Apr. 4, 1925, p. 252;
<hi rend="italic">TLS,</hi> Mar. 12, 1925, p. 168; O. Shepard, <hi rend="italic">JEGP,</hi> XXV (1926),
99-102; A. McKillop, <hi rend="italic">MLN,</hi> XLII (Nov., 1927), 478-79.
</ab><lb/>
<anchor xml:id="bib743"/><ab type="implicit">
Geo. Fullerton Evans. "An overlooked sonnet." In <hi rend="italic">MLN,</hi> XXXIX
(1924), 184-85.
</ab><ab rend="right">(<hi rend="italic">743</hi>   </ab>
<anchor xml:id="bib744"/><ab type="implicit">
G. S. Gibbons. "[Tho.] Wharton, friend of Gray." In <hi rend="italic">N&amp;Q,</hi>
Oct. 18, 1924, p. 282.
</ab><ab rend="right">(<hi rend="italic">744</hi>   </ab>
<ab rend="small">
Replies by H. Askew, <hi rend="italic">N&amp;Q,</hi> Nov. 1, 1924, 319-21; Edw. Bensly,
<hi rend="italic">ibid.,</hi> p. 321.
</ab><lb/>
<anchor xml:id="bib745"/><ab type="implicit">
*Reinhard Haferkorn. In his <hi rend="italic">Gotik und Ruine in der englischen Dichtung des
18. Jahrhunderts.</hi> Leipzig: Tauchnitz, 1924. (Leipziger Beiträge zur
englischen Philologie, IV)
</ab><ab rend="right">(<hi rend="italic">745</hi>   </ab>
<ab rend="small">
Gray's connection with the Gothic movement.<lb/>
Rev. P. Aronstein, <hi rend="italic">Archiv,</hi> CXLIX (1925), 109-11; J. Pransen, <hi rend="italic">ES,</hi>
VII (Feb., 1925), 23-25; H. Flasdieck, <hi rend="italic">ESt,</hi> LXI (1926), 95-97;
G. Hübener, <hi rend="italic">Beibl.,</hi> XXXVII (Mar., 1926), 74-76.
</ab><lb/>
<anchor xml:id="bib746"/><ab type="implicit">
W[m]. J. Hughes. In his <hi rend="italic">Wales and the Welsh in English literature. From
Shakespeare to Scott.</hi> Wrexham: Hughes; London: Simpkins, Marshall,
Hamilton, Kent, 1924.
</ab><ab rend="right">(<hi rend="italic">746</hi>   </ab>
<ab rend="small">
Sources of Bard, Gray's acquaintance with contemporary Welsh scholars and
accounts of Welsh scenery.
</ab><lb/>
<anchor xml:id="bib747"/><ab type="implicit">
Thelma Louise Kellogg. In her <hi rend="italic">The life and works of John Davis,
1774-1853.</hi> Orono, Me.: Univ. Press, 1924. (Univ. of Me. Studies, 2d ser.,
No. 1. The Me. Bulletin, XXVI, No. 8)
</ab><ab rend="right">(<hi rend="italic">747</hi>   </ab>
<anchor xml:id="bib748"/><ab type="implicit">
Emile Legouis and Louis Cazamian. In their <hi rend="italic">Histoire de la
littérature anglaise.</hi> Paris: Hachette, 1924.
</ab><ab rend="right">(<hi rend="italic">748</hi>   </ab>
<anchor xml:id="bib749"/><ab type="implicit">
*Saunders Lewis. In his <hi rend="italic">A school of Welsh Augustans: being a study in
English influences on Welsh literature during part of the eighteenth
century.</hi> Wrexham: Hughes; London: Simpkin, Marshall, Hamilton, Kent,
1924. pp. 23, 39, 130, 131-32, 134, 139-44, 144-45.
</ab><ab rend="right">(<hi rend="italic">749</hi>   </ab>
<ab rend="small">
Useful discussion of the influence of Bard and El upon Evan Evans and other
Welsh writers. Points out errors in notes to Owen and Bard in Bell's ed. of
the Poems (<ref target="/texts/diglib/secondary/NoC_1917/1/50#bib335b">N335b</ref>).
</ab><lb/>
<anchor xml:id="bib750"/><ab type="implicit">
John Middleton Murry. "English poetry in the eighteenth century." In
his <hi rend="italic">Discoveries: essays in literary criticism.</hi> London: Collins, 1924,
pp. 163, 165-66, 173.
</ab><ab rend="right">(<hi rend="italic">750</hi>   </ab>
<anchor xml:id="bib751"/><ab type="implicit">
"Eden Phillpotts leaves the school of minor poets." In The New York
<hi rend="italic">Times Book Review,</hi> Feb. 24, 1924, p. 11.
</ab><ab rend="right">(<hi rend="italic">751</hi>   </ab>
<anchor xml:id="bib752"/><ab type="implicit">
*Eric Partridge. In his <hi rend="italic">Eighteenth century English romantic poetry (up till
the publication of the "Lyrical ballads," 1798).</hi> Paris:
Champion, 1924.
</ab><ab rend="right">(<hi rend="italic">752</hi>   </ab>
<ab rend="small">
Gray 'did more to forward the cause of Romanticism than any writer whose main
work appeared before 1760.'<lb/>
Rev. E. Morley, <hi rend="italic">YWES,</hi> V (1924), 228-29; <hi rend="italic">N&amp;Q,</hi> Feb. 7, 1925,
p. 107.
</ab><lb/>
<anchor xml:id="bib753"/><ab type="implicit">
E. Allison Peers. "Minor English influences on Spanish
<pb n="93" xml:id="p1-93"/>
romanticism." In <hi rend="italic">Revue Hispanique,</hi> LXII (1924), [440], 449.
</ab><ab rend="right">(<hi rend="italic">753</hi>   </ab>
<ab rend="small">
Rev. P. Van Tieghem, <hi rend="italic">RSH,</hi> XLII (1926), 139-40.
</ab><lb/>
<anchor xml:id="bib754"/><ab type="implicit">
Tho. Quayle. In his <hi rend="italic">Poetic diction, a study of eighteenth century
verse.</hi> London: Methuen, 1924.
</ab><ab rend="right">(<hi rend="italic">754</hi>   </ab>
<ab rend="small">
Gray's use of compounds, personification, and poetic diction.<lb/>
Rev. <hi rend="italic">TLS,</hi> Dec. 25, 1924, p. 882; F. Lucas, <hi rend="italic">New Statesman,</hi> XXIV
(Feb. 28, 1925), 599-600.
</ab><lb/>
<anchor xml:id="bib755"/><ab type="implicit">
*Harold Wm Vazeille Temperley. "Two legends connected with Thomas
Gray." In <hi rend="italic">In memoriam Aldolphus William Ward, Master of Peterhouse,
1900-1924.</hi> Cambridge: Univ. Press, 1924.
</ab><ab rend="right">(<hi rend="italic">755</hi>   </ab>
<ab rend="small">
'His departure from Peterhouse,' pp. 103-12; 'Wolfe and Gray's <hi rend="italic">Elegy,</hi>'
pp. 113-23.<lb/>
Comment by John Beresford. 'The character of the poet Gray,' <hi rend="italic">TLS,</hi>
Dec. 25, 1924, p. 885 (Gray's praise of Wolfe).
</ab><lb/>
<anchor xml:id="bib756"/><ab type="implicit">
*Paul Van Tieghem. In his <hi rend="italic">Le préromantisme: études d'histoire
littéraire européenne.</hi> Vol. I: Paris: Rieder, 1924. Vol. II:
Paris: Alcan, 1930.
</ab><ab rend="right">(<hi rend="italic">756</hi>   </ab>
<ab rend="small">
Vol I, discussion of Gray's 'Northern' odes. Vol. II contains a reprint of
<ref target="#bib284">#284</ref>.
</ab><lb/>
<anchor xml:id="bib757"/><ab type="implicit">
Robt. C. Whitford. "A little Lyttelton." In <hi rend="italic">PQ,</hi> III (1924),
306-07.
</ab><ab rend="right">(<hi rend="italic">757</hi>   </ab>
<ab rend="small">
Discusses Campbell's attitude toward Gray, <ref target="#bib553">#553</ref>.
</ab><lb/>
<anchor xml:id="bib758"/><ab type="implicit">
Maud Wyndham. In her <hi rend="italic">Chronicles of the eighteenth century. Founded on the
correspondence of Sir Thomas Lyttelton and his family.</hi> London: Clay;
Boston: Houghton, 1924, 2v.
</ab><ab rend="right">(<hi rend="italic">758</hi>   </ab>
<ab rend="small">
Gray's comments on the <hi rend="italic">Monody</hi> and knowledge of the Lytteltons.
</ab><lb/>
<anchor xml:id="bib759"/><ab type="implicit">
Paul Yvon. In his <hi rend="italic">Horace Walpole as a poet: the poetical ideals of a
gentleman-author in the 18 century.</hi> Paris: Presses Universitaires de
France, 1924, pp. vii, 11, 12-13, 13-16, 18, 19, 30, 36, 44-45, 50, 51, 57n,
58, 61-62, 66n, 68-69, 98, 109, 110-11, 120n, 130, 142, 158, 204, 206.
</ab><ab rend="right">(<hi rend="italic">759</hi>   </ab>
<anchor xml:id="bib760"/><ab type="implicit">
*Paul Yvon. In his <hi rend="italic">La vie d'un dilettante: Horace Walpole
(1717-1797). Essai de biographie psychologique et littéraire.</hi>
Paris: Presses Universitaires de France; London: Oxford, 1924.
</ab><ab rend="right">(<hi rend="italic">760</hi>   </ab>
<ab rend="small">
A thorough discussion of Gray's friendship with Walpole, their temperaments,
and Gray's influence on Walpole's taste, literary opinions, and research.<lb/>
Rev. R. Huchon, <hi rend="italic">RAA,</hi> II (Feb. 1925), 248-52; A. Killen <hi rend="italic">RLC,</hi> V
(Oct., 1925), 698-701.
</ab><lb/>
<anchor xml:id="bib761"/>
<ab type="implicit"><hi rend="bold">1925.</hi> H. J. Ayliffe. "Criticism of Gray." In <hi rend="italic">N&amp;Q,</hi>
June 6, 1925, p. 407.
</ab><ab rend="right">(<hi rend="italic">761</hi>   </ab>
<anchor xml:id="bib762"/><ab type="implicit">
Benj. H. Bissell. In his <hi rend="italic">The American Indian in English literature of the
eighteenth century.</hi> New Haven: Yale Univ. Press; London: Oxford, 1925,
p. 205. (Yale Studies in English, LXVIII)
</ab><ab rend="right">(<hi rend="italic">762</hi>   </ab>
<anchor xml:id="bib763"/><ab type="implicit">
A[lex]. F[redk]. B[ruce]. Clark. In his <hi rend="italic">Boileau and</hi>
<pb n="94" xml:id="p1-94"/>
<hi rend="italic">the French classical critics in England (1660-1830).</hi> Paris: Champion,
1925. (Bibliothèque de la RLC, XIX)
</ab><ab rend="right">(<hi rend="italic">763</hi>   </ab>
<anchor xml:id="bib764"/><ab type="implicit">
Harry Hayden Clark. "The literary influences of Philip Freneau." In
<hi rend="italic">SP,</hi> XXII (1925), 7, 11, 12, 13, 18, 20, 21, 22, 27.
</ab><ab rend="right">(<hi rend="italic">764</hi>   </ab>
<ab rend="small">
Freneau's imitations of El, Cat, FS.
</ab><lb/>
<anchor xml:id="bib764a"/><ab type="implicit">
"Herbert J. C. Grierson. "Blake and Gray." In his <hi rend="italic">The
background of English literature.</hi> London: Chatto &amp; Windus, 1925,
pp. 2OO-55.
</ab><ab rend="right">(<hi rend="italic">764a</hi>   </ab>
<ab rend="small">
A comparison of Blake and Gray and a discussion of why Blake was interested in
illustrating Gray's poems. Revision of intro. to <ref target="#bib712">#712</ref>.<lb/>
Rev. R. Herring, <hi rend="italic">LM,</hi> XIII (Mar. 1926), 552-54. <hi rend="italic">TLS,</hi> Mar. 11,
1926, p. 179; J. Zeitlin, N. Y. <hi rend="italic">Herald Trib.,</hi> Oct. 3, 1926, p. 25.
</ab><lb/>
<anchor xml:id="bib765"/><ab type="implicit">
Alfred C. Hunter. In his <hi rend="italic">J.-B.-A. Suard; un introducteur de la
littérature anglaise en France.</hi> Paris: Champion, 1925.
</ab><ab rend="right">(<hi rend="italic">765</hi>   </ab>
<ab rend="small">
Discusses the Necker transl. of the El (<ref target="/texts/diglib/secondary/NoC_1917/1/100#bib739">N739</ref>)
and the influence of Gray on Suard.<lb/>
Rev. P. Van Tieghem, <hi rend="italic">RSH,</hi> XL (1925), 134-35; F. C. M., <hi rend="italic">EHR,</hi> XLI
(1926), 633.
</ab><lb/>
<anchor xml:id="bib766"/><ab type="implicit">
W[m]. P[aton]. Ker. In his <hi rend="italic">Collected essays</hi> (Intro. by
Chas. Whibley). London: Macmillan, 1925, I, 81, 89, 101, 113, 114-15, 116,
117, 120, 129, 130, 132, 279.
</ab><ab rend="right">(<hi rend="italic">766</hi>   </ab>
<anchor xml:id="bib767"/><ab type="implicit">
R. W. King. "Italian influence on English scholarship and literature
during the 'romantic revival'." In <hi rend="italic">MLR,</hi> XX (1925), 51-52, 54, 56,
57, 301.
</ab><ab rend="right">(<hi rend="italic">767</hi>   </ab>
<ab rend="small">
Gray's knowledge of Italian.
</ab><lb/>
<anchor xml:id="bib768"/><ab type="implicit">
Elizabeth Wheeler Manwaring. In her <hi rend="italic">Italian landscape in eighteenth century
England, a study chiefly of the influence of Claude Lorrain and Salvator Rosa
on English taste 1700-1800.</hi> New York: Oxford Univ. Press, 1925.
</ab><ab rend="right">(<hi rend="italic">768</hi>   </ab>
<ab rend="small">
Rev. B. Fehr, <hi rend="italic">Beibl.,</hi> XXXVI (1925), 295-304; H. Flasdieck,
<hi rend="italic">Literaturblatt für germ. u. rom. Phil.,</hi> XLVII (Nov., 1926),
353-54.
</ab><lb/>
<anchor xml:id="bib769"/><ab type="implicit">
Arthur Hobart Nethercot. "The attitude toward 'metaphysical' poetry in
neo-classical England." In Chicago <hi rend="italic">Abstracts of theses 1922-1923,</hi>
I (1925), 396.
</ab><ab rend="right">(<hi rend="italic">769</hi>   </ab>
<anchor xml:id="bib770"/><ab type="implicit">
Arthur H. Nethercot. "The reputation of the 'metaphysical poets' during
the age of Johnson and the 'romantic revival'." In <hi rend="italic">SP,</hi> XXII
(1925), 95, 98, 105, 112.
</ab><ab rend="right">(<hi rend="italic">770</hi>   </ab>
<anchor xml:id="bib771"/><anchor xml:id="bib772"/><ab type="implicit">
E[va]. M. Phillips. "Sainte-Beuve and the English pre-romantics." In
<hi rend="italic">Aberystwyth studies.</hi> By members of the University College of
Wales. Vol. VII. Aberystwyth: Univ. of Wales Press Board, 1925, pp. 51-53, 55.
</ab><ab rend="right">(<hi rend="italic">771-2</hi>   </ab>
<ab rend="small">
Sainte-Beuve 'felt a close affinity between himself and Gray. . . .'
</ab><lb/>
<anchor xml:id="bib773"/><ab type="implicit">
J[acob]. Prinsen. In his <hi rend="italic">De roman in de 18<hi rend="sup">e</hi> eeuw in
West-Europa.</hi> Groningen: Wolters, 1925.
</ab><ab rend="right">(<hi rend="italic">773</hi>   </ab>
<ab rend="small">
Gray's place in the 'graveyard school' and fondness for spectacular scenery.
</ab>
<pb n="95" xml:id="p1-95"/><ab type="implicit">
Mats [Algot] Redin. In his <hi rend="italic">Word-order in English verse from Pope to
Sassoon</hi> (Uppsala Universitets Arsskrift) Uppsala: Lundequistka Bokhandeln,
1925, pp. 12, 13, 21, 23, 25-28 <hi rend="italic">passim,</hi> 30-32 <hi rend="italic">passim,</hi> 34, 36-38
<hi rend="italic">passim,</hi> 45, 49-51 <hi rend="italic">passim,</hi> 53, 59, 61, 64n, 67-70 <hi rend="italic">passim,</hi>
74, 80, 85, 90-94 <hi rend="italic">passim,</hi> 99, 102, 115n, 119, 123, 127, 130, 131, 133,
134, 136, 140-44 <hi rend="italic">passim,</hi> 150-52 <hi rend="italic">passim,</hi> 156, 160, 162, 172, 174,
179-87 <hi rend="italic">passim,</hi> 190, 199-201 <hi rend="italic">passim.</hi></ab>
<ab rend="right">(<hi rend="italic">774</hi>   </ab>
<ab rend="small">
Rev. J. Marik, <hi rend="italic">Beibl.,</hi> XXXVIII (Sept., 1927), 293-95.
</ab><lb/>
<anchor xml:id="bib775"/><ab type="implicit">
Gertrude M. Ridgway. "The book world of the XVII and XVIII century."
In <hi rend="italic">The Book Collector's Quarterly,</hi> No. 3, Apr., 1925, pp. 11-12.
</ab><ab rend="right">(<hi rend="italic">775</hi>   </ab>
<anchor xml:id="bib776"/><ab type="implicit">
"The prelude to romanticism." In <hi rend="italic">TLS,</hi> Aug. 13, 1925,
pp. 525-26.
</ab><ab rend="right">(<hi rend="italic">776</hi>   </ab>
<anchor xml:id="bib777"/><ab type="implicit">
Paul Van Tieghem. In his <hi rend="italic">Précis d'histoire littéraire de
l'Europe depuis la renaissance.</hi> Paris: Alcan, 1925.
</ab><ab rend="right">(<hi rend="italic">777</hi>   </ab>
<ab rend="small">
See <ref target="#bib1177">#1177</ref>.
</ab><lb/>
<anchor xml:id="bib777a"/><ab type="implicit">
Stanley T. Williams. "Landor's criticism in poetry." In <hi rend="italic">MLN,</hi>
XL (1925), 415, 416.
</ab><ab rend="right">(<hi rend="italic">777a</hi>   </ab>
<anchor xml:id="bib778"/>
<ab type="implicit"><hi rend="bold">1926.</hi> *John Beresford. "The author of the 'Elegy'." In <hi rend="italic">The
Edinburgh Review,</hi> CCXLIV (July, 1926), 121-34.
</ab><ab rend="right">(<hi rend="italic">778</hi>   </ab>
<ab rend="small">
An appreciation of Gray's letters and poetry.<lb/>
Reprinted in Beresford's <hi rend="italic">Mr. Du Quesne and other essays,</hi> London:
Oxford, 1932, pp. 107-29 (See also index.).<lb/>
Comment by E. Morley, <hi rend="italic">YWES,</hi> VII (1926), 248.
</ab><lb/>
<anchor xml:id="bib779"/><ab type="implicit">
John Beresford. "The poet Gray and the Rev. Henry Etough." In
<hi rend="italic">TLS,</hi> July 22, 1926, pp. 495-96.
</ab><ab rend="right">(<hi rend="italic">779</hi>   </ab>
<anchor xml:id="bib780"/><ab type="implicit">
Frederic T. Blanchard. In his <hi rend="italic">Fielding the novelist, a study in historical
criticism.</hi> New Haven: Yale Univ. Press; London: Oxford, 1926.
</ab><ab rend="right">(<hi rend="italic">780</hi>   </ab>
<ab rend="small">
Gray's opinion of Fielding, Richardson, Marivaux, Crébillon.
</ab><lb/>
<anchor xml:id="bib781"/><ab type="implicit">
Crane Brinton. In his <hi rend="italic">The political ideas of the English romanticists.</hi>
London: Oxford, 1926, pp. 9, 11.
</ab><ab rend="right">(<hi rend="italic">781</hi>   </ab>
<anchor xml:id="bib782"/><ab type="implicit">
John Epes Brown, comp. In <hi rend="italic">The critical opinions of Samuel Johnson. A
compilation and interpretation of Dr. Johnson's principles of
criticism. . . and his opinions of authors and works. . .</hi> Princeton:
Univ. Press; London: Oxford, 1926, pp. 361-66.
</ab><ab rend="right">(<hi rend="italic">782</hi>   </ab>
<anchor xml:id="bib783"/><ab type="implicit">
V[ictor]. F[rancis]. Calverton. In his <hi rend="italic">Sex espression in literature.</hi>
New York: Boni &amp; Liveright, 1926.
</ab><ab rend="right">(<hi rend="italic">783</hi>   </ab>
<ab rend="small">
Johnson's objection to Gray's poetry.
</ab><lb/>
<anchor xml:id="bib784"/><anchor xml:id="bib785"/><ab type="implicit">
"A poet musician." In <hi rend="italic">The Etude,</hi> XLIV (July, 1926), 531.
</ab><ab rend="right">(<hi rend="italic">784-5</hi>   </ab>
<ab rend="small">
Krehbiel's essay on Gray (<ref target="/texts/diglib/secondary/NoC_1917/1/239#bib1886">N1886</ref>).
</ab><lb/>
<anchor xml:id="bib786"/><ab type="implicit">
J[ohn]. W[m]. Mackail. In his <hi rend="italic">Studies of English poets.</hi> London:
Longmans, 1926, pp. 71, 86, 89, 117, 119, 139, 143-
<pb n="96" xml:id="p1-96"/>
44, 145, 148, 149-51, 154, 156.
</ab><ab rend="right">(<hi rend="italic">786</hi>   </ab>
<ab rend="small">
Gray's comments on Pope, Thomson, Young, Collins and a comparison of Gray and
Collins.
</ab><lb/>
<anchor xml:id="bib786a"/><ab type="implicit">
In <hi rend="italic">Satirical poems published anonymously by William Mason, with notes by
Horace Walpole. Now first printed from his manuscript.</hi> Edited. . . by
Paget Toynbee. Oxford: Clarendon, 1926.
</ab><ab rend="right">(<hi rend="italic">786a</hi>   </ab>
<ab rend="small">
Rev. B. Dobrée, <hi rend="italic">Nation-Athen.,</hi> XXXIX (June 26, 1926), 12,
357-58; O. Doughty, <hi rend="italic">RES,</hi> III (July, 1927), 363-66; J. Draper,
<hi rend="italic">MLN,</hi> XLII (1927), 468-71.
</ab><lb/>
<anchor xml:id="bib787"/><ab type="implicit">
Eric Partridge. "Vicesimus Knox: His 'Essays moral and literary'."
In his <hi rend="italic">A critical medley. Essays, studies, and notes in English, French,
and comparative literature.</hi> Paris: Champion, 1926, p. 47.
</ab><ab rend="right">(<hi rend="italic">787</hi>   </ab>
<anchor xml:id="bib787a"/><ab type="implicit">
Annie Edwards Powell [Mrs. E. R. Dodds]. In her <hi rend="italic">The romantic theory of
poetry. An examination in the light of Croce's aesthetic.</hi> London: Arnold,
1926.
</ab><ab rend="right">(<hi rend="italic">787a</hi>   </ab>
<anchor xml:id="bib788"/><ab type="implicit">
Louis Reynaud. In his <hi rend="italic">Le Romantisme: ses origines anglo-germaniques;
influences étrangères et traditions nationales; le réveil
du génie français.</hi> Paris: Colin, 1926, pp. 118n, 135n, 136,
139, 150, 151, 185, 211, 221, 222.
</ab><ab rend="right">(<hi rend="italic">788</hi>   </ab>
<ab rend="small">
Gray's influence on French poets.
</ab><lb/>
<anchor xml:id="bib789"/><anchor xml:id="bib790"/><ab type="implicit">
*F. C. Roe. "Le voyage de Gray et Walpole en Italie." In <hi rend="italic">RLC,</hi>
VI (1926), 189-206.
</ab><ab rend="right">(<hi rend="italic">789-90</hi>   </ab>
<ab rend="small">
Compares their comments on the Alps with those of Addison, Richardson,
Goldsmith, and Gibbon and discusses the influence upon them of the
'sensibilité' of Rousseau. Treats their interest in Italian music,
Gothic cathedrals, antiquity.
</ab><lb/>
<anchor xml:id="bib791"/><ab type="implicit">
Lascelles Abercrombie. In his <hi rend="italic">Romanticism.</hi> London: Secker, 1926,
pp. 17, 18.
</ab><ab rend="right">(<hi rend="italic">791</hi>   </ab>
<anchor xml:id="bib792"/><ab type="implicit">
Paget Toynbee. "Gray at the Grande Chartreuse." In The London
<hi rend="italic">Daily Times,</hi> Mar. 1, 1926, p. 15.
</ab><ab rend="right">(<hi rend="italic">792</hi>   </ab>
<ab rend="small">
Dates Gray's second visit Aug. 21, 1741. Comment in <hi rend="italic">N&amp;Q,</hi> Mar. 6,
1926, p. 164.
</ab><lb/>
<anchor xml:id="bib793"/><ab type="implicit">
Paget Toynbee. "Horace Walpole on Gray." In The London <hi rend="italic">Daily
Times,</hi> July 30, 1926, p. 15.
</ab><ab rend="right">(<hi rend="italic">793</hi>   </ab>
<anchor xml:id="bib794"/><ab type="implicit">
Paget Toynbee. "Some Gray notes." In <hi rend="italic">TLS,</hi> Aug. 26, 1926,
p. 564.
</ab><ab rend="right">(<hi rend="italic">794</hi>   </ab>
<ab rend="small">
The identification of 'Whernside' or 'Waryside.' Comment by R. M. Robinson,
<hi rend="italic">TLS,</hi> Sept. 2, p. 580. See also <hi rend="italic">YWES,</hi> VII (1926), 250.
</ab><lb/>
<anchor xml:id="bib795"/><ab type="implicit">
A[rthur]. S[tanley]. Turberville. In his <hi rend="italic">English men and manners in the
eighteenth century, an illustrated narrative.</hi> Oxford: Clarendon, 1926,
pp. 2, 98.
</ab><ab rend="right">(<hi rend="italic">795</hi>   </ab>
<anchor xml:id="bib796"/><ab type="implicit">
Paget Toynbee, ed. <hi rend="italic">Supplement to the letters of. . . Walpole. . .</hi>
Vol. III, 1926. See <ref target="#bib678">#678</ref>.
</ab><ab rend="right">(<hi rend="italic">796</hi>   </ab>
<anchor xml:id="bib796a"/>
<ab type="implicit"><hi rend="bold">1927.</hi> A[rthur]. S[imons]. Collins. In his <hi rend="italic">Authorship in the days of
Johnson.</hi> London: Holden, 1927.
</ab><ab rend="right">(<hi rend="italic">796a</hi>   </ab>
<pb n="97" xml:id="p1-97"/>
<ab rend="small">
Reprinted New York: Dutton, 1929.<lb/>
Rev. <hi rend="italic">Saturday Rev.,</hi> CXLIII (June 25, 1927), 981.
</ab><lb/>
<anchor xml:id="bib797"/><ab type="implicit">
*Chas Hall Crouch. "Ancestry of Thomas Gray the poet." In <hi rend="italic">The
Genealogists' Magazine,</hi> III (Dec., 1927), 74-78.
</ab><ab rend="right">(<hi rend="italic">797</hi>   </ab>
<ab rend="small">
Gives a pedigree of Gray and traces the family back to Tho. and Matthew Gray,
c. 1678.
</ab><lb/>
<anchor xml:id="bib798"/><ab type="implicit">
Austin Dobson. In his <hi rend="italic">Horace Walpole, a memoir, with an appendix of books
printed at the Strawberry Hill press.</hi> Fourth edition, revised and enlarged
by Paget Toynbee. London: Oxford, 1927.
</ab><ab rend="right">(<hi rend="italic">798</hi>   </ab>
<ab rend="small">
Reprinted 1933. The original editions were in 1890, 1893, 1910.
</ab><lb/>
<anchor xml:id="bib799"/><ab type="implicit">
E[ric]. V[alentine]. Gordon. In his <hi rend="italic">An introduction to Old Norse.</hi>
Oxford: Clarendon, 1927, p. lxxii.
</ab><ab rend="right">(<hi rend="italic">799</hi>   </ab>
<ab rend="small">
Believes Gray did much to further the 'blood-thirsty Viking'
tradition. Regards Odin and FS as poor translations.
</ab><lb/>
<anchor xml:id="bib800"/><ab type="implicit">
Christopher Hussey. In his <hi rend="italic">The picturesque: studies in a point of view.</hi>
London: Putnam's, 1927.
</ab><ab rend="right">(<hi rend="italic">800</hi>   </ab>
<ab rend="small">
Discusses Gray's letters and Journal, which reveal him as a pioneer in the
appreciation of the picturesque in nature.<lb/>
Rev. <hi rend="italic">TLS,</hi> Dec. 1, 1927, p. 905.
</ab><lb/>
<anchor xml:id="bib801"/><ab type="implicit">
Jas C[hapman]. Johnston. In his <hi rend="italic">Biography: the literature of
personality.</hi> New York: Century, 1927.
</ab><ab rend="right">(<hi rend="italic">801</hi>   </ab>
<anchor xml:id="bib802"/><ab type="implicit">
John Livingston Lowes. In his <hi rend="italic">The road to Xanadu: a study in the ways of
the imagination.</hi> Boston: Houghton; London: Constable, 1927.
</ab><ab rend="right">(<hi rend="italic">802</hi>   </ab>
<anchor xml:id="bib803"/><ab type="implicit">
Hen. Mackenzie. In his <hi rend="italic">The anecdotes and egotisms of Henry Mackenzie,
1745-1831, now first published.</hi> Harold Wm Thompson, ed. London: Oxford,
1927.
</ab><ab rend="right">(<hi rend="italic">803</hi>   </ab>
<ab rend="small">
The anecdotes were written c. 1825.
</ab><lb/>
<anchor xml:id="bib804"/><ab type="implicit">
Laurie Magnus. In his <hi rend="italic">English literature in its foreign relations,
1300-1800.</hi> New York: Dutton; London: Paul, Trench, Trubner, 1927.
</ab><ab rend="right">(<hi rend="italic">804</hi>   </ab>
<anchor xml:id="bib805"/><ab type="implicit">
Eric Partridge, ed. In his <hi rend="italic">The three Wartons. A choice of their verse.</hi>
London: Scholartis Press, 1927, pp. 11, 14.
</ab><ab rend="right">(<hi rend="italic">805</hi>   </ab>
<ab rend="small">
The debt of Gray's Runic odes to the elder Wharton's poems on Regner Ladbrog
and Gray's comments on J. Warton.
</ab><lb/>
<anchor xml:id="bib806"/><ab type="implicit">
Eino Railo. In his <hi rend="italic">The haunted castle: a study of the elements of English
romanticism.</hi> London: Routlege; New York: Dutton, 1927, pp. v, 1, 4, 21,
22, 23, 47, 68, 74, 157, 321, 329.
</ab><ab rend="right">(<hi rend="italic">806</hi>   </ab>
<anchor xml:id="bib807"/><ab type="implicit">
T[ito]. Lucrezio Rizzo. In his <hi rend="italic">La poesia sepolcrale in Italia.</hi> Napoli:
Francesco Perella, 1927. (Biblioteca della "Rassegna," XI)
</ab><ab rend="right">(<hi rend="italic">807</hi>   </ab>
<anchor xml:id="bib808"/><ab type="implicit">
A[braham]. S[imon]. W[olf]. Rosenbach. In his <hi rend="italic">Books and </hi> 
<pb n="98" xml:id="p1-98"/>
<hi rend="italic">bidders, the adventures of a bibliophile.</hi> Boston: Little, Brown, 1927.
</ab><ab rend="right">(<hi rend="italic">808</hi>   </ab>
<ab rend="small">
The finding of a first ed. of the <hi rend="italic">Odes.</hi>
</ab><lb/>
<anchor xml:id="bib809"/><ab type="implicit">
Dorothy Margaret Stuart. In her <hi rend="italic">Horace Walpole.</hi> London: Macmillan,
1927. (Eng. Men of Letters)
</ab><ab rend="right">(<hi rend="italic">809</hi>   </ab>
<ab rend="small">
Rev. <hi rend="italic">New Statesman,</hi> XXX (Oct. 29, 1927), 82-84; R. Roberts,
<hi rend="italic">Bookman,</hi> LXXIII, (Nov., 1927), 122-23; W. Ovaa, <hi rend="italic">ES,</hi> X (1928),
186-87.
</ab><lb/>
<anchor xml:id="bib810"/><ab type="implicit">
"Stoke Court sold." In The London <hi rend="italic">Daily Times,</hi> June 27, 1927,
p. 24.
</ab><ab rend="right">(<hi rend="italic">810</hi>   </ab>
<ab rend="small">
The home of Jonathan Rogers.
</ab><lb/>
<anchor xml:id="bib811"/><ab type="implicit">
"The eighteenth century in verse." In <hi rend="italic">TLS,</hi> Nov. 10, 1927,
p. 798.
</ab><ab rend="right">(<hi rend="italic">811</hi>   </ab>
<anchor xml:id="bib812"/><ab type="implicit">
Paget Toynbee. "Gray's house in Cornhill." In The London <hi rend="italic">Daily
Times,</hi> June 29, 1927, p. 12.
</ab><ab rend="right">(<hi rend="italic">812</hi>   </ab>
<ab rend="small">
The burning of Gray's birthplace.
</ab><lb/>
<anchor xml:id="bib813"/><ab type="implicit">
Paget Toynbee. "Gray's imitation of Cowley." In <hi rend="italic">TLS,</hi> Oct. 20,
1927, p. 742.
</ab><ab rend="right">(<hi rend="italic">813</hi>   </ab>
<ab rend="small">
Corrects a mistake made by Gosse.
</ab><lb/>
<anchor xml:id="bib814"/><ab type="implicit">
Paget Toynbee. "Gray's visit to Oxfordshire in 1760." In <hi rend="italic">TLS,</hi>
July 21, 1927, p. 504; July 28, p. 520.
</ab><ab rend="right">(<hi rend="italic">814</hi>   </ab>
<ab rend="small">
The hostess of Gray and Miss Speed was Mrs. Hen. Jennings.
</ab><lb/>
<anchor xml:id="bib815"/><ab type="implicit">
Paget Toynbee. "The text of Norton Nicholls's 'Reminiscences of
Gray'." In <hi rend="italic">TLS,</hi> Sept. 1, 1927, p. 592.
</ab><ab rend="right">(<hi rend="italic">815</hi>   </ab>
<ab rend="small">
Errors in the eds. of Tovey and Mitford.
</ab><lb/>
<anchor xml:id="bib816"/><ab type="implicit">
Hor. Walpole. In his <hi rend="italic">Strawberry Hill accounts, a record of expenditure in
building, furnishing, &amp;c. kept by Mr. Horace Walpole from 1747 to
1795.</hi> Now first printed. . . by Paget Toynbee. Oxford: Clarendon, 1927.
</ab><ab rend="right">(<hi rend="italic">816</hi>   </ab>
<anchor xml:id="bib817"/><ab type="implicit">
Harry B. Weiss. "Thomas Gray's interest in entomology." In
<hi rend="italic">American Collector,</hi> III (Feb., 1927), 183-87.
</ab><ab rend="right">(<hi rend="italic">817</hi>   </ab>
<ab rend="small">
Gives a brief biog. account and prints Kirk's transl. (<ref target="#bib422">#422</ref>).
</ab><lb/>
<anchor xml:id="bib818"/><anchor xml:id="bib819"/><ab type="implicit">
*Leonard Whibley. "The jubilee at Pembroke Hall in 1743." <hi rend="italic">In
Blackwood's Magazine,</hi> CCXXI (1927), 104-15.
</ab><ab rend="right">(<hi rend="italic">818-9</hi>   </ab>
<ab rend="small">
Gray's invitation to Wharton and the relations between Gray and Smart.
</ab><lb/>
<anchor xml:id="bib820"/><ab type="implicit">
Leonard Whibley. "Thomas Gray and Norton Nicholls." In <hi rend="italic">TLS,</hi>
May 5, 1927, p. 318.
</ab><ab rend="right">(<hi rend="italic">820</hi>   </ab>
<ab rend="small">
Their first meeting was probably 'within a few days of June 13, 1762.' Comment
by R. Martin, <hi rend="italic">TLS,</hi> May 12, p. 336.
</ab><lb/>
<anchor xml:id="bib821"/><ab type="implicit">
*Leonard Whibley. "William Mason, poet and biographer."
<hi rend="italic">Blackwood's Magazine,</hi> CCXXII (1927), 514-27.
</ab><ab rend="right">(<hi rend="italic">821</hi>   </ab>
<ab rend="small">
Mason's editing of Gray's letters.
</ab><lb/>
<anchor xml:id="bib822"/>
<ab type="implicit"><hi rend="bold">1928.</hi> Owen Barfield. In his <hi rend="italic">Poetic diction. A study in meaning.</hi>
London: Faber and Gwyer, 1928.
</ab><ab rend="right">(<hi rend="italic">822</hi>   </ab>
<anchor xml:id="bib822a"/><ab type="implicit">
Jas Boswell. In his <hi rend="italic">Private papers of James Boswell from </hi> 
<pb n="99" xml:id="p1-99"/>
<hi rend="italic">Malahide Castle. . .</hi> Geoffrey Scott, Fredk Pottle, eds. [New York:]
Rudge, 1928-1937, 19v.
</ab><ab rend="right">(<hi rend="italic">822a</hi>   </ab>
<ab rend="small">
Privately printed limited ed. of 570 copies.
</ab><lb/>
<anchor xml:id="bib823"/><ab type="implicit">
*Kenneth Clark. In his <hi rend="italic">The Gothic revival, an essay in the history of
taste.</hi> London: Constable, 1928.
</ab><ab rend="right">(<hi rend="italic">823</hi>   </ab>
<ab rend="small">
Gray's knowledge of Gothic architecture and influence on the revival.<lb/>
Rev. <hi rend="italic">TLS,</hi> Nov. 8, 1928, p. 823; A. Digeon, <hi rend="italic">RAA,</hi> VII (1929),
180-1; B. Fehr, <hi rend="italic">Beibl.,</hi> XLI (Sept., 1930), 264-67; <hi rend="italic">Criterion,</hi>
VIII (Apr., 1929), 530.
</ab><lb/>
<anchor xml:id="bib823a"/><ab type="implicit">
Praphulla Kumar Das. In his <hi rend="italic">Evidences of a growing taste for nature in the
age of Pope.</hi> [N. p.]: Calcutta Univ. Press, 1928, pp. 26, 27.
</ab><ab rend="right">UI   (<hi rend="italic">823a</hi>   </ab>
<ab rend="small">
Reprinted from the <hi rend="italic">Journal of the Department of Letters,</hi> XVII.<lb/>
Melancholy in Parnell, Lady Winchelsea, Young, Mallet, and Gray.
</ab><lb/>
<anchor xml:id="bib824"/><ab type="implicit">
*C[ornelis]. E[ngelbertus]. DeHaas. In his <hi rend="italic">Nature and the country in
English poetry of the first half of the eighteenth century.</hi> Amsterdam:
H. J. Paris, 1928.
</ab><ab rend="right">(<hi rend="italic">824</hi>   </ab>
<ab rend="small">
Detailed account of Gray's early life, letters, love of nature,
melancholy. See also Appendix III, 'Parallel passages from poetry of the first
half of the eighteenth century which may have suggested phrases and lines for
the <hi rend="italic">Eleqy,</hi>' pp. [282]-89.<lb/>
Rev. E. Morley, <hi rend="italic">YWES,</hi> IX (1928), 264-65; <hi rend="italic">TLS,</hi> July 26, 1928,
p. 549; E. C. B., <hi rend="italic">RES,</hi> V (Oct., 1929), 486-87; A. Digeon, <hi rend="italic">RAA,</hi>
VI (1929), 364-65; H. Schöffler, <hi rend="italic">Beibl.,</hi> XLI (July, 1930), 194.
</ab><lb/>
<anchor xml:id="bib825"/><ab type="implicit">
*0liver Elton. In his <hi rend="italic">A survey of English literature 1730-1780.</hi> New
York: Macmillan, 1928, II, 54-80. See also index.
</ab><ab rend="right">(<hi rend="italic">825</hi>   </ab>
<ab rend="small">
Rev. E. Kellet, <hi rend="italic">New Statesman,</hi> XXXII (Dec. 8, 1928), 291-92 (See <ref target="#bib544">#544</ref>); R. Crane, <hi rend="italic">New Republic,</hi> LX (Oct. 16,
1929), p. 248; P. Crowley, <hi rend="italic">Commonweal,</hi> X (July 17, 1929), 299;
A. Pryce-Jones, <hi rend="italic">LM,</hi> XIX (Mar., 1929), 551-52; D. Stuart, <hi rend="italic">Nation and
Athen.,</hi> XLIV (1929), 586; <hi rend="italic">TLS,</hi> Jan. 17, 1929, p. 41.
</ab><lb/>
<anchor xml:id="bib826"/><ab type="implicit">
Hoxie Neale Fairchild. In his <hi rend="italic">The noble savage: a study in romantic
naturalism.</hi> New York: Columbia Univ. Press, 1928.
</ab><ab rend="right">(<hi rend="italic">826</hi>   </ab>
<ab rend="small">
Rev. F. Pottle, <hi rend="italic">SRL,</hi> Aug. 25, 1928, p. 67; C. Tinker, <hi rend="italic">ibid.,</hi>
pp. 65-67.
</ab><lb/>
<anchor xml:id="bib827"/><ab type="implicit">
H[eathcote]. W[m]. Garrod. "The poetry of Collins." In
<hi rend="italic">Proceedings of the British Academy,</hi> XIV (1928), 25, 27, 28, 29. (Warton
Lecture on Eng. Poetry)
</ab><ab rend="right">(<hi rend="italic">827</hi>   </ab>
<ab rend="small">
Comparison of Gray and Collins. See <ref target="#bib828">#828</ref>.<lb/>
Rev. E. Morley, <hi rend="italic">YWES,</hi> IX (1928), 274-75; H. White, <hi rend="italic">RES,</hi> VI
(Apr., 1930), 236-40.
</ab><lb/>
<anchor xml:id="bib828"/><ab type="implicit">
*H[eathcote]. W[m]. Garrod. "Collins and Gray." In his
<hi rend="italic">Collins.</hi> Oxford: Clarendon, 1928, pp. 32-44.
</ab><ab rend="right">(<hi rend="italic">828</hi>   </ab>
<ab rend="small">
Very favorable to Gray. See <ref target="#bib827">#827</ref>.<lb/>
Rev. E. Morley, <hi rend="italic">YWES,</hi> IX (1928), 274-75; O. Elton, <hi rend="italic">MLR,</hi> XXIV
(1929), 356-58; <hi rend="italic">TLS,</hi> Feb. 7, 1929, p. 95; A. Vechtman-Veth, <hi rend="italic">ES,</hi>
XI (1929), 231-32; H. White, <hi rend="italic">RES,</hi> VI (Apr., 1930), 236-40.
</ab><lb/>
<anchor xml:id="bib829"/><ab type="implicit">
M. Dorothy George. In her <hi rend="italic">England in Johnson's day.</hi> New York: Harcourt
Brace; London: Methuen, 1928.
</ab><ab rend="right">(<hi rend="italic">829</hi>   </ab>
<anchor xml:id="bib830"/><ab type="implicit">
H[erbert]. J. C. Grierson. In his <hi rend="italic">Lyrical poetry from Blake to Hardy.</hi>
London: Hogarth Press, 1928, pp. 19, 24, 29, 44, 55, 133, 146. (Hogarth
Lectures on Lit., V)
</ab><ab rend="right">(<hi rend="italic">830</hi>   </ab>
<pb n="100" xml:id="p1-100"/>
<anchor xml:id="bib831"/><ab type="implicit">
John S[mith]. Harrison. In his <hi rend="italic">The vital interpretation of English
literature.</hi> Indianapolis: [Publ. by the author], 1928.
</ab><ab rend="right">(<hi rend="italic">831</hi>   </ab>
<ab rend="small">
Discusses Eton, FS, El, and letters.
</ab><lb/>
<anchor xml:id="bib832"/><ab type="implicit">
Christopher Hollis. In his <hi rend="italic">Dr. Johnson.</hi> London: Gollancz, 1928; New
York: Holt, [c. 1929].
</ab><ab rend="right">(<hi rend="italic">832</hi>   </ab>
<anchor xml:id="bib833"/><ab type="implicit">
W[m] P[aton]. Ker. In his <hi rend="italic">Form and style in poetry, lectures and notes.</hi>
Ed. R. W. Chambers. London: Macmillan, 1928.
</ab><ab rend="right">(<hi rend="italic">833</hi>   </ab>
<ab rend="small">
Comments on Gray's versification, esp. Amatory lines and Adv.
</ab><lb/>
<anchor xml:id="bib834"/><ab type="implicit">
A[lfred]. Edw. Newton. In his <hi rend="italic">This book-collecting game.</hi> Boston:
Little, Brown, 1928.
</ab><ab rend="right">(<hi rend="italic">834</hi>   </ab>
<anchor xml:id="bib835"/><ab type="implicit">
Harold [Geo.] Nicolson. In his <hi rend="italic">The development of English biography.</hi>
London: Hogarth; New York: Harcourt, Brace, 1928, pp. 72, 77-79.
</ab><ab rend="right">(<hi rend="italic">835</hi>   </ab>
<ab rend="small">
Discusses Mason's <hi rend="italic">Memoir</hi> of Gray.
</ab><lb/>
<anchor xml:id="bib836"/><ab type="implicit">
Elizabeth Nitchie. In her <hi rend="italic">The criticism of literature.</hi> New York:
Macmillan, 1928.
</ab><ab rend="right">(<hi rend="italic">836</hi>   </ab>
<ab rend="small">
Discusses El, Cat, and odes.
</ab><lb/>
<anchor xml:id="bib837"/><ab type="implicit">
John Gerard O'Leary. In his <hi rend="italic">English literary history and
bibliography. . .</hi> With a foreword by R. A. Peddie. London: Grafton, 1928.
</ab><ab rend="right">(<hi rend="italic">837</hi>   </ab>
<anchor xml:id="bib838"/><ab type="implicit">
H[arry]. M. Paull. In his <hi rend="italic">Literary ethics: a study in the growth of the
literary conscience.</hi> London: Butterworth, 1928; New York: Dutton, 1929.
</ab><ab rend="right">(<hi rend="italic">838</hi>   </ab>
<ab rend="small">
Attempts to pirate the El and Gray's aversion to accepting payment for his
writing.
</ab><lb/>
<anchor xml:id="bib839"/><ab type="implicit">
Aleyn Lyell Reade. In his <hi rend="italic">Johnsonian gleanings.</hi> Part V: <hi rend="italic">The Doctor's
life, 1728-1735.</hi> London: Percy Lund, Humphries, 1928.
</ab><ab rend="right">(<hi rend="italic">839</hi>   </ab>
<anchor xml:id="bib840"/><ab type="implicit">
E[dw]. S[tanley]. Roscoe. In his <hi rend="italic">Aspects of Doctor Johnson.</hi> Cambridge:
Univ. Press, 1928.
</ab><ab rend="right">(<hi rend="italic">840</hi>   </ab>
<ab rend="small">
Gray's aversion to Johnson and fondness for the country.
</ab><lb/>
<anchor xml:id="bib841"/><ab type="implicit">
Paget Toynbee. "Gray and the Bedingfields." In <hi rend="italic">TLS,</hi> Mar. 15,
1928, p. 188.
</ab><ab rend="right">(<hi rend="italic">841</hi>   </ab>
<ab rend="small">
Mitford's confusion of Edw. and Robt Bedingfield.
</ab><lb/>
<anchor xml:id="bib842"/><ab type="implicit">
Paget Toynbee. "Portraits of Gray. An identification." In The London
<hi rend="italic">Daily Times,</hi> Sept. 25, 1928, p. 17.
</ab><ab rend="right">(<hi rend="italic">842</hi>   </ab>
<ab rend="small">
Portraits by Richardson, Eckhardt, Wilson and Mason (from Mapletoft's
silhouette), Wilson (oil, full face). See <ref target="#bib881">#881</ref>.
</ab><lb/>
<anchor xml:id="bib843"/><ab type="implicit">
Homer A. Watt. "The classical invasion of English literature." In
<hi rend="italic">CW,</hi> XXI (1928), 123, 125.
</ab><ab rend="right">(<hi rend="italic">843</hi>   </ab>
<anchor xml:id="bib843a"/><ab type="implicit">
Leonard Whibley. "Manuscripts of Thomas Gray and William Mason at
York." In <hi rend="italic">TLS,</hi> Apr. 5, 1928, p. 257.
</ab><ab rend="right">(<hi rend="italic">843a</hi>   </ab>
<ab rend="small">
An early notebook of Gray's.
</ab>
<pb n="101" xml:id="p1-101"/>
<anchor xml:id="bib844"/>
<ab type="implicit"><hi rend="bold">1929.</hi> R. W. Babcock. "A preliminary bibliography of
eighteenth-century criticism of Shakespeare." In <hi rend="italic">SP,</hi> extra series,
No. 1, May, 1929, p. 83.
</ab><ab rend="right">(<hi rend="italic">844</hi>   </ab>
<anchor xml:id="bib845"/><ab type="implicit">
Ernest Sutherland Bates. "Mad Shelley: a study in the origins of English
romanticism." In <hi rend="italic">The Fred Newton Scott anniversary papers. Contributed
by former students and colleagues. . .</hi> Chicago: Univ. Press; Cambridge:
Univ. Press, 1929, pp. 119, 134-35.
</ab><ab rend="right">(<hi rend="italic">845</hi>   </ab>
<ab rend="small">
Romanticism should be dated from FS and Odin; debt of Shelley to FS.
</ab><lb/>
<anchor xml:id="bib846"/><ab type="implicit">
Edmund Blunden. In his <hi rend="italic">Nature in English literature.</hi> London: Hogarth;
New York: Harcourt, Brace, 1929, p. 99. (Hogarth Lectures, IX)
</ab><ab rend="right">(<hi rend="italic">846</hi>   </ab>
<anchor xml:id="bib847"/><ab type="implicit">
Morten Bredsdorff. "Engelsk literaer Kritik i det 18. Aarh." In
<hi rend="italic">Edda, Nordisk Tidsskrift for Litteraturforskning</hi> (Oslo), XXIX (1929),
57-58.
</ab><ab rend="right">(<hi rend="italic">847</hi>   </ab>
<ab rend="small">
Gray's knowledge of French and medieval (esp. Celtic and Scandinavian[)]
literature.
</ab><lb/>
<anchor xml:id="bib848"/><ab type="implicit">
Chas Roden Buxton. In his <hi rend="italic">A politician plays truant: essays on English
literature.</hi> London: Christophers, 1929, pp. 35, 106, 107-08, 111, 117.
</ab><ab rend="right">(<hi rend="italic">848</hi>   </ab>
<ab rend="small">
Comparison of Gray and Collins and discussion of the Norse and Welsh poems.
</ab><lb/>
<anchor xml:id="bib849"/><anchor xml:id="bib850"/><ab type="implicit">
R. W. Chapman. "Johnson and poetry." In <hi rend="italic">SRL,</hi> Aug. 17, 1929,
pp. 49, 51.
</ab><ab rend="right">(<hi rend="italic">849-50</hi>   </ab>
<anchor xml:id="bib851"/><ab type="implicit">
Leah Augusta Dennis. "The attitude of the eighteenth century in England
toward the medieval romance." In Stanford <hi rend="italic">Abstracts of diss.,
1927-28. . .</hi> III (1929), 69.
</ab><ab rend="right">(<hi rend="italic">851</hi>   </ab>
<anchor xml:id="bib852"/><ab type="implicit">
*John W. Draper. In his <hi rend="italic">The funeral elegy and the rise of English
romanticism.</hi> New York: N. Y. Univ. Press, 1929.
</ab><ab rend="right">(<hi rend="italic">852</hi>   </ab>
<ab rend="small">
Much discussion of Gray and the El, which is 'the summation of the elegiac
genre.[']<lb/>
Rev. P. Baum, <hi rend="italic">SAQ,</hi> XXVIII (1929), 331; O. Elton, <hi rend="italic">YWES,</hi> X (1929),
38-39; M. Hughes, <hi rend="italic">U. of Calif. Chron.,</hi> XXXI (1929), 323, 436-38;
<hi rend="italic">N&amp;Q,</hi> Oct. 26, 1929, p. 306; <hi rend="italic">TLS,</hi> May 16, 1929, p. 399;
[R. Crane] <hi rend="italic">PQ,</hi> IX (1930), 173-76; P. Dottin, <hi rend="italic">RELV,</hi> XLVII (1930),
115-16; E. Fischer, <hi rend="italic">Beibl.,</hi> XLI (1930), 296-301; H. Husbands,
<hi rend="italic">MLR,</hi> XXV (1930), 351-54; G. C. M. S[mith]., <hi rend="italic">EKR,</hi> XLV (1930),
503-04; C. Moore, <hi rend="italic">MLN,</hi> XLVI (1931), 270-71; W. Raymond, <hi rend="italic">JEGP,</hi>
XXX (1931), 122-26.
</ab><lb/>
<anchor xml:id="bib853"/><ab type="implicit">
*Roy Fothergill. "An early influence [Jean-Baptiste Gresset] on the
poetry of Gray." In <hi rend="italic">RLC,</hi> IX (July-Sept., 1929), 565-73.
</ab><ab rend="right">(<hi rend="italic">853</hi>   </ab>
<ab rend="small">
Both men use similar rime schemes, epigrammatic endings, and themes of
melancholy and escape.
</ab><lb/>
<anchor xml:id="bib854"/><ab type="implicit">
Rintaro Fukuhara. "Mason's edition of Gray." In <hi rend="italic">TLS,</hi> Oct. 17,
1929, p. 822.
</ab><ab rend="right">(<hi rend="italic">854</hi>   </ab>
<ab rend="small">
The problem of the half-title and portr. in <ref target="#bib20">#20</ref>. Comment by E. G. B., <hi rend="italic">TLS,</hi> Oct. 24,
p. 846; P. Toynbee, <hi rend="italic">ibid.</hi>; R. Martin, Oct. 31, p. 874.
</ab><lb/>
<anchor xml:id="bib855"/><ab type="implicit">
Solomon Francis Gingerich. In his <hi rend="italic">Essays in the romantic poets.</hi> New
York: Macmillan, 1929, pp. 110, 150.
</ab><ab rend="right">(<hi rend="italic">855</hi>   </ab>
<pb n="102" xml:id="p1-102"/>
<anchor xml:id="bib856"/><ab type="implicit">
Bernard Groom. "Some kinds of poetic diction." In <hi rend="italic">Essays and
studies by members of the English Association.</hi> XV. Collected by Sir
Herbert Warren. Oxford: Clarendon, 1929, pp. 140-41, 145, 147, 150.
</ab><ab rend="right">(<hi rend="italic">856</hi>   </ab>
<ab rend="small">
Gray's comments on style, on Dryden, and his echoes of Virgil and Milton.
</ab><lb/>
<anchor xml:id="bib857"/><ab type="implicit">
Raymond D. Havens. "Changing taste in the eighteenth century: a study of
Dryden's and Dodsley's miscellanies." In <hi rend="italic">PMLA,</hi> XLIV (1929), 510,
511, 519, 520, 523, 525n, 526, 527, 528-29, 533, 535.
</ab><ab rend="right">(<hi rend="italic">857</hi>   </ab>
<ab rend="small">
Gray's relations with Dodsley and his influence on the verse in the
Miscellany.
</ab><lb/>
<anchor xml:id="bib858"/><ab type="implicit">
E[arnest]. E. Kellett. In his <hi rend="italic">The whirligig of taste.</hi> London: Hogarth;
New York: Harcourt Brace, 1929, pp. 47, 57, 111, 115, 116, 121-22. (Hogarth
Lectures, VIII)
</ab><ab rend="right">(<hi rend="italic">858</hi>   </ab>
<anchor xml:id="bib859"/>
<ab type="implicit"><hi rend="italic">. . . The library of Jerome Kern, New York City, . . . to be sold by his
order at unreserved public sale, January 7, 8, 9, 10.</hi> New York: Anderson
Galleries, 1929, Part I, pp. 200-204.
</ab><ab rend="right">(<hi rend="italic">859</hi>   </ab>
<ab rend="small">
First eds. and fac. of El; <hi rend="italic">Odes,</hi> 1757; <hi rend="italic">Poems,</hi> 1768;
<hi rend="italic">Music,</hi> 1769, letter, T. &amp; W. no. 454, Bentley's <hi rend="italic">Designs,</hi>
1765; Gray's copy of Quarles' <hi rend="italic">Shepheards Orocles,</hi> 1646.
</ab><lb/>
<anchor xml:id="bib860"/><ab type="implicit">
Giulio Natali. In his <hi rend="italic">Il settecento.</hi> Milano: Francesco Vallardi, 1929,
2v. (Storia litteraria d'Italia)
</ab><ab rend="right">(<hi rend="italic">860</hi>   </ab>
<ab rend="small">
Gray's influence on Italian literature and Italian translations and imitations
of his work.
</ab><lb/>
<anchor xml:id="bib861"/><ab type="implicit">
David Nichol Smith. "Warton's history of English poetry." In
<hi rend="italic">Proceedings of the British Academy,</hi> XV (1929), 86, 87, 88, 94. (Warton
Lecture on English Poetry)
</ab><ab rend="right">(<hi rend="italic">861</hi>   </ab>
<ab rend="small">
Gray's plan for a similar history.
</ab><lb/>
<anchor xml:id="bib862"/><ab type="implicit">
"Gray on Kent." In The London <hi rend="italic">Daily Times,</hi> Jan. 19, 1929,
p. 18.
</ab><ab rend="right">(<hi rend="italic">862</hi>   </ab>
<anchor xml:id="bib863"/><ab type="implicit">
Chauncey B. Tinker. In his <hi rend="italic">The good estate of poetry.</hi> Boston: Little,
Brown, 1929.
</ab><ab rend="right">(<hi rend="italic">863</hi>   </ab>
<anchor xml:id="bib864"/><ab type="implicit">
*Paget Toynbee. "Cambridge 160 years ago. Through Swiss eyes. The friend
of Gray." In The London <hi rend="italic">Daily Times,</hi> Apr. 12, 1929, pp. 15-16.
</ab><ab rend="right">(<hi rend="italic">864</hi>   </ab>
<ab rend="small">
Bonstetten's impressions of Gray and Cambridge as revealed by his letters and
reminiscences.
</ab><lb/>
<anchor xml:id="bib865"/><ab type="implicit">
*Leonard Whibley. "Thomas Gray at Eton." In <hi rend="italic">Blackwood's
Magazine,</hi> CCXXV (1929), 611-23.
</ab><ab rend="right">(<hi rend="italic">865</hi>   </ab>
<ab rend="small">
A useful account of Gray's life up to c. 1734. See also <ref target="#bib883">#883</ref>, <ref target="#bib884">884</ref>.
</ab><lb/>
<anchor xml:id="bib866"/>
<ab type="implicit"><hi rend="bold">1930.</hi> Ernest Bernbaum. In his <hi rend="italic">Guide through the romantic
movement.</hi> New York: Nelson, 1930.
</ab><ab rend="right">(<hi rend="italic">866</hi>   </ab>
<anchor xml:id="bib867"/><ab type="implicit">
Laurence Binyon. In his <hi rend="italic">Landscape in English art and poetry.</hi> Tokyo:
Kenkyusha, 1930; London: Cobden-Sanderson, 1931, pp. 141-42.
</ab><ab rend="right">(<hi rend="italic">867</hi>   </ab>
<pb n="103" xml:id="p1-103"/>
<ab rend="small">
Nature in the letters and the El.
</ab><lb/>
<anchor xml:id="bib868"/><ab type="implicit">
A[isso]. Bosker. In his <hi rend="italic">Literary criticism in the age of Johnson.</hi>
Groningen: Wolters; New York: Stechert, 1930.
</ab><ab rend="right">(<hi rend="italic">868</hi>   </ab>
<ab rend="small">
Many references to Gray's criticism.<lb/>
Rev. P. Houston, <hi rend="italic">JEGP,</hi> XXXI (1932), 159-62.
</ab><lb/>
<anchor xml:id="bib869"/><ab type="implicit">
Philo M. Buck, Jr. In his <hi rend="italic">Literary criticism, a study of values in
literature.</hi> New York: Harper, 1930.
</ab><ab rend="right">(<hi rend="italic">869</hi>   </ab>
<anchor xml:id="bib870"/><ab type="implicit">
W. Macneile Dixon. "Chatterton." In <hi rend="italic">Proceedings of the British
Academy,</hi> XVI (1930), 185, 189, 191.
</ab><ab rend="right">(<hi rend="italic">870</hi>   </ab>
<ab rend="small">
Gray's interest in the medieval.
</ab><lb/>
<anchor xml:id="bib871"/><ab type="implicit">
Claire-Eliane Engel. In her <hi rend="italic">La littérature alpestre en France et en
Angleterre au XVIII<hi rend="sup">e</hi> et XIX<hi rend="sup">e</hi> siècles.</hi>
Chambéry: Dardel, 1930. See index and p. 49.
</ab><ab rend="right">(<hi rend="italic">871</hi>   </ab>
<ab rend="small">
Gray's enthusiasm for mountain scenery.<lb/>
Rev. R. Spindler, <hi rend="italic">ESt,</hi> LXVIII (1933), 123-26.
</ab><lb/>
<anchor xml:id="bib872"/><ab type="implicit">
Geoffrey Grigson. "Lapses of the early laureates." In <hi rend="italic">Bookman</hi>
(London), LXXIX (1930), 173.
</ab><ab rend="right">(<hi rend="italic">872</hi>   </ab>
<anchor xml:id="bib873"/><ab type="implicit">
Enid Hamer. In her <hi rend="italic">The metres of English poetry.</hi> London: Methuen; New
York: Macmillan, 1930.
</ab><ab rend="right">(<hi rend="italic">873</hi>   </ab>
<ab rend="small">
Gray's use of the Pindaric.
</ab><lb/>
<anchor xml:id="bib874"/><ab type="implicit">
Raymond D. Havens. "More eighteenth-century sonnets." In <hi rend="italic">MLN,</hi>
XLV (1930), 80, 81-82, 83.
</ab><ab rend="right">(<hi rend="italic">874</hi>   </ab>
<ab rend="small">
Little known aspects of Gray's influence on minor writers, esp. Wm Ashburnham,
Jr. I cannot see many marked resemblances to Gray in Ashburnham's work, but
some echoes may be found in his <hi rend="italic">Elegiac sonnets and other poems,</hi>
London. Printed for T. Cadell, Jr., and W. Davies, MDCCXCV, Sonnets 14, l. 7
(Bard); 19, l. 8 (El); 39, l. 14 (Bard); Ode I, l. 9 (El); 'An elegiac
pastoral,' l. 2 (Eton).
</ab><lb/>
<anchor xml:id="bib875"/><ab type="implicit">
Lafcadio Hearn. In his <hi rend="italic">A history of English literature. In a series of
lectures.</hi> Tokyo: Hokuseido Press, 1930.
</ab><ab rend="right">(<hi rend="italic">875</hi>   </ab>
<ab rend="small">
General discussion of Gray. Reprints Cat, pp. 411-13.
</ab><lb/>
<anchor xml:id="bib876"/><ab type="implicit">
Marvin Theodore Herrick. In his <hi rend="italic">The poetics of Aristotle in England.</hi>
New Haven: Yale Univ. Press; London: Oxford, 1930. (Cornell Studies in
English, XVII)
</ab><ab rend="right">(<hi rend="italic">876</hi>   </ab>
<anchor xml:id="bib877"/><ab type="implicit">
*W[m]. Powell Jones. "The contemporary reception of Gray's
<hi rend="italic">Odes.</hi>" In <hi rend="italic">MP,</hi> XXVIII (Aug., 1930), 61-82.
</ab><ab rend="right">(<hi rend="italic">877</hi>   </ab>
<ab rend="small">
Since Gray wrote largely for the intellectuals, the general public did not
understand the <hi rend="italic">Odes</hi> and hence was not enthusiastic.
</ab><lb/>
<anchor xml:id="bib878"/><ab type="implicit">
Lewis Melville. In his <hi rend="italic">Horace Walpole (1717-1797). A biographical
study.</hi> London: Hutchinson, [1930].
</ab><ab rend="right">(<hi rend="italic">878</hi>   </ab>
<anchor xml:id="bib879"/><ab type="implicit">
Geo. Rylands. "English poets and the abstract word." In <hi rend="italic">Essays
and studies by members of the English Association.</hi> XVI. Collected by
H. J. C. Grierson. Oxford: Clarendon, 1930, pp. 73-75.
</ab><ab rend="right">(<hi rend="italic">879</hi>   </ab>
<ab rend="small">
Compares Gray and Blake in their use of personification.
</ab><lb/>
<anchor xml:id="bib880"/><ab type="implicit">
Paget Toynbee. "A Gray query." In <hi rend="italic">TLS,</hi> Sept. 18, 1930,
<pb n="104" xml:id="p1-104"/>
p. 735.
</ab><ab rend="right">(<hi rend="italic">880</hi>   </ab>
<ab rend="small">
Replies by Edw. Bensly, Sept. 25, p. 758; Lilian Elliott, <hi rend="italic">ibid.</hi>
</ab><lb/>
<anchor xml:id="bib881"/><ab type="implicit">
Paget Toynbee. "Portraits of Gray. An unrecorded silhouette." In The
London <hi rend="italic">Daily Times,</hi> Oct. 30, 1930, p. 10.
</ab><ab rend="right">(<hi rend="italic">881</hi>   </ab>
<ab rend="small">
The silhouette (owned by Mr. I. H. H. Gosset) was made by Mrs. Daniel Wray and
is reproduced in the <hi rend="italic">Times,</hi> p. 18.
</ab><lb/>
<anchor xml:id="bib882"/><ab type="implicit">
Sherard Vines. In his <hi rend="italic">The course of English classicism from the Tudor to
the Victorian age.</hi> London: Hogarth; New York: Harcourt, Brace,
1930. (Hogarth Lectures, XII)
</ab><ab rend="right">(<hi rend="italic">882</hi>   </ab>
<anchor xml:id="bib883"/><ab type="implicit">
*Leonard Whibley. "Thomas Gray, undergraduate." In <hi rend="italic">Blackwood's
Magazine,</hi> CCXXVII (1930) 273-86.
</ab><ab rend="right">(<hi rend="italic">883</hi>   </ab>
<ab rend="small">
A sequel to <ref target="#bib865">#865</ref>. See also <ref target="#bib884">#884</ref>.
</ab><lb/>
<anchor xml:id="bib884"/><ab type="implicit">
*Leonard Whibley. "The foreign tour of Gray and Walpole." In
<hi rend="italic">Blackwood's Magazine,</hi> CCXXVII (1930), 813-27.
</ab><ab rend="right">(<hi rend="italic">884</hi>   </ab>
<ab rend="small">
A sequel to <ref target="#bib865">#865</ref>, <ref target="#bib883">883</ref>.
</ab><lb/>
<anchor xml:id="bib885"/><ab type="implicit">
A. S. P. Woodhouse. "Collins in the eighteenth century." In
<hi rend="italic">TLS,</hi> Oct. 16, 1930, p. 838.
</ab><ab rend="right">(<hi rend="italic">885</hi>   </ab>
<ab rend="small">
Anna Seward's reference to Gray.
</ab><lb/>
<anchor xml:id="bib886"/>
<ab type="implicit"><hi rend="bold">1931.</hi> Emile Audra. In his <hi rend="italic">L'Influence française dans l'oeuvre
de Pope.</hi> Paris: Champion, 1931.
</ab><ab rend="right">(<hi rend="italic">886</hi>   </ab>
<ab rend="small">
A Voltaire anecdote repeated by Gray.
</ab><lb/>
<anchor xml:id="bib887"/><anchor xml:id="bib888"/><ab type="implicit">
Evan Charteris. In his <hi rend="italic">The life and letters of Sir Edmund Gosse.</hi> New
York: Harper, 1931, pp. 147, 148, 151, 153, 170, 188-89, 201, 255, 302,
475-76, 508.
</ab><ab rend="right">(<hi rend="italic">887-8</hi>   </ab>
<ab rend="small">
Contains Charteris' explanation of the inaccuracies in Gosse's ed. of Gray's
letters and several statements (not always adequately substantiated) made by
Gosse in his letters on Gray.
</ab><lb/>
<anchor xml:id="bib889"/><ab type="implicit">
Sigyn Christiani, In his <hi rend="italic">Samuel Johnson als Kritiker im Lichte von
Pseudo-Klassizismus und Romantik.</hi> Leipzig: Tauchnitz, 1931, pp. 16, 51,
55, 80, 93-94.
</ab><ab rend="right">(<hi rend="italic">889</hi>   </ab>
<anchor xml:id="bib890"/><ab type="implicit">
Wm Cole. In his <hi rend="italic">The Blecheley diary of the Rev. William Cole, 1765-67.</hi>
Edited from the original MS in the British Museum by Francis Griffin
Stokes. Intro. by Helen Waddell. London: Constable, 1931.
</ab><ab rend="right">(<hi rend="italic">890</hi>   </ab>
<anchor xml:id="bib891"/><ab type="implicit">
Ralph B. Crum. In his <hi rend="italic">Scientific thought in poetry.</hi> New York: Columbia
Univ. Press, 1931.
</ab><ab rend="right">(<hi rend="italic">891</hi>   </ab>
<anchor xml:id="bib892"/><ab type="implicit">
Marcel Delamare. "L'originalité de Collins." In <hi rend="italic">RAA,</hi>
IX (1931), 19-20.
</ab><ab rend="right">(<hi rend="italic">892</hi>   </ab>
<anchor xml:id="bib893"/><ab type="implicit">
Pearl Faulkner (Mrs. C. 0.) Eddy. "Insects in English poetry." In
<hi rend="italic">The Scientific Monthly,</hi> XXXIII (July, 1931), 71; (Aug.), 159.
</ab><ab rend="right">(<hi rend="italic">893</hi>   </ab>
<ab rend="small">
Reprints El, ll. 5-6, and Spr, ll. 31-32.
</ab><lb/>
<anchor xml:id="bib894"/><ab type="implicit">
Hoxie Neale Fairchild. In his <hi rend="italic">The romantic quest.</hi> New York: Columbia
Univ. Press; London: Milford, 1931.
</ab><ab rend="right">(<hi rend="italic">894</hi>   </ab>
<pb n="105" xml:id="p1-105"/>
<anchor xml:id="bib895"/><ab type="implicit">
Rich. Garnett and Edmund Gosse. In their <hi rend="italic">English literature: an illustrated
record in four volumes.</hi> New York: Macmillan, 1931.
</ab><ab rend="right">(<hi rend="italic">895</hi>   </ab>
<ab rend="small">
Illus.: Eckhardt portr., Mapletoft silhouette, fac. first p. of El in
Bentley's <hi rend="italic">Designs,</hi> photo. of t-p of <hi rend="italic">Odes</hi> of 1757, Stoke church,
fac. of p. 1 of El MS., View of Eton Chapel from Bentley's <hi rend="italic">Designs.</hi>
</ab><lb/>
<anchor xml:id="bib895a"/><ab type="implicit">
Holbrook Jackson. In his <hi rend="italic">The anatomy of bibliomania.</hi> London: Soncino,
1931. New York: Scribner's, 1932, 2v.
</ab><ab rend="right">(<hi rend="italic">895a</hi>   </ab>
<anchor xml:id="bib896"/><ab type="implicit">
John Mark Longaker. In his <hi rend="italic">English biography in the eighteenth century.</hi>
Philadelphia: Univ. of Pa. Press; London: Oxford, 1931.
</ab><ab rend="right">(<hi rend="italic">896</hi>   </ab>
<ab rend="small">
The biogs. of Gray by Johnson and Mason.<lb/>
Rev. <hi rend="italic">TLS,</hi> Dec. 3, 1931, p. 985; G. Kitchin, <hi rend="italic">MLR,</hi> XXVII (1932),
484-86; G. Moore-Smith, <hi rend="italic">RES,</hi> VIII (1932), 491-93; D. Stauffer,
<hi rend="italic">MLN,</hi> XLVII (1932), 466-69; G. Stewart, <hi rend="italic">U. of Calif. Chron.,</hi>
XXXIV (Oct., 1932), 488-90; O. Wieselgren, <hi rend="italic">Lychnos,</hi> [I] (1936), 384.
</ab><lb/>
<anchor xml:id="bib897"/><ab type="implicit">
*Roger Martin. In his <hi rend="italic">Chronologie de la vie et de l'oeuvre de Thomas
Gray.</hi> Paris: Presses Universitaires de France; London: Oxford, 1931.
</ab><ab rend="right">(<hi rend="italic">897</hi>   </ab>
<ab rend="small">
A very valuable compilation. Intro. pp. 11-45; Chronologie
générale, pp. 49-107; Tableaux annexes, pp. [105]-107; La
famille de Gray, p. 109; Table alphabétique des amis de Gray,
pp. 110-17; Chronologie des oeuvres; Oeuvres de 'Quadruple Alliance,'
pp. [118-20]; Quelques dates antérieures à l'oeuvre anglaise de
Gray, p. 121; Oeuvres anglaises, pp. [122-31]; Liste des poèmes ne
pouvant être datés, pp. 132-33; Tableau analytique des principaux
articles des <hi rend="italic">Commonplace Books,</hi> pp. 134-47; Appendices [extracts from
Gray s notes; see <ref target="#bib125a">#125a</ref>, <ref target="#bib129a">129a</ref>, <ref target="#bib486a">486a</ref>],
pp. 151-99.<lb/>
Rev. E. Morley, <hi rend="italic">YWES,</hi> XV (1934), 276-78; E. Legouis, <hi rend="italic">RAA,</hi> XIII
(Dec., 1935), 155; <hi rend="italic">TLS,</hi> Apr. 11, 1935, p. 241; F. Wood, <hi rend="italic">ESt,</hi>
LXXI (1936), 262-63; O. Shepard, <hi rend="italic">MLN,</hi> LIV (Jan., 1939), 64-66.
</ab><lb/>
<anchor xml:id="bib898"/><ab type="implicit">
A[lbert]. E[dw]. Richardson. In his <hi rend="italic">Georgian England. A survey of social
life, trades, industries and art from 1700 to 1820.</hi> London: Batsford; New
York: Scribner's, 1931.
</ab><ab rend="right">(<hi rend="italic">898</hi>   </ab>
<anchor xml:id="bib899"/><ab type="implicit">
E. J. Simmons. "English literature in Russia." In <hi rend="italic">Harvard Studies
and Notes in Philology and Literature,</hi> XIII (1931), 281, 282n, 295n.
</ab><ab rend="right">(<hi rend="italic">899</hi>   </ab>
<anchor xml:id="bib900"/><ab type="implicit">
Jean Stewart. In her <hi rend="italic">Poetry in France and England.</hi> London: Hogarth; New
York: Harcourt, Brace, 1931. (Hogarth Lectures, XV)
</ab><ab rend="right">(<hi rend="italic">900</hi>   </ab>
<anchor xml:id="bib901"/><ab type="implicit">
P[ercy]. G[oronwy]. Thomas. In his <hi rend="italic">Aspects of literary theory and practice,
1550-1870.</hi> London: Heath Cranton, 1931.
</ab><ab rend="right">(<hi rend="italic">901</hi>   </ab>
<ab rend="small">
Gray as a letter writer and a pre-romantic poet.
</ab><lb/>
<anchor xml:id="bib902"/><ab type="implicit">
Herbert M. Vaughan. In his <hi rend="italic">From Anne to Victoria: fourteen biographical
studies between 1702 and 1901.</hi> London: Methuen, 1931.
</ab><ab rend="right">(<hi rend="italic">902</hi>   </ab>
<anchor xml:id="bib903"/><ab type="implicit">
Helen Waddell. In her intro. to Wm Cole, <hi rend="italic">A journal of my journey to Paris
in the year 1765. . .</hi> Francis Griffin Stokes, ed. London: Constable; New
York: Rich. R. Smith, 1931, pp. xiv-xv, xviii-xix, xxvii, xxx, xxxi, 266.
</ab><ab rend="right">(<hi rend="italic">903</hi>   </ab>
<ab rend="small">
Gray's personality, habits, and interests as commented on by Cole.
</ab>
<pb n="106" xml:id="p1-106"/>
<anchor xml:id="bib904"/><ab type="implicit">
Leonard Whibley. "A satirical ode by William Mason." In <hi rend="italic">TLS,</hi>
Sept. 24, 1931, p. 727.
</ab><ab rend="right">(<hi rend="italic">904</hi>   </ab>
<ab rend="small">
For a time Gray and Mason feared that the <hi rend="italic">Ode to the Legislator Elect of
Russia</hi> may have had something to do with John Brown's suicide.
</ab><lb/>
<anchor xml:id="bib905"/><ab type="implicit">
A. S. P. Woodhouse. "Collins and the creative imagination: a study in the
critical background of his odes (1746)." In <hi rend="italic">Studies in English by
members of University College, Toronto.</hi> Collected by Malcolm
W[m]. Wallace. [Toronto]: Univ. Press, 1931, pp. 65, 94, 112, 127.
</ab><ab rend="right">(<hi rend="italic">905</hi>   </ab>
<anchor xml:id="bib906"/><ab type="implicit">
Paul Yvon. In his <hi rend="italic">Le gothique et la renaissance gothique en Angleterre
(1750-1880), essai de psychologie littéraire, artistique et
sociale.</hi> Caen: Jouan et Bigot; Paris: Vrin, 1931, pp. 6, 7, 9-10, 19, 20,
28, 38-39, 40, 127, 163.
</ab><ab rend="right">(<hi rend="italic">906</hi>   </ab>
<ab rend="small">
Gray's fondness for sentiment, spectacular scenery, and the Gothic.<lb/>
Rev. <hi rend="italic">TLS,</hi> Feb. 11, 1932, p. 95.
</ab><lb/>
<anchor xml:id="bib907"/><ab type="implicit">
Louise Henriette Zwager. In her <hi rend="italic">The English philosophic lyric.</hi>
Purmerend: J. Muusses, 1931, pp. 45-46, 128. Amsterdam diss.
</ab><ab rend="right">(<hi rend="italic">907</hi>   </ab>
<ab rend="small">
Gray's views on the Grande Chartreuse and the Alps.
</ab><lb/>
<anchor xml:id="bib908"/>
<ab type="implicit"><hi rend="bold">1932.</hi> Andrew Block. In his <hi rend="italic">The book collector's</hi> vade
mecum. London: Denis Archer, 1932.
</ab><ab rend="right">(<hi rend="italic">908</hi>   </ab>
<ab rend="small">
Some useful information on rare Gray eds. (<ref target="/texts/diglib/secondary/NoC_1917/1/15#bib78">N78</ref>,
<ref target="/texts/diglib/secondary/NoC_1917/1/160#bib1179">N1179</ref>).
</ab><lb/>
<anchor xml:id="bib909"/><ab type="implicit">
Richmond P. Bond. In his <hi rend="italic">English burlesque poetry, 1700-1750.</hi>
Cambridge: Harvard Univ. Press; London: Milford, 1932. (Harvard Studies in
English, VI)
</ab><ab rend="right">(<hi rend="italic">909</hi>   </ab>
<anchor xml:id="bib910"/><ab type="implicit">
J. Ingram Bryan. In his <hi rend="italic">The interpretation of nature in English poetry.</hi>
Tokyo: Kaitakusha Publishing Co., 1932.
</ab><ab rend="right">ClPL   (<hi rend="italic">910</hi>   </ab>
<anchor xml:id="bib911"/><ab type="implicit">
Douglas Bush. In his <hi rend="italic">Mythology and the renaissance tradition in English
poetry.</hi> Minneapolis: Univ. of Minn. Press; London: Oxford, 1932.
</ab><ab rend="right">(<hi rend="italic">911</hi>   </ab>
<anchor xml:id="bib912"/><ab type="implicit">
Stephen Gwynn. In his <hi rend="italic">The life of Horace Walpole.</hi> London: Butterworth;
Boston: Houghton, 1932.
</ab><ab rend="right">(<hi rend="italic">912</hi>   </ab>
<ab rend="small">
Gray's personality and friendship with Walpole.<lb/>
Rev. F. B., Boston <hi rend="italic">Transcript,</hi> May 21, 1932, p. 2; R. Feld,
N. Y. <hi rend="italic">Times Bk. Rev.,</hi> May 8, 1932, p. 11; <hi rend="italic">Nation,</hi> CXXXV
(Aug. 17, 1932), 151; D. Stuart, <hi rend="italic">New Statesman and Nation,</hi> n. s. III
(Mar. 12, 1932), 334, 336; P. Yvon, <hi rend="italic">RAA,</hi> X (Dec., 1932), 153-54.
</ab><lb/>
<anchor xml:id="bib913"/><ab type="implicit">
*Paul Lieser. In his <hi rend="italic">Die englische Ode im Zeitalter des Klassizismus.</hi>
Grossenhain: Hans Plasnick, 1932, pp. 68, 70n, 74-82, 83, 84, 85, 88, 97,
98. Bonn diss.
</ab><ab rend="right">(<hi rend="italic">913</hi>   </ab>
<ab rend="small">
Contains a discussion of Gray's odes, esp. the versification of the Bard and
PP.
</ab><lb/>
<anchor xml:id="bib913a"/><ab type="implicit">
Arthur 0. Lovejoy. "The parallel of deism and classicism." In
<hi rend="italic">MP,</hi> XXIX (Feb., 1932), 295, 296.
</ab><ab rend="right">(<hi rend="italic">913a</hi>   </ab>
<ab rend="small">
Reprinted in <ref target="#bib1164">#1164</ref>.
</ab><lb/>
<anchor xml:id="bib914"/><ab type="implicit">
Pierre Moreau. In his <hi rend="italic">Le Romantisme.</hi> Paris: Gigord, 1932.
<pb n="107" xml:id="p1-107"/>
(<hi rend="italic">Histoire de littérature française,</hi> VIII)
</ab><ab rend="right">(<hi rend="italic">914</hi>   </ab>
<ab rend="small">
Gray's influence on French poets.
</ab><lb/>
<anchor xml:id="bib915"/><ab type="implicit">
Lawrence Marsden Price. In his <hi rend="italic">The reception of English literature in
Germany.</hi> Berkeley: Univ. of Calif., 1932.
</ab><ab rend="right">(<hi rend="italic">915</hi>   </ab>
<anchor xml:id="bib916"/><ab type="implicit">
Herbert Spencer Robinson. In his <hi rend="italic">English Shakesperian criticism in the
eighteenth century.</hi> New York: Wilson, 1932.
</ab><ab rend="right">(<hi rend="italic">916</hi>   </ab>
<anchor xml:id="bib917"/><ab type="implicit">
*Eleanor M. Sickels. In her <hi rend="italic">The gloomy egotist. Moods and themes of
melancholy from Gray to Keats.</hi> New York: Columbia Univ. Press, 1932.
</ab><ab rend="right">(<hi rend="italic">917</hi>   </ab>
<ab rend="small">
Largely concerned with the El. A valuable discussion (pp. 91-109) of poems
influenced by the El.<lb/>
Rev. P. Van Tieghem, <hi rend="italic">MP,</hi> XXXI (1933), 213-17; G. Kitchin, <hi rend="italic">MLR,</hi>
XXIX (1934), 91-92; O. Shepard, <hi rend="italic">MLN,</hi> L (1935), 64-65.
</ab><lb/>
<anchor xml:id="bib918"/><ab type="implicit">
Chard Powers Smith. In his <hi rend="italic">Pattern and variation in poetry.</hi> New York:
Scribner's, 1932.
</ab><ab rend="right">(<hi rend="italic">918</hi>   </ab>
<ab rend="small">
Particularly concerned with Gray's versification and imaginative powers,
esp. in the Bard and the El, which he regards as 'elegantly tiresome' and 'the
apogee of rationalistic verse.'
</ab><lb/>
<anchor xml:id="bib919"/><ab type="implicit">
Robt Spindler. In his <hi rend="italic">Die Alpen in der englischen Literatur und Kunst.</hi>
Leipzig: Tauchnitz, 1932. (Beiträge zur englische[n] Philologie, XXI)
</ab><ab rend="right">(<hi rend="italic">919</hi>   </ab>
<anchor xml:id="bib920"/><ab type="implicit">
Paget Toynbee. "Horace Walpole's memoir of the poet Gray." In
<hi rend="italic">MLR,</hi> XXVII (Jan., 1932), 58-60.
</ab><ab rend="right">(<hi rend="italic">920</hi>   </ab>
<ab rend="small">
Gives the correct text of the memoir, which is reprinted in <ref target="#bib431">#431</ref>, pp. 1286-88.
</ab><lb/>
<anchor xml:id="bib921"/><ab type="implicit">
Erika von Erhardt-Siebold. "Some inventions of the pre-romantic period
and their influence upon literature." In <hi rend="italic">ESt,</hi> LXVI (1932), 351-52.
</ab><ab rend="right">(<hi rend="italic">921</hi>   </ab>
<ab rend="small">
Gray's Claude Lorrain glass.
</ab><lb/>
<anchor xml:id="bib921a"/><ab type="implicit">
In Leonard Whibley, ed. <hi rend="italic">The correspondence of Richard Hurd &amp; William
Mason and letters of Richard Hurd to Thomas Gray with introduction &amp; notes
by the late Ernest Harold Pearce. . . Bishop of Worcester. . .</hi> Cambridge:
Univ. Press, 1932.
</ab><ab rend="right">(<hi rend="italic">921a</hi>   </ab>
<ab rend="small">
Rev. E. Morley, <hi rend="italic">YWES,</hi> XIII (1932), 253-54; <hi rend="italic">N&amp;Q,</hi> June 25,
1932, p. 467.
</ab><lb/>
<anchor xml:id="bib922"/><ab type="implicit">
Kathryn L. Wood. "The French theatre in the XVIIIth century according to
some contemporary English travellers." In <hi rend="italic">RLC,</hi> XII (1932), 603.
</ab><ab rend="right">(<hi rend="italic">922</hi>   </ab>
<anchor xml:id="bib923"/>
<ab type="implicit"><hi rend="bold">1933.</hi> August Bitter. In his <hi rend="italic">William Whitehead — poeta
laureatus: eine Studie zu den literarischen Strömungen um die Mitte des
18. Jahrhunderts.</hi> Halle: Niemeyer, 1933, pp. 1, 4, 5-6, 6-7, 13, 16, 19,
20, 21, 23, 24-25, 27, 29n, 30, 33, 34, 35, 36, 42-43, 44, 48, 49, 5l-52, 56,
61, 63, 80. (Stu[d]ien zur eng. Philologie, LXXVIII)
</ab><ab rend="right">(<hi rend="italic">923</hi>   </ab>
<anchor xml:id="bib924"/><ab type="implicit">
R. W. Chapman. "Dodsley's <hi rend="italic">Collection of poems by several
hands.</hi>" In <hi rend="italic">Oxford Bibliographical Society, Proceedings and </hi> 
<pb n="108" xml:id="p1-108"/>
<hi rend="italic">Papers,</hi> III, Pt. iii (1933), 295.
</ab><ab rend="right">(<hi rend="italic">924</hi>   </ab>
<ab rend="small">
Notes Dodsley's publication of Eton, Spr, Cat, El, Adv, PP, Bard.
</ab><lb/>
<anchor xml:id="bib925"/><ab type="implicit">
Sir Wm Craigie. In his <hi rend="italic">The Northern element in English literature.</hi>
[Toronto]: Univ. Press; Chicago: Univ. Press; London: Milford, [1933], pp. 30,
79-80, 82, 114-15, 119, 120, 128. (Alex. Lec. in Eng. for 1931)
</ab><ab rend="right">(<hi rend="italic">925</hi>   </ab>
<ab rend="small">
Gray's interest in mountain scenery and Gaelic transl.<lb/>
Rev. <hi rend="italic">TLS,</hi> Aug. 24, 1933, p. 558; P. Van Tieghem, <hi rend="italic">RSH,</hi> VII
(1934), 231-33; J. Falconer, <hi rend="italic">ES,</hi> XVII (1935), 106-07.
</ab><lb/>
<anchor xml:id="bib926"/><ab type="implicit">
Oliver Elton. In his <hi rend="italic">The English muse, a sketch.</hi> London: Bell, 1933.
</ab><ab rend="right">(<hi rend="italic">926</hi>   </ab>
<anchor xml:id="bib927"/><ab type="implicit">
Johannes Hendrik Harder. In his <hi rend="italic">Observations on some tendencies of
sentiment and ethics chiefly in minor poetry and essay in the eighteenth
century until the execution of Dr. W. Dodd in 1777.</hi> Amsterdam:
M. J. Portielje, 1933, pp. 87-88, 93, 134, 290. Amsterdam diss.
</ab><ab rend="right">(<hi rend="italic">927</hi>   </ab>
<anchor xml:id="bib928"/><ab type="implicit">
W. Powell Jones. "Books owned by Gray." In <hi rend="italic">TLS,</hi> June 1, 1933,
p. 380.
</ab><ab rend="right">(<hi rend="italic">928</hi>   </ab>
<anchor xml:id="bib929"/><ab type="implicit">
Johannes Kroker. In his <hi rend="italic">Alexander Pope in der Beurteilung des XVIII
Jahrhunderts. Ein Beitrag zur Geschichte der Auseinandersetzung zwischen
Klassizismus und Romantik in England.</hi> Beuthen: Bialas &amp; Klüsener,
1933, p. 115. Breslau diss.
</ab><ab rend="right">(<hi rend="italic">929</hi>   </ab>
<anchor xml:id="bib930"/><ab type="implicit">
Arthur O. Lovejoy. "The Chinese origin of a romanticism." In
<hi rend="italic">JEGP,</hi> XXXII (1933), 15.
</ab><ab rend="right">(<hi rend="italic">930</hi>   </ab>
<ab rend="small">
Gray on gardening. Reprinted in <ref target="#bib1164">#1164</ref>.
</ab><lb/>
<anchor xml:id="bib931"/><ab type="implicit">
Wm Darnell Mac Clintock. In his <hi rend="italic">Joseph Warton's Essay on Pope: a history of
the five editions.</hi> Chapel Hill. Univ. of N. C. Press, 1933, pp. 3, 5, 35,
62, 66, 68, 69, 70.
</ab><ab rend="right">(<hi rend="italic">931</hi>   </ab>
<ab rend="small">
Warton's growing enthusiasm for Gray.
</ab><lb/>
<anchor xml:id="bib932"/><ab type="implicit">
Henri Peyre. In his <hi rend="italic">Qu'est-ce que le classicisme? (Essai de mise au
point).</hi> Paris: E. Droz, 1933, pp. 163, 169n.
</ab><ab rend="right">(<hi rend="italic">932</hi>   </ab>
<anchor xml:id="bib933"/><ab type="implicit">
Ruth O. Rose. "Poetic hero-worship in the late eighteenth century."
In <hi rend="italic">PMLA</hi>, XLVIII (1933), 1182-83, 1189, 1190, 1195-1202.
</ab><ab rend="right">(<hi rend="italic">933</hi>   </ab>
<ab rend="small">
Discusses and lists imitations of Bard and El. Gray was admired because he was
'the supreme master of the two favorite moods for poetry, sublimity and
sensibility.'
</ab><lb/>
<anchor xml:id="bib934"/><ab type="implicit">
[Giles] Lytton Strachey. "Gray and Cowper." In his <hi rend="italic">Characters and
commentaries.</hi> London: Chatto and Windus; New York: Harcourt, Brace, 1933,
pp. 43-49.
</ab><ab rend="right">(<hi rend="italic">934</hi>   </ab>
<ab rend="small">
Discusses Gray's letters and character.
</ab><lb/>
<anchor xml:id="bib935"/><ab type="implicit">
Mildred C. Struble. In her <hi rend="italic">A Johnson handbook.</hi> New York: Crofts, 1933.
</ab><ab rend="right">(<hi rend="italic">935</hi>   </ab>
<anchor xml:id="bib936"/><ab type="implicit">
A[rthur]. S[tanley]. Turberville, ed. In <hi rend="italic">Johnson's England. </hi> 
<pb n="109" xml:id="p1-109"/>
<hi rend="italic">An account of the life &amp; manners of his age.</hi> Oxford: Clarendon,
1933, 2v.
</ab><ab rend="right">(<hi rend="italic">936</hi>   </ab>
<anchor xml:id="bib937"/><ab type="implicit">
Jas H. Warner. "The reaction in eighteenth-century England to Rousseau's
two <hi rend="italic">Discours.</hi>" In <hi rend="italic">PMLA</hi>, XLVIII (1933), 472n, 478n.
</ab><ab rend="right">(<hi rend="italic">937</hi>   </ab>
<anchor xml:id="bib938"/><ab type="implicit">
Hen. Cecil Wyld. In his <hi rend="italic">Some aspects of the diction of English
poetry. Three lectures delivered before the University of London during
February 1933. . .</hi> Oxford: Blackwell, 1933, pp. 16-17, 26, 28, 29, 42, 45,
61, 71.
</ab><ab rend="right">(<hi rend="italic">938</hi>   </ab>
<ab rend="small">
Discusses Gray's remarks on poetic style, word coinage, his use of
<hi rend="italic">madding</hi> in El (l. 73), and his echoes of Milton and Pope in the Bard.
</ab><lb/>
<anchor xml:id="bib939"/>
<ab type="implicit"><hi rend="bold">1934.</hi> F[redk]. W[ilse]. Bateson. In his <hi rend="italic">English poetry and the
English language. An experiment in literary history.</hi> Oxford: Clarendon;
New York: Oxford, 1934, pp. [1], [65], 68, 74, 75, 77, 81n, 83n, 84-85, 87,
88.
</ab><ab rend="right">(<hi rend="italic">939</hi>   </ab>
<ab rend="small">
Gray on poetic diction and Gray as a pre-romantic.
</ab><lb/>
<anchor xml:id="bib940"/>
<ab type="implicit"><hi rend="italic">Book Auction Records,</hi> XXXI (Apr.-June, 1934), 396.
</ab><ab rend="right">(<hi rend="italic">940</hi>   </ab>
<ab rend="small">
Gray's annotated copy of the <hi rend="italic">Odes,</hi> 1757. See <ref target="#bib983">#983</ref>.
</ab><lb/>
<anchor xml:id="bib941"/><ab type="implicit">
Ronald Fuller. In his <hi rend="italic">Literary craftsmanship and appreciation.</hi> London:
Allen and Unwin, 1934.
</ab><ab rend="right">(<hi rend="italic">941</hi>   </ab>
<ab rend="small">
'Gray is a badly overrated poet. I sometimes doubt whether he was anything
more than a rhetorician, and whether the first few verses of the <hi rend="italic">Elegy</hi>
were not his only sincere production. Indeed, the whole of the <hi rend="italic">Bard</hi>
strikes me as almost comic. . . .' (p. 183)
</ab><lb/>
<anchor xml:id="bib942"/><ab type="implicit">
Clarence C. Green. In his <hi rend="italic">The neo-classic theory of tragedy in England
during the eighteenth century.</hi> Cambridge: Harvard Univ. Press, 1934.
</ab><ab rend="right">(<hi rend="italic">942</hi>   </ab>
<ab rend="small">
Gray's attitude toward the 'rules.'
</ab><lb/>
<anchor xml:id="bib943"/><ab type="implicit">
Lafcadio Hearn. In his <hi rend="italic">Complete lectures on poets.</hi> Edited by Ryuji
Tanabé, Teisaburo Ochiai, and Ichiro Nishizaki. Tokyo: Hokuseido Press,
1934.
</ab><ab rend="right">(<hi rend="italic">943</hi>   </ab>
<anchor xml:id="bib944"/><ab type="implicit">
Mauf Katow. "The Englishmen's love of nature in the eighteenth
century." In <hi rend="italic">Studies in English Literature, a Quarterly Compiled &amp;
Issued by the English Literary Society of Japan</hi> (Imperial Univ., Tokyo),
XIV (Oct., 1934), 510-14.
</ab><ab rend="right">PU   (<hi rend="italic">944</hi>   </ab>
<ab rend="small">
Gray's nature description, which is largely in El and Vic, is vague and
moralizing. Quotes Spr, ll. 1-20; Cat, ll. 37-42; Eton, ll. 11-30; El,
ll. 1-24; Vic, ll. 1-28.
</ab><lb/>
<anchor xml:id="bib945"/><ab type="implicit">
W[ilmarth]. S. Lewis. "The genesis of Strawberry Hill." In [New
York] <hi rend="italic">Metropolitan Museum Studies,</hi> V, Pt. i (1934), 57n, 78n, 90
</ab><ab rend="right">(<hi rend="italic">945</hi>   </ab>
<ab rend="small">
The eagle (PP) and vase (Cat) at Strawberry Hill.
</ab><lb/>
<anchor xml:id="bib946"/><ab type="implicit">
Geo. S. McCue. "Libraries of the London coffeehouses." In <hi rend="italic">The
Library Quarterly,</hi> IV (1934), 624-27.
</ab><ab rend="right">(<hi rend="italic">946</hi>   </ab>
<ab rend="small">
Repeats the anecdote about Pigot and Gray told by Cradock, <ref target="/texts/diglib/secondary/NoC_1917/1/221#bib1668">N1668</ref>,
IV, 226.
</ab>
<pb n="110" xml:id="p1-110"/>
<anchor xml:id="bib947"/><ab type="implicit">
Roderick Marshall. In his <hi rend="italic">Italy in English literature, 1755-1815. Origins
of the romantic interest in Italy.</hi> New York: Columbia Univ. Press; London:
Milford, 1934. (Columbia Univ. Studies in Eng. and Comp. Lit., CXVI)
</ab><ab rend="right">(<hi rend="italic">947</hi>   </ab>
<ab rend="small">
Gray's interest in Italian literature, esp. his transl. from Dante and echoes
of Dante in the El.
</ab><lb/>
<anchor xml:id="bib948"/><ab type="implicit">
*Roger Martin. In his <hi rend="italic">Essai sur Thomas Gray.</hi> Paris: Presses
Universitaires de France; London: Oxford, 1934.
</ab><ab rend="right">(<hi rend="italic">948</hi>   </ab>
<ab rend="small">
Contains French transl. of many of Gray's poems (See <ref target="#bib76">#76</ref>, <ref target="#bib80a">80a</ref>-<ref target="#bib80b">b</ref>, <ref target="#bib82a">82a</ref>, <ref target="#bib92a">92a</ref>, <ref target="#bib94a">94a</ref>, <ref target="#bib97">97</ref>, <ref target="#bib97c">97c</ref>, <ref target="#bib125b">125b</ref>, <ref target="#bib131a">131a</ref>, <ref target="#bib132a">132a</ref>, <ref target="#bib134a">134a</ref>-<ref target="#bib134c">c</ref>, <ref target="#bib178a">178a</ref>, <ref target="#bib415a">415a</ref>, <ref target="#bib417a">417a</ref>, <ref target="#bib421b">421b</ref>, <ref target="#bib424b">424a</ref>, <ref target="#bib426a">426a</ref>, <ref target="#bib426c">426c</ref>, <ref target="#bib480b">480b</ref>-<ref target="#bib480c">c</ref>, <ref target="#bib483a">483a</ref>, <ref target="#bib493a">493a</ref>, <ref target="#bib505b">505b</ref>, <ref target="#bib513a">513a</ref>, <ref target="#bib516a">516a</ref>, <ref target="#bib522a">522a</ref>, <ref target="#bib526a">526a</ref>, <ref target="#bib539b">539b</ref>-<ref target="#bib539c">c</ref>, <ref target="#bib542a">542a</ref>-<ref target="#bib542b">b</ref>, <ref target="#bib545a">545a</ref>, <ref target="#bib548a">548a</ref>, <ref target="#bib549a">549a</ref>-<ref target="#bib549b">b</ref>.).<lb/>
This is the most detailed study of Gray available and one of the most valuable
books written about him. It is chiefly concerned with a psychoanalytic study
of his character and an examination of his intellectual activities and his
poetry. Excellent thouqh M. Martin's work is, I think there are certain
weaknesses in the book: (1) I am not sure that there is sufficient
psychological evidence in existence to justify all of the author's conclusions
(See <hi rend="italic">N&amp;Q</hi> rev. below.), (2) these somewhat dubious conclusions
combined with a failure to cover the literary criticism in the letters very
thoroughly sometimes lead to rather doubtful interpretations of Gray's
intellectual opinions (See Starr, <ref target="#bib1075">#1075</ref>,
pp. 31-33), (3) a two-page index is inadequate for so long (460 pp.) and
important a work. Further comment may be found in Jones, <ref target="#bib1003">#1003</ref>, pp. viii-ix.<lb/>
Rev. E. Morley, <hi rend="italic">YWES,</hi> XV (1934), 276-78; L. Cazamian. <hi rend="italic">RAA,</hi> XIII
(Dec., 1935), 153-55; R. C[rane]., <hi rend="italic">PQ,</hi> XIV (1935), 166;
*<hi rend="italic">N&amp;Q,</hi> Apr. 20, 1935), 287-88; <hi rend="italic">TLS,</hi> Apr. 11, 1935, p. 241;
F. Wood, <hi rend="italic">ESt,</hi> LXXI (1936), 263-64; O. Shepard, <hi rend="italic">MLN,</hi> LIV (Jan.,
1939), 64-66.
</ab><lb/>
<anchor xml:id="bib949"/><ab type="implicit">
K[ewal]. K[rishna]. Mehrota. In his <hi rend="italic">Horace Walpole and the English novel: a
study of the influence of "The castle of Otranto," 1764-1820.</hi>
Oxford: Blackwell, 1934.
</ab><ab rend="right">(<hi rend="italic">949</hi>   </ab>
<anchor xml:id="bib950"/><ab type="implicit">
*Olga Micale. In her <hi rend="italic">Thomas Gray e la sua influenza sulla letteratura
italiana.</hi> Con prefazione di Natale Busetto. Catania: Studio Editoriale
moderno, 1934.
</ab><ab rend="right">PU   (<hi rend="italic">950</hi>   </ab>
<ab rend="small">
Influence of El on Foscolo, Aleardi, Pindemonte, Leopardi; influence of PP on
Foscolo, Manzoni, Monti, Pindemonte, Mazza; influence of Bard on Pananti and
Monti. Discusses Ital. transl. of Gray's poems.<lb/>
Rev. *J. Fucilla, <hi rend="italic">JEGP,</hi> XXXIV (1935), 277-79 (Fucilla notes several
Italian works influenced by Gray, including <hi rend="italic">Poesie inglesi di classici
autori</hi> recate in versi italiani dall'ingegnere Giulio Sacchi. Lugo:
Melandri, 1837 — which I have been unable to locate — and other
Italian translations or imitations.).
</ab><lb/>
<anchor xml:id="bib951"/><ab type="implicit">
Vernon Rendall. In his <hi rend="italic">Wild flowers in literature.</hi> London: Scholartis
Press, 1934. See index and p. 28.
</ab><ab rend="right">(<hi rend="italic">951</hi>   </ab>
<anchor xml:id="bib952"/><ab type="implicit">
Preserved Smith. In his <hi rend="italic">A history of modern culture.</hi> Vol. II: <hi rend="italic">The
enlightenment, 1687-1776.</hi> London: Routledge; New York: Holt, 1934.
</ab><ab rend="right">(<hi rend="italic">952</hi>   </ab>
<ab rend="small">
Gray's diversity of interests.
</ab><lb/>
<anchor xml:id="bib952a"/><ab type="implicit">
Tho. E. Tallmadge. In his <hi rend="italic">The story of England's architecture.</hi> New
York: Norton, 1934.
</ab><ab rend="right">(<hi rend="italic">952a</hi>   </ab>
<anchor xml:id="bib953"/><ab type="implicit">
Francesco Viglione. In his <hi rend="italic">Genova nella storia della letteratura
inglese.</hi> Genova: Poligrafica, 1934. (Annuario scolastico de R. Liceo
scientifico G. D. Cassini, 1933-34)
</ab><ab rend="right">(<hi rend="italic">953</hi>   </ab>
<ab rend="small">
Reprinted Genova: Fratelli Pagano, 1937 (YU). Gray's impressions of Genoa,
pp. 51-52.
</ab>
<pb n="111" xml:id="p1-111"/>
<anchor xml:id="bib954"/><ab type="implicit">
H[en]. B[eauchamp]. Walters. In his <hi rend="italic">The English antiquaries of the
sixteenth, seventeenth and eighteenth centuries.</hi> London: Edw. Walters,
1934, p. 37, 49.
</ab><ab rend="right">(<hi rend="italic">954</hi>   </ab>
<anchor xml:id="bib955"/>
<ab type="implicit"><hi rend="bold">1935.</hi> Douglas Bush. "Notes on Keats's reading." In
<hi rend="italic">PMLA,</hi> L (1935), 790, 791, 803.
</ab><ab rend="right">(<hi rend="italic">955</hi>   </ab>
<ab rend="small">
Keats's reading of Bard and PP.
</ab><lb/>
<anchor xml:id="bib956"/><ab type="implicit">
Lane Cooper. "The making and the use of a verbal concordance." In
<hi rend="italic">Evolution and repentance: mixed essays and addresses on Aristotle, Plato,
and Dante, with papers on Matthew Arnold and Wordsworth.</hi> Ithaca: Cornell
Univ. Press; London: Oxford, 1935.
</ab><ab rend="right">(<hi rend="italic">956</hi>   </ab>
<ab rend="small">
Cooper's work on <ref target="/texts/diglib/secondary/NoC_1917/1/245#bib1954">N1954</ref>.
</ab><lb/>
<anchor xml:id="bib957"/><ab type="implicit">
*Cecil V. Deane. In his <hi rend="italic">Aspects of eighteenth century nature poetry.</hi>
Oxford: Blackwell, 1935, pp. [1], 8-9, 30, 35, 54-58, 69, 75, 76, 82, 101,
135.
</ab><ab rend="right">(<hi rend="italic">957</hi>   </ab>
<ab rend="small">
Largely concerned with Gray's diction.<lb/>
Rev., <hi rend="italic">TLS,</hi> Jan. 4, 1936, pp. 1-2.
</ab><lb/>
<anchor xml:id="bib958"/><ab type="implicit">
Walter de la Mare. "Poetry in prose." In <hi rend="italic">Proceedings of British
Academy,</hi> XXI (1935), 297, 298. (Warton Lecture on English Poetry)
</ab><ab rend="right">(<hi rend="italic">958</hi>   </ab>
<anchor xml:id="bib959"/><ab type="implicit">
Dwight L. Durling. In his <hi rend="italic">Georgic tradition in English poetry.</hi> New
York: Columbia Univ. Press; London: Milford, 1935. (Col. Univ. Studies in
Eng. and Comp. Lit., CXXI)
</ab><ab rend="right">(<hi rend="italic">959</hi>   </ab>
<anchor xml:id="bib960"/><ab type="implicit">
*F[redk]. C[has]. Green. In his <hi rend="italic">Minuet: a critical survey of French and
English literary ideas in the eighteenth century.</hi> London: Dent; New York:
Dutton, 1935.
</ab><ab rend="right">(<hi rend="italic">960</hi>   </ab>
<ab rend="small">
The significance of Gray's poetry in moulding critical ideas.<lb/>
Rev. P. Jones, <hi rend="italic">LM,</hi> XXXI (Mar., 1935), 494-95.
</ab><lb/>
<anchor xml:id="bib961"/><ab type="implicit">
*R[obt]. W[yndham]. Ketton-Cremer. In his <hi rend="italic">Thomas Gray.</hi> London:
Duckworth, 1935. (Great Lives, LIV)
</ab><ab rend="right">(<hi rend="italic">961</hi>   </ab>
<ab rend="small">
Contains interesting discussions of the poems, but is a little too brief to be
a definitive biog. (although Cecil - see below - regards it as too long).<lb/>
Rev. D. Cecil, <hi rend="italic">Spectator,</hi> CLV (July 26, 1935), 160, 162; R. Martin,
<hi rend="italic">RAA,</hi> XIII (Dec., 1935), 155-56; E. Morley, <hi rend="italic">YWES,</hi> XVI (1935),
296; <hi rend="italic">TLS,</hi> Aug. 15, 1935, p. 511; F. Wood, <hi rend="italic">ESt,</hi> LXXI (1936),
264.
</ab><lb/>
<anchor xml:id="bib962"/><ab type="implicit">
Victor Lange. In his <hi rend="italic">Die Lyrik und ihr Publikum im England des
18. Jahrhunderts. Eine geschmacksgeschichtliche Untersuchung über die
englischen Anthologien von 1670-1780.</hi> Weimar: Böhlau,
1935. (Literatur und Leben, II)
</ab><ab rend="right">(<hi rend="italic">962</hi>   </ab>
<anchor xml:id="bib963"/><ab type="implicit">
Walter Leisering. In his <hi rend="italic">Das Motiv des Einsiedlers in der englischen
Literatur des 18. Jahrhunderts und der Hochromantik.</hi> Halle: R. Mayr,
1935. Diss.
</ab><ab rend="right">NYP   (<hi rend="italic">963</hi>   </ab>
<anchor xml:id="bib964"/><ab type="implicit">
W[ilmarth]. S. Lewis. "Yale edition of Horace Walpole's
correspondence." In <hi rend="italic">N&amp;Q,</hi> Aug. 10, 1935, p. 99.
</ab><ab rend="right">(<hi rend="italic">964</hi>   </ab>
<anchor xml:id="bib965"/><ab type="implicit">
Friedrich Meinecke. "Die englische Präromantik des 18. Jahrhunderts
als Vorstufe des Historismus." In <hi rend="italic">Historische </hi> 
<pb n="112" xml:id="p1-112"/>
<hi rend="italic">Zeitschrift,</hi> CLII (1935), 259, 267.
</ab><ab rend="right">(<hi rend="italic">965</hi>   </ab>
<anchor xml:id="bib966"/><ab type="implicit">
Saml H. Monk. In his <hi rend="italic">The sublime: a study of critical theories in
XVIII-century England.</hi> New York: MLA, 1935.
</ab><ab rend="right">(<hi rend="italic">966</hi>   </ab>
<ab rend="small">
Rev. A. Brandl, <hi rend="italic">Archiv.,</hi> n. s. CLXXII (1937), 220-22.
</ab><lb/>
<anchor xml:id="bib967"/><ab type="implicit">
I[vor]. A. Richards. In his <hi rend="italic">Coleridge on imagination.</hi> New York:
Harcourt, Brace, 1935. See index and pp. 125, 204, 205.
</ab><ab rend="right">(<hi rend="italic">967</hi>   </ab>
<anchor xml:id="bib968"/><ab type="implicit">
S[ydney]. C[astle]. Roberts. In his <hi rend="italic">Doctor Johnson.</hi> London: Duckworth;
New York: Macmillan, 1935, pp. 106, 137. (Great Lives)
</ab><ab rend="right">(<hi rend="italic">968</hi>   </ab>
<anchor xml:id="bib969"/><ab type="implicit">
Ernest J. Simmons. In his <hi rend="italic">English literature and culture in Russia
[1553-1840).</hi> Cambridge: Harvard Univ. Press; London: Oxford,
1935. (Harvard Studies in Comp. Lit., XII)
</ab><ab rend="right">(<hi rend="italic">969</hi>   </ab>
<ab rend="small">
'Gray. . . must be accorded an important place in the growth of Russian
sentimentalism.'
</ab><lb/>
<anchor xml:id="bib970"/><ab type="implicit">
Chard Powers Smith. In his <hi rend="italic">Annals of the poets. Their origins, backgrounds,
private lives, habits of composition, characters, and personal
peculiarities.</hi> New York: Scribner's, 1935.
</ab><ab rend="right">(<hi rend="italic">970</hi>   </ab>
<anchor xml:id="bib971"/><anchor xml:id="bib972"/><ab type="implicit">
Reed Smith. In his <hi rend="italic">The teaching of literature in the high school.</hi> New
York: American Book Co., [1935].
</ab><ab rend="right">(<hi rend="italic">971-2</hi>   </ab>
<anchor xml:id="bib973"/><ab type="implicit">
Karl L. F. Thielke. In his <hi rend="italic">Literatur- und Kunstkritik in ihren
Wechselbeziehungen. Ein Beitrag zur englischen Aesthetik des
18. Jahrhunderts.</hi> Halle: Niemeyer, 1935, pp. 23-25, 65, 117-18, 119,
121. (Studien zur englischen Philologie, LXXXIV)
</ab><ab rend="right">(<hi rend="italic">973</hi>   </ab>
<anchor xml:id="bib974"/><ab type="implicit">
Gilbert Thomas. In his <hi rend="italic">William Cowper and the eighteenth century.</hi>
London: Nicholson and Watson, 1935.
</ab><ab rend="right">(<hi rend="italic">974</hi>   </ab>
<ab rend="small">
Reprinted New York: Macmillan, 1947, 1949.
</ab><lb/>
<anchor xml:id="bib975"/><ab type="implicit">
Clarence DeWitt Thorpe. "Two Augustans cross the Alps: Dennis and Addison
on mountain scenery." In <hi rend="italic">SP,</hi> XXXII (1935), 463, 464, 465, 467,
468, 473, 481, 482.
</ab><ab rend="right">(<hi rend="italic">975</hi>   </ab>
<ab rend="small">
Addison and Dennis anticipated Gray in their appreciation of the Alps.
</ab><lb/>
<anchor xml:id="bib976"/><ab type="implicit">
Carl August Weber. In his <hi rend="italic">Bristols Bedeutung für die englische
Romantik und die deutsch-englischen Beziehungen.</hi> Halle: Niemeyer,
1935. (Studien zur englischen Philologie, LXXXIX)
</ab><ab rend="right">(<hi rend="italic">976</hi>   </ab>
<anchor xml:id="bib977"/><ab type="implicit">
Sister M. Kevin Whelan. In her <hi rend="italic">Enthusiasm in English poetry of the
eighteenth century (1700-1774)</hi>. Washington, D. C.: Catholic Univ. of
America, 1935, pp. 39, 80, 100, 122, 126, 131, 136, 137n, 139, 147, 149, 150,
152. Diss.
</ab><ab rend="right">(<hi rend="italic">977</hi>   </ab>
<anchor xml:id="bib978"/><ab type="implicit">
Marjorie Williams. In her <hi rend="italic">William Shenstone. A chapter in eighteenth
century taste.</hi> Birmingham: Cornish, 1935.
</ab><ab rend="right">(<hi rend="italic">978</hi>   </ab>
<anchor xml:id="bib979"/><ab type="implicit">
Mona Wilson. In her "The twilight of the Augustans." In 
<pb n="113" xml:id="p1-113"/>
<hi rend="italic">Essays and studies by members of the English Association.</hi> XX. Collected
by Geo. Cookson. Oxford: Clarendon, 1935, pp. 79-80, 83-84.
</ab><ab rend="right">(<hi rend="italic">979</hi>   </ab>
<anchor xml:id="bib980"/>
<ab type="implicit"><hi rend="bold">1936.</hi> [Ben Abramson.] "Enduring monuments. An elegy wrote in a
country churchyard." In <hi rend="italic">Reading and Collecting,</hi> I (Dec., 1936), 9,
22.
</ab><ab rend="right">(<hi rend="italic">980</hi>   </ab>
<ab rend="small">
Discusses El and <hi rend="italic">Odes.</hi> Repro. of t-p of first ed. of El,
p. 9. Collation, p. 22.
</ab><lb/>
<anchor xml:id="bib981"/><ab type="implicit">
Robt Arnold Aubin. In his <hi rend="italic">Topographical poetry in XVIII-century
England.</hi> New York: MLA; London: Milford, 1936. (Revolving Fund Series, VI)
</ab><ab rend="right">(<hi rend="italic">981</hi>   </ab>
<anchor xml:id="bib982"/><ab type="implicit">
Alex. Cowie. In his <hi rend="italic">John Trumbull Connecticut wit.</hi> Chapel Hill:
Univ. of N. C. Press, 1936.
</ab><ab rend="right">(<hi rend="italic">982</hi>   </ab>
<ab rend="small">
Trumbull's imitations of Gray.
</ab><lb/>
<anchor xml:id="bib983"/><ab type="implicit">
W. H. G. "Gray: <hi rend="italic">Odes</hi> (1757)." In <hi rend="italic">Bibliographical Notes and
Queries,</hi> II (Apr., 1936), 7. Query no. 152.
</ab><ab rend="right">(<hi rend="italic">983</hi>   </ab>
<ab rend="small">
The question of two issues of the <hi rend="italic">Odes.</hi> Replies by John Carter,
<hi rend="italic">ibid.</hi> (May), 4-6; Simon Nowell Smith (Oct.), 2; Nathan van Patten,
<hi rend="italic">ibid.</hi> See also <ref target="#bib1017">#1017</ref>.
</ab><lb/>
<anchor xml:id="bib984"/><ab type="implicit">
Edw. Niles Hooker. "The reviewers and the new trends in poetry,
1754-1770." In <hi rend="italic">MLN,</hi> LI (1936), 208, 209, 211, 213.
</ab><ab rend="right">(<hi rend="italic">984</hi>   </ab>
<ab rend="small">
The reaction of the reviewers to the <hi rend="italic">Odes</hi> was largely favorable.
</ab><lb/>
<anchor xml:id="bib985"/><ab type="implicit">
F. R. Leavis. "English poetry in the eighteenth century. In
<hi rend="italic">Scrutiny,</hi> V (June, 1936), 13, 14-15, 16-17, 18.
</ab><ab rend="right">(<hi rend="italic">985</hi>   </ab>
<ab rend="small">
Largely concerned with the El.
</ab><lb/>
<anchor xml:id="bib986"/><ab type="implicit">
F[rank]. R[aymond]. Leavis. In his <hi rend="italic">Revaluation: tradition &amp; development
in English poetry.</hi> London: Chatto and Windus, 1936, pp. 73, 81, 91, 101,
103-04, 105, 106-07, 108, 130, 142, 143-46, 147.
</ab><ab rend="right">(<hi rend="italic">986</hi>   </ab>
<ab rend="small">
Reprinted New York: Stewart, 1947.<lb/>
The El and Gray's influence on Coleridge's early verse.
</ab><lb/>
<anchor xml:id="bib987"/><ab type="implicit">
W[ilmarth]. S. Lewis. In his <hi rend="italic">Bentley's designs for Walpole's fugitive
pieces.</hi> Farmington, Conn.: Privately printed, 1936, pp. 9,
10. (Miscellaneous Antiquities, XII)
</ab><ab rend="right">(<hi rend="italic">987</hi>   </ab>
<anchor xml:id="bib988"/><ab type="implicit">
F[rank]. L[aurence]. Lucas. In his <hi rend="italic">The decline and fall of the romantic
ideal.</hi> Cambridge, Eng.: Univ. Press; New York: Macmillan, 1936, pp. 50,
98, 180, 182, 184, 235, 236.
</ab><ab rend="right">(<hi rend="italic">988</hi>   </ab>
<anchor xml:id="bib989"/><ab type="implicit">
Kenneth MacLean. In his <hi rend="italic">John Locke and English literature of the eighteenth
century.</hi> New Haven: Yale Univ. Press; London: Oxford, 1936.
</ab><ab rend="right">(<hi rend="italic">989</hi>   </ab>
<ab rend="small">
Locke's influence on Gray.
</ab><lb/>
<anchor xml:id="bib990"/><ab type="implicit">
Saml Taylor Coleridge. In <hi rend="italic">Coleridge's miscellaneous criticism,</hi>
Tho. M. Raysor, ed. London: Constable, 1936.
</ab><ab rend="right">(<hi rend="italic">990</hi>   </ab>
<ab rend="small">
Largely concerned with the odes.
</ab>
<pb n="114" xml:id="p1-114"/>
<anchor xml:id="bib991"/><ab type="implicit">
Lionello Venturi. In his <hi rend="italic">History of art criticism.</hi> Translated from the
Italian by Chas Marriott. New York: Dutton, 1936, pp. 169, 170.
</ab><ab rend="right">(<hi rend="italic">991</hi>   </ab>
<anchor xml:id="bib992"/><ab type="implicit">
*Herbert G. Wright. "Robert Potter as a critic of Dr. Johnson." In
<hi rend="italic">RES,</hi> XII (July, 1936), 308, 313-17.
</ab><ab rend="right">(<hi rend="italic">992</hi>   </ab>
<ab rend="small">
A discussion of Potter's defense of Gray (<ref target="/texts/diglib/secondary/NoC_1917/1/210#bib1577">N1577</ref>)
against Johnson's attacks.
</ab><lb/>
<anchor xml:id="bib993"/><ab type="implicit">
*Calvin Daniel Yost, Jr. In his <hi rend="italic">The poetry of the Gentleman's Magazine. A
study in eighteenth century literary taste.</hi> Philadelphia: Univ. of
Pa. Press, 1936. Diss.
</ab><ab rend="right">(<hi rend="italic">993</hi>   </ab>
<ab rend="small">
The influence of the odes and esp. the El, pp. 16, 21, 23, 25, 26, 32, 36, 39,
55, 57, 59-62, 65-67, 68, 95-97, 98, 99, 120, 132, 135, 139, 140, 141,
142. Rev. C. Carlson, <hi rend="italic">MP,</hi> XXXV (Nov., 1937), 204-05; E. Deckner,
<hi rend="italic">Beibl.,</hi> XLIX (1938), 17-18.
</ab><lb/>
<anchor xml:id="bib994"/>
<ab type="implicit"><hi rend="bold">1937.</hi> Edw. Gay Ainsworth, Jr. In his <hi rend="italic">Poor Collins. His life, his
art, and his influence.</hi> Ithaca: Cornell Univ. Press; London: Oxford, 1937.
</ab><ab rend="right">(<hi rend="italic">994</hi>   </ab>
<ab rend="small">
Rev. G. Tillotson, <hi rend="italic">MLR,</hi> XXXII (Oct., 1937), 616-17.
</ab><lb/>
<anchor xml:id="bib995"/><ab type="implicit">
B. Sprague Allen. In his <hi rend="italic">Tides in English taste (1619-1800). A background
for the study of literature.</hi> Cambridge: Harvard Univ. Press; London:
Oxford, 1937. 2v.
</ab><ab rend="right">(<hi rend="italic">995</hi>   </ab>
<ab rend="small">
Gray's interest in scenery and in the Gothic revival.
</ab><lb/>
<anchor xml:id="bib996"/><ab type="implicit">
Sara Coleridge. In Leslie Nathan Broughton, ed. <hi rend="italic">Sara Coleridge and Henry
Reed. . . including her comment on his Memoir of Gray</hi> [<ref target="/texts/diglib/secondary/NoC_1917/1/24#bib120">N120</ref>].
. . Ithaca: Cornell Univ. Press; London: Oxford, 1937. (Cornell Studies in
English, XXVII)
</ab><ab rend="right">(<hi rend="italic">996</hi>   </ab>
<anchor xml:id="bib997"/><ab type="implicit">
Douglas Bush. In his <hi rend="italic">Mythology and the romantic tradition in English
poetry.</hi> Cambridge: Harvard Univ. Press; London: Oxford, 1937. (Harvard
Studies in English, XVIII)
</ab><ab rend="right">(<hi rend="italic">997</hi>   </ab>
<anchor xml:id="bib998"/><ab type="implicit">
John W. Draper. "The metrical tale in XVIII-century England." In
<hi rend="italic">PMLA,</hi> LII (1937), 393, 395, 396.
</ab><ab rend="right">(<hi rend="italic">998</hi>   </ab>
<ab rend="small">
Cat and LSt.
</ab><lb/>
<anchor xml:id="bib999"/><ab type="implicit">
Fredk C. Gill. In his <hi rend="italic">The romantic movement and Methodism. A study of
English romanticism and the evangelical revival.</hi> London: Epworth, 1937.
</ab><ab rend="right">(<hi rend="italic">999</hi>   </ab>
<anchor xml:id="bib1000"/><ab type="implicit">
Chas E[liot]. Goodspeed. In his <hi rend="italic">Yankee bookseller. Being the reminiscences
of Charles E. Goodspeed.</hi> Boston: Houghton, 1937.
</ab><ab rend="right">(<hi rend="italic">1000</hi>   </ab>
<ab rend="small">
Recollections of Norton's writing of <ref target="/texts/diglib/secondary/NoC_1917/1/242#bib1919">N1919</ref>.
</ab><lb/>
<anchor xml:id="bib1001"/><ab type="implicit">
Bernard Groom. In his <hi rend="italic">The formation and use of compound epithets in English
poetry from 1579.</hi> Oxford: Clarendon; London: Milford, 1937, pp. 297,
309. (Society for Pure English. Tract XLIX)
</ab><ab rend="right">(<hi rend="italic">1001</hi>   </ab>
<anchor xml:id="bib1002"/><ab type="implicit">
A[rthur]. R. Humphreys. In his <hi rend="italic">William Shenstone. An eighteenth-century
portrait.</hi> London: Cambridge Univ. Press, 1937.
</ab><ab rend="right">(<hi rend="italic">1002</hi>   </ab>
<anchor xml:id="bib1003"/><ab type="implicit">
*Wm Powell Jones. In his <hi rend="italic">Thomas Gray, scholar. The true </hi> 
<pb n="115" xml:id="p1-115"/>
<hi rend="italic">tragedy of an eighteenth-century gentleman with two youthful notebooks now
published for the first time from the original manuscripts in the Morgan
Library, New York City.</hi> Cambridge: Harvard Univ. Press; London: Oxford,
1937.
</ab><ab rend="right">(<hi rend="italic">1003</hi>   </ab>
<ab rend="small">
A very thorough and reliable study of Gray's intellectual activities. For the
notebooks see <ref target="#bib490a">#490a</ref>. Also contains a
frontispiece portr. and a 'Register of Gray autograph manuscripts,'
pp. [175]-81.<lb/>
Rev. E. Morley, <hi rend="italic">YWES,</hi> XVIII (1937), 217-19; R. C[rane]., <hi rend="italic">PQ,</hi>
XVII (1938), 194-95; A. Kazin, N. Y. <hi rend="italic">Herald Trib. Bks.,</hi> July 3, 1938,
p. 11; [G. Tillotson], <hi rend="italic">TLS,</hi> Feb. 5, 1938, p. 88 (reprinted in <ref target="#bib1087">#1087</ref>); noted, <hi rend="italic">TLS,</hi> Mar. 26, 1938,
p. 218; P. Meissner, <hi rend="italic">Beibl.,</hi> L (1939), 16-18; O. Shepard, <hi rend="italic">MLN,</hi>
LIV (Jan., 1939), 64-66; A. Tillotson, <hi rend="italic">RES,</hi> XV (1939), 373;
W. Templeman, <hi rend="italic">JEGP,</hi> XXXIX (1940), 295-97.
</ab><lb/>
<anchor xml:id="bib1004"/><ab type="implicit">
W[m]. P[owell]. Jones. "The vogue of natural history in England,
1750-1770." In <hi rend="italic">Annals of Science,</hi> II (1937), 345-52.
</ab><ab rend="right">(<hi rend="italic">1004</hi>   </ab>
<ab rend="small">
Gray's interest in insects.
</ab><lb/>
<anchor xml:id="bib1005"/><ab type="implicit">
In R[ich]. S[tanton]. Lambert, ed. <hi rend="italic">Grand tour.</hi> A journey in the tracks
of the age of aristocracy conducted by Mona Wilson, Douglas Woodruff, Edmund
Blunden, Janet Adam Smith, Richard Pyke, Sacheverell Sitwell, Malcolm
Letts. . . New York: Dutton, 1937, pp. 30, 61, 74, 75-76, 77, 91, 93-94, 99.
</ab><ab rend="right">(<hi rend="italic">1005</hi>   </ab>
<ab rend="small">
Gray and Walpole's European trip.
</ab><lb/>
<anchor xml:id="bib1006"/><ab type="implicit">
Stuart Piggott. "Prehistory and the romantic movement." In
<hi rend="italic">Antiquity,</hi> XI (1937), 33, 34-35, 36.
</ab><ab rend="right">(<hi rend="italic">1006</hi>   </ab>
<ab rend="small">
Gray's interest in Druids.
</ab><lb/>
<anchor xml:id="bib1007"/><ab type="implicit">
Mario Praz. In his <hi rend="italic">Storia della letteratura inglese.</hi> Firenze:
G. C. Sansoni, 1937.
</ab><ab rend="right">(<hi rend="italic">1007</hi>   </ab>
<anchor xml:id="bib1008"/><ab type="implicit">
Fredk A. Pottle with the assistance of Joseph Foladare, John P. Kirby and
others. In <hi rend="italic">Index to the private papers of James Boswell from Malahide
Castle in the collection of Lt.-Colonel Ralph Heyward Isham.</hi> London:
Oxford, 1937.
</ab><ab rend="right">(<hi rend="italic">1008</hi>   </ab>
<anchor xml:id="bib1009"/><ab type="implicit">
Walter F. Schirmer. In his <hi rend="italic">Geschichte der englischen Literatur von den
Anfängen bis zur Gegenwart.</hi> Halle: Niemeyer, 1937.
</ab><ab rend="right">(<hi rend="italic">1009</hi>   </ab>
<anchor xml:id="bib1010"/><ab type="implicit">
Andrew C. S. J. Smith. In his <hi rend="italic">Theories of the nature and standard of taste
in England, 1700-1790.</hi> Chicago: [Planographed], 1937, pp. 127-28,
147. Diss.
</ab><ab rend="right">(<hi rend="italic">1010</hi>   </ab>
<anchor xml:id="bib1011"/><ab type="implicit">
David Nichol Smith. In his <hi rend="italic">Some observations on eighteenth century
poetry.</hi> London: Oxford, 1937, pp. 16, 49, 50, 54-55, 57. (Alexander
Lectures in English at the Univ. of Toronto, 1937)
</ab><ab rend="right">(<hi rend="italic">1011</hi>   </ab>
<anchor xml:id="bib1012"/><ab type="implicit">
Hor. Walpole. In <hi rend="italic">The Yale edition of Horace Walpole's correspondence.</hi>
Edited by W. S. Lewis. Vols. I-II. <hi rend="italic">Horace Walpole's correspondence with the
Rev. William Cole.</hi> Edited by W. S. Lewis and A. Dayle Wallace. New Haven:
Yale Univ. Press; London: Oxford, 1937.
</ab><ab rend="right">(<hi rend="italic">1012</hi>   </ab>
<ab rend="small">
Rev. S. Chew, N. Y. <hi rend="italic">Herald Trib. Bks.,</hi> Oct. 17, 1937, pp. 1-2;
A. Shepperson, <hi rend="italic">VQR,</hi> XIV (1938), 607-10.
</ab>
<pb n="116" xml:id="p1-116"/>
<anchor xml:id="bib1013"/><ab type="implicit">
Jas H. Warner. "Eighteenth-century English reactions to the <hi rend="italic">Nouvelle
Héloïse.</hi> " In <hi rend="italic">PMLA,</hi> LII (1937), 803n, 816-17,
819n.
</ab><ab rend="right">(<hi rend="italic">1013</hi>   </ab>
<anchor xml:id="bib1014"/><ab type="implicit">
*Leonard Whibley. "Notes on two manuscripts of Thomas Gray." In
<hi rend="italic">Essays and Studies by Members of the English Association</hi>
(1937). XXIII. Collected by S. C. Roberts. Oxford: Clarendon, 1938, pp. 52-57.
</ab><ab rend="right">(<hi rend="italic">1014</hi>   </ab>
<ab rend="small">
'Chronological tables of Greek history,' pp. 52-55. 'Gray's own copy of <hi rend="italic">A
long story</hi>,' pp. 55-57.
</ab><lb/>
<anchor xml:id="bib1015"/><ab type="implicit">
W. T. Williams and G. H. Vallins, eds. In their <ref target="#bib25b">#25b</ref>.
</ab><ab rend="right">(<hi rend="italic">1015</hi>   </ab>
<anchor xml:id="bib1016"/>
<ab type="implicit"><hi rend="bold">1938.</hi> Agnes Addison. In her <hi rend="italic">Romanticism and the Gothic revival.</hi>
New York: R. R. Smith, 1938.
</ab><ab rend="right">(<hi rend="italic">1016</hi>   </ab>
<anchor xml:id="bib1017"/><ab type="implicit">
John Carter. "Gray: Odes. 1757." In <hi rend="italic">Bibliographical Notes and
Queries,</hi> II (Apr., 1938), 2-3.
</ab><ab rend="right">(<hi rend="italic">1017</hi>   </ab>
<ab rend="small">
A continuation of <ref target="#bib983">#983</ref>. Replies Leonard
Whibley, <hi rend="italic">ibid.,</hi> pp. 3-4; Carter, (Nov.), 2-3. They conclude that all
2000 copies of the <hi rend="italic">Odes</hi> were printed by Walpole and that the thin paper
issue was the first setting, but see <ref target="#bib1083">#1083</ref>. 
</ab><lb/>
<anchor xml:id="bib1018"/><ab type="implicit">
R. C. Churchill. "Gray and Matthew Arnold." In <hi rend="italic">Criterion,</hi>
XVII (1938), 426-31.
</ab><ab rend="right">(<hi rend="italic">1018</hi>   </ab>
<ab rend="small">
Disagrees with Arnold's interpretation of Gray as a poet thwarted in an age of
prose.
</ab><lb/>
<anchor xml:id="bib1019"/><ab type="implicit">
Alex. Cowie. "John Trumbull as a critic of poetry." In <hi rend="italic">New
England Quarterly,</hi> XI (1938), 788.
</ab><ab rend="right">(<hi rend="italic">1019</hi>   </ab>
<ab rend="small">
Trumbull preferred the El to the Odes.
</ab><lb/>
<anchor xml:id="bib1020"/><ab type="implicit">
Jas Alfred Eastman. "Thomas Gray — in and out of the library."
In <hi rend="italic">Bulletin of the New York Public Library,</hi> XLII (1938), 743-49.
</ab><ab rend="right">(<hi rend="italic">1020</hi>   </ab>
<ab rend="small">
Discusses early Gray eds.
</ab><lb/>
<anchor xml:id="bib1021"/><ab type="implicit">
Rintaro Fukuhara. "Thomas Gray, gentleman." In <hi rend="italic">Studies in English
Literature, a quarterly review compiled and issued by the English Literary
Society of Japan,</hi> XVIII (1938), 544-54.
</ab><ab rend="right">PU   (<hi rend="italic">1021</hi>   </ab>
<ab rend="small">
Largely a summary of Jones, <ref target="#bib1003">#1003</ref>, but adds
two items to Jones' register of Gray's autograph MSS. (1) The cookery notes
(See <ref target="#bib130">#130</ref>) and (2) 'A chronological list of
painters. . .' (<ref target="/texts/diglib/secondary/NoC_1917/1/70#bib468">N468</ref>)
</ab><lb/>
<anchor xml:id="bib1022"/><ab type="implicit">
Lodwick C. Hartley. In his <hi rend="italic">William Cowper, humanitarian.</hi> Chapel Hill:
Univ. of N. C. Press, 1938. Princeton diss.
</ab><ab rend="right">(<hi rend="italic">1022</hi>   </ab>
<anchor xml:id="bib1023"/><ab type="implicit">
*W[m]. Powell Jones. "Thomas Gray's library." In <hi rend="italic">MP,</hi> XXXV
(Feb., 1938), 257-78.
</ab><ab rend="right">(<hi rend="italic">1023</hi>   </ab>
<ab rend="small">
The list of books recorded in Gray's notebook as bought since he came to
London, 1760. See also <ref target="#bib490a">#490a</ref>.
</ab><lb/>
<anchor xml:id="bib1024"/><ab type="implicit">
G. G. L. "Errors in the Aldine 'Gray' [<ref target="/texts/diglib/secondary/NoC_1917/1/30#bib170">N170</ref>]."
In <hi rend="italic">N&amp;Q,</hi> July 16, 1938, p. 44.
</ab><ab rend="right">(<hi rend="italic">1024</hi>   </ab>
<anchor xml:id="bib1025"/><ab type="implicit">
Lorna Frances McGuire. "The relation of English poetry to
<pb n="117" xml:id="p1-117"/>
English painting in the romantic period." In <hi rend="italic">Radcliffe College,
summaries of theses, 1935-1938.</hi> Cambridge: Published by the College, 1938,
pp. 37-38.
</ab><ab rend="right">(<hi rend="italic">1025</hi>   </ab>
<ab rend="small">
Gray's interest in painting and Blake's illus. for Gray's poems.
</ab><lb/>
<anchor xml:id="bib1026"/><ab type="implicit">
Frances Schouler Miller. "The historic sense of Thomas Warton,
Junior." In <hi rend="italic">ELH,</hi> V (Mar., 1938), 73, 87, 91.
</ab><ab rend="right">(<hi rend="italic">1026</hi>   </ab>
<anchor xml:id="bib1027"/><ab type="implicit">
Hen. Crabb Robinson. In Edith J. Morley, ed. <hi rend="italic">Henry Crabb Robinson on books
and their writers.</hi> London: Dent, 1938, 3v.
</ab><ab rend="right">(<hi rend="italic">1027</hi>   </ab>
<ab rend="small">
Wordsworth's and Lamb's opinion of Gray's poetry, Robinson's views on Gray's
poetry and letters and on Mason's <hi rend="italic">Memoir.</hi>
</ab><lb/>
<anchor xml:id="bib1028"/><ab type="implicit">
Harry Ransom. "The rewards of authorship in the eighteenth century."
In <hi rend="italic">Univ. of Texas Studies in English,</hi> [XVIII] (July 8, 1938), 53-54.
</ab><ab rend="right">(<hi rend="italic">1028</hi>   </ab>
<anchor xml:id="bib1029"/><ab type="implicit">
Armand M. Reimeringer. In his <hi rend="italic">L'opinion anglaise sur les institutions
françaises au XVIII<hi rend="sup">e</hi> siècle.</hi> Paris: Lavergne,
1938, pp. 43, 114.
</ab><ab rend="right">(<hi rend="italic">1029</hi>   </ab>
<anchor xml:id="bib1030"/><ab type="implicit">
Leo Shapiro. "Lucretian 'domestic melancholy' and the tradition of
Vergilian 'frustration'." In <hi rend="italic">PMLA,</hi> LIII (Dec., 1938), 1088, 1090,
1093.
</ab><ab rend="right">(<hi rend="italic">1030</hi>   </ab>
<ab rend="small">
Influence of Lucretius and Vergil on Gray.
</ab><lb/>
<anchor xml:id="bib1031"/><ab type="implicit">
Chauncey Brewster Tinker. In his <hi rend="italic">Painter and poet. Studies in the literary
relations of English painting.</hi> Cambridge: Harvard Univ. Press, 1938. (The
Chas. Eliot Norton Lectures for 1937-1938)
</ab><ab rend="right">(<hi rend="italic">1031</hi>   </ab>
<anchor xml:id="bib1032"/><ab type="implicit">
Leonard Whibley. "Garrick's verses to Gray." In <hi rend="italic">TLS,</hi> Feb. 12,
1938, p. 112.
</ab><ab rend="right">(<hi rend="italic">1032</hi>   </ab>
<ab rend="small">
Bibliographical information concerning the printing of 'To Mr. Gray on his
Odes' at Strawberry Hill.
</ab><lb/>
<anchor xml:id="bib1033"/>
<ab type="implicit"><hi rend="bold">1939.</hi> J. A. W. Bennett. "The history of Old English and Old Norse
studies in England from the time of Francis Junius till the end of the
eighteenth century." In <hi rend="italic">University of Oxford abstracts of
dissertations, 1938,</hi> XI (1939), 114-15.
</ab><ab rend="right">(<hi rend="italic">1033</hi>   </ab>
<anchor xml:id="bib1034"/><anchor xml:id="bib1035"/><ab type="implicit">
Donald Cross Bryant. In his <hi rend="italic">Edmund Burke and his literary friends.</hi>
St. Louis, 1939. (Washington Univ. Studies, n. s. Lang. and Lit., IX)
</ab><ab rend="right">(<hi rend="italic">1034-35</hi>   </ab>
<anchor xml:id="bib1036"/><ab type="implicit">
N[emours]. H[onoré]. Clement. In his <hi rend="italic">Romanticism in France.</hi> New
York: MLA, 1939.
</ab><ab rend="right">(<hi rend="italic">1036</hi>   </ab>
<ab rend="small">
The influence of the El and the Norse poems in France and French transl. of
the El (<ref target="/texts/diglib/secondary/NoC_1917/1/100#bib739">N739</ref>,
<ref target="/texts/diglib/secondary/NoC_1917/1/103#bib755">N755</ref>).
</ab><lb/>
<anchor xml:id="bib1037"/><ab type="implicit">
Claire Eliane Engel. In her <hi rend="italic">Figures &amp; aventures du XVIII<hi rend="sup">e</hi>
siècle. Voyages et découvertes de l'Abbé
Prévost.</hi> Préface de Paul Hazard. Paris: Editions "Je
sers," 1939. (Etudes de littérature, d'art et d'histoire, V)
</ab><ab rend="right">(<hi rend="italic">1037</hi>   </ab>
<pb n="118" xml:id="p1-118"/>
<anchor xml:id="bib1038"/><ab type="implicit">
Miriam Friedman. "Lucian in English literature 1683-1795." In
<hi rend="italic">Cornell Univ. abstracts of theses. . . 1938.</hi> Ithaca, 1939, p. 18.
</ab><ab rend="right">(<hi rend="italic">1038</hi>   </ab>
<anchor xml:id="bib1039"/><ab type="implicit">
A. R. Humphreys. "A classical education and eighteenth-century
poetry." In <hi rend="italic">Scrutiny,</hi> VIII (Sept., 1939), 193, 194, 199, 201,
204-05.
</ab><ab rend="right">(<hi rend="italic">1039</hi>   </ab>
<ab rend="small">
An attack upon the 'banal moralizing' and 'histrionic emptiness' of the odes.
</ab><lb/>
<anchor xml:id="bib1040"/><ab type="implicit">
Roger Martin. In his <hi rend="italic">Les préromantiques anglais. . .</hi> <ref target="#bib76a">#76a</ref>.
</ab><ab rend="right">(<hi rend="italic">1040</hi>   </ab>
<anchor xml:id="bib1041"/><ab type="implicit">
Saml H. Monk. "Anna Seward and the romantic poets: a study in
taste." In Earl Leslie Griggs, ed. <hi rend="italic">Wordsworth and Coleridge: studies
in honor of George McLean Harper.</hi> Princeton: Univ. Press, 1939.
</ab><ab rend="right">(<hi rend="italic">1041</hi>   </ab>
<anchor xml:id="bib1042"/><ab type="implicit">
Geoffrey Tillotson. "Eighteenth-century poetic diction." In
<hi rend="italic">Essays and studies by members of the English Association</hi>
(1939). XXV. Collected by Percy Simpson. Oxford: Clarendon, 1940, p. 69.
</ab><ab rend="right">(<hi rend="italic">1042</hi>   </ab>
<ab rend="small">
Reprinted in <ref target="#bib1087">#1087</ref>.
</ab><lb/>
<anchor xml:id="bib1043"/><ab type="implicit">
W. Lee Ustick. "Tom D'Urfey and the graveyard." In <hi rend="italic">MP,</hi> XXXVI
(Feb., 1939), 303-06.
</ab><ab rend="right">(<hi rend="italic">1043</hi>   </ab>
<anchor xml:id="bib1044"/><ab type="implicit">
Hor. Walpole. In <hi rend="italic">The Yale edition of Horace Walpole's correspondence.</hi>
Edited by W. S. Lewis. Vols. III-VIII. <hi rend="italic">Horace Walpole's correspondence with
Madame du Deffand and Wiart.</hi> Edited by W. S. Lewis and Warren Hunting
Smith. 6v. New Haven: Yale Univ. Press; London: Oxford, 1939.
</ab><ab rend="right">(<hi rend="italic">1044</hi>   </ab>
<anchor xml:id="bib1045"/><ab type="implicit">
Earl R. Wasserman. "The Walpole-Chatterton controversy." In
<hi rend="italic">MLN,</hi> LIV (1939), 460-62.
</ab><ab rend="right">(<hi rend="italic">1045</hi>   </ab>
<ab rend="small">
Prints the account of the matter in Isaac Reed's notebook (Folger MS. 632)
</ab><lb/>
<anchor xml:id="bib1046"/><ab type="implicit">
Basil Williams. In his <hi rend="italic">The Whig supremacy, 1714-1760.</hi> Oxford:
Clarendon, 1939. (Oxford history of England)
</ab><ab rend="right">(<hi rend="italic">1046</hi>   </ab>
<anchor xml:id="bib1047"/>
<ab type="implicit"><hi rend="bold">1940.</hi> *Leicester Bradner. In his <hi rend="italic">Musae anglicanae: a history of
Anglo-Latin poetry, 1500-1925.</hi> New York: MLA; London: Oxford, 1940. (MLA
Gen. Ser., X)
</ab><ab rend="right">(<hi rend="italic">1047</hi>   </ab>
<ab rend="small">
'Gray's genius in Latin lay almost entirely in the ode. . . .The greatest
triumph of these poems is their ability to build up an effective atmosphere
within a few stanzas.'<lb/>
Rev. <hi rend="italic">TLS,</hi> Nov. 22, 1941, p. 582.
</ab><lb/>
<anchor xml:id="bib1048"/><ab type="implicit">
E. K. Brown. "Matthew Arnold and the eighteenth century." In
<hi rend="italic">University of Toronto Quarterly,</hi> IX (1940), 202-13.
</ab><ab rend="right">(<hi rend="italic">1048</hi>   </ab>
<anchor xml:id="bib1049"/><ab type="implicit">
Sir Saml Egerton Brydges. "A letter of Sir Samuel Egerton Brydges to
Robert Southey [0ct. 18, 21, 1829]." Intro. by R. B. Haselden. In
<hi rend="italic">HLQ,</hi> III (Jan., 1940), 246-7.
</ab><ab rend="right">(<hi rend="italic">1049</hi>   </ab>
<ab rend="small">
Huntington MS. 12321.
</ab><lb/>
<anchor xml:id="bib1050"/><ab type="implicit">
J. Crofts. "Wordsworth and the seventeenth century." In
<pb n="119" xml:id="p1-119"/>
<hi rend="italic">Proceedings of the British Academy,</hi> XXVI (1940), 180. (Warton Lecture
on English Poetry)
</ab><ab rend="right">(<hi rend="italic">1050</hi>   </ab>
<anchor xml:id="bib1051"/><ab type="implicit">
H[en]. V[ictor]. D. Dyson and John Butt. In their <hi rend="italic">Augustans and romantics,
1689-1830.</hi> With chapters on art, economics and philosophy by Geoffrey
Webb, F. J. Fisher, and H. A. Hodges. London: Cresset, 1940. (Introductions to
literature, ed. Bonamy Dobrée, III)
</ab><ab rend="right">(<hi rend="italic">1051</hi>   </ab>
<anchor xml:id="bib1052"/><ab type="implicit">
Ernest Earnest. In his <hi rend="italic">John and William Bartram: botanists and explorers,
1699-1777, 1739-1823.</hi> Philadelphia: Univ. of Pa. Press; London: Oxford,
1940.
</ab><ab rend="right">(<hi rend="italic">1052</hi>   </ab>
<ab rend="small">
Gray's interest in botany.
</ab><lb/>
<anchor xml:id="bib1053"/><ab type="implicit">
*B[enj]. Ifor Evans. "Thomas Gray and William Blake." In his
<hi rend="italic">Tradition and romanticism. Studies in English poetry from Chaucer to
W. B. Yeats.</hi> London: Methuen; New York: Longmans, Green, 1940,
pp. 99-108. See index.
</ab><ab rend="right">(<hi rend="italic">1053</hi>   </ab>
<ab rend="small">
Gray revered the past and hence used traditional mythology.<lb/>
Rev. <hi rend="italic">TLS,</hi> Feb. 3, 1940, 58, 64.
</ab><lb/>
<anchor xml:id="bib1054"/><ab type="implicit">
Francis Gallaway. In his <hi rend="italic">Reason, rule, and revolt in English
classicism.</hi> New York: Scribner's, 1940.
</ab><ab rend="right">(<hi rend="italic">1054</hi>   </ab>
<ab rend="small">
Gray's literary sources and views on religion, philosophy, imagination, style,
medieval literature, landscape, and the simple life.
</ab><lb/>
<anchor xml:id="bib1054a"/><ab type="implicit">
In John Hampden, comp. <hi rend="italic">An eighteenth-century journal: being a record of the
years 1774-1776.</hi> London: Macmillan, 1940.
</ab><ab rend="right">(<hi rend="italic">1054a</hi>   </ab>
<anchor xml:id="bib1055"/><ab type="implicit">
*R[obt]. W. Ketton-Cremer. In his <hi rend="italic">Horace Walpole, a biography.</hi> London:
Duckworth; New York: Longmans, Green, 1940.
</ab><ab rend="right">(<hi rend="italic">1055</hi>   </ab>
<ab rend="small">
Rev. S. Chew, N. Y. <hi rend="italic">Herald Trib. Bks.,</hi> Dec. 15, 1940, p. 2, and in
<hi rend="italic">YR,</hi> n. s. XXX (Dec., 1940), 385-87; E. Forbes-Boyd,
<hi rend="italic">Chris. Sci. Mon.,</hi> July 20, 1940, p. 11; P. Magnus, <hi rend="italic">Spectator,</hi>
CLXIV (May 24, 1940), 723; R. Mc Donough, <hi rend="italic">Library Journal</hi> LXV (Oct. 1,
1940), 807; <hi rend="italic">TLS,</hi> May 4, 1940, p. 218; V. Woolf, <hi rend="italic">New Statesman &amp;
Nation,</hi> XIX (June 8, 1940), 726.
</ab><lb/>
<anchor xml:id="bib1055a"/><ab type="implicit">
In <hi rend="italic">The Library of Edward Gibbon: a catalogue of his books.</hi> Introduction
by Geoffrey Keynes. London: Cape, 1940, p. 138.
</ab><ab rend="right">(<hi rend="italic">1055a</hi>   </ab>
<ab rend="small">
Gibbon's copy of <ref target="/texts/diglib/secondary/NoC_1917/1/2#bib13">N13</ref>.<lb/>
Rev. E. Morley, <hi rend="italic">YWES,</hi> XXI (1940), 193-95.
</ab><lb/>
<anchor xml:id="bib1056"/><ab type="implicit">
Margaret Ruth Lowery. In her <hi rend="italic">Windows of the morning. A critical study of
William Blake's</hi> Poetical Sketches, <hi rend="italic">1783.</hi> New Haven: Yale
Univ. Press., 1940. (Yale Studies in English, XCIII)
</ab><ab rend="right">(<hi rend="italic">1056</hi>   </ab>
<ab rend="small">
Gray had more influence on Blake than is generally assumed.<lb/>
Rev. R. Wellek, <hi rend="italic">PQ,</hi> XX (Jan., 1941), 92-93.
</ab><lb/>
<anchor xml:id="bib1057"/><ab type="implicit">
Ernest Campbell Mossner. "Hume and the Scottish Shakespeare." In
<hi rend="italic">HLQ,</hi> III (July, 1940), 440.
</ab><ab rend="right">(<hi rend="italic">1057</hi>   </ab>
<anchor xml:id="bib1058"/><anchor xml:id="bib1059"/><ab type="implicit">
Emery Neff. In his <hi rend="italic">A revolution in European poetry, 1660-1900.</hi> New
York: Columbia Univ. Press, 1940.
</ab><ab rend="right">(<hi rend="italic">1058-9</hi>   </ab>
<ab rend="small">
Gray's interest in scholarship and Northern poetry.
</ab>
<pb n="120" xml:id="p1-120"/>
<anchor xml:id="bib1060"/><ab type="implicit">
T[ho]. B[oswell]. Shepherd. In his <hi rend="italic">Methodism and the literature of the
eighteenth century.</hi> London: Epworth, 1940.
</ab><ab rend="right">(<hi rend="italic">1060</hi>   </ab>
<ab rend="small">
Chas. Wesley's opinion of Gray.
</ab><lb/>
<anchor xml:id="bib1061"/><ab type="implicit">
*Geo. N. Shuster. In his <hi rend="italic">The English ode from Milton to Keats.</hi> New
York: Columbia Univ. Press, 1940. (Col. Univ. Studies, CL)
</ab><ab rend="right">(<hi rend="italic">1061</hi>   </ab>
<ab rend="small">
A discussion of Gray's odes as a sign of the 'return of imagination.'<lb/>
Rev. <hi rend="italic">Bk. Rev. Digest,</hi> 1940, p. 836; D. Bush, <hi rend="italic">JEGP,</hi> XL (1941),
304-07; C. H[arrold]., <hi rend="italic">ELH,</hi> VIII (1941), 8; P. Hutchison,
N. Y. <hi rend="italic">Times Bk. Rev.,</hi> Mar. 2, 1941, p. 2; D. Smith, <hi rend="italic">NMQR,</hi> XI
(1941), 111-14.
</ab><lb/>
<anchor xml:id="bib1062"/><ab type="implicit">
Bernard Herbert Stern. In his <hi rend="italic">The rise of romantic Hellenism in English
literature 1732-1786.</hi> Menasha: Banta, 1940, pp. x, 151-53, 182.
</ab><ab rend="right">(<hi rend="italic">1062</hi>   </ab>
<ab rend="small">
Rev. H. Routh, <hi rend="italic">RES,</hi> XVII (Apr., 1941), 238-40; L. Willoughby,
<hi rend="italic">MLR,</hi> XXXVII (1942), 217-19.
</ab><lb/>
<anchor xml:id="bib1063"/><ab type="implicit">
Hen. W. Wells. In his <hi rend="italic">New poets from old. A study in literary genetics.</hi>
New York: Columbia Univ. Press, 1940.
</ab><ab rend="right">(<hi rend="italic">1063</hi>   </ab>
<ab rend="small">
Gray's place in the history of verse form.
</ab><lb/>
<anchor xml:id="bib1064"/><ab type="implicit">
Basil Willey. In his <hi rend="italic">The eighteenth century background: studies on the idea
of nature in the thought of the period.</hi> London: Chatto and Windus, 1940;
New York: Columbia Univ. Press, 1941.
</ab><ab rend="right">(<hi rend="italic">1064</hi>   </ab>
<anchor xml:id="bib1065"/>
<ab type="implicit"><hi rend="bold">1941.</hi> Robt J. Allen. In his <hi rend="italic">Life in eighteenth century England.</hi>
Preface by Chauncey B. Tinker. Boston: Museum of Fine Arts, [1941],
p. 31. (Museum Extension Publications, Illustrative Set, IV)
</ab><ab rend="right">(<hi rend="italic">1065</hi>   </ab>
<anchor xml:id="bib1066"/><ab type="implicit">
Rich. D. Altick. In his <hi rend="italic">Richard Owen Cambridge: belated Augustan.</hi>
Philadelphia, 1941. U. of Pa. diss.
</ab><ab rend="right">(<hi rend="italic">1066</hi>   </ab>
<anchor xml:id="bib1067"/><ab type="implicit">
R. W. Chambers. "Poets and their critics: Langland and Milton." In
<hi rend="italic">Proceedings of the British Academy,</hi> XXVII (1941), 112. (Warton Lecture
on English Poetry)
</ab><ab rend="right">(<hi rend="italic">1067</hi>   </ab>
<anchor xml:id="bib1068"/><ab type="implicit">
Cornelius Carman Cunningham. In his <hi rend="italic">Literature as a fine art: analysis and
interpretation.</hi> New York: Nelson, 1941.
</ab><ab rend="right">(<hi rend="italic">1068</hi>   </ab>
<ab rend="small">
The Scandinavian poems and the use of variety and contrast in the El.
</ab><lb/>
<anchor xml:id="bib1069"/><ab type="implicit">
Francis J. Glasheen. "Shelley's use of Gray's poetry." In
<hi rend="italic">MLN,</hi> LVI (1941), 192-96.
</ab><ab rend="right">(<hi rend="italic">1069</hi>   </ab>
<ab rend="small">
Echoes of Gray in Shelley's early verse.
</ab><lb/>
<anchor xml:id="bib1070"/><ab type="implicit">
M. H. Griffin. "Thomas Gray, classical Augustan." In <hi rend="italic">CJ,</hi>
XXXVI (1941), 473-82.
</ab><ab rend="right">(<hi rend="italic">1070</hi>   </ab>
<ab rend="small">
Regards Gray as a 'second Horace' and prints transl. of A10 (<ref target="#bib92">#92</ref>).
</ab><lb/>
<anchor xml:id="bib1071"/><ab type="implicit">
John S. Harrison. In his <hi rend="italic">Types of English poetry: a study of literary
organisms.</hi> Indianapolis: Butler Univ. Press, 1941.
</ab><ab rend="right">(<hi rend="italic">1071</hi>   </ab>
<ab rend="small">
Poetic technique in Bard and PP.
</ab><lb/>
<anchor xml:id="bib1072"/><ab type="implicit">
W[m]. Powell Jones. "The William Robinsons in Italy." In
<pb n="121" xml:id="p1-121"/>
<hi rend="italic">HLQ,</hi> IV (1941), 343, 344, 347n, 348n.
</ab><ab rend="right">(<hi rend="italic">1072</hi>   </ab>
<anchor xml:id="bib1073"/><ab type="implicit">
G. Wilson Knight. "On eighteenth-century nationalism." In
<hi rend="italic">English,</hi> III (1941), 244.
</ab><ab rend="right">(<hi rend="italic">1073</hi>   </ab>
<ab rend="small">
Nationalism in El and Bard.
</ab><lb/>
<anchor xml:id="bib1073a"/><ab type="implicit">
Lewis Leary. In his <hi rend="italic">That rascal Freneau, a study in literary failure.</hi>
[N. p.]: Rutgers Univ. Press, 1941.
</ab><ab rend="right">(<hi rend="italic">1073a</hi>   </ab>
<ab rend="small">
Influence of El, Cat, and Eton on Freneau.
</ab><lb/>
<anchor xml:id="bib1073b"/><ab type="implicit">
Paul Leidig. In his <hi rend="italic">Französische Lehnwörter und Lehnbedeutungen
im Englischen des 18. Jahrhunderts. Ein Spiegelbild französischer
Kultureinwirkung.</hi> Bochum-Langendreer: Pöppinghaus,
1941. (Beiträge zur englischen Philologie, ed. Max Förster, XXXVII)
</ab><ab rend="right">(<hi rend="italic">1073b</hi>   </ab>
<anchor xml:id="bib1074"/><ab type="implicit">
Edwine Montague. "Bishop Hurd's association with Thomas Warton." In
<hi rend="italic">Stanford studies in language and literature.</hi> Stanford Univ., Calif.:
Published by the Univ., 1941, pp. 234, 243, 248-49.
</ab><ab rend="right">(<hi rend="italic">1074</hi>   </ab>
<ab rend="small">
Gray's outline of English poetry.
</ab><lb/>
<anchor xml:id="bib1075"/><ab type="implicit">
*Herbert W. Starr. In his <hi rend="italic">Gray as a literary critic.</hi> Philadelphia,
1941. U. of Pa. diss.
</ab><ab rend="right">(<hi rend="italic">1075</hi>   </ab>
<ab rend="small">
Appendix, 'Gray's practice of versification of his own poetry.[',]
pp. 132-40.<lb/>
Rev. E. Morley, <hi rend="italic">YWES,</hi> XXII (1941), 181-82; W. P. Jones, <hi rend="italic">MLN,</hi> LIX
(1944), 146-47; R. Wellek, <hi rend="italic">Erasmus,</hi> I (1947), 670.
</ab><lb/>
<anchor xml:id="bib1076"/><ab type="implicit">
Donald A. Stauffer. In his <hi rend="italic">The art of biography in eighteenth century
England.</hi> Princeton: Univ. Press; London: Oxford, 1941.
</ab><ab rend="right">(<hi rend="italic">1076</hi>   </ab>
<ab rend="small">
Discusses Mason's <hi rend="italic">Memoir.</hi>
</ab><lb/>
<anchor xml:id="bib1077"/><ab type="implicit">
Dorothy Margaret Stuart. "Landscape in Augustan verse." In <hi rend="italic">Essays
and studies by members of the English Association.</hi> XXVI. Collected by
Arundell Esdaile. Oxford: Clarendon, 1941, pp. 79, 82, 84-85.
</ab><ab rend="right">(<hi rend="italic">1077</hi>   </ab>
<ab rend="small">
Classical treatment of landscape in Eton and El.
</ab><lb/>
<anchor xml:id="bib1078"/><ab type="implicit">
Hor. Walpole. In <hi rend="italic">The Yale edition of Horace Halpole's correspondence.</hi>
Edited by W. S. Lewis. Vols. IX-X. <hi rend="italic">Horace Walpole's correspondence with
George Montagu.</hi> Edited by W. S. Lewis and Ralph S. Brown, Jr. 2v. New
Haven: Yale Univ. Press; London: Oxford, 1941.
</ab><ab rend="right">(<hi rend="italic">1078</hi>   </ab>
<ab rend="small">
Rev. H. Davis, <hi rend="italic">YR,</hi> XXXI (1942), 611-13; <hi rend="italic">TLS,</hi> July 11, 1942,
p. 342.
</ab><lb/>
<anchor xml:id="bib1079"/><ab type="implicit">
René Wellek. In his <hi rend="italic">The rise of English literary history.</hi> Chapel
Hill: Univ. of N. C. Press, 1941.
</ab><ab rend="right">(<hi rend="italic">1079</hi>   </ab>
<ab rend="small">
Gray's scholarship in literary history.<lb/>
Rev. E. Wasserman, <hi rend="italic">JEGP,</hi> XL (1942), 115-18; D. Bond, <hi rend="italic">MP,</hi> XL
(1943), 361-63.
</ab><lb/>
<anchor xml:id="bib1080"/>
<ab type="implicit"><hi rend="bold">1942.</hi> Curtis B. Bradford and Stuart Gerry Brown. "On teaching the
age of Johnson." In <hi rend="italic">CE,</hi> III (1942), 651, 652-53.
</ab><ab rend="right">(<hi rend="italic">1080</hi>   </ab>
<ab rend="small">
Gray 'was a poet of the Pope type.'
</ab><lb/>
<anchor xml:id="bib1080a"/><ab type="implicit">
Ruth Kennedy Colvin. In her "Thomas Gray as a literary
<pb n="122" xml:id="p1-122"/>
critic." Rochester, N. Y., 1942.
</ab><ab rend="right">(<hi rend="italic">1080a</hi>   </ab>
<ab rend="small">
195-200 typewritten leaves. Unpublished M. A. thesis at Univ. of Rochester.
</ab><lb/>
<anchor xml:id="bib1081"/><ab type="implicit">
Eva Beatrice Dykes. In her <hi rend="italic">The negro in English romantic thought; or, a
study of sympathy for the oppressed.</hi> Washington, D. C: Associated
Publishers, 1942.
</ab><ab rend="right">(<hi rend="italic">1081</hi>   </ab>
<anchor xml:id="bib1082"/><ab type="implicit">
*Hoxie Neale Fairchild. In his <hi rend="italic">Religious trends in English poetry.</hi> II:
<hi rend="italic">1740-1780, religious sentimentalism in the age of Johnson.</hi> New York:
Columbia Univ. Press, 1942.
</ab><ab rend="right">(<hi rend="italic">1082</hi>   </ab>
<ab rend="small">
Discusses Gray's religious views, which were a broad, rationalistic,
unsentimental Protestantism. Only one ref. in vol. I (p. 15).<lb/>
Rev. F. Pottle, <hi rend="italic">Review of Religion,</hi> VIII (Nov., 1943), 80-84;
R. Quintana, <hi rend="italic">MLN,</hi> LIX (1944), 290-92; <hi rend="italic">TLS,</hi> May 18, 1943,
p. 234.
</ab><lb/>
<anchor xml:id="bib1083"/><ab type="implicit">
*A[llen]. T[racey]. Hazen. In his <hi rend="italic">A bibliography of the Strawberry Hill
Press. . .</hi> New Haven: Yale Univ. Press; London: Oxford, 1942.
</ab><ab rend="right">(<hi rend="italic">1083</hi>   </ab>
<ab rend="small">
Much bibliographical information concerning the Strawberry Hill eds. of Gray,
esp. Tho. Kirgate's printing of the thick paper <hi rend="italic">Odes</hi> of 1757.<lb/>
Correction to his description of <hi rend="italic">Odes,</hi> 1757 (<ref target="/texts/diglib/secondary/NoC_1917/1/31#bib180">N180</ref>),
In John Hayward, comp., <hi rend="italic">English poetry: a descriptive catalogue. . .</hi>
Publ. for the Nat'l Bk. League by the Cambridge Univ. Press; New York:
Macmillan, 1947, pp. 77-78.<lb/>
Rev. L. Wroth, N. Y. <hi rend="italic">Herald Trib. Bks.</hi>, Sept. 6, 1942, p. 14;
G. Winship, <hi rend="italic">MLN,</hi> LVIII (Dec., 1943), 636-38; D. N. Smith, <hi rend="italic">RES,</hi>
XX (July, 1944), 244-46.
</ab><lb/>
<anchor xml:id="bib1084"/><ab type="implicit">
Louis Kronenberger. In his <hi rend="italic">Kings and desperate men: life in eighteenth
century England.</hi> New York: Knopf, 1942.
</ab><ab rend="right">(<hi rend="italic">1084</hi>   </ab>
<anchor xml:id="bib1085"/><ab type="implicit">
Josephine Miles. In her <hi rend="italic">Pathetic fallacy in the nineteenth century.</hi>
Berkeley: Univ. of Calif. Press, 1942, pp. 183, 190, 192, 193, 196, 207, 252,
279. (Univ. of Calif. Publ. in Eng., XII, No. 2)
</ab><ab rend="right">(<hi rend="italic">1085</hi>   </ab>
<anchor xml:id="bib1086"/><ab type="implicit">
Herbert W. Starr. "Gray's opinion of Parnell." In <hi rend="italic">MLN,</hi> LVII
(1942), 675-76.
</ab><ab rend="right">(<hi rend="italic">1086</hi>   </ab>
<anchor xml:id="bib1086a"/><ab type="implicit">
Hester Thrale. In her <hi rend="italic">Thraliana: the diary of Mrs. Hester Lynch Thrale
(later Mrs. Piozzi) 1776-1809.</hi> Katharine C. Balderston, ed. Oxford:
Clarendon; New York: Oxford, 1942, 2v.
</ab><ab rend="right">(<hi rend="italic">1086a</hi>   </ab>
<anchor xml:id="bib1087"/><ab type="implicit">
Geoffrey Tillotson. In his <hi rend="italic">Essays in criticism and research.</hi> Cambridge:
Univ. Press: New York: Macmillan, 1942.
</ab><ab rend="right">(<hi rend="italic">1087</hi>   </ab>
<ab rend="small">
Two of his revs. reprinted: 'On Gray's letters,' pp. 117-23 (<ref target="#bib431">#431</ref>); 'Gray the scholar-poet,' pp. 124-27 (<ref target="#bib1003">#1003</ref>). See also pp. xviii, xix, 59, 62, 74, 91,
110.<lb/>
Rev. J. Bennett, <hi rend="italic">MLR,</hi> XXXVII (1942), 384-85; R. Cox, <hi rend="italic">Scrutiny,</hi> X
(Apr., 1942), 395-96; <hi rend="italic">TLS,</hi> Apr. 4, 1942, p. 174 (portr. by Wilson);
J. Tobin, <hi rend="italic">Thought,</hi> XVIII (Mar., 1943), 151-54.
</ab><lb/>
<anchor xml:id="bib1088"/><ab type="implicit">
Leone Vivante. "The concept of a creative principle in the poems of
Collins and Gray." In <hi rend="italic">Comparative Literature Studies {Etudes de
littérature comparée),</hi> VIII (1942), 12-17.
</ab><ab rend="right">(<hi rend="italic">1088</hi>   </ab>
<ab rend="small">
Discusses an aesthetic concept of simplicity in his poetry.<lb/>
Reprinted in Vivante's <hi rend="italic">English poetry and its contribution to the knowledge
of a creative principle.</hi> Preface by T. S. Eliot. London: Faber &amp;
Faber; New York: Macmillan, 1950, pp. 76-82.
</ab>
<pb n="123" xml:id="p1-123"/>
<anchor xml:id="bib1089"/>
<ab type="implicit"><hi rend="bold">1943.</hi> Edw. G. Ainsworth and Chas E. Noyes. In their <hi rend="italic">Christopher
Smart: a biographical and critical study.</hi> Columbia: Univ. of Mo., 1943,
pp. [5], 14n, 16, 17n, 18n, 20, 28n, 29-33, 35, 49, 50, 51, 54, 66, 90n, 93,
107, 127, 163. (Univ. of Mo. Studies, XVIII, No. 4)
</ab><ab rend="right">(<hi rend="italic">1089</hi>   </ab>
<ab rend="small">
Gray's account of Smart while they were both at Cambridge.
</ab><lb/>
<anchor xml:id="bib1090"/><ab type="implicit">
Isabel Wakelin Urban Chase. In her <hi rend="italic">Horace Walpole: gardenist, an edition of
Walpole's "The history of modern taste in gardening" with an
"Estimate of Walpole's contribution to landscape architecture."</hi>
Princeton: Univ. Press for Univ. of Cincinnati, 1943.
</ab><ab rend="right">(<hi rend="italic">1090</hi>   </ab>
<ab rend="small">
Gray's 'romantic' appreciation of scenery.
</ab><lb/>
<anchor xml:id="bib1091"/><ab type="implicit">
Hugh Sykes Davies, comp. <hi rend="italic">The poets and their critics, Chaucer to
Collins.</hi> Harmondsworth, Eng.: Penguin (Pelican) Books, 1943.
</ab><ab rend="right">(<hi rend="italic">1091</hi>   </ab>
<ab rend="small">
'Gray and Collins,' pp. 203-22. Consists of: intro. by Davies and brief
selecs. from Gray (T. &amp; W. nos. 103, 126), Goldsmith (<ref target="/texts/diglib/secondary/NoC_1917/1/31#bib180">N180</ref>),
<hi rend="italic">Monthly Rev.</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/10#bib52">N52</ref>),
Cowper (<ref target="/texts/diglib/secondary/NoC_1917/1/207#bib1560a">N1560a</ref>),
Johnson (<ref target="/texts/diglib/secondary/NoC_1917/1/209#bib1571">N1571</ref>),
Potter (<ref target="/texts/diglib/secondary/NoC_1917/1/210#bib1577">N1577</ref>),
Wakefield (<ref target="/texts/diglib/secondary/NoC_1917/1/14#bib71">N71</ref>),
Wordsworth (<ref target="#bib547">#547</ref>), Berdmore (<ref target="/texts/diglib/secondary/NoC_1917/1/214#bib1605">N1605</ref>),
Coleridge (<ref target="#bib601a">#601a</ref>), Mitford (<ref target="/texts/diglib/secondary/NoC_1917/1/218#bib1638">N1638</ref>,
<ref target="/texts/diglib/secondary/NoC_1917/1/4#bib19">N19</ref>),
Mathias (<ref target="/texts/diglib/secondary/NoC_1917/1/217#bib1635">N1635</ref>),
Hazlitt (<ref target="/texts/diglib/secondary/NoC_1917/1/219#bib1647">N1647</ref>),
Campbell (<ref target="/texts/diglib/secondary/NoC_1917/1/35#bib214">N214</ref>),
Bagehot (<ref target="/texts/diglib/secondary/NoC_1917/1/227#bib1744">N1744</ref>),
Stephen (<ref target="/texts/diglib/secondary/NoC_1917/1/231#bib1790">N1790</ref>),
Arnold (<ref target="/texts/diglib/secondary/NoC_1917/1/233#bib1808">[N]1808</ref>),
Swinburne (<ref target="#bib609a">#609a</ref>).
</ab><lb/>
<anchor xml:id="bib1092"/><ab type="implicit">
Frank B. Evans. III. "Platonic scholarship in eighteenth-century
England." In <hi rend="italic">MP,</hi> XLI (Nov., 1943), 106.
</ab><ab rend="right">(<hi rend="italic">1092</hi>   </ab>
<anchor xml:id="bib1093"/><ab type="implicit">
*Robt Halsband. "A parody of Thomas Gray." In <hi rend="italic">PQ,</hi> XXII (July,
1943), [255]-66.
</ab><ab rend="right">(<hi rend="italic">1093</hi>   </ab>
<ab rend="small">
The effect on Gray of <hi rend="italic">Two Odes</hi> by Colman and Lloyd (<ref target="/texts/diglib/secondary/NoC_1917/1/204#bib1535">N1535</ref>).
</ab><lb/>
<anchor xml:id="bib1094"/><ab type="implicit">
Leon Howard. In his <hi rend="italic">The Connecticut wits.</hi> Chicago: Univ. Press, 1943.
</ab><ab rend="right">(<hi rend="italic">1094</hi>   </ab>
<ab rend="small">
Their echoes of Gray's poetry.
</ab><lb/>
<anchor xml:id="bib1095"/><ab type="implicit">
Léon Lemonnier. In his <hi rend="italic">Les poètes romantiques anglais.</hi>
Paris: Boivin, 1943, pp. 6, 7, 8, 11, 15, 61, 82.
</ab><ab rend="right">(<hi rend="italic">1095</hi>   </ab>
<anchor xml:id="bib1096"/><ab type="implicit">
Clark S. Northup. "Gray and Chatterton." In <hi rend="italic">Mark Twain
Quarterly,</hi> V, no. 4 (Spr., 1943), 17-18.
</ab><ab rend="right">(<hi rend="italic">1096</hi>   </ab>
<anchor xml:id="bib1097"/><ab type="implicit">
*Chas Grosvenor Osgood. "Lady Phillipina Knight and her Boswell." In
<hi rend="italic">Princeton University Library Chronicle.</hi> IV (1943), 40, 48.
</ab><ab rend="right">(<hi rend="italic">1097</hi>   </ab>
<ab rend="small">
Quotes her account of meeting Gray in London.
</ab><lb/>
<anchor xml:id="bib1098"/><ab type="implicit">
Geo. Sampson. "The century of divine song." In <hi rend="italic">Proceedings of the
British Academy,</hi> XXIX (1943), 40. (Warton Lecture on English Poetry)
</ab><ab rend="right">(<hi rend="italic">1098</hi>   </ab>
<anchor xml:id="bib1099"/>
<ab type="implicit"><hi rend="bold">1944.</hi> Wallace Cable Brown. "Charles Churchill and criticism in
transition." In <hi rend="italic">JEGP,</hi> XLIII (1944), 165-66.
</ab><ab rend="right">(<hi rend="italic">1099</hi>   </ab>
<ab rend="small">
Churchill's attack on Gray's odes.
</ab><lb/>
<anchor xml:id="bib1100"/><ab type="implicit">
E. W. Gudger. "Two fishing cats that made history; one in an elegy by
T. Gray." In <hi rend="italic">Natural History, the Magazine of the American Museum of
Natural History,</hi> LIII (Oct., 1944),
<pb n="124" xml:id="p1-124"/>
371-74.
</ab><ab rend="right">(<hi rend="italic">1100</hi>   </ab>
<ab rend="small">
Reproduces 3 illus. of Cat from Bentley's <hi rend="italic">Designs.</hi> Traces the 'fishing
cat' story back to a street in Paris, Rue du Chat qui Pêche.
</ab><lb/>
<anchor xml:id="bib1101"/><ab type="implicit">
R[obt]. W[yndham]. Ketton-Cremer. In his <hi rend="italic">Norfolk portraits.</hi> London:
Faber &amp; Faber, 1944.
</ab><ab rend="right">(<hi rend="italic">1101</hi>   </ab>
<ab rend="small">
Gray's interest in botany and Benj. Stillingham's hostility to the Odes.
</ab><lb/>
<anchor xml:id="bib1102"/><ab type="implicit">
Joseph Wood Krutch. In his <hi rend="italic">Samuel Johnson.</hi> New York: Holt, 1944.
</ab><ab rend="right">(<hi rend="italic">1102</hi>   </ab>
<anchor xml:id="bib1103"/><ab type="implicit">
F. R. Leavis. "Johnson as critic." In <hi rend="italic">Scrutiny,</hi> XII (Sum.,
1944), 201-03.
</ab><ab rend="right">(<hi rend="italic">1103</hi>   </ab>
<ab rend="small">
Defends Johnson's judgment of Gray.
</ab><lb/>
<anchor xml:id="bib1104"/><ab type="implicit">
Henri [M.] Peyre. In his <hi rend="italic">Writers and their critics: a study of
misunderstanding.</hi> Ithaca: Cornell Univ. Press, 1944.
</ab><ab rend="right">(<hi rend="italic">1104</hi>   </ab>
<anchor xml:id="bib1105"/><ab type="implicit">
J. D. U. Ward. "Burnham Beeches and Stoke Poges." In <hi rend="italic">Canadian
Geographical Journal,</hi> XXIX (July, 1944), 10-11.
</ab><ab rend="right">(<hi rend="italic">1105</hi>   </ab>
<ab rend="small">
Gray's appreciation of Burnham. Photo. of porch of Stoke church.
</ab><lb/>
<anchor xml:id="bib1106"/><ab type="implicit">
Jas. Warner. "<hi rend="italic">Emile</hi> in eighteenth-century England." In
<hi rend="italic">PMLA,</hi> LIX (1944), 774n, 781.
</ab><ab rend="right">(<hi rend="italic">1106</hi>   </ab>
<anchor xml:id="bib1107"/>
<ab type="implicit"><hi rend="bold">1945.</hi> *C[has]. F[rancis]. Bell. "Thomas Gray and the fine
arts." In <hi rend="italic">Essays and studies by members of the English
Association.</hi> XXX. Ed. by C. H. Wilkinson. Oxford: Clarendon, 1945,
pp. 50-81.
</ab><ab rend="right">(<hi rend="italic">1107</hi>   </ab>
<ab rend="small">
Contains valuable estimations of books on Gray and editions of his
work. Discusses Gray MSS. and his interest in music, painting, architecture,
and gardening.
</ab><lb/>
<anchor xml:id="bib1108"/><ab type="implicit">
Edmund Blunden. <hi rend="italic">"Elegant extracts."</hi> In <hi rend="italic">Essays on the
eighteenth century presented to David Nichol Smith in honour of his seventieth
birthday.</hi> Oxford: Clarendon, 1945, pp. 228, 229, 231, 235.
</ab><ab rend="right">(<hi rend="italic">1108</hi>   </ab>
<ab rend="small">
Knox's selections from Gray in his anthologies (See <ref target="/texts/diglib/secondary/NoC_1917/1/34#bib207">N207</ref>
and <ref target="#bib432">#432</ref>).
</ab><lb/>
<anchor xml:id="bib1109"/><ab type="implicit">
*Lord David Cecil. "The poetry of Thomas Gray." In <hi rend="italic">Proceedings of
the British Academy,</hi> XXXI (1945), 43-60. (Warton Lecture on English
Poetry)
</ab><ab rend="right">(<hi rend="italic">1109</hi>   </ab>
<ab rend="small">
Reprinted in <hi rend="italic">YR,</hi> XXXVI (June, 1947), 611-29, and in his <hi rend="italic">Poets and
storytellers, a book of critical essays.</hi> New York: Macmillan, 1949,
pp. [47]-73.<lb/>
An important discussion of Gray's personality as revealed in his poetry. His
poems fall into several categories: those 'inspired by the historical and
aesthetic strain in him,' those dealing with 'his personal relation to life,' 
and those which are satiric or humorous.<lb/>
Rev. <hi rend="italic">TLS,</hi> Jan. 12, 1946, p. 19; C. Baker, N. Y. <hi rend="italic">Times Bk. Rev.</hi>
Mar. 13, 1949, p. 6; G. LeRoy, Phila. <hi rend="italic">Inquirer Bk. Rev.,</hi> Apr. 17, 1949,
p. 4; H. Jones, <hi rend="italic">SRL,</hi> Apr. 16, 1949, p. 26; E. Salter, <hi rend="italic">Contemporary
Rev.,</hi> CLXXVI (1949), 191-92.
</ab><lb/>
<anchor xml:id="bib1110"/><ab type="implicit">
M[artin]. L[owther]. Clarke. In his <hi rend="italic">Greek studies in England,
1700-1830.</hi> Cambridge: Univ. Press, 1945.
</ab><ab rend="right">(<hi rend="italic">1110</hi>   </ab>
<ab rend="small">
Discusses errors in Cooke's transl. of El (<ref target="/texts/diglib/secondary/NoC_1917/1/109#bib784">N784</ref>)
and Gray's knowledge of Greek lit., esp. Plato and Pindar.<lb/>
Rev. <hi rend="italic">TLS,</hi> Dec. 1, 1945, p. 570.
</ab>
<pb n="125" xml:id="p1-125"/>
<anchor xml:id="bib1111"/><ab type="implicit">
Sidney K. Eastwood. "Horace Walpole." In <hi rend="italic">N&amp;Q,</hi> July 28,
1945, p. 40.
</ab><ab rend="right">(<hi rend="italic">1111</hi>   </ab>
<ab rend="small">
Gray's acquaintance with J. Butler.
</ab><lb/>
<anchor xml:id="bib1112"/><ab type="implicit">
Raymond D. Havens. "Southey's <hi rend="italic">Specimens of the later English
poets.</hi>" In <hi rend="italic">PMLA,</hi> LX (1945), 1069, 1074.
</ab><ab rend="right">(<hi rend="italic">1112</hi>   </ab>
<ab rend="small">
Southey's plan to include Vic.
</ab><lb/>
<anchor xml:id="bib1113"/><ab type="implicit">
*A[llen]. T[racey]. Hazen. "Bentley's Gray." <hi rend="italic">TLS,</hi> Feb. 3,
1945, p. 60.
</ab><ab rend="right">(<hi rend="italic">1113</hi>   </ab>
<ab rend="small">
Believes there were three different printings of the <hi rend="italic">Designs.</hi> See <ref target="#bib1161">#1161</ref>.
</ab><lb/>
<anchor xml:id="bib1114"/><ab type="implicit">
Wilmarth S. Lewis. "Horace Walpole reread." In <hi rend="italic">Atlantic
Monthly,</hi> CLXXVI (July, 1945), 48, 49.
</ab><ab rend="right">(<hi rend="italic">1114</hi>   </ab>
<ab rend="small">
See <ref target="#bib1205">#1205</ref>.
</ab><lb/>
<anchor xml:id="bib1115"/><ab type="implicit">
Wilmarth S. Lewis. "Searching for manuscripts." In <hi rend="italic">Atlantic
Monthly,</hi> CLXXVI (Sept., 1945), 68, 70.
</ab><ab rend="right">(<hi rend="italic">1115</hi>   </ab>
<ab rend="small">
See <ref target="#bib1205">#1205</ref>.
</ab><lb/>
<anchor xml:id="bib1116"/><ab type="implicit">
Hugh McDonald. "John Langhorne." In <hi rend="italic">Essays on the eighteenth
century. . .</hi> [<ref target="#bib1108">#1108</ref>], pp. 120, 124.
</ab><ab rend="right">(<hi rend="italic">1116</hi>   </ab>
<anchor xml:id="bib1117"/><ab type="implicit">
Josephine Miles. "From <hi rend="italic">good</hi> to <hi rend="italic">bright</hi>: a note in poetic
history." In <hi rend="italic">PMLA,</hi> LX (1945), 771, 772.
</ab><ab rend="right">(<hi rend="italic">1117</hi>   </ab>
<anchor xml:id="bib1117a"/><ab type="implicit">
Edw. C. J. Wolf. In his <hi rend="italic">Rowlandson and his illustrations of eighteenth
century English literature.</hi> Copenhagen: Einar Munksgaard, 1945.
</ab><ab rend="right">(<hi rend="italic">1117a</hi>   </ab>
<anchor xml:id="bib1118"/><ab type="implicit">
*John Russell. "Thomas Gray." In <hi rend="italic">Cornhill Magazine,</hi> CLXI
(Apr.-Dec., 1945), 325-33, 399-406, [409]-20.
</ab><ab rend="right">(<hi rend="italic">1118</hi>   </ab>
<ab rend="small">
A thorough discussion and analysis of Gray's interests, poetic abilities, and
personality. Reproduces headpiece (p. [409]) and tailpiece (p. 420) from
Bentley's <hi rend="italic">Designs.</hi>
</ab><lb/>
<anchor xml:id="bib1119"/><ab type="implicit">
*H[erbert]. W. Starr. "Gray's revisions of his friends' poetry." In
<hi rend="italic">JEGP,</hi> XLIV (July, 1945), 250-62.
</ab><ab rend="right">(<hi rend="italic">1119</hi>   </ab>
<ab rend="small">
The friends are Mason, Beattie, and West.
</ab><lb/>
<anchor xml:id="bib1120"/><ab type="implicit">
*Dom Hilary Steuert. "Two Augustan studies: I. Thomas Gray." In
<hi rend="italic">The Dublin Review,</hi> CCXVI (Jan., 1945), 61-67.
</ab><ab rend="right">(<hi rend="italic">1120</hi>   </ab>
<ab rend="small">
Objects to Arnold's remark that Gray 'never spoke out.' The effect of the
Pope-Dryden tradition on Gray 'far from being an inhibiting influence,
was. . . a source of strength.'
</ab><lb/>
<anchor xml:id="bib1121"/><ab type="implicit">
Geoffrey Tillotson. "Matthew Arnold and eighteenth-century poetry."
In <hi rend="italic">Essays on the eighteenth century. . .</hi> [<ref target="#bib1108">#1108</ref>], pp. 257, 258, 259, 260, 261, 271, 273.
</ab><ab rend="right">(<hi rend="italic">1121</hi>   </ab>
<anchor xml:id="bib1122"/><ab type="implicit">
Tho. Yoseloff. In his <hi rend="italic">A fellow of infinite jest.</hi> New York:
Prentice-Hall, 1945, pp. 19-20.
</ab><ab rend="right">(<hi rend="italic">1122</hi>   </ab>
<anchor xml:id="bib1123"/>
<ab type="implicit"><hi rend="bold">1946.</hi> Edw. Townsend Booth. In his <hi rend="italic">God made the country.</hi> New
York: Knopf, 1946.
</ab><ab rend="right">(<hi rend="italic">1123</hi>   </ab>
<ab rend="small">
Gray's travels and attitude toward the country and gardening.<lb/>
Adv. <hi rend="italic">SRL,</hi> Mar. 16, 1946, p. 47.
</ab>
<pb n="126" xml:id="p1-126"/>
<anchor xml:id="bib1124"/><ab type="implicit">
In Cleanth Brooks, ed. <hi rend="italic">The correspondence of Thomas Percy and Richard
Farmer.</hi> [Baton Rouge]: La. State Univ. Press, 1946. (The Percy Letters,
David Nichol Smith and Cleanth Brooks, eds.)
</ab><ab rend="right">(<hi rend="italic">1124</hi>   </ab>
<anchor xml:id="bib1125"/><anchor xml:id="bib1126"/><ab type="implicit">
John Pike Emery. In his <hi rend="italic">Arthur Murphy.</hi> Philadelphia: Univ. of Pa. Press
for Temple Univ. Publications, 1946.
</ab><ab rend="right">(<hi rend="italic">1125-6</hi>   </ab>
<ab rend="small">
Murphy's revs. of Gray's odes, echoes of the El, and transl. of the El (<ref target="#bib184">#184</ref>).
</ab><lb/>
<anchor xml:id="bib1127"/><ab type="implicit">
Paul Hazard. In his <hi rend="italic">La pensée européenne au
XVIII<hi rend="sup">ème</hi> siècle de Montesquieu à Lessing.</hi>
Paris: Boivin, 1946, 3v.
</ab><ab rend="right">(<hi rend="italic">1127</hi>   </ab>
<anchor xml:id="bib1128"/><ab type="implicit">
Holbrook Jackson. In his <hi rend="italic">The reading of books.</hi> London: Faber &amp;
Faber, 1946; New York: Scribner's, 1947.
</ab><ab rend="right">(<hi rend="italic">1128</hi>   </ab>
<anchor xml:id="bib1129"/><ab type="implicit">
Josephine Miles. In her <hi rend="italic">Major adjectives in English poetry from Wyatt to
Auden.</hi> Berkeley and Los Angeles: Univ. of Calif. Press, 1946, pp. 311,
315, 317, 318, 319, 358, 371, 374, 379, 387, 414, 415. (Univ. of
Calif. Publ. in Eng., XII, No. 3, pp. 305-426)
</ab><ab rend="right">(<hi rend="italic">1129</hi>   </ab>
<ab rend="small">
Gray's use of adjectives compared with Collins's.
</ab><lb/>
<anchor xml:id="bib1130"/><ab type="implicit">
*H[erbert]. W. Starr. "Gray's craftsmanship." In <hi rend="italic">JEGP,</hi> XLV
(1946), 415-29.
</ab><ab rend="right">(<hi rend="italic">1130</hi>   </ab>
<ab rend="small">
Discusses Gray's revisions in El, PP, and Bard.
</ab><lb/>
<anchor xml:id="bib1131"/><ab type="implicit">
Donald A. Stauffer. In his <hi rend="italic">The nature of poetry.</hi> New York: Norton,
[1946],
</ab><ab rend="right">(<hi rend="italic">1131</hi>   </ab>
<ab rend="small">
Discusses Gray's word coinage and metrics of the El.
</ab><lb/>
<anchor xml:id="bib1132"/><ab type="implicit">
C[olwyn]. E[dw]. Vulliamy. In his <hi rend="italic">Ursa major: a study of Dr. Johnson and
his friends.</hi> London: Michael Joseph, 1946.
</ab><ab rend="right">(<hi rend="italic">1132</hi>   </ab>
<anchor xml:id="bib1133"/><ab type="implicit">
Ralph S. Walker, ed. In his <hi rend="italic">James Beattie's London diary, 1773.</hi>
Aberdeen: Univ. Press, 1946. (Aberdeen Univ. Studies, CXXII)
</ab><ab rend="right">(<hi rend="italic">1133</hi>   </ab>
<anchor xml:id="bib1134"/>
<ab type="implicit"><hi rend="bold">1947.</hi> Gleason Leonard Archer, Jr. "The reception of Pindar in
Germany during the eighteenth century." In <hi rend="italic">Harvard. . . summaries of
theses. . . 1943-1945.</hi> Cambridge: Published by the Univ., 1947,
pp. 450-51.
</ab><ab rend="right">(<hi rend="italic">1134</hi>   </ab>
<ab rend="small">
'In Gray, as in Pindar, we see a perfect adaptation of metrical form to the
mood and color of each passing thought.'
</ab><lb/>
<anchor xml:id="bib1135"/><ab type="implicit">
Sergio Baldi. "A book once belonging to Gray." In <hi rend="italic">N&amp;Q,</hi>
Nov. 15, 1947, p. 498.
</ab><ab rend="right">(<hi rend="italic">1135</hi>   </ab>
<ab rend="small">
Gives a bibliographical description of Pococke's transl. of <hi rend="italic">Philosophus
Autodidactus,</hi> which is in the Keats-Shelley Memorial House, Rome.
</ab><lb/>
<anchor xml:id="bib1136"/><ab type="implicit">
J. M. G. Blakiston. "Gray and Collins [exhibition]." In <hi rend="italic">TLS,</hi>
Apr. 19, 1947, p. 183.
</ab><ab rend="right">(<hi rend="italic">1136</hi>   </ab>
<ab rend="small">
Comment <hi rend="italic">TLS,</hi> July 5, 1947, p. 337.
</ab>
<pb n="127" xml:id="p1-127"/>
<anchor xml:id="bib1137"/><ab type="implicit">
Fred W. Boege. In his <hi rend="italic">Smollett's reputation as a novelist.</hi> Princeton:
Univ. Press, 1947. (Princeton Studies in English, XXVII)
</ab><ab rend="right">(<hi rend="italic">1137</hi>   </ab>
<anchor xml:id="bib1138"/><ab type="implicit">
Alice Stayert Brandenburg. "English education and neo-classical taste in
the eighteenth century." In <hi rend="italic">MLQ,</hi> VIII (1947), 192.
</ab><ab rend="right">(<hi rend="italic">1138</hi>   </ab>
<ab rend="small">
Gray's youthful fondness for Virgil.
</ab><lb/>
<anchor xml:id="bib1139"/><ab type="implicit">
Lord David Cecil. "The schooldays of Thomas Gray." In <hi rend="italic">Life and
Letters,</hi> LV (Dec., 1947), 183-200.
</ab><ab rend="right">(<hi rend="italic">1139</hi>   </ab>
<ab rend="small">
This is a printing of pp. 107-34 of Cecil, <ref target="#bib1155">#1155</ref>. See also <ref target="#bib1156">#1156</ref>.
</ab><lb/>
<anchor xml:id="bib1140"/><ab type="implicit">
Margaret M[ary]. Fitzgerald. In her <hi rend="italic">First follow nature: primitivism in
English poetry, 1725-1750.</hi> New York: King's Crown Press, Columbia, 1947.
</ab><ab rend="right">(<hi rend="italic">1140</hi>   </ab>
<ab rend="small">
Discusses Spr. and El.<lb/>
Rev. L. Whitney, <hi rend="italic">PQ,</hi> XXVII (1948), 132-34; E. Morley, <hi rend="italic">YWES,</hi>
XXVIII (1947), 214-15.
</ab><lb/>
<anchor xml:id="bib1141"/><ab type="implicit">
Northrop Frye. In his <hi rend="italic">Fearful symmetry: a study of William Blake.</hi>
Princeton: Univ. Press, 1947.
</ab><ab rend="right">(<hi rend="italic">1141</hi>   </ab>
<ab rend="small">
Gray's influence on Blake.
</ab><lb/>
<anchor xml:id="bib1141a"/><ab type="implicit">
Stanley C. Glassey. In his <hi rend="italic">The groundwork of criticism. . .</hi> London:
Cumberlege, Oxford, 1947, pp. 32, 46, 95-97.
</ab><ab rend="right">(<hi rend="italic">1141a</hi>   </ab>
<ab rend="small">
Discusses and quotes Adv (ll. 1-16, 25-32) and El (ll. 1-10).
</ab><lb/>
<anchor xml:id="bib1142"/><ab type="implicit">
Andrew Hilen. In his <hi rend="italic">Longfellow and Scandinavia. A study of the poet's
relationship with the northern languages and literature.</hi> New Haven: Yale
Univ. Press, 1947. (Yale Studies in English, CVII)
</ab><ab rend="right">(<hi rend="italic">1142</hi>   </ab>
<ab rend="small">
Influence of Gray's Norse poems on Longfellow. States that FS and Odin give
Gray 'the honor of having begun the Norse vogue in English literature.' The
last statement is questioned in a rev. by K. Litzenberg, <hi rend="italic">JEGP,</hi> XLVIII
(1949), 301.
</ab><lb/>
<anchor xml:id="bib1143"/><ab type="implicit">
Wilma L. Kennedy. In her <hi rend="italic">The English heritage of Coleridge of Bristol,
1798: the basis in eighteenth-century thought for his distinction between
imagination and fancy.</hi> New Haven: Yale Univ. Press, 1947. (Yale Studies in
English, CIV)
</ab><ab rend="right">(<hi rend="italic">1143</hi>   </ab>
<ab rend="small">
Coleridge thought Gray a man of excellent taste but of little creative
imagination.
</ab><lb/>
<anchor xml:id="bib1144"/><ab type="implicit">
R[obt]. W[yndham]. Ketton-Cremer. "Advice for Richard West." In
<hi rend="italic">TLS,</hi> Mar. 29, 1947, p. 141.
</ab><ab rend="right">(<hi rend="italic">1144</hi>   </ab>
<anchor xml:id="bib1145"/><ab type="implicit">
*Léon Lemonnier. "Gray." In his <hi rend="italic">Les poètes anglais
du XVIII<hi rend="sup">e</hi> siècle.</hi> Paris: Boivin, 1947, pp. [93]-110. See
also pp. 8, 9, 112-13, 115, 116-17, 123, 126, 135, 231, 233, 234, 235, 236,
237, 238, 240. (Le Livre de l'étudiant)
</ab><ab rend="right">(<hi rend="italic">1145</hi>   </ab>
<ab rend="small">
Largely concerned with Gray as a poet, not as a critic or letter writer.
</ab><lb/>
<anchor xml:id="bib1146"/><ab type="implicit">
Wilmarth Sheldon Lewis. "Collector's progress." In <hi rend="italic">Atlantic
Monthly,</hi> CLXXIX (Apr., 1947), 82, 84.
</ab><ab rend="right">(<hi rend="italic">1146</hi>   </ab>
<ab rend="small">
Lewis's copies of Bentley's <hi rend="italic">Designs,</hi> Gray's <hi rend="italic">Odes</hi> of 1757. See <ref target="#bib1205">#1205</ref>.
</ab>
<pb n="128" xml:id="p1-128"/>
<anchor xml:id="bib1147"/><ab type="implicit">
Robt Manson Myers. "Neo-classical criticism of the Ode for music."
In <hi rend="italic">PMLA,</hi> LXII (1947), 402n, 415.
</ab><ab rend="right">(<hi rend="italic">1147</hi>   </ab>
<ab rend="small">
Dryden's ode compared to Gray's Music.
</ab><lb/>
<anchor xml:id="bib1148"/><ab type="implicit">
Herbert M. Schueller. "Literature and music as sister arts: an aspect of
aesthetic theory in eighteenth-century Britain." In <hi rend="italic">PQ,</hi> XXVI
(1947), 202.
</ab><ab rend="right">(<hi rend="italic">1148</hi>   </ab>
<ab rend="small">
Gray's letter to Algarotti, T. &amp; W., no. 374.
</ab><lb/>
<anchor xml:id="bib1149"/><ab type="implicit">
Earl R. Wasserman. In his <hi rend="italic">Elizabethan poetry in the eighteenth century.</hi>
Urbana: Univ. of Ill. Press, 1947. (Ill. Studies in Lang. &amp; Lit., XXXII,
nos. 2-3)
</ab><ab rend="right">(<hi rend="italic">1149</hi>   </ab>
<anchor xml:id="bib1150"/><ab type="implicit">
Photograph of Benj. Wilson's portrait of Gray. In <hi rend="italic">Illustrated London
News,</hi> CCX (June 28, 1947), 695.
</ab><ab rend="right">(<hi rend="italic">1150</hi>   </ab>
<anchor xml:id="bib1151"/>
<ab type="implicit"><hi rend="bold">1948.</hi> Austin J. App. In his <hi rend="italic">The true concept of literature.</hi> San
Antonio: Mission Press, 1948.
</ab><ab rend="right">(<hi rend="italic">1151</hi>   </ab>
<anchor xml:id="bib1152"/><ab type="implicit">
Margaret Barton. In her <hi rend="italic">Garrick.</hi> London: Faber &amp; Faber; New York:
Macmillan, 1948.
</ab><ab rend="right">(<hi rend="italic">1152</hi>   </ab>
<anchor xml:id="bib1153"/><ab type="implicit">
Jas Beattie. In Ralph S. Walker, ed. <hi rend="italic">James Beattie's day-book,
1773-1798.</hi> Aberdeen: Third Spalding Club, 1948.
</ab><ab rend="right">(<hi rend="italic">1153</hi>   </ab>
<anchor xml:id="bib1154"/><ab type="implicit">
D. S. Bland. "Gray and the spirit of romanticism." In <hi rend="italic">Cambridge
Journal,</hi> II (Dec., 1948), 169-80.
</ab><ab rend="right">(<hi rend="italic">1154</hi>   </ab>
<ab rend="small">
'At his best he is an Augustan and when he does break with his age he fails as
a poet.'
</ab><lb/>
<anchor xml:id="bib1155"/><ab type="implicit">
*Lord David Cecil. In his <hi rend="italic">Two quiet lives: Dorothy Osborne, Thomas
Gray.</hi> Indianapolis: Bobbs-Merrill, 1948.
</ab><ab rend="right">(<hi rend="italic">1155</hi>   </ab>
<ab rend="small">
Benj. Wilson, Richardson portrs.<lb/>
An interesting and valuable character analysis, but not to be regarded as a
definitive biography despite its biographical framework. (1) Comparatively
little attention is given to Gray's poetic accomplishments and intellectual
interests (2) the absence of footnotes and bibliography makes it difficult to
check Cecil's sources (3) the factual material is not always completely
reliable. For example, Cecil states that the 'final breach' between Walpole
and Gray occurred in August, 1741, and that it 'was six years before they
spoke to one another again.' (p. 166) T. &amp; W. (Appen. D) date the quarrel
in May, and the reconciliation with Walpole took place in Nov., 1745. Also
Gray removed from Peterhouse to Pembroke in 1756, not 1759 (Cecil, p. 218).<lb/>
See <ref target="#bib1139">#1139</ref>, <ref target="#bib1156">1156</ref>.<lb/>
Rev. R. B., <hi rend="italic">Chris. Sci. Mon.,</hi> Mar. 6, 1948, p. 18; <hi rend="italic">Booklist,</hi>
XLIV (Apr. 15, 1948), 281; J. Cournos, <hi rend="italic">Commonweal,</hi> XLVIII (Apr. 23,
1948), 657-58; C. Crankshaw. <hi rend="italic">National Rev.,</hi> CXXXI (Sept., 1948),
250-55; P. Dinkins, <hi rend="italic">Cath. World,</hi> CLXVII (June, 1948), 279-80;
B. Dobree, <hi rend="italic">Spectator,</hi> CLXXX (May 14, 1948[)], 592; V. Janes, San
Francisco <hi rend="italic">Chronicle,</hi> Feb. 15, 1948, p. 13; J. Kraft, <hi rend="italic">Nation,</hi>
CLXVI (Mar. 6, 1948), 282-83; G. McDonald, <hi rend="italic">Library Journal,</hi> LXXIII
(Feb. 15, 1948), 331; R. McLaughlin, <hi rend="italic">SRL,</hi> Mar. 13, 1948, p. 25;
F. Mason, Jr., Phila. <hi rend="italic">Inquirer Bk. Rev.</hi> Apr. 4, 1948, p. 5; <hi rend="italic">New
Yorker,</hi> Feb. 14, 1948, pp. 82, 85; P. Quennell, <hi rend="italic">New Statesman and
Nation,</hi> XXXVI (July 17, 1948), 55; D. Stauffer, N. Y. <hi rend="italic">Times
Bk. Rev.,</hi> Feb. 15, 1948, p. 4 (portr.); <hi rend="italic">TLS,</hi> May 15, 1948, p. 274;
E. Weeks, <hi rend="italic">Atlantic,</hi> CLXXXI (Mar., 1948), 102-04; G. Whicher,
N. Y. <hi rend="italic">Herald Trib. Bk. Rev.,</hi> Feb. 15, 1948, pp. 1, 2; H. Woodbridge,
<hi rend="italic">YR,</hi> XXXVII (Sum., 1948), 733.
</ab><lb/>
<anchor xml:id="bib1156"/><ab type="implicit">
David Cecil. "Thomas Gray at Cambridge." In <hi rend="italic">Life and Letters,</hi>
LVI (Jan., 1948), 6-15.
</ab><ab rend="right">(<hi rend="italic">1156</hi>   </ab>
<ab rend="small">
This represents pp. 134-48 of <ref target="#bib1155">#1155</ref> (a
continuation of <ref target="#bib1139">#1139</ref>).
</ab>
<pb n="129" xml:id="p1-129"/>
<anchor xml:id="bib1157"/><ab type="implicit">
Francis Thompson. In Terence L. Connolly, ed. <hi rend="italic">Literary criticisms by
Francis Thompson. . .</hi> New York: Dutton, 1948.
</ab><ab rend="right">(<hi rend="italic">1157</hi>   </ab>
<ab rend="small">
See index. Reprints <ref target="#bib257">#257</ref>, <ref target="#bib500">500</ref>, <ref target="#bib548">548</ref>.
</ab><lb/>
<anchor xml:id="bib1158"/><ab type="implicit">
A. Dwight Culler. "Edward Bysshe and the poet's handbook." In
<hi rend="italic">PMLA,</hi> LXIII (1948), 881.
</ab><ab rend="right">(<hi rend="italic">1158</hi>   </ab>
<anchor xml:id="bib1159"/><ab type="implicit">
Bernard Drew. "The London-assurance — a corporation established by
Royal Charter in 1720." In <hi rend="italic">N&amp;Q,</hi> Aug. 7, 1948, p. 342.
</ab><ab rend="right">(<hi rend="italic">1159</hi>   </ab>
<ab rend="small">
The Corporation's records of business transactions with Philip and Dorothy
Gray.
</ab><lb/>
<anchor xml:id="bib1160"/><ab type="implicit">
Benj. Willis Fuson. In his <hi rend="italic">Browning and his English predecessors in the
dramatic monolog.</hi> Iowa City, 1948. (State Univ. of Iowa Humanistic
Studies, VIII)
</ab><ab rend="right">(<hi rend="italic">1160</hi>   </ab>
<ab rend="small">
The Bard as a forerunner of the dramatic monolog.
</ab><lb/>
<anchor xml:id="bib1161"/><ab type="implicit">
*A[llen]. T[racey]. Hazen. In his <hi rend="italic">A bibliography of Horace Walpole.</hi> New
Haven: Yale Univ. Press; London: Cumberlege, Oxford, 1948.
</ab><ab rend="right">(<hi rend="italic">1161</hi>   </ab>
<ab rend="small">
Valuable bibliographical information concerning the first ed. of the
El. Bentley's <hi rend="italic">Designs</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/31#bib178">N178</ref>),
Mason's ed. of the <hi rend="italic">Poems</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/2#bib13">N13</ref>)
with facs. of t-p.<lb/>
Rev. W. Bond, <hi rend="italic">Library Quarterly,</hi> XVIII (1948), 293;
K. Holzknecht. <hi rend="italic">PBSA,</hi> XLII (1948), 339-40; W. Jackson, <hi rend="italic">PQ,</hi> XXVIII
(1949), 409.
</ab><lb/>
<anchor xml:id="bib1162"/><ab type="implicit">
Claude E. Jones. "Poetry and the <hi rend="italic">Critical Review,</hi> 1756-1785."
In <hi rend="italic">MLQ,</hi> IX (1948), 23, 27, 31, 32, 33, 34, 35.
</ab><ab rend="right">(<hi rend="italic">1162</hi>   </ab>
<ab rend="small">
Revs. of the <hi rend="italic">Odes</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/31#bib180">N180</ref>)
and the <hi rend="italic">Poems</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/2#bib13">N13</ref>).
</ab><lb/>
<anchor xml:id="bib1163"/><ab type="implicit">
W[m]. Powell Jones. "The romantic bluestocking, Elizabeth Montagu."
In <hi rend="italic">HLQ,</hi> XII (1948), 86n, 87.
</ab><ab rend="right">(<hi rend="italic">1163</hi>   </ab>
<anchor xml:id="bib1164"/><ab type="implicit">
Arthur O. Lovejoy. In his <hi rend="italic">Essays in the history of ideas.</hi> Baltimore:
John Hopkins Press, 1948.
</ab><ab rend="right">(<hi rend="italic">1164</hi>   </ab>
<ab rend="small">
Reprints <ref target="#bib913a">#913a</ref>, <ref target="#bib930">930</ref>.
</ab><lb/>
<anchor xml:id="bib1165"/><ab type="implicit">
*E. D. Mackerness. "Thomas Gray." In <hi rend="italic">The Contemporary Review,</hi>
CLXXIV (Sept., 1948), 165-70.
</ab><ab rend="right">(<hi rend="italic">1165</hi>   </ab>
<ab rend="small">
Discusses Johnson's criticism of Gray, Gray's melancholy tone and debt to
other poets, and the workmanship of the El.
</ab><lb/>
<anchor xml:id="bib1166"/><ab type="implicit">
Alan Dugald McKillop. In his <hi rend="italic">English literature from Dryden to Burns.</hi>
New York: Appleton-Century-Crofts, 1948.
</ab><ab rend="right">(<hi rend="italic">1166</hi>   </ab>
<anchor xml:id="bib1167"/><ab type="implicit">
Ernest Campbell Mossner. "Beattie's 'The castle of scepticism': an
unpublished allegory against Hume, Voltaire, and Hobbes." In <hi rend="italic">Univ. of
Texas Studies in English,</hi> XXVII (1948), 111-12, 113.
</ab><ab rend="right">(<hi rend="italic">1167</hi>   </ab>
<anchor xml:id="bib1168"/><ab type="implicit">
John Cranstoun Nevill. In his <hi rend="italic">Thomas Chatterton.</hi> London: Muller, 1948.
</ab><ab rend="right">(<hi rend="italic">1168</hi>   </ab>
<ab rend="small">
Gray's and Mason's views on the Rowley poems.
</ab><lb/>
<anchor xml:id="bib1169"/><ab type="implicit">
Robt Morell Schmitz. In his <hi rend="italic">Hugh Blair.</hi> New York: King's Crown Press,
1948.
</ab><ab rend="right">(<hi rend="italic">1169</hi>   </ab>
<pb n="130" xml:id="p1-130"/>
<anchor xml:id="bib1170"/><ab type="implicit">
Percy A. Scholes. In his <hi rend="italic">The great Dr. Burney: his life, his travels, his
works, his family and his friends.</hi> London: Cumberlege, Oxford, 1948, 2v.
</ab><ab rend="right">(<hi rend="italic">1170</hi>   </ab>
<ab rend="small">
Burney and Gray's Music.
</ab><lb/>
<anchor xml:id="bib1171"/><ab type="implicit">
In Mark Schorer, Josephine Miles, Gordon McKenzie, eds. <hi rend="italic">Criticism: the
foundations of modern literary judgment.</hi> New York: Harcourt Brace, 1948.
</ab><ab rend="right">(<hi rend="italic">1171</hi>   </ab>
<ab rend="small">
Reprints Richards <ref target="#bib330">#330</ref>; Brooks, <ref target="#bib384">#384</ref>.
</ab><lb/>
<anchor xml:id="bib1172"/><ab type="implicit">
Geo. Sherburn. In his <hi rend="italic">The Restoration and eighteenth century
(1660-1789).</hi> New York: Appleton-Century-Crofts, 1948. (Albert C. Baugh,
ed., <hi rend="italic">A literary history of England,</hi> III)
</ab><ab rend="right">(<hi rend="italic">1172</hi>   </ab>
<anchor xml:id="bib1173"/><ab type="implicit">
Jas Sutherland. In his <hi rend="italic">A preface to eighteenth century poetry.</hi> Oxford:
Clarendon, 1948.
</ab><ab rend="right">(<hi rend="italic">1173</hi>   </ab>
<ab rend="small">
Gray's letters, poetry, and echoes of Pope and A. Philips in El.
</ab><lb/>
<anchor xml:id="bib1174"/><ab type="implicit">
J[as]. A[lex]. K[err]. Thomson. In his <hi rend="italic">The classical background of English
literature.</hi> London: Allen &amp; Unwin; New York: Macmillan, 1948.
</ab><ab rend="right">(<hi rend="italic">1174</hi>   </ab>
<ab rend="small">
Gray's interest in the classics, esp. Pindar. See <ref target="#bib1208">#1208</ref>.
</ab><lb/>
<anchor xml:id="bib1175"/><ab type="implicit">
Geoffrey Tillotson. "The manner of proceeding in certain eighteenth- and
early nineteenth-century poems." In <hi rend="italic">Proceedings of the British
Academy,</hi> XXXIV (1948), 144, 155, 156, 163, 164, 165. (Warton Lecture on
English Poetry)
</ab><ab rend="right">(<hi rend="italic">1175</hi>   </ab>
<ab rend="small">
Rev. E. Morley, <hi rend="italic">YWES,</hi> XXX (1949), 185-86.
</ab><lb/>
<anchor xml:id="bib1176"/><ab type="implicit">
Chauncey Brewster Tinker. In his <hi rend="italic">Essays in retrospect: collected articles
and addresses.</hi> New Haven: Yale Univ. Press, 1948, pp. 26, 30, 31.
</ab><ab rend="right">(<hi rend="italic">1176</hi>   </ab>
<anchor xml:id="bib1177"/><ab type="implicit">
Paul Van Tieghem. In his <hi rend="italic">L'ère romantique. Le romantisme dans la
littérature européenne.</hi> Paris: Albin Michel,
1948. (L'évolution de l'humanité, synthèse collective,
dirigée par Henri Berr, LXXVI)
</ab><ab rend="right">(<hi rend="italic">1177</hi>   </ab>
<anchor xml:id="bib1178"/><ab type="implicit">
Jacques Voisine. "Corneille et Racine en Angleterre au XVIII<hi rend="sup">e</hi>
siècle." In <hi rend="italic">RLC,</hi> XXII (1948), 168.
</ab><ab rend="right">(<hi rend="italic">1178</hi>   </ab>
<ab rend="small">
Gray's admiration for Racine.
</ab><lb/>
<anchor xml:id="bib1179"/><ab type="implicit">
In <hi rend="italic">Horace Walpole's correspondence with. . . Thomas Gray. . .</hi> <ref target="#bib445">#445</ref>.
</ab><ab rend="right">(<hi rend="italic">1179</hi>   </ab>
<anchor xml:id="bib1180"/>
<ab type="implicit"><hi rend="bold">1949.</hi> Bernard Blackstone. In his <hi rend="italic">English Blake.</hi> Cambridge, Eng.:
Univ. Press, 1949.
</ab><ab rend="right">(<hi rend="italic">1180</hi>   </ab>
<anchor xml:id="bib1181"/><ab type="implicit">
C[ecil]. M[aurice]. Bowra. In his <hi rend="italic">The romantic imagination.</hi> London:
Cumberlege, Oxford; Cambridge: Harvard Univ. Press, 1949.
</ab><ab rend="right">(<hi rend="italic">1181</hi>   </ab>
<anchor xml:id="bib1182"/><ab type="implicit">
Louis I. Bredvold. "The gloom of the Tory satirists." In <hi rend="italic">Pope and
his contemporaries: essays presented to George Sherburn,</hi> Jas L. Clifford
and Louis A. Landa, eds. Oxford: 
<pb n="131" xml:id="p1-131"/>
Clarendon, 1949, p. 3.
</ab><ab rend="right">(<hi rend="italic">1182</hi>   </ab>
<anchor xml:id="bib1183"/><ab type="implicit">
Donald M. Foerster. "Thomas Gray." In <hi rend="italic">The age of Johnson: essays
presented to Chauncey Brewster Tinker.</hi> New Haven: Yale Univ. Press;
London: Cumberlege, Oxford, 1949, intro. by Wilmarth S. Lewis, pp. 217-26.
</ab><ab rend="right">(<hi rend="italic">1183</hi>   </ab>
<ab rend="small">
Discusses Gray's poetry and research.
</ab><lb/>
<anchor xml:id="bib1184"/><anchor xml:id="bib1185"/><ab type="implicit">
Jas R[alph]. Foster. In his <hi rend="italic">History of the preromantic novel in
England.</hi> New York: MLA; London: Oxford, 1949. (MLA Monograph Series, XVII)
</ab><ab rend="right">(<hi rend="italic">1184-5</hi>   </ab>
<anchor xml:id="bib1186"/><ab type="implicit">
Allen T. Hazen. "New steps in typography." In <hi rend="italic">The age of
Johnson. . .</hi> <ref target="#bib1183">#1183</ref>, pp. 407-09.
</ab><ab rend="right">(<hi rend="italic">1186</hi>   </ab>
<ab rend="small">
The publication of the <hi rend="italic">Odes,</hi> 1757, at Strawberry Hill.
</ab><lb/>
<anchor xml:id="bib1187"/><ab type="implicit">
Gilbert Highet. In his <hi rend="italic">The classical tradition: Greek and Roman influences
on western literature.</hi> London: Oxford, 1949.
</ab><ab rend="right">(<hi rend="italic">1187</hi>   </ab>
<ab rend="small">
Classical elements in El and odes.
</ab><lb/>
<anchor xml:id="bib1188"/><ab type="implicit">
R[obt]. W. Ketton-Cremer. "A portrait of Gray." In <hi rend="italic">TLS,</hi>
Oct. 28, 1949, p. 697.
</ab><ab rend="right">(<hi rend="italic">1188</hi>   </ab>
<ab rend="small">
Believes the portr. usually ascribed to Richardson was by Arthur Pond.
</ab><lb/>
<anchor xml:id="bib1189"/><ab type="implicit">
Margaret Ruth Lowery. "Blake and the Flaxmans." In <hi rend="italic">The age of
Johnson. . .</hi> <ref target="#bib1183">#1183</ref>, pp. 282, 284, 287-89.
</ab><ab rend="right">(<hi rend="italic">1189</hi>   </ab>
<anchor xml:id="bib1190"/><ab type="implicit">
Roger P. McCutcheon. "Thomas Gray." In his <hi rend="italic">Eighteenth-century
English literature.</hi> New York: Oxford, 1949, pp. 105-14. See index
also. (Home Univ. Libr. of Mod. Knowl. CCXII)
</ab><ab rend="right">(<hi rend="italic">1190</hi>   </ab>
<ab rend="small">
Rev. <hi rend="italic">TLS,</hi> Dec. 1, 1950, p. 774.
</ab><lb/>
<anchor xml:id="bib1191"/><ab type="implicit">
Jas M. Osborn. "The first history of English poetry." In <hi rend="italic">Pope and
his contemporaries. . .</hi> <ref target="#bib1183">#1182</ref>, pp. 234,
235-36, 239.
</ab><ab rend="right">(<hi rend="italic">1191</hi>   </ab>
<ab rend="small">
Gray's plan for a history.
</ab><lb/>
<anchor xml:id="bib1192"/><ab type="implicit">
Agnes Marie Sibley. In her <hi rend="italic">Alexander Pope's prestige in America,
1725-1835.</hi> New York: King's Crown Press, Columbia, 1949.
</ab><ab rend="right">(<hi rend="italic">1192</hi>   </ab>
<ab rend="small">
Comment on the Gardiner and Buckminster articles, <ref target="#bib593">#593</ref>.
</ab><lb/>
<anchor xml:id="bib1193"/><ab type="implicit">
René Wellek. "The concept of 'Romanticism' in literary
history." In <hi rend="italic">CL,</hi> I (1949), 20, 22, 165.
</ab><ab rend="right">(<hi rend="italic">1193</hi>   </ab>
<anchor xml:id="bib1194"/><ab type="implicit">
René Wellek and Austin Warren. In their <hi rend="italic">Theory of literature.</hi>
New York: Harcourt, Brace, 1949.
</ab><ab rend="right">(<hi rend="italic">1194</hi>   </ab>
<anchor xml:id="bib1195"/>
<ab type="implicit"><hi rend="bold">1950.</hi> Jas Boswell. In his <hi rend="italic">London Journal. . .</hi> <ref target="#bib99">#99</ref>.
</ab><ab rend="right">(<hi rend="italic">1195</hi>   </ab>
<ab rend="small">
Comments on Gray's poetry by Boswell, Johnson, Goldsmith, and Macpherson.
</ab><lb/>
<anchor xml:id="bib1196"/><ab type="implicit">
*John Butt. In his <hi rend="italic">The Augustan age.</hi> London: Hutchinson,
1950. (Hutchinson's University Library, XLIII)
</ab><ab rend="right">(<hi rend="italic">1196</hi>   </ab>
<ab rend="small">
A good discussion of Gray's style.<lb/>
Rev. G. Bruun, <hi rend="italic">SRL,</hi> June 30, 1951, p. 31.
</ab><lb/>
<anchor xml:id="bib1197"/><ab type="implicit">
Raymond Havens. "Discontinuity in literary development:
<pb n="132" xml:id="p1-132"/>
the case of English romanticism." In <hi rend="italic">SP,</hi> XLVII (1950), 103, 104,
108.
</ab><ab rend="right">(<hi rend="italic">1197</hi>   </ab>
<anchor xml:id="bib1197a"/><ab type="implicit">
W. H. Howse. "Literary tastes in 1797." In <hi rend="italic">N&amp;Q,</hi> Dec. 9,
1950, p. 538.
</ab><ab rend="right">(<hi rend="italic">1197a</hi>   </ab>
<anchor xml:id="bib1198"/><ab type="implicit">
Wm R. Keast. "Johnson's criticism of the metaphysical poets." In
<hi rend="italic">ELH,</hi> XVII (1950), 59, 60.
</ab><ab rend="right">(<hi rend="italic">1198</hi>   </ab>
<anchor xml:id="bib1198a"/><ab type="implicit">
Saml Kliger. "The neo-classical view of Old English poetry." In
<hi rend="italic">JEGP,</hi> XLIX (1950), 516, 522.
</ab><ab rend="right">(<hi rend="italic">1198a</hi>   </ab>
<anchor xml:id="bib1199"/><ab type="implicit">
Jas Nankivell. "Extracts from the destroyed letters of Richard Hurd to
William Mason." In <hi rend="italic">MLR,</hi> XLV (Apr., 1950), 153, 156.
</ab><ab rend="right">(<hi rend="italic">1199</hi>   </ab>
<ab rend="small">
Hurd's comments on the <hi rend="italic">Odes.</hi>
</ab><lb/>
<anchor xml:id="bib1199a"/><ab type="implicit">
Stuart Piggott. In his <hi rend="italic">William Stukeley.</hi> Oxford: Clarendon; London:
Cumberlege, 1950.
</ab><ab rend="right">(<hi rend="italic">1199a</hi>   </ab>
<ab rend="small">
Rev. <hi rend="italic">TLS,</hi> July 7, 1950, p. 418.
</ab><lb/>
<anchor xml:id="bib1199b"/><ab type="implicit">
Henri Roddier. In his <hi rend="italic">J.-J. Rousseau en Angleterre au XVIII<hi rend="sup">e</hi>
siècle. L'oeuvre et l'homme.</hi> Paris: Boivin, [1950]. (Etudes de
littérature étrangère et comparée)
</ab><ab rend="right">(<hi rend="italic">1199b</hi>   </ab>
<ab rend="small">
Rev. <hi rend="italic">TLS,</hi> Mar. 31, 1950, p. 198.
</ab><lb/>
<anchor xml:id="bib1200"/><ab type="implicit">
Robt Sencourt. "Wordsworth." In <hi rend="italic">TLS,</hi> Apr. 28, 1950, p. 261.
</ab><ab rend="right">(<hi rend="italic">1200</hi>   </ab>
<anchor xml:id="bib1201"/><ab type="implicit">
Herbert W. Starr. "John Gardiner's imitations of Gray's odes." In
<hi rend="italic">N&amp;Q,</hi> Nov. 25, 1950, pp. 520-21; Dec. 9, p. 541; Jan. 6, 1951,
pp. 12-14.
</ab><ab rend="right">(<hi rend="italic">1201</hi>   </ab>
<ab rend="small">
Reprints <ref target="#bib106">#106</ref>, <ref target="#bib518">518</ref>, <ref target="#bib519">519</ref>.
</ab><lb/>
<anchor xml:id="bib1201a"/><ab type="implicit">
Austin Wright. In his <hi rend="italic">Joseph Spence: a critical biography.</hi> Chicago:
Univ. Press, 1950.
</ab><ab rend="right">(<hi rend="italic">1201a</hi>   </ab>
<ab rend="small">
Gray's criticism of <hi rend="italic">Polymetis.</hi>
</ab><lb/>
<anchor xml:id="bib1202"/>
<ab type="implicit"><hi rend="bold">1951.</hi> *J[ohn]. W[m]. H. Atkins. In his <hi rend="italic">English literary criticism:
17th and 18th centuries.</hi> London: Methuen, 1951.
</ab><ab rend="right">(<hi rend="italic">1202</hi>   </ab>
<ab rend="small">
A summary and discussion of Gray's criticism and of Johnson's comments on
Gray.<lb/>
Rev. <hi rend="italic">TLS,</hi> Nov. 9, 1951, p. 710.
</ab><lb/>
<anchor xml:id="bib1203"/><ab type="implicit">
*Philip Gaskell. In his <hi rend="italic">The first editions of William Mason.</hi> Cambridge:
Bowes and Bowes, 1951. (Cambridge Bibliographical Society, Monograph No. 1)
</ab><ab rend="right">(<hi rend="italic">1203</hi>   </ab>
<ab rend="small">
Many useful references to Gray and quotations from his comments on
Mason. Description of <ref target="#bib20">#20</ref>.
</ab><lb/>
<anchor xml:id="bib1204"/><ab type="implicit">
Douglas Grant. In his <hi rend="italic">James Thomson, poet of 'The Seasons'.</hi> London:
Cresset, 1951.
</ab><ab rend="right">(<hi rend="italic">1204</hi>   </ab>
<anchor xml:id="bib1204a"/><ab type="implicit">
Jas Gray. "Beattie and the Johnson circle." In <hi rend="italic">Queen's
Quarterly,</hi> LVIII (Winter, 1951-52), 519-20, 530.
</ab><ab rend="right">(<hi rend="italic">1204a</hi>   </ab>
<ab rend="small">
Beattie's opinion of Gray.
</ab><lb/>
<anchor xml:id="bib1205"/><ab type="implicit">
Wilmarth Lewis. In his <hi rend="italic">Collector's progress.</hi> New York:
<pb n="133" xml:id="p1-133"/>
Knopf, 1951.
</ab><ab rend="right">(<hi rend="italic">1205</hi>   </ab>
<ab rend="small">
Reprints <ref target="#bib1114">#1114</ref>, <ref target="#bib1115">1115</ref>, <ref target="#bib1146">1146</ref> with
new material.<lb/>
Rev. J. Brown, <hi rend="italic">SRL,</hi> Sept. 22, 1951, p. 27; <hi rend="italic">TLS,</hi> May 9, 1952,
p. 320.
</ab><lb/>
<anchor xml:id="bib1205a"/><ab type="implicit">
W[ilbert]. L[orne]. MacDonald. In his <hi rend="italic">Pope and his critics: a study in
eighteenth century personalities.</hi> London: Dent, 1951.
</ab><ab rend="right">(<hi rend="italic">1205a</hi>   </ab>
<ab rend="small">
Gray's comments on Pope and Wakefield's opinion of Gray's poetry.
</ab><lb/>
<anchor xml:id="bib1206"/><ab type="implicit">
Tho. Percy. In <hi rend="italic">The Percy letters,</hi> David Nichol Smith and Cleanth
Brooks, eds. Vol. III: <hi rend="italic">The correspondence of Thomas Percy &amp; Thomas
Warton,</hi> M. G. Robinson and Leah Dennis, eds. [Baton Rouge:] La. State
Press, 1951.
</ab><ab rend="right">(<hi rend="italic">1206</hi>   </ab>
<anchor xml:id="bib1207"/><ab type="implicit">
Odell Shepard and Willard Shepard. In their <hi rend="italic">Jenkins' ear: a narrative
attributed to Horace Walpole, Esq.</hi> New York: Macmillan, 1951, pp. 16, 62,
381.
</ab><ab rend="right">(<hi rend="italic">1207</hi>   </ab>
<anchor xml:id="bib1208"/><ab type="implicit">
*J[as]. A[lex]. K. Thomson. In his <hi rend="italic">Classical influences on English
poetry.</hi> London: Allen and Unwin, 1951.
</ab><ab rend="right">(<hi rend="italic">1208</hi>   </ab>
<ab rend="small">
A 'sequel' to <ref target="#bib1174">#1174</ref>.<lb/>
PP and the Bard are 'on the whole the most successful attempts in the language
to reproduce the Pindaric ode.' Discusses the debt of the El to Roman elegy.
</ab><lb/>
<anchor xml:id="bib1208a"/><ab type="implicit">
Geoffrey Tillotson. In his <hi rend="italic">Criticism and the nineteenth century.</hi>
London: Athlone Press, 1951.
</ab><ab rend="right">(<hi rend="italic">1208a</hi>   </ab>
<ab rend="small">
Reprints the Newman essay (see <ref target="#bib110a">#110a</ref>) and <ref target="#bib1121">#1121</ref>.
</ab><lb/>
<anchor xml:id="bib1209"/><ab type="implicit">
"Notes on sales." In <hi rend="italic">TLS,</hi> June 29, 1951, p. 412.
</ab><ab rend="right">(<hi rend="italic">1209</hi>   </ab>
<ab rend="small">
A copy of the Bodoni <hi rend="italic">Poems,</hi> 1793, (<ref target="/texts/diglib/secondary/NoC_1917/1/15#bib78">N78</ref>)
sold for £62.
</ab><lb/>
<anchor xml:id="bib1210"/><ab type="implicit">
"Old papers." In <hi rend="italic">TLS,</hi> Nov. 2, 1951, p. 693.
</ab><ab rend="right">(<hi rend="italic">1210</hi>   </ab>
<ab rend="small">
Sale of Gray MSS. at Sotheby's.
</ab><lb/>
<anchor xml:id="bib1211"/><ab type="implicit">
Hor. Waipole. In his <hi rend="italic">Letters.</hi> Selected by W. S. Lewis. Intro. by
R. W. Ketton-Cremer. London: Folio Society, 1951.
</ab><ab rend="right">(<hi rend="italic">1211</hi>   </ab>
<ab rend="small">
Rev. B. Redman, <hi rend="italic">SRL,</hi> Aug. 25, 1951, p. 27.
</ab><lb/>
<anchor xml:id="bib1211a"/><ab type="implicit">
Hor. Walpole. In <hi rend="italic">The Yale edition of Horace Walpole's correspondence.</hi>
XV: <hi rend="italic">. . .with Sir David Dalrymple</hi> et al. Edited by W. S. Lewis, Chas
H. Bennett, and Andrew G. Hoover. XVI: <hi rend="italic">. . .with Chatterton</hi> et
al. Edited by W. S. Lewis, A. Dayle Wallace, and Ralph M. Williams. New Haven:
Yale Univ. Press, 1951.
</ab><ab rend="right">(<hi rend="italic">1211a</hi>   </ab>
</div></body><back><div type="appendix"><pb n="134" xml:id="p1-134"/>
<head rend="center"><hi rend="bold">APPENDIX</hi><lb/><lb/>UNDATED EDITIONS<lb/><lb/></head>
<anchor xml:id="bib1212"/><ab type="implicit">
Elegy / written in / a country church-yard. / [circular design containing a
picture of Stoke Poges Church] / Boston: / Published by Moses A. Dow, /
Waverley Magazine Office. / New York: Dexter &amp; Brother.
</ab><ab rend="right">CbC   (<hi rend="italic">1212-<ref target="/texts/diglib/secondary/NoC_1917/1/86#bib608">N608</ref>?
<ref target="/texts/diglib/secondary/NoC_1917/1/87#bib617">617</ref>?</hi>   </ab>
<ab rend="small">
3 blank leaves; t-p with ornamental border around margins; verso of t-p,
Stereotyped by / Hobart &amp; Robbins, / New England Type and Stereotype
Foundery. / Printed by Geo. C. Rand, Cornhill.; next p., To the / Memory / of
/ Daniel Webster / this edition of / his favorite poem / is / respectfully
inscribed.; p. with ornamented border [which is carried throughout book];
pp. [1]-4, anonymous 'Daniel Webster'; pp. [v]-xii, anonymous Preface; next
p., unnumbered, starts text, one stanza to a leaf, and an illus. to each
stanza; next p., <hi rend="italic">The Great Are Falling From Us,</hi> a Fragment: / From an
unpublished poem / By George S. Burleigh. [total 3 pp.]; then an advertisement
for Waverley Magazine; 3 blank leaves.<lb/>
(Description furnished by Jas Humphry, III, CbC)<lb/>
A similar ed. is owned by LCp. The t-p reads: . . .New York: / Published by
Leavitt &amp; Allen, / 379 Broadway. Verso of t-p: John F. Trow, / Book &amp;
Job / Printer, Stereotyper, Electrotyper / 377 &amp; 379 Broadway, New
York. Immediately after the text of the El appears 'Additional stanzas by
James D. Knowles (<ref target="#bib219b">#219b</ref>). 'The Great Are
Falling From Us' is here attributed to T. Buchanan Read.
</ab><lb/>
<anchor xml:id="bib1213"/>
<ab type="implicit"><hi rend="italic">Elegy written in a country churchyard.</hi> By Thomas Gray. Privately
printed.
</ab><ab rend="right">(<hi rend="italic">1213</hi>   </ab>
<ab rend="small">
N. p., n. d. 16mo, printed within red ruled borders. 4 blank pp.; half-title;
t-p with black and white reproduction of The Tree of Knowledge signed
'C. H. B.'; 9 unnumbered pp. of text with first 29 stanzas numbered in roman
and 3 stanzas of Epitaph numbered in roman; 6 blank pp. Printed wrappers.<lb/>
(Description furnished by H. Cohen, Chiswick Bk. Shop, N. Y.)
</ab><lb/>
<anchor xml:id="bib1214"/><ab type="implicit">
Johannes Tobler (Pastor at Ermatingen, 1754-68) is said by Price (<ref target="#bib4">#4</ref>, p. 160) to have made a poetic transl. into German
of Adv. I can find no record of its publication.
</ab><ab rend="right">(<hi rend="italic">1214</hi>   </ab>
</div><div type="index"><pb n="135" xml:id="p1-135"/>
<head rend="center"><hi rend="bold">INDEX</hi></head>
<p>The numbers refer to items. The name of a publisher is included only when
the book in question is devoted entirely to Gray. The name of a periodical is
included, in general, only when the name of the author of the article in
question is not known. A number prefixed by <hi rend="italic">N</hi> and enclosed in
parentheses indicates an entry in Professor Northup's Addenda (pp. [255]-256),
which is not included in his index.</p>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab>A., C., <ref target="#bib420">420</ref>
</ab><ab>Abbatt, Wm., <ref target="#bib207">207</ref>, <ref target="#bib374">374</ref>
</ab><ab>Abercrombie, Lascelles, <ref target="#bib791">791</ref>
</ab><ab>Abrams, Meyer H., <ref target="#bib503">503</ref>
</ab><ab>Abramson, Ben, <ref target="#bib361">361</ref>, <ref target="#bib980">980</ref>
</ab><ab><hi rend="italic">Academy, The,</hi> <ref target="#bib257">257</ref>
</ab><ab>Adams, Frank, <ref target="#bib159">159</ref>
</ab><ab>Adams, Franklin P., <ref target="#bib160">160</ref>
</ab><ab>Adams, J. Donald, <ref target="#bib412l">412 l</ref>
</ab><ab><hi rend="italic">Ad C. Favonium Aristium,</hi> <ref target="#bib70">70</ref>,
<ref target="#bib74a">74a</ref>, <ref target="#bib76">76</ref>-<ref target="#bib78a">78a</ref>
</ab><ab><hi rend="italic">Ad C. Favonium Zephyrinum,</hi> <ref target="#bib70">70</ref>,
<ref target="#bib74a">74a</ref>, <ref target="#bib76">76</ref>, <ref target="#bib79">79</ref>-<ref target="#bib80a">80a</ref>
</ab><ab>Addison, Agnes, <ref target="#bib1016">1016</ref>
</ab><ab>Addison, Joseph, <ref target="#bib143b">143b</ref>, <ref target="#bib789">789</ref>, <ref target="#bib975">975</ref>
</ab><ab><hi rend="italic">Additional Stanzas,</hi> <ref target="#bib219b">219b</ref>, <ref target="#bib1212">1212</ref>
</ab><ab><hi rend="italic">Additional Stanzas for the Elegy,</hi> <ref target="#bib206">206</ref>, <ref target="#bib581">581</ref>
</ab><ab><hi rend="italic">Adelaide University Magazine,</hi> <ref target="#bib226">226</ref>
</ab><ab><hi rend="italic">Agrippina,</hi> <ref target="#bib25a">25a</ref>, <ref target="#bib51">51</ref>, <ref target="#bib60">60</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib76">76</ref>, <ref target="#bib80b">80b</ref>, <ref target="#bib670">670</ref>, <ref target="#bib715">715</ref>
</ab><ab>Aikin, John, <ref target="#bib574">574</ref>
</ab><ab>Ainsworth, Edw. G., Jr., <ref target="#bib994">994</ref>, <ref target="#bib1089">1089</ref>
</ab><ab>Aitken, Robt, <ref target="#bib141">141</ref>, <ref target="#bib283">283</ref>, <ref target="#bib834">834</ref>
</ab><ab>Akenside, Mark, <ref target="#bib137">137</ref>, <ref target="#bib824">824</ref>
</ab><ab><hi rend="italic">Alcaic Fragment,</hi> <ref target="#bib25a">25a</ref>, <ref target="#bib69">69</ref>, <ref target="#bib70">70</ref>, <ref target="#bib76">76</ref>, <ref target="#bib81">81</ref>-<ref target="#bib82a">82a</ref>, <ref target="#bib1047">1047</ref>
</ab><ab><hi rend="italic">Alcaic Ode,</hi> <ref target="#bib69">69</ref>, <ref target="#bib70">70</ref>, <ref target="#bib74a">74a</ref>, <ref target="#bib76">76</ref>, <ref target="#bib82b">82b</ref>-92b, <ref target="#bib581">581</ref>, <ref target="#bib764">764</ref>, <ref target="#bib1047">1047</ref>, <ref target="#bib1070">1070</ref>
</ab><ab>Aleardi, <ref target="#bib950">950</ref>
</ab><ab>Alfieri, Vittorio, <ref target="#bib97e">97e</ref>
</ab><ab>Algarotti, Count Francesco, <ref target="#bib431">431</ref>, <ref target="#bib1148">1148</ref>
</ab><ab><hi rend="italic">Alhambra, La,</hi> <ref target="#bib197">197</ref>
</ab><ab>Allen, B. Sprague, <ref target="#bib995">995</ref>
</ab><ab>Allen, Grant, <ref target="#bib112">112</ref>
</ab><ab>Allen, Paul, <ref target="#bib110">110</ref>, <ref target="#bib594">594</ref>
</ab><ab>Allen, Robt J., <ref target="#bib1065">1065</ref>
</ab><ab><hi rend="italic">Allgemeine Literatur-Zeitung,</hi> <ref target="#bib145b">145b</ref>
</ab><ab>Allhusen, Dorothy, <ref target="#bib334">334</ref>
</ab><ab><hi rend="italic">Alliance of Education and Government, The,</hi> <ref target="#bib25a">25a</ref>, <ref target="#bib51">51</ref>, <ref target="#bib60">60</ref>, <ref target="#bib64">64</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib76">76</ref>, <ref target="#bib93">93</ref>-<ref target="#bib96">96</ref>, <ref target="#bib574">574</ref>, <ref target="#bib581">581</ref>
</ab><ab>Alonso, José V., <ref target="#bib198">198</ref>
</ab><ab>Altick, Rich. D., <ref target="#bib1066">1066</ref>
</ab><ab><hi rend="italic">Amadis de Gaul.</hi> See <hi rend="italic">Notes on</hi> Amadis de Gaul.
</ab><ab><hi rend="italic">Amatory Lines,</hi> <ref target="#bib31">31</ref>, <ref target="#bib50">50</ref>, <ref target="#bib51">51</ref>, <ref target="#bib60">60</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib76">76</ref>, <ref target="#bib96a">96a</ref>, <ref target="#bib97">97</ref>, <ref target="#bib833">833</ref>
</ab><ab>American Gentleman, An, <ref target="#bib88">88</ref>
</ab><ab>Ampère, J. J., <ref target="#bib111">111</ref>
</ab><ab>Anderson, David, <ref target="#bib157">157</ref>, <ref target="#bib320a">320a</ref>
</ab><ab>Anderson, G. F. Reynolds, <ref target="#bib619">619</ref>
</ab><ab>Anderson, Melville B., <ref target="#bib473">473</ref>
</ab><ab>Anderson, Robt, <ref target="#bib204">204</ref>, <ref target="#bib204b">204b</ref>, <ref target="#bib581">581</ref>
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab>Anna, <ref target="#bib209">209</ref>
</ab><ab><hi rend="italic">Annual Register, The,</hi> <ref target="#bib554">554</ref>
</ab><ab>Anthoensen, Fred, <ref target="#bib158a">158a</ref>
</ab><ab>Antrobus, Robt, <ref target="#bib413">413</ref>, <ref target="#bib431">431</ref>
</ab><ab>App, Austin J., <ref target="#bib1151">1151</ref>
</ab><ab>Araujo de Azevedo (Acebedo), Antonio de, <ref target="#bib187a">187a</ref>
</ab><ab>Archbold, W. A. S., <ref target="#bib353">353</ref>
</ab><ab>Archer, Gleason L., Jr., <ref target="#bib1134">1134</ref>
</ab><ab>Argaez, Daniel Arias, <ref target="#bib203">203</ref>
</ab><ab>Aristotle, <ref target="#bib876">876</ref>, <ref target="#bib956">956</ref>
</ab><ab>Arms, Geo. W., <ref target="#bib17a">17a</ref>
</ab><ab>Armstrong, Martin, <ref target="#bib479">479</ref>
</ab><ab>Arnold, Matthew, <ref target="#bib956">956</ref>, <ref target="#bib1018">1018</ref>, <ref target="#bib1048">1048</ref>, <ref target="#bib1091">1091</ref>, <ref target="#bib1120">1120</ref>, <ref target="#bib1121">1121</ref>, <ref target="#bib1165">1165</ref>, <ref target="#bib1197">1197</ref>, <ref target="#bib1208a">1208a</ref>
</ab><ab>Arnold, Wm. H. &amp; Gertrude W., <ref target="#bib737">737</ref>
</ab><ab>Aronstein, Phil., <ref target="#bib745">745</ref>
</ab><ab><hi rend="italic">Art Journal, The</hi> (London). <ref target="#bib149">149</ref>
</ab><ab><hi rend="italic">Article on Tombs,</hi> <ref target="#bib129a">129a</ref>
</ab><ab>Ashburnham, Wm, <ref target="#bib874">874</ref>
</ab><ab>Ashby, J. T., <ref target="#bib44">44</ref>
</ab><ab>Ashley Library, <ref target="#bib5">5</ref>, <ref target="#bib728">728</ref>
</ab><ab>Ashmore, E. C., <ref target="#bib406a">406a</ref>
</ab><ab>Ashton, Tho., (<ref target="/texts/diglib/secondary/NoC_1917/1/171#bib1248">N1248</ref>),
<ref target="#bib436">436</ref>, <ref target="#bib445">445</ref>, <ref target="#bib683">683</ref>, <ref target="#bib1179">1179</ref>
</ab><ab>Askew, H., <ref target="#bib331">331</ref>, <ref target="#bib744">744</ref>
</ab><ab><hi rend="italic">Athenaeum, The</hi> (London), (<ref target="/texts/diglib/secondary/NoC_1917/1/171#bib1248">N1248</ref>),
<ref target="#bib3">3</ref>, <ref target="#bib51">51</ref>, <ref target="#bib595">595</ref>
</ab><ab>Atkins, John W., <ref target="#bib1202">1202</ref>
</ab><ab>Aubin, Robt A., <ref target="#bib535">535</ref>, <ref target="#bib981">981</ref>
</ab><ab>Audley, John, <ref target="#bib431">431</ref>
</ab><ab>Audra, Emile, <ref target="#bib886">886</ref>
</ab><ab>Augustan Reprint Society, The, <ref target="#bib168a">168a</ref>
</ab><ab>Austen, Jane, <ref target="rfttr1:51#bib397">397</ref>
</ab><ab>Ayliffe, H. J., <ref target="#bib761">761</ref><lb/><lb/>
</ab><ab>B., A., <ref target="#bib517">517</ref>, <ref target="#bib575">575</ref>
</ab><ab>B., A. A., <ref target="#bib267">267</ref>
</ab><ab>B., C. C., <ref target="#bib281">281</ref>
</ab><ab>B., C. H., <ref target="#bib1213">1213</ref>
</ab><ab>B., C. W., <ref target="#bib501">501</ref>
</ab><ab>B., D. G., <ref target="#bib391">391</ref>
</ab><ab>B., E., <ref target="#bib440">440</ref>
</ab><ab>B., E. C., <ref target="#bib824">824</ref>
</ab><ab>B., E. G., <ref target="#bib20">20</ref>, <ref target="#bib854">854</ref>
</ab><ab>B., F., <ref target="#bib912">912</ref>
</ab><ab>B., R., <ref target="#bib1155">1155</ref>
</ab><ab>Babbitt, Irving, <ref target="#bib681">681</ref>
</ab><ab>Babcock, R. W., <ref target="#bib844">844</ref>
</ab><ab>Babler, Otto F., <ref target="#bib331">331</ref>
</ab><ab>Bacon, Leonard, <ref target="#bib445">445</ref>
</ab><ab>Bagehot, Walter, <ref target="#bib1091">1091</ref>
</ab><ab>Bailey, John, <ref target="#bib274">274</ref>, <ref target="#bib724">724</ref>
</ab><ab>Baker, Carlos, <ref target="#bib380">380</ref>, <ref target="#bib1109">1109</ref>
</ab>
</ab></cell></row></table>
<pb n="136" xml:id="p1-136"/>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab>Baldensperger, Fernand, <ref target="#bib546">546</ref>, <ref target="#bib632">632</ref>
</ab><ab>Balderston, Katherine C., <ref target="#bib183">183</ref>. <ref target="#bib1086a">1086a</ref>
</ab><ab>Baldi, Sergio, <ref target="#bib411b">411b</ref>, <ref target="#bib1135">1135</ref>
</ab><ab><hi rend="italic">Baltimore &amp; Ohio Magazine,</hi> <ref target="#bib482">482</ref>
</ab><ab>Bamberger, Bernhard, <ref target="#bib121">121</ref>
</ab><ab><hi rend="italic">Bard, The,</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/255#bib288a">N288a</ref>, <ref target="/texts/diglib/secondary/NoC_1917/1/64#bib427">N427</ref>),
<ref target="#bib22">22</ref>-<ref target="#bib26">26</ref>, <ref target="#bib28">28</ref>, <ref target="#bib36">36</ref>, <ref target="#bib42">42</ref>, <ref target="#bib46">46</ref>, <ref target="#bib50">50</ref>-<ref target="#bib53">53</ref>, <ref target="#bib55">55</ref>, <ref target="#bib58">58</ref>, <ref target="#bib60">60</ref>-<ref target="#bib62">62</ref>, <ref target="#bib64">64</ref>-<ref target="#bib66">66</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib75">75</ref>, <ref target="#bib76">76</ref>, <ref target="#bib76a">76a</ref>, <ref target="#bib97b">97b</ref>-<ref target="#bib125">125</ref>, <ref target="#bib368a">368a</ref>, <ref target="#bib564">564</ref>, <ref target="#bib565">565</ref>, <ref target="#bib574">574</ref>, <ref target="#bib590">590</ref>, <ref target="#bib592">592</ref>, <ref target="#bib593">593</ref>, <ref target="#bib601a">601a</ref>, <ref target="#bib614">614</ref>, <ref target="#bib618">618</ref>, <ref target="#bib662">662</ref>, <ref target="#bib685">685</ref>, <ref target="#bib708">708</ref>, <ref target="#bib709">709</ref>, <ref target="#bib721">721</ref>, <ref target="#bib735">735</ref>, <ref target="#bib746">746</ref>, <ref target="#bib749">749</ref>, <ref target="#bib765">765</ref>, <ref target="#bib822">822</ref>, <ref target="#bib827">827</ref>, <ref target="#bib848">848</ref>, <ref target="#bib874">874</ref>, <ref target="#bib913">913</ref>, <ref target="#bib918">918</ref>, <ref target="#bib924">924</ref>, <ref target="#bib933">933</ref>, <ref target="#bib938">938</ref>, <ref target="#bib941">941</ref>, <ref target="#bib950">950</ref>, <ref target="#bib955">955</ref>, <ref target="#bib1007">1007</ref>, <ref target="#bib1027">1027</ref>, <ref target="#bib1031">1031</ref>, <ref target="#bib1036">1036</ref>, <ref target="#bib1071">1071</ref>, <ref target="#bib1073">1073</ref>, <ref target="#bib1126">1126</ref>, <ref target="#bib1130">1130</ref>, <ref target="#bib1160">1160</ref>, <ref target="#bib1180">1180</ref>, <ref target="#bib1208">1208</ref>
</ab><ab>Bardi, Pietro, <ref target="#bib261">261</ref>
</ab><ab>Baretti, Giuseppe, <ref target="#bib634a">634a</ref>
</ab><ab>Barfield, Owen, <ref target="#bib822">822</ref>
</ab><ab>Baring, Maurice, <ref target="#bib154">154</ref>
</ab><ab>Barnett, A. T., <ref target="#bib302">302</ref>
</ab><ab>Barstow, Marjorie L., <ref target="#bib660">660</ref>
</ab><ab>Barton, Margaret, <ref target="#bib1152">1152</ref>
</ab><ab>Bartram, John, <ref target="#bib1052">1052</ref>
</ab><ab>Bartram, Wm, <ref target="#bib1052">1052</ref>
</ab><ab>Bates, Ernest, <ref target="#bib845">845</ref>
</ab><ab>Bateson, Fredk W., <ref target="#bib16">16</ref>, <ref target="#bib412">412</ref>, <ref target="#bib939">939</ref>
</ab><ab><hi rend="italic">Battle of Hastings, The,</hi> <ref target="#bib418">418</ref>
</ab><ab>Baudelaire, Pierre C., <ref target="#bib235">235</ref>, <ref target="#bib370">370</ref>, <ref target="#bib1118">1118</ref>
</ab><ab>Baugh, Albert C., <ref target="#bib1172">1172</ref>
</ab><ab>Baum, Paull F., <ref target="#bib852">852</ref>
</ab><ab>Baylis, Ebenezer, <ref target="#bib162">162</ref>
</ab><ab>Beattie, Jas, <ref target="#bib22">22</ref>, <ref target="#bib576">576</ref>, <ref target="#bib588">588</ref>, <ref target="#bib1119">1119</ref>, <ref target="#bib1133">1133</ref>, <ref target="#bib1153">1153</ref>, <ref target="#bib1167">1167</ref>, <ref target="#bib1204a">1204a</ref>
</ab><ab>Beatty, J. M., <ref target="#bib725">725</ref>, <ref target="#bib1119">1119</ref>
</ab><ab>Beaty, John O., <ref target="#bib36">36</ref>
</ab><ab>Beckford, Wm, of Jamaica, <ref target="#bib213">213</ref>
</ab><ab>Bedingfield, Edw., <ref target="#bib431">431</ref>, <ref target="#bib448">448</ref>, <ref target="#bib841">841</ref>
</ab><ab>Bedingfield, Robt, <ref target="#bib841">841</ref>
</ab><ab>Beech, Mary L., <ref target="#bib321">321</ref>
</ab><ab>Beeching, Hen. C., (<ref target="/texts/diglib/secondary/NoC_1917/1/256#bib1993g">N1993g</ref>)
</ab><ab>Beers, Hen. A., <ref target="#bib455">455</ref>
</ab><ab>Beljame, Alexandre, <ref target="#bib21a">21a</ref>
</ab><ab>Bell, Chas F., <ref target="#bib1107">1107</ref>
</ab><ab>Belsham, Wm, <ref target="#bib561">561</ref>
</ab><ab>Bennett, Chas H., <ref target="#bib445">445</ref>, <ref target="#bib1211a">1211a</ref>
</ab><ab>Bennett, J. A. W., <ref target="#bib1033">1033</ref>
</ab><ab>Bennett, Joan, <ref target="#bib1087">1087</ref>
</ab><ab>Bensly, Edw., <ref target="#bib281">281</ref>, <ref target="#bib282">282</ref>, <ref target="#bib332">332</ref>, <ref target="#bib419">419</ref>, <ref target="#bib468">468</ref>, <ref target="#bib668">668</ref>, <ref target="#bib744">744</ref>, <ref target="#bib880">880</ref>
</ab><ab>Benson, Arthur C., <ref target="#bib615">615</ref>, <ref target="#bib617">617</ref>, <ref target="#bib655">655</ref>
</ab><ab>Bentley, Rich. (1708-1782. See also <hi rend="italic">Stanzas to Mr. Richard
Bentley.</hi>), <ref target="#bib7">7</ref>, <ref target="#bib704">704</ref>, <ref target="#bib859">859</ref>, <ref target="#bib895">895</ref>, <ref target="#bib945">945</ref>, <ref target="#bib987">987</ref>, <ref target="#bib1100">1100</ref>, <ref target="#bib1113">1113</ref>, <ref target="#bib1118">1118</ref>, <ref target="#bib1146">1146</ref>, <ref target="#bib1161">1161</ref>, <ref target="#bib1205">1205</ref>
</ab><ab>Bentley, Rich. (1929), <ref target="#bib328">328</ref>
</ab><ab>Berchère, Pierre Guedon de, <ref target="#bib172">172</ref>
</ab><ab>Berchet, Giovanni, <ref target="#bib97e">97e</ref>
</ab><ab>Berdmore, Saml, <ref target="#bib1091">1091</ref>
</ab><ab>Beresford, John, <ref target="#bib440">440</ref>, <ref target="#bib755">755</ref>, <ref target="#bib778">778</ref>, <ref target="#bib779">779</ref>
</ab><ab>Bergen, Hen., <ref target="#bib161">161</ref>
</ab><ab>Berger, Pierre, <ref target="#bib75">75</ref>, <ref target="#bib97b">97b</ref>, <ref target="#bib178">178</ref>, <ref target="#bib417">417</ref>, <ref target="#bib424">424</ref>, <ref target="#bib493">493</ref>, <ref target="#bib516">516</ref>, <ref target="#bib526">526</ref>
</ab><ab>Bernbaum, Ernest, <ref target="#bib23">23</ref>, <ref target="#bib53">53</ref>, <ref target="#bib866">866</ref>
</ab><ab>Berryman, John, <ref target="#bib404">404</ref>
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab><hi rend="italic">Beseduiushchii grazhdanin,</hi> <ref target="#bib189">189</ref>
</ab><ab>Bewick, Tho., <ref target="#bib71">71</ref>
</ab><ab><hi rend="italic">Bibliographical Notes &amp; Queries,</hi> <ref target="#bib983">983</ref>
</ab><ab><hi rend="italic">Bibliography,</hi> <ref target="#bib129a">129a</ref>
</ab><ab>Bibliophile Society, The, <ref target="#bib152a">152a</ref>
</ab><ab>Bidwell, Alice T., <ref target="#bib738">738</ref>
</ab><ab>Bigelow, Jacob, <ref target="#bib596">596</ref>
</ab><ab>Binyon, Laurence, <ref target="#bib670">670</ref>, <ref target="#bib711">711</ref>, <ref target="#bib867">867</ref>
</ab><ab>Birch, Charlotte M. See Salwey.
</ab><ab>Birkhead, Edith, <ref target="#bib115">115</ref>
</ab><ab>Birrell, Augustine, <ref target="#bib316">316</ref>
</ab><ab>Bishop, David, <ref target="#bib661">661</ref>
</ab><ab>Bissell, Benj., <ref target="#bib762">762</ref>
</ab><ab>Bithell, Jethro, <ref target="#bib236">236</ref>
</ab><ab>Bitter, August, <ref target="#bib923">923</ref>
</ab><ab>Black, A. Bruce, <ref target="#bib307a">307a</ref>
</ab><ab>Blacklock, Tho., <ref target="#bib137">137</ref>
</ab><ab>Blackmur, R. P., <ref target="#bib404">404</ref>
</ab><ab>Blackstone, Bernard, <ref target="#bib1180">1180</ref>
</ab><ab>Blackwell, Basil, <ref target="#bib187">187</ref>
</ab><ab>Blair, Hugh, <ref target="#bib559">559</ref>, <ref target="#bib1169">1169</ref>
</ab><ab>Blair, Robt, <ref target="#bib141">141</ref>, <ref target="#bib142">142</ref>, <ref target="#bib142b">142b</ref>, <ref target="#bib143b">143b</ref>, <ref target="#bib283">283</ref>
</ab><ab>Blake, Wm, <ref target="#bib61a">61a</ref>, <ref target="#bib681a">681a</ref>, <ref target="#bib689">689</ref>, <ref target="#bib712">712</ref>, <ref target="#bib727">727</ref>, <ref target="#bib764a">764a</ref>, <ref target="#bib830">830</ref>, <ref target="#bib879">879</ref>, <ref target="#bib1025">1025</ref>, <ref target="#bib1053">1053</ref>, <ref target="#bib1056">1056</ref>, <ref target="#bib1141">1141</ref>, <ref target="#bib1180">1180</ref>, <ref target="#bib1189">1189</ref>
</ab><ab>Blakiston, J. M. G., <ref target="#bib1136">1136</ref>
</ab><ab>Blanchard, Fredk, <ref target="#bib780">780</ref>
</ab><ab>Bland, D. S., <ref target="#bib1154">1154</ref>
</ab><ab>Bland, John P., <ref target="#bib153">153</ref>
</ab><ab>Blickensderfer, Joseph P., <ref target="#bib61">61</ref>
</ab><ab>Block, Andrew, <ref target="#bib908">908</ref>
</ab><ab>Blunden, Edmund, <ref target="#bib431">431</ref>, <ref target="#bib846">846</ref>, <ref target="#bib1005">1005</ref>, <ref target="#bib1108">1108</ref>
</ab><ab>Boege, Fred W., <ref target="#bib1137">1137</ref>
</ab><ab>Boileau-Despréaux, Nicolas, <ref target="#bib763">763</ref>
</ab><ab>Bölsing, Gottfried, <ref target="#bib235a">235a</ref>
</ab><ab>Bond, Donald F., <ref target="#bib19">19</ref>. <ref target="#bib1079">1079</ref>
</ab><ab>Bond, J. W. G., <ref target="#bib287">287</ref>
</ab><ab>Bond, Richmond P., <ref target="#bib476">476</ref>, <ref target="#bib909">909</ref>, <ref target="#bib1089">1089</ref>
</ab><ab>Bond, Wm H., <ref target="#bib1161">1161</ref>
</ab><ab>Bondelmonti (Buondelmonte), Giuseppe Maria, <ref target="#bib25a">25a</ref>
</ab><ab>Bonstetten, Chas Victor de, <ref target="#bib431">431</ref>,
<ref target="#bib695">695</ref>, <ref target="#bib697">697</ref>, <ref target="#bib864">864</ref>, <ref target="#bib1118">1118</ref>, <ref target="#bib1155">1155</ref>
</ab><ab><hi rend="italic">Book Auction Records,</hi> <ref target="#bib940">940</ref>
</ab><ab><hi rend="italic">Book Review Digest, The,</hi> <ref target="#bib739">739</ref>,
<ref target="#bib1061">1061</ref>
</ab><ab><hi rend="italic">Booklist, The,</hi> <ref target="#bib1155">1155</ref>
</ab><ab><hi rend="italic">Bookman, The,</hi> <ref target="#bib739">739</ref>
</ab><ab>Bookwright, <ref target="#bib167">167</ref>
</ab><ab>Booth, Edw. T., <ref target="#bib1123">1123</ref>
</ab><ab>Bosker, Aisso, <ref target="#bib868">868</ref>
</ab><ab>Boston <hi rend="italic">Transcript,</hi> The, <ref target="#bib912">912</ref>
</ab><ab>Boswell, Jas, <ref target="#bib99">99</ref>, <ref target="#bib238">238</ref>, <ref target="#bib822a">822a</ref>, <ref target="#bib889">889</ref>, <ref target="#bib1008">1008</ref>, <ref target="#bib1195">1195</ref>
</ab><ab>Botting, Roland B., <ref target="#bib524">524</ref>
</ab><ab>Bowra, Cecil M., <ref target="#bib1181">1181</ref>
</ab><ab>Bowyer, John W., <ref target="#bib36">36</ref>
</ab><ab>Box, E. G., <ref target="#bib471">471</ref>
</ab><ab>Boyd, Jas, <ref target="#bib344">344</ref>
</ab><ab>Bracher, Fredk, <ref target="#bib403">403</ref>
</ab><ab>Brade-Birks, S. Graham, <ref target="rfttr1:51#bib397">397</ref>
</ab><ab>Bradford, Curtis B., <ref target="#bib1080">1080</ref>
</ab><ab>Bradford, Gamaliel, <ref target="#bib739">739</ref>
</ab><ab>Bradner, Leicester, <ref target="#bib69">69</ref>, <ref target="#bib74a">74a</ref>, <ref target="#bib78">78</ref>, <ref target="#bib80">80</ref>, <ref target="#bib90">90</ref>, <ref target="#bib1047">1047</ref>
</ab>
</ab></cell></row></table>
<pb n="137" xml:id="p1-137"/>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab>Bradshaw, John, <ref target="#bib33">33</ref>, <ref target="#bib1024">1024</ref>
</ab><ab>Bragg, Marion K., <ref target="#bib118">118</ref>
</ab><ab>Brandenburg, Alice S., <ref target="#bib1138">1138</ref>
</ab><ab>Brandl, Alois L., <ref target="#bib431">431</ref>, <ref target="#bib611">611</ref>, <ref target="#bib966">966</ref>
</ab><ab>Bredsdorff, Morten, <ref target="#bib847">847</ref>
</ab><ab>Bredvold, Louis I., <ref target="#bib26">26</ref>, <ref target="#bib441">441</ref>, <ref target="#bib716">716</ref>, <ref target="#bib1182">1182</ref>
</ab><ab>Brewster, David, <ref target="#bib601">601</ref>
</ab><ab>Briggs, E. R., <ref target="#bib373">373</ref>
</ab><ab>Brinton, Crane, <ref target="#bib781">781</ref>
</ab><ab>Brinton, Percival R., <ref target="#bib166">166</ref>, <ref target="#bib187">187</ref>
</ab><ab><hi rend="italic">British Critic, The,</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/255#bib1499b">N1499b</ref>)
</ab><ab><hi rend="italic">Britwell handlist. . ., The,</hi> <ref target="#bib10">10</ref>
</ab><ab>Broadbent, Hen., <ref target="#bib127">127</ref>, <ref target="#bib294">294</ref>
</ab><ab>Broadus, Edmund K., <ref target="#bib703">703</ref>
</ab><ab>Brodribb, C. W., <ref target="#bib485">485</ref>, <ref target="#bib525">525</ref>
</ab><ab>Bronson, Bertrand H., <ref target="#bib537">537</ref>
</ab><ab>Brooke, Stopford A., <ref target="#bib691">691</ref>
</ab><ab>Brooke, Tucker, <ref target="#bib1172">1172</ref>
</ab><ab>Brooks, [Chas Wm] Shirley, <ref target="#bib221">221</ref>
</ab><ab>Brooks, Cleanth, <ref target="#bib384">384</ref>, <ref target="#bib404">404</ref>, <ref target="#bib407">407</ref>, <ref target="#bib412">412</ref>, <ref target="#bib1124">1124</ref>, <ref target="#bib1171">1171</ref>, <ref target="#bib1206">1206</ref>
</ab><ab>Broughton, Leslie N., <ref target="#bib609">609</ref>, <ref target="#bib996">996</ref>
</ab><ab>Brower, Reuben A., <ref target="#bib539">539</ref>
</ab><ab>Brown, E. K., <ref target="#bib1048">1048</ref>
</ab><ab>Brown, H. H., <ref target="#bib345">345</ref>
</ab><ab>Brown, John (1715-1766), <ref target="#bib431">431</ref>, <ref target="#bib904">904</ref>
</ab><ab>Brown, John Epes, <ref target="#bib782">782</ref>
</ab><ab>Brown, John M., <ref target="#bib1205">1205</ref>
</ab><ab>Brown, Ralph S., <ref target="#bib1078">1078</ref>
</ab><ab>Brown, Stuart G., <ref target="#bib1080">1080</ref>
</ab><ab>Brown, Wallace C., <ref target="#bib408">408</ref>, <ref target="#bib1099">1099</ref>
</ab><ab>Browning, Robt, <ref target="#bib1160">1160</ref>
</ab><ab>Bruun, Geoffrey, <ref target="#bib1196">1196</ref>
</ab><ab>Bryan, J. Ingram, <ref target="#bib910">910</ref>
</ab><ab>Bryant, Donald Cross, <ref target="#bib1034">1034</ref>
</ab><ab>Bryant, Jacob, <ref target="#bib1188">1188</ref>
</ab><ab>Brydges. Sir Saml E., <ref target="#bib1049">1049</ref>
</ab><ab>B.-S., H. F. B., <ref target="#bib431">431</ref>
</ab><ab>Buchanan, Milton A., <ref target="#bib3">3</ref>, <ref target="#bib198">198</ref>, <ref target="#bib203">203</ref>, <ref target="#bib272">272</ref>
</ab><ab>Buck, Philo M., <ref target="#bib869">869</ref>
</ab><ab>Buckminster, Joseph S., <ref target="#bib593">593</ref>, <ref target="#bib1192">1192</ref>
</ab><ab>Bull, Francis, <ref target="#bib236">236</ref>
</ab><ab>Bull, Johan, <ref target="#bib225">225</ref>
</ab><ab>Bull, N., <ref target="#bib216">216</ref>
</ab><ab>Buondelmonte. See Bondelmonti.
</ab><ab>Burchhardt, Carl J. B., <ref target="#bib236">236</ref>, <ref target="#bib692">692</ref>
</ab><ab>Burdett, Osbert, <ref target="#bib298">298</ref>
</ab><ab>Burke, Edmund, <ref target="#bib1034">1034</ref>
</ab><ab>Burke, Kenneth, <ref target="#bib381">381</ref>
</ab><ab>Burleigh, Geo. S., <ref target="#bib1212">1212</ref>
</ab><ab>Burney, Chas, <ref target="#bib1170">1170</ref>
</ab><ab>Burns, Robt, <ref target="#bib239">239</ref>, <ref target="#bib1166">1166</ref>
</ab><ab>Burts Home Library, <ref target="#bib33">33</ref>
</ab><ab>Busetto, Matale, <ref target="#bib950">950</ref>
</ab><ab>Bush, Douglas, <ref target="#bib911">911</ref>, <ref target="#bib955">955</ref>, <ref target="#bib997">997</ref>. <ref target="#bib1061">1061</ref>
</ab><ab>Butler, J., (of Andover), <ref target="#bib717">717</ref>, <ref target="#bib1111">1111</ref>
</ab><ab>Butler, Bishop Joseph, <ref target="#bib134">134</ref>
</ab><ab>Butler, Saml, <ref target="#bib564">564</ref>, <ref target="#bib565">565</ref>
</ab><ab>Butt, John, <ref target="#bib392">392</ref>, <ref target="#bib405">405</ref>, <ref target="#bib431">431</ref>, <ref target="#bib1051">1051</ref>, <ref target="#bib1196">1196</ref>
</ab><ab>Buxton, Chas P., <ref target="#bib848">848</ref>
</ab><ab>Byron, Geo. Gordon, Lord, <ref target="#bib270">270</ref>, <ref target="#bib391">391</ref>
</ab><ab>Bysshe, Edw., <ref target="#bib1158">1158</ref>
</ab><ab>Cabanis, Pierre J., <ref target="#bib173">173</ref>
</ab><ab>Cairns, Huntington, <ref target="#bib29">29</ref>
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab>Callander, John, <ref target="#bib558">558</ref>
</ab><ab>Calverley, Chas S., <ref target="#bib497">497</ref>
</ab><ab>Calverton, Victor F., <ref target="#bib783">783</ref>
</ab><ab><hi rend="italic">Cambri,</hi> <ref target="#bib125a">125a</ref>
</ab><ab>Cambridge, Rich. O., <ref target="#bib1066">1066</ref>
</ab><ab>Cambridge University, <ref target="#bib644">644</ref>
</ab><ab>Cambridge University Press, <ref target="#bib47">47</ref>
</ab><ab>Cameron, John H., <ref target="#bib186">186</ref>
</ab><ab>Cameron, W. B., <ref target="#bib157">157</ref>
</ab><ab>Camino, Manuel Norberto Pérez del. See Pérez del
Camino.
</ab><ab>Campbell, Archibald, <ref target="#bib553">553</ref>, <ref target="#bib757">757</ref>
</ab><ab>Campbell, Kathleen W., <ref target="#bib57">57</ref>, <ref target="#bib61a">61a</ref>
</ab><ab>Campbell, Tho., <ref target="#bib22">22</ref>, <ref target="#bib943">943</ref>, <ref target="#bib1091">1091</ref>
</ab><ab>Campion, Eleanor E., <ref target="#bib19">19</ref>
</ab><ab>Canadelli, Carlo, <ref target="#bib235b">235b</ref>
</ab><ab><hi rend="italic">Candidate, The,</hi> <ref target="#bib5">5</ref>, <ref target="#bib51">51</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib76">76</ref>, <ref target="#bib125b">125b</ref>-<ref target="#bib129">129</ref>, <ref target="#bib253">253</ref>, <ref target="#bib294">294</ref>, <ref target="#bib704">704</ref>
</ab><ab>Cañete, Manuel, <ref target="#bib200">200</ref>
</ab><ab><hi rend="italic">Caradoc,</hi> <ref target="#bib23">23</ref>, <ref target="#bib24">24</ref>, <ref target="#bib50">50</ref>, <ref target="#bib51">51</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>
</ab><ab>Cardano, Gerolamo, <ref target="#bib634">634</ref>
</ab><ab><hi rend="italic">Carey's Unitea States Recorder,</hi> <ref target="#bib506a">506a</ref>
</ab><ab>Carlson, C. L., <ref target="#bib993">993</ref>
</ab><ab>Carlton, Wm N., <ref target="#bib303">303</ref>
</ab><ab>Caro, Miguel A., <ref target="#bib201">201</ref>, <ref target="#bib276">276</ref>
</ab><ab>Caro, Victor E., <ref target="#bib203">203</ref>
</ab><ab>Carter, Elizabeth, <ref target="#bib592">592</ref>
</ab><ab>Carter, John, <ref target="#bib983">983</ref>, <ref target="#bib1017">1017</ref>
</ab><ab>Catullus, <ref target="#bib339">339</ref>
</ab><ab>Castleman, Josiah H., <ref target="#bib48a">48a</ref>
</ab><ab>Caxton, Wm, <ref target="#bib10">10</ref>
</ab><ab>Cazamian, Louis F., <ref target="#bib75">75</ref>, <ref target="#bib179">179</ref>, <ref target="#bib180">180</ref>, <ref target="#bib694">694</ref>, <ref target="#bib748">748</ref>, <ref target="#bib948">948</ref>
</ab><ab>Cecil, Lord David, <ref target="#bib961">961</ref>, <ref target="#bib1109">1109</ref>, <ref target="#bib1139">1139</ref>, <ref target="#bib1155">1155</ref>, <ref target="#bib1156">1156</ref>
</ab><ab>Celadon, <ref target="#bib491">491</ref>
</ab><ab>Cellier, Alfred, <ref target="#bib360">360</ref>
</ab><ab>Cesarotti, Melchiorre, <ref target="#bib182a">182a</ref>
</ab><ab>Cestre, Chas, <ref target="#bib630">630</ref>
</ab><ab>Chalmers, A., <ref target="#bib204b">204b</ref>
</ab><ab>Chambers, R. W., <ref target="#bib1067">1067</ref>
</ab><ab>Chambers, Ltd., W. &amp; B., <ref target="#bib113">113</ref>
</ab><ab>Chaplin, Ruth, <ref target="#bib158a">158a</ref>
</ab><ab>Chapman, John A., <ref target="#bib325">325</ref>
</ab><ab>Chapman, R. W., <ref target="#bib362">362</ref>, <ref target="#bib849">849</ref>, <ref target="#bib924">924</ref>
</ab><ab>Charteris, Evan, <ref target="#bib887">887</ref>
</ab><ab>Chase, Isabel W. U., <ref target="#bib1090">1090</ref>
</ab><ab>Chateaubriand, François de, <ref target="#bib312">312</ref>, <ref target="#bib605">605</ref>
</ab><ab>Chatterton, Tho., <ref target="#bib808">808</ref>, <ref target="#bib870">870</ref>, <ref target="#bib901">901</ref>, <ref target="#bib1045">1045</ref>, <ref target="#bib1096">1096</ref>, <ref target="#bib1168">1168</ref>, <ref target="#bib1211a">1211a</ref>
</ab><ab>Chaucer, Geoffrey, <ref target="#bib73">73</ref>, <ref target="#bib719">719</ref>, <ref target="#bib1053">1053</ref>, <ref target="#bib1091">1091</ref>
</ab><ab>Chesterfield, Earl of. See Stanhope, Philip.
</ab><ab>Chesterton, Gilbert F., <ref target="#bib224">224</ref>, <ref target="#bib349">349</ref>
</ab><ab>Chew, Saml C., <ref target="#bib371a">371a</ref>, <ref target="#bib382">382</ref>, <ref target="#bib431">431</ref>, <ref target="#bib1012">1012</ref>, <ref target="#bib1055">1055</ref>, <ref target="#bib1172">1172</ref>
</ab><ab><hi rend="italic">Children's Miscellany, The,</hi> <ref target="#bib143d">143d</ref>
</ab><ab>Christiani, Sigyn, <ref target="#bib889">889</ref>, <ref target="#bib1155">1155</ref>
</ab><ab><hi rend="italic">Chronological List of Painters, A,</hi> <ref target="#bib1021">1021</ref>
</ab><ab><hi rend="italic">Chronological Tables of Greek History,</hi> <ref target="#bib1014">1014</ref>
</ab><ab><hi rend="italic">Chtenie dlia vkusa. . .,</hi> <ref target="#bib425">425</ref>
</ab><ab>Chubb, Edwin W., <ref target="#bib260">260</ref>
</ab><ab>Churchill, Chas (See also <hi rend="italic">Notes on</hi>
</ab>
</ab></cell></row></table>
<pb n="138" xml:id="p1-138"/>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab><hi rend="italic">Churchill.</hi>), <ref target="#bib5">5</ref>, <ref target="#bib1099">1099</ref>
</ab><ab>Churchill, R. C., <ref target="#bib1018">1018</ref>
</ab><ab>Cippico, Antonio, <ref target="#bib295">295</ref>
</ab><ab>Clarendon Press, <ref target="#bib50">50</ref>, <ref target="#bib156">156</ref>, <ref target="#bib158">158</ref>, <ref target="#bib431">431</ref>, <ref target="#bib437">437a</ref>, <ref target="#bib492">492</ref>
</ab><ab>Clark, Alex. F., <ref target="#bib763">763</ref>
</ab><ab>Clark, Dora Mae, <ref target="#bib445">445</ref>
</ab><ab>Clark, Harry H., <ref target="#bib298">298</ref>, <ref target="#bib764">764</ref>
</ab><ab>Clark, Kenneth, <ref target="#bib823">823</ref>
</ab><ab>Clark, R. &amp; R., <ref target="#bib59">59</ref>
</ab><ab>Clark, Wm A., <ref target="#bib155">155</ref>, <ref target="#bib513">513</ref>
</ab><ab>Clarke, Martin L., <ref target="#bib1110">1110</ref>
</ab><ab>Clement, Nemours H., <ref target="#bib1036">1036</ref>
</ab><ab>Clerke, John, <ref target="#bib467">467</ref>
</ab><ab>Clifford, Jas L., <ref target="#bib411">411</ref>, <ref target="#bib1182">1182</ref>, <ref target="#bib1191">1191</ref>
</ab><ab>Climenson, Emily J., <ref target="#bib631">631</ref>
</ab><ab>Cline, Tho. L., <ref target="#bib460">460</ref>
</ab><ab>Clough, Ben C., <ref target="#bib277">277</ref>
</ab><ab>Clutton-Brock, A., <ref target="#bib712">712</ref>
</ab><ab>Coblentz, Stanton A., <ref target="#bib739">739</ref>
</ab><ab>Coffin, Robt P. T., <ref target="#bib167">167</ref>, <ref target="#bib385">385</ref>
</ab><ab>Cogan, Clare I., <ref target="#bib713">713</ref>
</ab><ab>Colby, Elbridge, <ref target="#bib288">288</ref>
</ab><ab>Cole, Wm, <ref target="#bib205">205</ref>, <ref target="#bib413">413</ref>, <ref target="#bib447">447</ref>, <ref target="#bib578">578</ref>, <ref target="#bib585">585</ref>, <ref target="#bib814">814</ref>, <ref target="#bib890">890</ref>, <ref target="#bib903">903</ref>, <ref target="#bib954">954</ref>, <ref target="#bib964">964</ref>, <ref target="#bib1012">1012</ref>
</ab><ab>Coleman, Everard H., <ref target="#bib254">254</ref>
</ab><ab>Coleridge, Ernest Hartley, <ref target="#bib618">618</ref>
</ab><ab>Coleridge, Saml T., <ref target="#bib22">22</ref>, <ref target="#bib537">537</ref>, <ref target="#bib601a">601a</ref>, <ref target="#bib611">611</ref>, <ref target="#bib618">618</ref>, <ref target="#bib967">967</ref>, <ref target="#bib986">986</ref>, <ref target="#bib1041">1041</ref>, <ref target="#bib1091">1091</ref>, <ref target="#bib1143">1143</ref>
</ab><ab>Coleridge, Sara, <ref target="#bib609">609</ref>, <ref target="#bib996">996</ref>
</ab><ab>Collier, Tho., <ref target="#bib144a">144a</ref>
</ab><ab>Collins, Arthur S., <ref target="#bib796a">796a</ref>
</ab><ab>Collins, Howard, <ref target="#bib223">223</ref>
</ab><ab>Collins, Laurence C. &amp; John C., <ref target="#bib642">642</ref>
</ab><ab>Collins, Wm, <ref target="#bib25b">25b</ref>, <ref target="#bib34">34</ref>, <ref target="#bib35">35</ref>, <ref target="#bib51">51</ref>, <ref target="#bib67">67</ref>, <ref target="#bib143b">143b</ref>, <ref target="#bib242">242</ref>, <ref target="#bib601a">601a</ref>, <ref target="#bib609a">609a</ref>, <ref target="#bib626">626</ref>, <ref target="#bib691">691</ref>, <ref target="#bib699">699</ref>, <ref target="#bib752">752</ref>, <ref target="#bib786">786</ref>, <ref target="#bib827">827</ref>, <ref target="#bib828">828</ref>, <ref target="#bib848">848</ref>, <ref target="#bib885">885</ref>, <ref target="#bib892">892</ref>, <ref target="#bib905">905</ref>, <ref target="#bib990">990</ref>, <ref target="#bib994">994</ref>, <ref target="#bib1015">1015</ref>, <ref target="#bib1030">1030</ref>, <ref target="#bib1050">1050</ref>, <ref target="#bib1085">1085</ref>, <ref target="#bib1088">1088</ref>, <ref target="#bib1091">1091</ref>, <ref target="#bib1129">1129</ref>, <ref target="#bib1136">1136</ref>, <ref target="#bib1145">1145</ref>, <ref target="#bib1200">1200</ref>
</ab><ab>Collison-Morley, Lacy, <ref target="#bib634a">634a</ref>
</ab><ab>Colman, Geo., <ref target="#bib551">551</ref>, <ref target="#bib1093">1093</ref>
</ab><ab><hi rend="italic">Colmena, La,</hi> <ref target="#bib199">199</ref>
</ab><ab>Colvin, Ruth K., <ref target="#bib1080a">1080a</ref>
</ab><ab>Combe, Tho. G. S., <ref target="#bib494">494</ref>
</ab><ab><hi rend="italic">Comic Lines,</hi> <ref target="#bib51">51</ref>
</ab><ab><hi rend="italic">Commonplace Books,</hi> <ref target="#bib129a">129a</ref>, <ref target="#bib897">897</ref>
</ab><ab><hi rend="italic">Comus,</hi> <ref target="#bib392">392</ref>
</ab><ab><hi rend="italic">Conan,</hi> <ref target="#bib23">23</ref>, <ref target="#bib24">24</ref>, <ref target="#bib50">50</ref>, <ref target="#bib51">51</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>
</ab><ab>Connell, Francis M., <ref target="#bib647">647</ref>
</ab><ab>Connolly, Terence L., <ref target="#bib257">257</ref>, <ref target="#bib500">500</ref>, <ref target="#bib548">548</ref>, <ref target="#bib1157">1157</ref>
</ab><ab><hi rend="italic">Contemporary Review, The,</hi> <ref target="#bib51">51</ref>,
<ref target="#bib440">440</ref>
</ab><ab>Cooke, Wm, <ref target="#bib267">267</ref>, <ref target="#bib1110">1110</ref>
</ab><ab><hi rend="italic">Cookery Notes,</hi> <ref target="#bib130">130</ref>, <ref target="#bib130a">130a</ref>, <ref target="#bib1021">1021</ref>
</ab><ab>Cookson, Geo., <ref target="#bib979">979</ref>
</ab><ab>Cooper, John G., <ref target="#bib204">204</ref>
</ab><ab>Cooper, Lane, <ref target="#bib956">956</ref>
</ab><ab>Cordasco, Francesco, <ref target="#bib219a">219a</ref>
</ab><ab>Corneille, <ref target="#bib1178">1178</ref>
</ab><ab>Cornell Studies in English, <ref target="#bib3">3</ref>
</ab><ab>Correspondent, A, <ref target="#bib143">143</ref>
</ab><ab>Coult, Margaret, <ref target="#bib438">438</ref>
</ab><ab>Couper, Josephine S. (Mrs.), <ref target="#bib152">152</ref>, <ref target="#bib329a">329a</ref>
</ab><ab><hi rend="italic">Couplet about Birds,</hi> <ref target="#bib51">51</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib131">131</ref>
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab>Cournos, John, <ref target="#bib1091">1091</ref>, <ref target="#bib1155">1155</ref>
</ab><ab>Courtney, Wm P., <ref target="#bib650">650</ref>
</ab><ab>Cowie, Alex., <ref target="#bib982">982</ref>, <ref target="#bib1019">1019</ref>
</ab><ab>Cowley, Abraham, <ref target="#bib731">731</ref>, <ref target="#bib813">813</ref>
</ab><ab>Cowper, Wm, <ref target="#bib22">22</ref>, <ref target="#bib143d">143d</ref>, <ref target="#bib934">934</ref>, <ref target="#bib943">943</ref>, <ref target="#bib974">974</ref>, <ref target="#bib1022">1022</ref>, <ref target="#bib1091">1091</ref>, <ref target="#bib1123">1123</ref>
</ab><ab>Cox, E. C., <ref target="#bib457">457</ref>
</ab><ab>Cox, R. G., <ref target="#bib1087">1087</ref>
</ab><ab>Crabbe, Geo., <ref target="#bib918">918</ref>
</ab><ab>Cradock, Joseph, <ref target="#bib946">946</ref>
</ab><ab>Craigie, Sir Wm, <ref target="#bib925">925</ref>
</ab><ab>Crane, Ronald S., <ref target="#bib3">3</ref>, <ref target="#bib9">9</ref>, <ref target="#bib64">64</ref>, <ref target="#bib289">289</ref>, <ref target="#bib825">825</ref>, <ref target="#bib852">852</ref>, <ref target="#bib948">948</ref>, <ref target="#bib1003">1003</ref>
</ab><ab>Crankshaw, Clare C., <ref target="#bib1155">1155</ref>
</ab><ab>Craven, Tho., <ref target="#bib712">712</ref>
</ab><ab>Crawford, P. V., <ref target="#bib742">742</ref>
</ab><ab>Crawford, F. Marion, <ref target="#bib634a">634a</ref>
</ab><ab>Crawford, Nelson A., <ref target="#bib298">298</ref>
</ab><ab>Crébillon fils, <ref target="#bib780">780</ref>
</ab><ab>Crewe, Lord, <ref target="#bib658">658</ref>
</ab><ab>Crick, Walter, <ref target="#bib353">353</ref>
</ab><ab><hi rend="italic">Criterion,</hi> <ref target="#bib823">823</ref>
</ab><ab><hi rend="italic">Critical Review, The,</hi> <ref target="#bib20">20</ref>, <ref target="#bib557">557</ref>
</ab><ab>Croce, Benedetto, <ref target="#bib787a">787a</ref>
</ab><ab>Crofts, John E., <ref target="#bib22">22</ref>, <ref target="#bib1050">1050</ref>
</ab><ab>Crouch, Chas. H., <ref target="#bib797">797</ref>
</ab><ab>Crowley, Paul, <ref target="#bib825">825</ref>
</ab><ab>Crum, Ralph B., <ref target="#bib891">891</ref>
</ab><ab>Cueto, Leopoldo A. de, <ref target="#bib198">198</ref>
</ab><ab>Culler, A. Dwight, <ref target="#bib1158">1158</ref>
</ab><ab>Cumberland, Rich., <ref target="#bib100">100</ref>
</ab><ab>Cunliffe, John W., <ref target="#bib46">46</ref>
</ab><ab>Cunningham, Cornelius C., <ref target="#bib1068">1068</ref>
</ab><ab><hi rend="italic">Current History,</hi> <ref target="#bib482">482</ref><lb/><lb/>
</ab><ab>D., <ref target="#bib595">595</ref>
</ab><ab>D., T. F., <ref target="#bib322">322</ref>
</ab><ab>Daehler, A. H., <ref target="#bib363">363</ref>
</ab><ab>Daghlian, Philip B., <ref target="#bib445">445</ref>
</ab><ab>Dalrymple, David, <ref target="#bib1211a">1211a</ref>
</ab><ab>Daniel, Peter, <ref target="#bib219a">219a</ref>
</ab><ab>Dante, <ref target="#bib50">50</ref>, <ref target="#bib76">76</ref>, <ref target="#bib116">116</ref>, <ref target="#bib131a">131a</ref>, <ref target="#bib622">622</ref>, <ref target="#bib706">706</ref>, <ref target="#bib947">947</ref>, <ref target="#bib956">956</ref>
</ab><ab>Darcy, Robt, Fourth Earl of Holdernesse, <ref target="#bib463a">463a</ref> 
</ab><ab>Darton, F. J. Harvey, <ref target="#bib7">7</ref>
</ab><ab>Das, Praphulla K., <ref target="#bib823a">823a</ref>
</ab><ab>Davi[e]s, David, <ref target="#bib267">267</ref>
</ab><ab>Davies, Hugh S., <ref target="#bib1091">1091</ref>
</ab><ab>Davies, W. Morriston, (<ref target="/texts/diglib/secondary/NoC_1917/1/256#bib1993d">N1993d</ref>)
</ab><ab>Davis, Herbert. <ref target="#bib1078">1078</ref>
</ab><ab>Davis, John, <ref target="#bib215">215</ref>, <ref target="#bib747">747</ref>
</ab><ab>Davis, Rose Mary, <ref target="#bib119">119</ref>
</ab><ab>Dawson, Geoffrey, <ref target="#bib153">153</ref>
</ab><ab>Day, Tho., <ref target="#bib143d">143d</ref>
</ab><ab>Day-Lewis, Cecil [Lewis, Cecil Day], <ref target="#bib504">504</ref>
</ab><ab>Dean of Norwich, <ref target="#bib662">662</ref>
</ab><ab>Deane, Cecil V., <ref target="#bib957">957</ref>
</ab><ab><hi rend="italic">Death of Hoel, The,</hi> <ref target="#bib23">23</ref>, <ref target="#bib24">24</ref>, <ref target="#bib50">50</ref>, <ref target="#bib51">51</ref>, <ref target="#bib60">60</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib76">76</ref>, <ref target="#bib134a">134a</ref>
</ab><ab>Deckner, E., <ref target="#bib993">993</ref>
</ab><ab>Deffand, Madame du, <ref target="#bib1044">1044</ref>
</ab><ab>deFord, Miriam, <ref target="#bib386">386</ref>
</ab>
</ab></cell></row></table>
<pb n="139" xml:id="p1-139"/>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab>DeHaas, Cornelis E., <ref target="#bib824">824</ref>
</ab><ab>Delamare, Marcel, <ref target="#bib892">892</ref>
</ab><ab>de la Mare, Walter, <ref target="#bib958">958</ref>
</ab><ab>Delano, Wm A., <ref target="#bib483">483</ref>
</ab><ab>Del Re, Arundell, <ref target="#bib695">695</ref>
</ab><ab>De Maar, Harko G., <ref target="#bib740">740</ref>
</ab><ab>Denham, Sir John, <ref target="#bib535">535</ref>
</ab><ab>Denman, Geo., <ref target="#bib181">181</ref>, <ref target="#bib267">267</ref>
</ab><ab>Dennie, Joseph, <ref target="#bib651">651</ref>
</ab><ab>Dennis, John, <ref target="#bib480a">480a</ref>-<ref target="#bib480b">b</ref>, <ref target="#bib975">975</ref>
</ab><ab>Dennis, Leah A., <ref target="#bib851">851</ref>, <ref target="#bib1206">1206</ref>
</ab><ab>Dent, <ref target="#bib160">160</ref>
</ab><ab>Denton, Geo. B., <ref target="#bib682">682</ref>
</ab><ab><hi rend="italic">De Principiis Cogitandi,</hi> <ref target="#bib25a">25a</ref>,
<ref target="#bib76">76</ref>, <ref target="#bib132">132</ref>-<ref target="#bib134">134</ref>
</ab><ab>De Ricci, Seymour, <ref target="#bib704">704</ref>
</ab><ab><hi rend="italic">Descent of Odin, The,</hi> <ref target="#bib22">22</ref>-<ref target="#bib24">24</ref>, <ref target="#bib25b">25b</ref>, <ref target="#bib26">26</ref>, <ref target="#bib36">36</ref>, <ref target="#bib50">50</ref>, <ref target="#bib51">51</ref>, <ref target="#bib60">60</ref>, <ref target="#bib61">61</ref>, <ref target="#bib64">64</ref>-<ref target="#bib66">66</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib76">76</ref>, <ref target="#bib76a">76a</ref>, <ref target="#bib134b">134b</ref>, <ref target="#bib685">685</ref>, <ref target="#bib756">756</ref>, <ref target="#bib799">799</ref>, <ref target="#bib845">845</ref>, <ref target="#bib1007">1007</ref>, <ref target="#bib1068">1068</ref>, <ref target="#bib1142">1142</ref>
</ab><ab>Dexter &amp; Brother, <ref target="#bib1212">1212</ref>
</ab><ab>Dickson, Arthur, <ref target="#bib539a">539a</ref>
</ab><ab>Digeon, A., <ref target="#bib823">823</ref>, <ref target="#bib824">824</ref>
</ab><ab>Dinkins, Paul, <ref target="#bib1155">1155</ref>
</ab><ab>Disraeli, Isaac, <ref target="#bib608">608</ref>
</ab><ab>Dixon, W. Macneile, <ref target="#bib870">870</ref>
</ab><ab>Dobrée, Bonamy, <ref target="#bib786a">786a</ref>, <ref target="#bib1051">1051</ref>, <ref target="#bib1155">1155</ref>
</ab><ab>Dobson, Austin, <ref target="#bib798">798</ref>
</ab><ab>Dobson, Tho., <ref target="#bib142a">142a</ref>
</ab><ab>Dodd, G., <ref target="#bib604">604</ref>
</ab><ab>Dodd, Dr. Wm, <ref target="#bib143a">143a</ref>, <ref target="#bib927">927</ref>
</ab><ab>Dodds, Mrs. E. R., <ref target="#bib787a">787a</ref>
</ab><ab>Dodsley, J., <ref target="#bib140">140</ref>
</ab><ab>Dodsley, Robt, <ref target="#bib51">51</ref>, <ref target="#bib637">637</ref>, <ref target="#bib705">705</ref>, <ref target="#bib857">857</ref>, <ref target="#bib924">924</ref>, <ref target="#bib983">983</ref>, <ref target="#bib1017">1017</ref>, <ref target="#bib1028">1028</ref>, <ref target="#bib1199">1199</ref>
</ab><ab>Donadoni, Eugenio, <ref target="#bib634b">634b</ref>
</ab><ab>Donaldson, A., <ref target="#bib138">138</ref>, <ref target="#bib139">139</ref>
</ab><ab>Doré, Paul G., <ref target="#bib252">252</ref>
</ab><ab>Dottin, Paul, <ref target="#bib338">338</ref>, <ref target="#bib852">852</ref>
</ab><ab>Doughty, Oswald, <ref target="#bib714">714</ref>, <ref target="#bib741">741</ref>, <ref target="#bib786a">786a</ref>
</ab><ab>Dow, Moses A., <ref target="#bib1212">1212</ref>
</ab><ab>Downey, June E., <ref target="#bib326">326</ref>
</ab><ab>Drake. See Millington-Drake.
</ab><ab>Draper, John W., <ref target="#bib705">705</ref>, <ref target="#bib742">742</ref>, <ref target="#bib786a">786a</ref>, <ref target="#bib852">852</ref>, <ref target="#bib998">998</ref>
</ab><ab>Drew, Bernard, <ref target="#bib1159">1159</ref>
</ab><ab>Drew, D. L., <ref target="#bib308">308</ref>
</ab><ab>Drinkwater, John, <ref target="#bib663">663</ref>
</ab><ab>Dryden, John, <ref target="#bib61a">61a</ref>, <ref target="#bib143d">143d</ref>, <ref target="#bib249">249</ref>, <ref target="#bib564">564</ref>, <ref target="#bib621">621</ref>, <ref target="#bib622">622</ref>, <ref target="#bib701">701</ref>, <ref target="#bib856">856</ref>, <ref target="#bib857">857</ref>, <ref target="#bib1120">1120</ref>, <ref target="#bib1147">1147</ref>, <ref target="#bib1166">1166</ref>
</ab><ab>Duck, Stephen, <ref target="#bib119">119</ref>
</ab><ab>Duckworth, <ref target="#bib961">961</ref>
</ab><ab>Dudley, Fred A., <ref target="#bib18">18</ref>
</ab><ab>Duncombe, John, <ref target="#bib614">614</ref>
</ab><ab>DuQuesne, Tho. R., <ref target="#bib778">778</ref>
</ab><ab>D'Urfey, Tom, <ref target="#bib1043">1043</ref>
</ab><ab>Durling, Dwight L., <ref target="#bib959">959</ref>
</ab><ab>Dutton, E. P., <ref target="#bib160">160</ref>
</ab><ab>Dwight, Timothy (College Press), <ref target="#bib163">163</ref>
</ab><ab>Dyer, G., <ref target="#bib528">528</ref>
</ab><ab>Dyer, John, <ref target="#bib137">137</ref>
</ab><ab>Dykes, Eva B., <ref target="#bib1081">1081</ref>
</ab><ab>Dyson, H. V., <ref target="#bib1051">1051</ref>
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab>E., P., <ref target="#bib220">220</ref>
</ab><ab>Eagle, Solomon (<hi rend="italic">pseud.</hi>) See Squire, J. C.
</ab><ab>Earnest, Ernest, <ref target="#bib393">393</ref>, <ref target="#bib1052">1052</ref>
</ab><ab>Eastlake, Lady, <ref target="#bib611">611</ref>
</ab><ab>Eastman, Jas A., <ref target="#bib1020">1020</ref>
</ab><ab>Eastwood, Sidney K., <ref target="#bib1111">1111</ref>
</ab><ab>Eaves, T. C. Duncan, <ref target="#bib505">505</ref>, <ref target="#bib511">511</ref>, <ref target="#bib511a">511a</ref>
</ab><ab>Eccles, Francis Y., <ref target="#bib80c">80c</ref>, <ref target="#bib715">715</ref>
</ab><ab>Eckhardt, J. G., <ref target="#bib22">22</ref>, <ref target="#bib347">347</ref>, <ref target="#bib431">431</ref>, <ref target="#bib684">684</ref>, <ref target="#bib733">733</ref>, <ref target="#bib739">739</ref>, <ref target="#bib842">842</ref>, <ref target="#bib895">895</ref>
</ab><ab>Eddy, Pearl Faulkner (Mrs. C. O.), <ref target="#bib893">893</ref>
</ab><ab><hi rend="italic">Edinburgh Encyclopaedia,</hi> <ref target="#bib601">601</ref>
</ab><ab><hi rend="italic">Edinburgh Magazine, The,</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/142#bib1006">N1006</ref>)
</ab><ab>Edison, Tho. A., <ref target="#bib335">335</ref>
</ab><ab>Edwards, Howard, <ref target="#bib283">283</ref>
</ab><ab>Edwards, Tho., <ref target="#bib206">206</ref>, <ref target="#bib581">581</ref>
</ab><ab>Egan, Pierce, <ref target="#bib220">220</ref>
</ab><ab>Egilsson, Sveinbjörn, <ref target="#bib182">182</ref>
</ab><ab>Eglington, Guy C., <ref target="#bib712">712</ref>
</ab><ab><hi rend="italic">Elegiac Ode on the Death of a Late Unfortunate Monarch, An,</hi>
<ref target="#bib104">104</ref>
</ab><ab><hi rend="italic">Elegiacs,</hi> <ref target="#bib25a">25a</ref>, <ref target="#bib76">76</ref>, <ref target="#bib134c">134c</ref>
</ab><ab><hi rend="italic">Elegy,</hi> <ref target="#bib208">208</ref>, <ref target="#bib214">214</ref>
</ab><ab><hi rend="italic">Elegy in a country churchyard,</hi> <ref target="#bib224">224</ref>, <ref target="#bib231">231</ref>
</ab><ab><hi rend="italic">Elegy in a suburban churchyard,</hi> <ref target="#bib232">232</ref>
</ab><ab><hi rend="italic">'Elegy' in Modern Dress or Radio Advertising in the Eighteenth
Century,</hi> <ref target="#bib229">229</ref>
</ab><ab><hi rend="italic">Elegy in Westminster Abbey,</hi> <ref target="#bib211">211</ref>
</ab><ab><hi rend="italic">Elegy, Written During a Burial in a Country Church-Yard,</hi> <ref target="#bib216">216</ref>
</ab><ab><hi rend="italic">Elegy Written in a Church-Yard in South Wales,</hi> <ref target="#bib211a">211a</ref>
</ab><ab><hi rend="italic">Elegy Written in a Country Churchyard, An,</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/255#bib288a">N288a</ref>,
<ref target="/texts/diglib/secondary/NoC_1917/1/255#bib961a">N961a</ref>,
<ref target="/texts/diglib/secondary/NoC_1917/1/142#bib1006">N1006</ref>)
<ref target="#bib5">5</ref>, <ref target="#bib7">7</ref>, <ref target="#bib10">10</ref>, <ref target="#bib17a">17a</ref>, <ref target="#bib19b">19b</ref>, <ref target="#bib21a">21a</ref>-<ref target="#bib29">29</ref>, <ref target="#bib36">36</ref>, <ref target="#bib39">39</ref>, <ref target="#bib41">41</ref>-<ref target="#bib43">43</ref>, <ref target="#bib45">45</ref>-<ref target="#bib48">48</ref>, <ref target="#bib50">50</ref>-<ref target="#bib56">56</ref>, <ref target="#bib58">58</ref>-<ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib72">72</ref>, <ref target="#bib75">75</ref>, <ref target="#bib76">76</ref>, <ref target="#bib76a">76a</ref>, <ref target="#bib134d">134d</ref>-<ref target="#bib412l">412 l</ref>, <ref target="#bib431">431</ref>, <ref target="#bib436">436</ref>, <ref target="#bib574">574</ref>, <ref target="#bib581">581</ref>, <ref target="#bib590">590</ref>-<ref target="#bib592">592</ref>, <ref target="#bib614">614</ref>, <ref target="#bib618">618</ref>, <ref target="#bib621">621</ref>, <ref target="#bib636">636</ref>, <ref target="#bib647">647</ref>, <ref target="#bib648">648</ref>, <ref target="#bib654">654</ref>, <ref target="#bib655">655</ref>, <ref target="#bib662">662</ref>, <ref target="#bib670">670</ref>, <ref target="#bib672">672</ref>, <ref target="#bib679">679</ref>, <ref target="#bib681">681</ref>, <ref target="#bib699">699</ref>, <ref target="#bib704">704</ref>, <ref target="#bib727">727</ref>, <ref target="#bib749">749</ref>, <ref target="#bib755">755</ref>, <ref target="#bib764">764</ref>, <ref target="#bib765">765</ref>, <ref target="#bib771">771</ref>, <ref target="#bib773">773</ref>, <ref target="#bib775">775</ref>, <ref target="#bib778">778</ref>, <ref target="#bib794">794</ref>, <ref target="#bib824">824</ref>, <ref target="#bib827">827</ref>, <ref target="#bib831">831</ref>, <ref target="#bib834">834</ref>, <ref target="#bib836">836</ref>, <ref target="#bib838">838</ref>, <ref target="#bib848">848</ref>, <ref target="#bib852">852</ref>, <ref target="#bib859">859</ref>, <ref target="#bib867">867</ref>, <ref target="#bib874">874</ref>, <ref target="#bib891">891</ref>, <ref target="#bib893">893</ref>, <ref target="#bib895">895</ref>, <ref target="#bib917">917</ref>, <ref target="#bib918">918</ref>, <ref target="#bib924">924</ref>, <ref target="#bib933">933</ref>, <ref target="#bib938">938</ref>, <ref target="#bib941">941</ref>, <ref target="#bib944">944</ref>, <ref target="#bib947">947</ref>, <ref target="#bib950">950</ref>, <ref target="#bib980">980</ref>, <ref target="#bib985">985</ref>, <ref target="#bib986">986</ref>, <ref target="#bib993">993</ref>, <ref target="#bib1007">1007</ref>, <ref target="#bib1031">1031</ref>, <ref target="#bib1036">1036</ref>, <ref target="#bib1068">1068</ref>, <ref target="#bib1073">1073</ref>, <ref target="#bib1073a">1073a</ref>,
<ref target="#bib1077">1077</ref>, <ref target="#bib1108">1108</ref>,
<ref target="#bib1110">1110</ref>, <ref target="#bib1116">1116</ref>,
<ref target="#bib1118">1118</ref>, <ref target="#bib1120">1120</ref>,
<ref target="#bib1123">1123</ref>, <ref target="#bib1125">1125</ref>,
<ref target="#bib1130">1130</ref>, <ref target="#bib1131">1131</ref>,
<ref target="#bib1140">1140</ref>, <ref target="#bib1141a">1141a</ref>, <ref target="#bib1154">1154</ref>,
<ref target="#bib1161">1161</ref>, <ref target="#bib1165">1165</ref>,
<ref target="#bib1173">1173</ref>, <ref target="#bib1177">1177</ref>,
<ref target="#bib1187">1187</ref>, <ref target="#bib1189">1189</ref>,
<ref target="#bib1208">1208</ref>, <ref target="#bib1212">1212</ref>,
<ref target="#bib1213">1213</ref>
</ab><ab><hi rend="italic">Elegy Written in a Country Coal-bin,</hi> <ref target="#bib223">223</ref> 
</ab><ab><hi rend="italic">Elegy Written in Fleet-Street,</hi> <ref target="#bib212">212</ref>
</ab><ab><hi rend="italic">Elegy Written near a City Freight Yard,</hi> <ref target="#bib225">225</ref>
</ab><ab>Elgar, Edw., <ref target="#bib683">683</ref>
</ab><ab>Eliot, Tho. S., <ref target="#bib1088">1088</ref>
</ab><ab>Elliott, Lilian, <ref target="#bib880">880</ref>
</ab>
</ab></cell></row></table>
<pb n="140" xml:id="p1-140"/>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab>Ellis, Frank H., <ref target="#bib412d">412d</ref>
</ab><ab>Ellis, Harold M., <ref target="#bib581">581</ref>, <ref target="#bib651">651</ref>
</ab><ab>Elton, Oliver, <ref target="#bib643">643</ref>, <ref target="#bib825">825</ref>, <ref target="#bib828">828</ref>, <ref target="#bib852">852</ref>, <ref target="#bib926">926</ref>
</ab><ab>Emery, John P., <ref target="#bib37">37</ref>, <ref target="#bib1125">1125</ref>
</ab><ab>Empson, Wm, <ref target="#bib368a">368a</ref>, <ref target="#bib381">381</ref>
</ab><ab>Engel, Claire-Eliane, <ref target="#bib871">871</ref>, <ref target="#bib1037">1037</ref>
</ab><ab>Engel, Eduard, <ref target="#bib652">652</ref>
</ab><ab><hi rend="italic">English Castles,</hi> <ref target="#bib129a">129a</ref>
</ab><ab><hi rend="italic">English Churches,</hi> <ref target="#bib129a">129a</ref>
</ab><ab><hi rend="italic">Epitaph,</hi> <ref target="#bib205">205</ref>
</ab><ab><hi rend="italic">Epitaph on a child,</hi> <ref target="#bib25a">25a</ref>, <ref target="#bib50">50</ref>, <ref target="#bib51">51</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>
</ab><ab><hi rend="italic">Epitaph on his Mother,</hi> <ref target="#bib43">43</ref>, <ref target="#bib414">414</ref>, <ref target="#bib415">415</ref>, <ref target="#bib581">581</ref>
</ab><ab><hi rend="italic">Epitaph on Mrs. Jane Clarke,</hi> <ref target="#bib50">50</ref>, <ref target="#bib51">51</ref>, <ref target="#bib60">60</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>
</ab><ab><hi rend="italic">Epitaph on Mrs. Mason.</hi> See <hi rend="italic">Stanza.</hi>
</ab><ab><hi rend="italic">Epitaph on Sir William Mlliams,</hi> <ref target="#bib50">50</ref>, <ref target="#bib51">51</ref>, <ref target="#bib60">60</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>
</ab><ab><hi rend="italic">Epitaphs</hi> on Robt Antrobus and Jonathan Rogers, <ref target="#bib413">413</ref>
</ab><ab>Erhardt-Siebold, Erika von, <ref target="#bib921">921</ref>
</ab><ab>Erskine, John, <ref target="#bib521">521</ref>
</ab><ab>Erskine, Mrs., <ref target="#bib471">471</ref>
</ab><ab>Erskine, Tho., <ref target="#bib105">105</ref>
</ab><ab>Esdaile, Arundell, <ref target="#bib1077">1077</ref>
</ab><ab>Este, <ref target="#bib254">254</ref>
</ab><ab>Eton College, <ref target="#bib60">60</ref>
</ab><ab>Etough, Hen. (See also <hi rend="italic">Tophet.</hi>), <ref target="#bib779">779</ref>
</ab><ab><hi rend="italic">Etude, The,</hi> <ref target="#bib784">784</ref>
</ab><ab><hi rend="italic">European Magazine and London Review, The,</hi> <ref target="#bib109">109</ref>, <ref target="#bib215">215</ref>, <ref target="#bib413">413</ref>, <ref target="#bib418">418</ref>, <ref target="#bib448">448</ref>, <ref target="#bib560">560</ref>
</ab><ab>Eustathius, <ref target="#bib737">737</ref>
</ab><ab>Evans, B. Ifor, <ref target="#bib346">346</ref>, <ref target="#bib1053">1053</ref>
</ab><ab>Evans, Chas, <ref target="#bib142a">142a</ref>, <ref target="#bib143c">143c</ref>, <ref target="#bib259">259</ref>
</ab><ab>Evans, Evan, <ref target="#bib749">749</ref>, <ref target="#bib1036">1036</ref>
</ab><ab>Evans, Frank B., III, <ref target="#bib1092">1092</ref>
</ab><ab>Evans, Geo. F., <ref target="#bib743">743</ref>
</ab><ab>Everett, Alex. H., <ref target="#bib593">593</ref>
</ab><ab>Ewen, Frederic, <ref target="#bib14">14</ref>
</ab><ab><hi rend="italic">Examiner, The,</hi> <ref target="#bib607">607</ref>
</ab><ab>Eyre, Mr. (of Worcester), <ref target="#bib104">104</ref><lb/><lb/>
</ab><ab>Fairchild, Hoxie N., <ref target="#bib826">826</ref>, <ref target="#bib894">894</ref>, <ref target="#bib1082">1082</ref>
</ab><ab>Fairfax, J. G., <ref target="#bib555">555</ref>
</ab><ab>Falconer, J. A., <ref target="#bib925">925</ref>
</ab><ab><hi rend="italic">Farewell to Florence, A,</hi> <ref target="#bib25a">25a</ref>,
<ref target="#bib76">76</ref>, <ref target="#bib415a">415a</ref>
</ab><ab>Farinelli, Arturo, <ref target="#bib6">6</ref>, <ref target="#bib116">116</ref>
</ab><ab>Farley, Frank E., <ref target="#bib532">532</ref>
</ab><ab>Farmer, Rich., <ref target="#bib1124">1124</ref>
</ab><ab><hi rend="italic">Fatal Sisters, The,</hi> <ref target="#bib22">22</ref>-<ref target="#bib26">26</ref>, <ref target="#bib28">28</ref>, <ref target="#bib36">36</ref>, <ref target="#bib50">50</ref>-<ref target="#bib54">54</ref>, <ref target="#bib60">60</ref>, <ref target="#bib61">61</ref>, <ref target="#bib64">64</ref>-<ref target="#bib66">66</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib75">75</ref>, <ref target="#bib76">76</ref>, <ref target="#bib416">416</ref>-<ref target="#bib420">420</ref>, <ref target="#bib574">574</ref>, <ref target="#bib685">685</ref>, <ref target="#bib756">756</ref>, <ref target="#bib764">764</ref>, <ref target="#bib799">799</ref>, <ref target="#bib831">831</ref>, <ref target="#bib845">845</ref>, <ref target="#bib1007">1007</ref>, <ref target="#bib1068">1068</ref>, <ref target="#bib1142">1142</ref>
</ab><ab>Faulkner, G., <ref target="#bib38">38</ref>
</ab><ab>Fausset, Hugh I'Anson, <ref target="#bib714">714</ref>, <ref target="#bib726">726</ref>
</ab><ab>Fehr, Bernhard, <ref target="#bib158">158</ref>, <ref target="#bib768">768</ref>, <ref target="#bib823">823</ref>
</ab><ab>Fenn, Harry, <ref target="#bib150">150</ref>
</ab><ab>Fergusson, Bernard, <ref target="#bib509">509</ref>
</ab><ab>Fielding, Hen., <ref target="#bib780">780</ref>, <ref target="#bib1137">1137</ref>
</ab><ab>Finch, Anne. See Winchelsea, Countess of.
</ab><ab>Fischer, Erna, <ref target="#bib852">852</ref>
</ab><ab>Fisher, F. J., <ref target="#bib1051">1051</ref>
</ab><ab>Fisher, J., <ref target="#bib358a">358a</ref>, <ref target="#bib365">365</ref>
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab>Fisher, Saml H., <ref target="#bib144a">144a</ref>
</ab><ab>Fitzgerald, Edw., <ref target="#bib943">943</ref>
</ab><ab>Fitzgerald, Margaret M., <ref target="#bib1140">1140</ref>
</ab><ab>Fitzmador, Leoline, <ref target="#bib103">103</ref>
</ab><ab>Flaccus, <hi rend="italic">pseud.</hi> See Levy, Newman.
</ab><ab>Flasdieck, H. M., <ref target="#bib745">745</ref>, <ref target="#bib768">768</ref>
</ab><ab>Fletcher, Chas R. L., <ref target="#bib684">684</ref>
</ab><ab>Fletcher, F. T. H., <ref target="#bib96">96</ref>
</ab><ab>Flower, Desmond, <ref target="#bib165">165</ref>, <ref target="#bib443">443</ref>
</ab><ab>Foerster, Donald M., <ref target="#bib1183">1183</ref>
</ab><ab>Foladare, Joseph, <ref target="#bib1008">1008</ref>
</ab><ab>Fontanes, Louis de, <ref target="#bib605">605</ref>
</ab><ab>Forbes-Boyd, Eric, <ref target="#bib1055">1055</ref>
</ab><ab>Ford, J. D. M., <ref target="#bib197">197</ref>
</ab><ab>Foscolo, Ugo, <ref target="#bib97e">97e</ref>, <ref target="#bib295">295</ref>, <ref target="#bib634b">634b</ref>, <ref target="#bib708">708</ref>, <ref target="#bib950">950</ref>
</ab><ab>Foster, Birket, <ref target="#bib40">40</ref>
</ab><ab>Foster, Jas R., <ref target="#bib1184">1184</ref>
</ab><ab>Fothergill, Roy, <ref target="#bib853">853</ref>
</ab><ab>Foulis, Andrew, <ref target="#bib135">135</ref>, <ref target="#bib372">372</ref>
</ab><ab>Foulis, Robt, <ref target="#bib135">135</ref>, <ref target="#bib372">372</ref>
</ab><ab><hi rend="italic">Fragment of a Latin Poem on the Gaurus,</hi> <ref target="#bib25a">25a</ref>, <ref target="#bib76">76</ref>, <ref target="#bib421">421</ref>-<ref target="#bib421b">421b</ref>
</ab><ab><hi rend="italic">Fredonian, The</hi> (New Brunswick), <ref target="#bib495a">495a</ref>
</ab><ab>Freneau, Philip, <ref target="#bib495a">495a</ref>, <ref target="#bib506a">506a</ref>, <ref target="#bib764">764</ref>, <ref target="#bib1073a">1073a</ref>
</ab><ab>Frida, Emil B., <ref target="#bib169">169</ref>, <ref target="#bib331">331</ref>
</ab><ab>Friedman, Mariam, <ref target="#bib1038">1038</ref>
</ab><ab>Frye, Northrop, <ref target="#bib1141">1141</ref>
</ab><ab>Fucilla, Joseph G., <ref target="#bib183a">183a</ref>-<ref target="#bib183c">c</ref>, <ref target="#bib235b">235b</ref>, <ref target="#bib505c">505c</ref>, <ref target="#bib621a">621a</ref>, <ref target="#bib950">950</ref>
</ab><ab>Fuerst, Norbert, <ref target="#bib18">18</ref>
</ab><ab>Fukuhara, Rintaro, <ref target="#bib11">11</ref>, <ref target="#bib161">161</ref>, <ref target="#bib854">854</ref>, <ref target="#bib1021">1021</ref>
</ab><ab>Fuller, Ronald, <ref target="#bib941">941</ref>
</ab><ab>Fuseli, Hen., <ref target="#bib32">32</ref>
</ab><ab>Fuson, Benj. W., <ref target="#bib1160">1160</ref><lb/><lb/>
</ab><ab>G., <ref target="#bib208">208</ref>
</ab><ab>G., J., <ref target="#bib249">249</ref>
</ab><ab>G., K., <ref target="#bib515">515</ref>
</ab><ab>G., T. R., <ref target="#bib431">431</ref>
</ab><ab>G., W. H., <ref target="#bib983">983</ref>
</ab><ab>Galimberti, Alice, <ref target="#bib706">706</ref>
</ab><ab>Gallaway, Francis, <ref target="#bib1054">1054</ref>
</ab><ab><hi rend="italic">Gambler, The,</hi> <ref target="#bib220">220</ref>
</ab><ab>Gardiner, John S., <ref target="#bib106">106</ref>, <ref target="#bib518">518</ref>, <ref target="#bib519">519</ref>, <ref target="#bib586">586</ref>, <ref target="#bib593">593</ref>, <ref target="#bib1192">1192</ref>, <ref target="#bib1201">1201</ref>
</ab><ab>Garnett, Rich., <ref target="#bib895">895</ref>
</ab><ab>Garrick, David, <ref target="#bib114">114</ref>, <ref target="#bib606">606</ref>, <ref target="#bib1032">1032</ref>, <ref target="#bib1152">1152</ref>
</ab><ab>Garrod, Heathcote W., <ref target="#bib394">394</ref>, <ref target="#bib827">827</ref>, <ref target="#bib828">828</ref>
</ab><ab>Gaselee, Stephen, <ref target="#bib388">388</ref>
</ab><ab>Gaskell, Philip, <ref target="#bib1203">1203</ref>
</ab><ab>Gathorne-Hardy, G. M., <ref target="#bib236">236</ref>
</ab><ab>Gayley, Chas M., <ref target="#bib696">696</ref>
</ab><ab><hi rend="italic">Genealogy,</hi> <ref target="#bib129a">129a</ref>
</ab><ab><hi rend="italic">General Advertiser, The,</hi> <ref target="#bib134d">134d</ref>
</ab><ab><hi rend="italic">Generic Characters of the Orders of Insects,</hi> <ref target="#bib422">422</ref>, <ref target="#bib817">817</ref>
</ab><ab>Gentleman of Sunderland, A, <ref target="#bib83">83</ref>, <ref target="#bib581">581</ref>
</ab><ab><hi rend="italic">Gentleman's Magazine, The,</hi> <ref target="#bib103">103</ref>, <ref target="#bib133">133</ref>, <ref target="#bib148">148</ref>, <ref target="#bib210">210</ref>, <ref target="#bib216">216</ref>, <ref target="#bib219">219</ref>, <ref target="#bib249">249</ref>, <ref target="#bib446">446</ref>, <ref target="#bib531">531</ref>, <ref target="#bib993">993</ref>
</ab><ab><hi rend="italic">Geo-metric Verse, Poetry Forms in </hi> 
</ab>
</ab></cell></row></table>
<pb n="141" xml:id="p1-141"/>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab><hi rend="italic">Mathematics Written Mostly for Fanatics. Circle-Elegee,</hi> <ref target="#bib233">233</ref>
</ab><ab>George, M. Dorothy, <ref target="#bib829">829</ref>
</ab><ab>Ghosh, P. C., <ref target="#bib339">339</ref>
</ab><ab>Gibbon, Edw., <ref target="#bib789">789</ref>, <ref target="#bib1055a">1055a</ref>
</ab><ab>Gibbons, G. S., <ref target="#bib744">744</ref>
</ab><ab>Gilbert, John, <ref target="#bib147">147</ref>
</ab><ab>Gill, Fredk C., <ref target="#bib999">999</ref>
</ab><ab>Gingerich, Solomon F., <ref target="#bib855">855</ref>
</ab><ab>Glasheen, Francis J., <ref target="#bib1069">1069</ref>
</ab><ab>Glassey, S. C., <ref target="#bib1141a">1141a</ref>
</ab><ab>Goad, Caroline, <ref target="#bib670a">670a</ref>
</ab><ab>Goadby, R., <ref target="#bib136">136</ref>
</ab><ab>Golden Cockerel Press, <ref target="#bib168">168</ref>
</ab><ab>Goldsmith, Oliver, <ref target="#bib22">22</ref>, <ref target="#bib34">34</ref>, <ref target="#bib35">35</ref>, <ref target="#bib99">99</ref>, <ref target="#bib143a">143a</ref>-<ref target="#bib143b">b</ref>, <ref target="#bib145a">145a</ref>, <ref target="#bib241">241</ref>, <ref target="#bib602a">602a</ref>, <ref target="#bib607">607</ref>, <ref target="#bib789">789</ref>, <ref target="#bib1010">1010</ref>, <ref target="#bib1091">1091</ref>, <ref target="#bib1195">1195</ref>
</ab><ab>Gómez, Ignacio, <ref target="#bib202">202</ref>
</ab><ab><hi rend="italic">Gondoliere, giornale di scienze, lettere, arti, mode, e teatri,
Il,</hi> <ref target="#bib424b">424b</ref>
</ab><ab>Goodspeed, Chas E., <ref target="#bib1000">1000</ref>
</ab><ab>Goodyear, Anson, C., <ref target="#bib314">314</ref>
</ab><ab>Gordon, Eric V., <ref target="#bib799">799</ref>
</ab><ab>Gorman, Herbert S., <ref target="#bib691">691</ref>
</ab><ab>Gosse, Edmund, <ref target="#bib50">50</ref>, <ref target="#bib126">126</ref>, <ref target="#bib253">253</ref>, <ref target="#bib490">490</ref>, <ref target="#bib491">491</ref>, <ref target="#bib667">667</ref>, <ref target="#bib671">671</ref>, <ref target="#bib727">727</ref>, <ref target="#bib755">755</ref>, <ref target="#bib813">813</ref>, <ref target="#bib887">887</ref>, <ref target="#bib895">895</ref>
</ab><ab>Gosset, I. H. H., <ref target="#bib881">881</ref>
</ab><ab>Goethe, <ref target="#bib344">344</ref>, <ref target="#bib401">401</ref>
</ab><ab>Götz, Johann N., <ref target="#bib544">544</ref>
</ab><ab>Grafton, A. H. Fitzroy, Duke of, <ref target="#bib523">523</ref>
</ab><ab>Graham, Al, <ref target="#bib229">229</ref>
</ab><ab><hi rend="italic">Grand Magazine of Magazines,</hi> <ref target="#bib254">254</ref>
</ab><ab><hi rend="italic">Granger's Index to Poetry. . .</hi> <ref target="#bib1">1</ref>
</ab><ab>Grant, Anne M., <ref target="#bib591">591</ref>
</ab><ab>Grant, Arthur, <ref target="#bib648">648</ref>
</ab><ab>Grant, Douglas, <ref target="#bib1204">1204</ref>
</ab><ab>Grant, Guglielmo, <ref target="#bib183d">183d</ref>
</ab><ab>Graves, C. L., <ref target="#bib304">304</ref>
</ab><ab>Graves, Robt, <ref target="#bib119a">119a</ref>
</ab><ab>Gray, Arthur, <ref target="#bib644">644</ref>
</ab><ab>Gray, Dorothy, <ref target="#bib450">450</ref>, <ref target="#bib1159">1159</ref>
</ab><ab>Gray, Jas, <ref target="#bib1204a">1204a</ref>
</ab><ab>Gray, Matthew, <ref target="#bib797">797</ref>
</ab><ab>Gray, Philip, <ref target="#bib1159">1159</ref>
</ab><ab>Gray, Robt, <ref target="#bib682">682</ref>
</ab><ab>Gray, Tho, (c. 1678), <ref target="#bib797">797</ref>
</ab><ab><hi rend="italic">Gray on the Links. . .</hi> <ref target="#bib498">498</ref>
</ab><ab><hi rend="italic">Gray up to Date,</hi> <ref target="#bib227">227</ref>
</ab><ab>Greatheed, Bertie, <ref target="#bib498a">498a</ref>
</ab><ab>Green, Clarence C., <ref target="#bib942">942</ref>
</ab><ab>Green, Fredk C., <ref target="#bib960">960</ref>
</ab><ab>Green, Wm C., <ref target="#bib98">98</ref>
</ab><ab>Greenlaw, Edwin, <ref target="#bib298">298</ref>, <ref target="#bib735">735</ref>
</ab><ab>Greever, Garland, <ref target="#bib739">739</ref>
</ab><ab>Gresset, Jean-Baptiste, <ref target="#bib853">853</ref>
</ab><ab>Grey, Viscount, <ref target="#bib307">307</ref>
</ab><ab>Grierson, Herbert J. C., <ref target="#bib689">689</ref>, <ref target="#bib712">712</ref>, <ref target="#bib727">727</ref>, <ref target="#bib764a">764a</ref>, <ref target="#bib830">830</ref>, <ref target="#bib879">879</ref>
</ab><ab>Griffen, M. H., <ref target="#bib92">92</ref>, <ref target="#bib1070">1070</ref>
</ab><ab>Griggs, Earl L., <ref target="#bib1041">1041</ref>
</ab><ab>Grigson, Geoffrey, <ref target="#bib872">872</ref>
</ab><ab>Grøndahl, I., <ref target="#bib236">236</ref>
</ab><ab>Groom, Bernard, <ref target="#bib856">856</ref>, <ref target="#bib1001">1001</ref>
</ab><ab><hi rend="italic">Guardia nacional,</hi> <ref target="#bib196">196</ref>
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab>Gudger, E. W., <ref target="#bib1100">1100</ref>
</ab><ab>Guerra, José Fernández, <ref target="#bib197">197</ref>, <ref target="#bib200">200</ref>, <ref target="#bib280">280</ref>
</ab><ab>Gunn, Donald, <ref target="#bib395">395</ref>
</ab><ab>Gutch, John, <ref target="#bib1144">1144</ref>
</ab><ab>Gutiérrez, Carlos, <ref target="#bib201">201</ref>
</ab><ab>Gwynn, Fredk L., <ref target="#bib412e">412e</ref>
</ab><ab>Gwynn, Stephen L., <ref target="#bib626">626</ref>, <ref target="#bib912">912</ref><lb/><lb/>
</ab><ab>H., R. V., <ref target="#bib539a">539a</ref>
</ab><ab>Haas. See De Haas.
</ab><ab>Haferkorn, Reinhard, <ref target="#bib745">745</ref>
</ab><ab>Hake, Tho., <ref target="#bib628">628</ref>
</ab><ab>Hale, Susan, <ref target="#bib620">620</ref>
</ab><ab>Hall, Eduardo, <ref target="#bib201a">201a</ref>
</ab><ab>Hall, Edw. B., <ref target="#bib475">475</ref>
</ab><ab>Hall, Guillermo F., <ref target="#bib201a">201a</ref>
</ab><ab>Hallam, Hen., (<ref target="/texts/diglib/secondary/NoC_1917/1/64#bib427">N427</ref>)
</ab><ab>Halsband, Robt, <ref target="#bib445">445</ref>, <ref target="#bib1093">1093</ref>
</ab><ab>Hamer, Enid, <ref target="#bib873">873</ref>
</ab><ab>Hamer, S. H., <ref target="#bib279">279</ref>, <ref target="#bib707">707</ref>
</ab><ab>Hamilton, Gavin, <ref target="#bib32">32</ref>
</ab><ab>Hamilton, Duke of, <ref target="#bib689">689</ref>, <ref target="#bib712">712</ref>
</ab><ab>Hammond, Jas, <ref target="#bib39">39</ref>, <ref target="#bib358a">358a</ref>, <ref target="#bib423">423</ref>, <ref target="#bib568">568</ref>
</ab><ab>Hampden, John, <ref target="#bib1054a">1054a</ref>
</ab><ab>Hampson, John, <ref target="#bib84">84</ref>
</ab><ab>Hand Alley, <ref target="#bib431">431</ref>
</ab><ab>Hanslopiensis, <ref target="#bib210">210</ref>
</ab><ab>Hanssen, N., <ref target="#bib508">508</ref>
</ab><ab>Harder, Johannes H., <ref target="#bib927">927</ref>
</ab><ab>Harding, W. J., <ref target="#bib419">419</ref>
</ab><ab>Hardwicke Society, The, <ref target="#bib411a">411a</ref>
</ab><ab>Hardy, Tho., <ref target="#bib830">830</ref>
</ab><ab>Harper, Geo. McLean, <ref target="#bib1041">1041</ref>
</ab><ab>Harper &amp; Brothers, <ref target="#bib167">167</ref>
</ab><ab>Harrison, John S., <ref target="#bib831">831</ref>, <ref target="#bib1071">1071</ref>
</ab><ab>Harrold, Chas F., <ref target="#bib110a">110a</ref>, <ref target="#bib1061">1061</ref>
</ab><ab>Hartley, Lodwick C., <ref target="#bib1022">1022</ref>
</ab><ab>Harvard University Press, <ref target="#bib1003">1003</ref>
</ab><ab>Haselden, R. B., <ref target="#bib1049">1049</ref>
</ab><ab>Hatton, Joseph, <ref target="#bib249">249</ref>, <ref target="#bib608">608</ref>
</ab><ab>Haven, Nathaniel A., <ref target="#bib551">551</ref>
</ab><ab>Havens, Raymond D., <ref target="#bib645">645</ref>, <ref target="#bib716">716</ref>, <ref target="#bib857">857</ref>, <ref target="#bib874">874</ref>, <ref target="#bib1112">1112</ref>, <ref target="#bib1197">1197</ref>
</ab><ab>Hayward, John, <ref target="#bib1084">1084</ref>
</ab><ab>Hazard, Paul, <ref target="#bib340">340</ref>, <ref target="#bib1127">1127</ref>
</ab><ab>Hazeltine, Alice I., <ref target="#bib672">672</ref>
</ab><ab>Hazen, Allen T., <ref target="#bib1083">1083</ref>, <ref target="#bib1113">1113</ref>, <ref target="#bib1161">1161</ref>, <ref target="#bib1186">1186</ref>
</ab><ab>Hazlitt, Wm, <ref target="#bib22">22</ref>, <ref target="#bib1091">1091</ref>, <ref target="#bib1200">1200</ref>
</ab><ab>Hearn, Lafcadio, <ref target="#bib521">521</ref>, <ref target="#bib875">875</ref>, <ref target="#bib943">943</ref>
</ab><ab>Heckedorn, Baron, <ref target="#bib235b">235b</ref>, <ref target="#bib305">305</ref>
</ab><ab>Heidler, Joseph B., <ref target="#bib464">464</ref>
</ab><ab>Helicon Series, <ref target="#bib59">59</ref>
</ab><ab>Heltzel, Virgil B., <ref target="#bib444">444</ref>
</ab><ab>Henn, Tho. R., <ref target="#bib122">122</ref>
</ab><ab><hi rend="italic">Heraldo, El,</hi> <ref target="#bib200">200</ref>
</ab><ab>Herford, Chas H., <ref target="#bib685">685</ref>
</ab><ab>Herking, Marie-L., <ref target="#bib697">697</ref>
</ab><ab>Herrick, Marvin T., <ref target="#bib876">876</ref>
</ab><ab>Herring, Robt, <ref target="#bib764a">764a</ref>
</ab><ab>Hesselgrave, Ruth A., <ref target="#bib315">315</ref>
</ab><ab>Hewlett, Maurice, <ref target="#bib717">717</ref>
</ab><ab>Hibernicus, <ref target="#bib366">366</ref>, <ref target="#bib388">388</ref>, <ref target="#bib515">515</ref>
</ab><ab>Highet, Gilbert, <ref target="#bib1187">1187</ref>
</ab>
</ab></cell></row></table>
<pb n="142" xml:id="p1-142"/>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab>Hilen, Andrew, <ref target="#bib1142">1142</ref>
</ab><ab>Hill, J. C. H., <ref target="#bib227">227</ref>, <ref target="#bib498">498</ref>
</ab><ab>Hill, John, <ref target="#bib237">237</ref>, <ref target="#bib289">289</ref>
</ab><ab>Hill, Joseph, <ref target="#bib22">22</ref>
</ab><ab>Hobbes, Tho., <ref target="#bib1167">1167</ref>
</ab><ab>Hodges, H. A., <ref target="#bib1051">1051</ref>
</ab><ab>Hodges, Leigh M., <ref target="#bib415">415</ref>
</ab><ab>Hoepfner, Theodore C., <ref target="#bib408a">408a</ref>
</ab><ab>Holdernesse, Lord. See Darcy, Robt.
</ab><ab>Hollis, Christopher, <ref target="#bib832">832</ref>
</ab><ab>Holme, Leonard R., <ref target="#bib290">290</ref>
</ab><ab>Hölty, Heinrich C., <ref target="#bib374">374</ref>, <ref target="#bib616">616</ref>
</ab><ab>Holzknecht, Karl J., <ref target="#bib1161">1161</ref>
</ab><ab>Home, John, <ref target="#bib448">448</ref>, <ref target="#bib1057">1057</ref>, <ref target="#bib1152">1152</ref>
</ab><ab>Homer, <ref target="#bib621">621</ref>
</ab><ab>Hood, Tho., <ref target="#bib496">496</ref>
</ab><ab>Hooker, Edw. N., <ref target="#bib984">984</ref>
</ab><ab>Hoops, Johannes, <ref target="#bib56">56</ref>
</ab><ab>Hoover, Andrew G., <ref target="#bib1211a">1211a</ref>
</ab><ab>Hopkins, Fredk M., <ref target="#bib316">316</ref>, <ref target="#bib728">728</ref>
</ab><ab>Hopkins, Gerard M., <ref target="#bib412e">412e</ref>
</ab><ab>Hoppin, J. M., <ref target="#bib248a">248a</ref>
</ab><ab>Horace, <ref target="#bib351">351</ref>, <ref target="#bib670a">670a</ref>, <ref target="#bib1070">1070</ref>
</ab><ab>Houston, Percy H., <ref target="#bib729">729</ref>, <ref target="#bib868">868</ref>
</ab><ab>How, Wm T., <ref target="#bib431">431</ref>
</ab><ab>Howard, Leon, <ref target="#bib1094">1094</ref>
</ab><ab>Howe, Earle B., <ref target="#bib120">120</ref>
</ab><ab>Howe, Mark Antony De Wolfe, <ref target="#bib106">106</ref>, <ref target="#bib110">110</ref>, <ref target="#bib245">245</ref>, <ref target="#bib518">518</ref>, <ref target="#bib519">519</ref>, <ref target="#bib593">593</ref>, <ref target="#bib635">635</ref>
</ab><ab>Hows, John W., <ref target="#bib41">41</ref>
</ab><ab>Howse, W. H., <ref target="#bib1197a">1197a</ref>
</ab><ab>Hubbell, Jay B., <ref target="#bib327">327</ref>
</ab><ab>Hübener, Gustav, <ref target="#bib745">745</ref>
</ab><ab>Huchon, R., <ref target="#bib760">760</ref>
</ab><ab>Hudson, Wm H., <ref target="#bib49a">49a</ref>
</ab><ab>Huffman, Chas H., <ref target="#bib698">698</ref>
</ab><ab>Hughes, Merritt Y., <ref target="#bib852">852</ref>
</ab><ab>Hughes, Wm J., <ref target="#bib746">746</ref>
</ab><ab>Hulme, Wm H., <ref target="#bib436">436</ref>
</ab><ab>Hume, David, <ref target="#bib566">566</ref>, <ref target="#bib1057">1057</ref>, <ref target="#bib1167">1167</ref>
</ab><ab>Humphreys, Arthur R., <ref target="#bib1002">1002</ref>, <ref target="#bib1039">1039</ref>
</ab><ab>Hunt, Holman, <ref target="#bib147">147</ref>
</ab><ab>Hunter, Alfred C., <ref target="#bib97a">97a</ref>, <ref target="#bib204a">204a</ref>, <ref target="#bib765">765</ref>
</ab><ab>Hunter after Genius, A, <ref target="#bib240">240</ref>
</ab><ab>Hurd, Rich., <ref target="#bib921a">921a</ref>, <ref target="#bib1074">1074</ref>, <ref target="#bib1199">1199</ref>
</ab><ab>Husbands, H. Winifred, <ref target="#bib852">852</ref>
</ab><ab>Huscher, Herbert, <ref target="#bib735">735</ref>
</ab><ab>Hussey, Christopher, <ref target="#bib800">800</ref>
</ab><ab>Hussey, Maurice, <ref target="#bib505a">505a</ref>
</ab><ab>Hutchens, John K., <ref target="#bib398">398</ref>
</ab><ab>Hutchinson, Percy A., <ref target="#bib739">739</ref>
</ab><ab>Hutchison, P., <ref target="#bib1061">1061</ref>
</ab><ab>Hutton, Clarke, <ref target="#bib59">59</ref>
</ab><ab>Hutton, Laurence, <ref target="#bib610">610</ref>
</ab><ab><hi rend="italic">Hymn to Adversity,</hi> <ref target="#bib22">22</ref>-<ref target="#bib26">26</ref>, <ref target="#bib28">28</ref>, <ref target="#bib36">36</ref>, <ref target="#bib39">39</ref>, <ref target="#bib41">41</ref>, <ref target="#bib48">48</ref>, <ref target="#bib50">50</ref>-<ref target="#bib53">53</ref>, <ref target="#bib55">55</ref>, <ref target="#bib58">58</ref>, <ref target="#bib60">60</ref>-<ref target="#bib62a">62a</ref>, <ref target="#bib64">64</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib75">75</ref>, <ref target="#bib76">76</ref>, <ref target="#bib412b">412b</ref>, <ref target="#bib423">423</ref>-<ref target="#bib426">426</ref>, <ref target="#bib574">574</ref>, <ref target="#bib591">591</ref>, <ref target="#bib833">833</ref>, <ref target="#bib924">924</ref>, <ref target="#bib1141a">1141a</ref>
</ab><ab><hi rend="italic">Hymn to Ignorance,</hi> <ref target="#bib50">50</ref>, <ref target="#bib51">51</ref>, <ref target="#bib60">60</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib76">76</ref>, <ref target="#bib426a">426a</ref>, <ref target="#bib829">829</ref>
</ab><ab><hi rend="italic">If Gray Had Had to Write his Elegy in the Cemetery of Spoon
River instead of in that of Stoke Poges,</hi> <ref target="#bib222">222</ref>
</ab><ab><hi rend="italic">Illustrated London News, The,</hi> <ref target="#bib252">252</ref>, <ref target="#bib406">406</ref>
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab><hi rend="italic">Impromptu. . . 1766, . . .Deceased Nobleman,</hi> <ref target="#bib50">50</ref>, <ref target="#bib51">51</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib72">72</ref>, <ref target="#bib76">76</ref>, <ref target="#bib426b">426b</ref>-<ref target="#bib427">427</ref>
</ab><ab><hi rend="italic">Impromptus,</hi> <ref target="#bib51">51</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>
</ab><ab><hi rend="italic">In a Country Church-Yard,</hi> <ref target="#bib219">219</ref>
</ab><ab><hi rend="italic">In Another Country Churchyard,</hi> <ref target="#bib230">230</ref>
</ab><ab><hi rend="italic">In Me Ipsum,</hi> <ref target="#bib215">215</ref>
</ab><ab>Inge, Wm R., <ref target="#bib711">711</ref>
</ab><ab><hi rend="italic">Inscription for a Wood Adjoining a Park,</hi> <ref target="#bib25a">25a</ref>
</ab><ab><hi rend="italic">Inspector, The,</hi> <ref target="#bib237">237</ref>
</ab><ab><hi rend="italic">Invitation to Mason,</hi> <ref target="#bib25a">25a</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>
</ab><ab><hi rend="italic">Ippokrena. . .,</hi> <ref target="#bib190">190</ref>-<ref target="#bib192">192</ref>, <ref target="#bib426">426</ref>
</ab><ab>Irvine, Lyn Ll., <ref target="#bib474">474</ref>
</ab><ab>Isham, Ralph H., <ref target="#bib1008">1008</ref>
</ab><ab>Iversen, Christian, <ref target="#bib170">170</ref><lb/><lb/>
</ab><ab>J., W. H., <ref target="#bib328">328</ref>
</ab><ab>Jackson, Holbrook, <ref target="#bib895a">895a</ref>, <ref target="#bib1128">1128</ref>
</ab><ab>Jackson, W. A., <ref target="#bib1161">1161</ref>
</ab><ab>Jacobs, S. A., <ref target="#bib160">160</ref>
</ab><ab>Jaggard, Wm, <ref target="#bib374">374</ref>, <ref target="#bib638">638</ref>
</ab><ab>Jay, Leonard, <ref target="#bib162">162</ref>
</ab><ab>Jennings, Mrs. Hen., <ref target="#bib814">814</ref>
</ab><ab>Jerningham, Edw., <ref target="#bib204a">204a</ref>
</ab><ab>Jerrold, Walter, <ref target="#bib496">496</ref>
</ab><ab><hi rend="italic">John's Elegy in a Country Town. . . ,</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/255#bib961a">N961a</ref>)
</ab><ab>Johnck &amp; Seeger, <ref target="#bib157">157</ref>
</ab><ab>Johnson, Edgar, <ref target="#bib478">478</ref>
</ab><ab>Johnson, Francis R., <ref target="#bib18">18</ref>
</ab><ab>Johnson, Saml, <ref target="#bib22">22</ref>, <ref target="#bib25b">25b</ref>, <ref target="#bib34">34</ref>, <ref target="#bib35">35</ref>, <ref target="#bib110">110</ref>, <ref target="#bib241">241</ref>, <ref target="#bib439">439</ref>, <ref target="#bib503">503</ref>, <ref target="#bib529">529</ref>, <ref target="#bib557">557</ref>, <ref target="#bib558">558</ref>, <ref target="#bib564">564</ref>, <ref target="#bib634a">634a</ref>, <ref target="#bib650">650</ref>, <ref target="#bib702">702</ref>, <ref target="#bib729">729</ref>, <ref target="#bib734">734</ref>, <ref target="#bib770">770</ref>, <ref target="#bib782">782</ref>, <ref target="#bib783">783</ref>, <ref target="#bib796a">796a</ref>, <ref target="#bib829">829</ref>, <ref target="#bib832">832</ref>, <ref target="#bib839">839</ref>, <ref target="#bib840">840</ref>, <ref target="#bib848">848</ref>, <ref target="#bib849">849</ref>, <ref target="#bib868">868</ref>, <ref target="#bib889">889</ref>, <ref target="#bib896">896</ref>, <ref target="#bib935">935</ref>, <ref target="#bib936">936</ref>, <ref target="#bib968">968</ref>, <ref target="#bib992">992</ref>, <ref target="#bib1079">1079</ref>, <ref target="#bib1080">1080</ref>, <ref target="#bib1082">1082</ref>, <ref target="#bib1102">1102</ref>, <ref target="#bib1103">1103</ref>, <ref target="#bib1132">1132</ref>, <ref target="#bib1146">1146</ref>, <ref target="#bib1165">1165</ref>, <ref target="#bib1171">1171</ref>, <ref target="#bib1176">1176</ref>, <ref target="#bib1183">1183</ref>, <ref target="#bib1186">1186</ref>, <ref target="#bib1189">1189</ref>, <ref target="#bib1195">1195</ref>, <ref target="#bib1198">1198</ref>, <ref target="#bib1202">1202</ref>, <ref target="#bib1204a">1204a</ref>
</ab><ab>Johnston, Jas C., <ref target="#bib801">801</ref>
</ab><ab>Johnstone, Paul H., <ref target="#bib369">369</ref>
</ab><ab>Jones, Claude E., <ref target="#bib1162">1162</ref>
</ab><ab>Jones, Edmund D., <ref target="#bib439">439</ref>
</ab><ab>Jones, H. W., <ref target="#bib412f">412f</ref>
</ab><ab>Jones, Howard M., <ref target="#bib1109">1109</ref>
</ab><ab>Jones, P. Mansell, <ref target="#bib960">960</ref>
</ab><ab>Jones, Rich. F., <ref target="#bib54">54</ref>
</ab><ab>Jones, T. Llechid, <ref target="#bib322">322</ref>
</ab><ab>Jones, Tho., <ref target="#bib106b">106b</ref>
</ab><ab>Jones, Wm Powell, <ref target="#bib37">37</ref>, <ref target="#bib410">410</ref>, <ref target="#bib412d">412d</ref>, <ref target="#bib431">431</ref>, <ref target="#bib445">445</ref>, <ref target="#bib490a">490a</ref>, <ref target="#bib877">877</ref>, <ref target="#bib928">928</ref>, <ref target="#bib948">948</ref>, <ref target="#bib1003">1003</ref>, <ref target="#bib1004">1004</ref>, <ref target="#bib1021">1021</ref>, <ref target="#bib1023">1023</ref>, <ref target="#bib1072">1072</ref>, <ref target="#bib1075">1075</ref>, <ref target="#bib1163">1163</ref>
</ab><ab><hi rend="italic">Journal for 1754,</hi> <ref target="#bib429">429</ref>, <ref target="#bib430">430</ref>
</ab><ab><hi rend="italic">Journal in France, 1739,</hi> <ref target="#bib24">24</ref>, <ref target="#bib732">732</ref>
</ab><ab><hi rend="italic">Journal in the Lakes,</hi> <ref target="#bib21a">21a</ref>, <ref target="#bib22">22</ref>, <ref target="#bib24">24</ref>, <ref target="#bib25b">25b</ref>, <ref target="#bib28">28</ref>, <ref target="#bib73">73</ref>, <ref target="#bib428">428</ref>, <ref target="#bib614">614</ref>, <ref target="#bib725">725</ref>, <ref target="#bib732">732</ref>
</ab><ab>Junius, Francis, <ref target="#bib1033">1033</ref>
</ab><ab>Jungmann, Joseph, (<ref target="/texts/diglib/secondary/NoC_1917/1/100#bib737">N737</ref>)<lb/><lb/>
</ab><ab>K., <ref target="#bib247">247</ref>
</ab><ab>K., C., <ref target="#bib254">254</ref>
</ab><ab>Katow, Mauf, <ref target="#bib944">944</ref>
</ab><ab>Kaufman, Gerald L., <ref target="#bib233">233</ref>
</ab><ab>Kaufman, J. Paul, <ref target="#bib664">664</ref>
</ab>
</ab></cell></row></table>
<pb n="143" xml:id="p1-143"/>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab>Kazin, Alfred, <ref target="#bib1003">1003</ref>
</ab><ab>Keast, Wm R., <ref target="#bib1198">1198</ref>
</ab><ab>Keats, John, <ref target="#bib917">917</ref>, <ref target="#bib955">955</ref>, <ref target="#bib1061">1061</ref>
</ab><ab>Kebbel, T. E., <ref target="#bib267">267</ref>
</ab><ab>Kellett, Earnest E., <ref target="#bib161">161</ref>, <ref target="#bib352">352</ref>, <ref target="#bib544">544</ref>, <ref target="#bib825">825</ref>, <ref target="#bib858">858</ref>
</ab><ab>Kellogg, Thelma L., <ref target="#bib747">747</ref>
</ab><ab>Kennedy, Lawton R., <ref target="#bib157">157</ref>
</ab><ab>Kennedy, Leo., <ref target="#bib232">232</ref>
</ab><ab>Kennedy, Wilma L., <ref target="#bib1143">1143</ref>
</ab><ab>Kent, Armine, <ref target="#bib185">185</ref>
</ab><ab>Keogh, Andrew, <ref target="#bib372">372</ref>
</ab><ab>Ker, Wm P., <ref target="#bib766">766</ref>, <ref target="#bib833">833</ref>
</ab><ab>Kérivalant, Nicholas, <ref target="#bib174">174</ref>
</ab><ab>Kern, Jerome, <ref target="#bib859">859</ref>
</ab><ab>Kerr, Albert B., <ref target="#bib290">290</ref>
</ab><ab>Ketton-Cremer, Robt W., <ref target="#bib961">961</ref>, <ref target="#bib1055">1055</ref>, <ref target="#bib1101">1101</ref>, <ref target="#bib1144">1144</ref>, <ref target="#bib1188">1188</ref>, <ref target="#bib1211">1211</ref>
</ab><ab>Keynes, Geoffrey, <ref target="#bib1055a">1055a</ref>
</ab><ab>Killen, Alice M., <ref target="#bib653">653</ref>, <ref target="#bib760">760</ref>
</ab><ab>King, R. W., <ref target="#bib767">767</ref>
</ab><ab>Kingsmill, Hugh (<hi rend="italic">pseud.</hi> of H. K. Lunn), <ref target="#bib426b">426b</ref>
</ab><ab>Kirby, John P., <ref target="#bib1008">1008</ref>
</ab><ab>Kirgate, Tho., <ref target="#bib1083">1083</ref>
</ab><ab>Kirk, Rudolf, <ref target="#bib495a">495a</ref>
</ab><ab>Kirk, W. H., <ref target="#bib422">422</ref>, <ref target="#bib817">817</ref>
</ab><ab>Kitchin, Geo., <ref target="#bib896">896</ref>, <ref target="#bib917">917</ref>
</ab><ab>Kittredge, Geo. L., <ref target="#bib668">668</ref>
</ab><ab>Kliger, Saml, <ref target="#bib1198a">1198a</ref>
</ab><ab>Knight, Chas, <ref target="#bib604">604</ref>, <ref target="#bib606">606</ref>
</ab><ab>Knight, G. Wilson, <ref target="#bib1073">1073</ref>
</ab><ab>Knight, Lady Phillipina, <ref target="#bib1097">1097</ref>
</ab><ab>Knight, Rich. P., (<ref target="/texts/diglib/secondary/NoC_1917/1/64#bib427">N427</ref>)
</ab><ab>Knowles, Jas D., <ref target="#bib219b">219b</ref>, <ref target="#bib1212">1212</ref>
</ab><ab>Knox, Edmund V., <ref target="#bib221">221</ref>, <ref target="#bib497">497</ref>
</ab><ab>Knox, Vicesimus, <ref target="#bib432">432</ref>, <ref target="#bib787">787</ref>, <ref target="#bib1108">1108</ref>
</ab><ab>Kozlovskii, K. Peter, <ref target="#bib190">190</ref>
</ab><ab>Kraft, Joseph, <ref target="#bib1155">1155</ref>
</ab><ab>Krehbiel, H. E., <ref target="#bib784">784</ref>
</ab><ab>Kroker, Johannes, <ref target="#bib929">929</ref>
</ab><ab>Kronenberger, Louis, <ref target="#bib431">431</ref>, <ref target="#bib1084">1084</ref>
</ab><ab>Krutch, Joseph W., <ref target="#bib1102">1102</ref>
</ab><ab>Kuntz, Joseph M., <ref target="#bib17a">17a</ref>
</ab><ab>Kurtz, Benj. P., <ref target="#bib696">696</ref><lb/><lb/>
</ab><ab>L., G. G., <ref target="#bib481">481</ref>, <ref target="#bib515">515</ref>, <ref target="#bib1024">1024</ref>
</ab><ab><hi rend="italic">Lady's Magazine; or Entertaining Companion for the Fair Sex,
Appropriated Solely to their Use and Amusement</hi> (London), <hi rend="italic">The,</hi> <ref target="#bib143">143</ref>, <ref target="#bib209">209</ref>
</ab><ab>Lam, Geo. L., <ref target="#bib445">445</ref>
</ab><ab>Lamartine, Alphonse L., <ref target="#bib234">234</ref>, <ref target="#bib292">292</ref>
</ab><ab>Lamartine, Valentine de, <ref target="#bib234">234</ref>, <ref target="#bib265">265</ref>, <ref target="#bib727">727</ref>
</ab><ab>Lamb, Chas, <ref target="#bib1027">1027</ref>
</ab><ab>Lamb, Geoffrey F., <ref target="#bib492a">492a</ref>
</ab><ab>Lambert, Rich. S., <ref target="#bib1005">1005</ref>
</ab><ab>Lamont, Corliss, <ref target="#bib66a">66a</ref>
</ab><ab>Landa, Louis A., <ref target="#bib411">411</ref>, <ref target="#bib1182">1182</ref>, <ref target="#bib1191">1191</ref>
</ab><ab>Landor, Walter S., <ref target="#bib257">257</ref>, <ref target="#bib607">607</ref>, <ref target="#bib777a">777a</ref>, <ref target="#bib1157">1157</ref>
</ab><ab>Lane, John, <ref target="#bib59">59</ref>
</ab><ab>Lange, Victor, <ref target="#bib962">962</ref>
</ab><ab>Langhorne, John, <ref target="#bib379">379</ref>, <ref target="#bib1116">1116</ref>
</ab><ab>Langland, John, <ref target="#bib1067">1067</ref>
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab>Lankes, J. J., <ref target="#bib167">167</ref>
</ab><ab>Lanson, Gustave, <ref target="#bib265">265</ref>
</ab><ab>Lathrop, Geo. P., <ref target="#bib46">46</ref>
</ab><ab>Lauritis, J. A., <ref target="#bib386">386</ref>
</ab><ab>Leacock, Stephen, <ref target="#bib225">225</ref>
</ab><ab>Leary, Lewis, <ref target="#bib495a">495a</ref>, <ref target="#bib506a">506a</ref>, <ref target="#bib1073a">1073a</ref>
</ab><ab>Leavis, F. R., <ref target="#bib985">985</ref>, <ref target="#bib986">986</ref>, <ref target="#bib1103">1103</ref>
</ab><ab>Leavitt &amp; Allen, <ref target="#bib1212">1212</ref>
</ab><ab>Legouis, Emile, <ref target="#bib21a">21a</ref>, <ref target="#bib628a">628a</ref>, <ref target="#bib748">748</ref>, <ref target="#bib897">897</ref>
</ab><ab>Legouvé, Gabriel, <ref target="#bib195">195</ref>, <ref target="#bib256">256</ref>
</ab><ab>Leidig, Paul, <ref target="#bib1073b">1073b</ref>
</ab><ab>Leisering, Walter, <ref target="#bib963">963</ref>
</ab><ab>Lemonnier, Léon, <ref target="#bib1095">1095</ref>, <ref target="#bib1145">1145</ref>
</ab><ab>Leonard, Robt M., <ref target="#bib49">49</ref>, <ref target="#bib496">496</ref>
</ab><ab>Leopardi, Leopardo, <ref target="#bib950">950</ref>
</ab><ab>LeRoy, Gaylord, <ref target="#bib1109">1109</ref>
</ab><ab>Letters, <ref target="#bib21a">21a</ref>-<ref target="#bib29">29</ref>, <ref target="#bib36">36</ref>, <ref target="#bib72a">72a</ref>, <ref target="#bib73">73</ref>, <ref target="#bib74">74</ref>, <ref target="#bib114">114</ref>, <ref target="#bib428">428</ref>, <ref target="#bib431">431</ref>-<ref target="#bib480">480</ref>, <ref target="#bib623">623</ref>, <ref target="#bib656">656</ref>, <ref target="#bib662">662</ref>, <ref target="#bib687">687</ref>, <ref target="#bib800">800</ref>, <ref target="#bib824">824</ref>, <ref target="#bib831">831</ref>, <ref target="#bib840">840</ref>, <ref target="#bib856">856</ref>, <ref target="#bib859">859</ref>, <ref target="#bib887">887</ref>, <ref target="#bib922">922</ref>, <ref target="#bib934">934</ref>, <ref target="#bib955">955</ref>, <ref target="#bib1000">1000</ref>, <ref target="#bib1006">1006</ref>, <ref target="#bib1012">1012</ref>, <ref target="#bib1078">1078a</ref>, <ref target="#bib1087">1087</ref>, <ref target="#bib1091">1091</ref>, <ref target="#bib1101">1101</ref>, <ref target="#bib1108">1108</ref>, <ref target="#bib1116">1116</ref>, <ref target="#bib1148">1148</ref>, <ref target="#bib1173">1173</ref>
</ab><ab>Letts, Louis R., (<ref target="/texts/diglib/secondary/NoC_1917/1/256#bib1993e">N1993e</ref>)
</ab><ab>Letts, Malcolm, <ref target="#bib1005">1005</ref>
</ab><ab>Levin, Harry, <ref target="#bib110a">110a</ref>
</ab><ab>Levy, Newman (<hi rend="italic">pseud.</hi> Flaccus), <ref target="#bib291">291</ref>
</ab><ab>Lewis, Cecil Day. See Day-Lewis, Cecil.
</ab><ab>Lewis, Sounders, <ref target="#bib749">749</ref>
</ab><ab>Lewis, Wilmarth S., <ref target="#bib445">445</ref>, <ref target="#bib945">945</ref>, <ref target="#bib964">964</ref>, <ref target="#bib987">987</ref>, <ref target="#bib1012">1012</ref>, <ref target="#bib1044">1044</ref>, <ref target="#bib1078">1078</ref>, <ref target="#bib1114">1114</ref>, <ref target="#bib1115">1115</ref>, <ref target="#bib1146">1146</ref>, <ref target="#bib1183">1183</ref>, <ref target="#bib1205">1205</ref>, <ref target="#bib1211">1211</ref>, <ref target="#bib1211a">1211a</ref>
</ab><ab>Libanti, Paolo, <ref target="#bib183b">183b</ref>
</ab><ab><hi rend="italic">Library, The,</hi> <ref target="#bib552">552</ref>
</ab><ab>Lieser, Paul, <ref target="#bib913">913</ref>
</ab><ab><hi rend="italic">Light Gray,</hi> <ref target="#bib228">228</ref>
</ab><ab>Limited Editions Club, <ref target="#bib164">164</ref>
</ab><ab><hi rend="italic">Lines on Dr. Robt Smith.</hi> See <hi rend="italic">What's the Reason Old
Fobus. . .</hi>
</ab><ab><hi rend="italic">Lines Spoken by the Ghost of John Dennis at the Devil
Tavern,</hi> <ref target="#bib25a">25a</ref>, <ref target="#bib51">51</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib76">76</ref>, <ref target="#bib480a">480a</ref>-<ref target="#bib480b">b</ref>, <ref target="#bib671">671</ref>
</ab><ab><hi rend="italic">Lines Written at Burnham,</hi> <ref target="#bib25a">25a</ref>,
<ref target="#bib68">68</ref>
</ab><ab><hi rend="italic">Lines Written, at the Request of a Lady, on the Death of a
Favourite Dog,</hi> <ref target="#bib507">507</ref>
</ab><ab><hi rend="italic">Lines Written in a Cloistered Rubbish-Yard,</hi> <ref target="#bib226">226</ref>
</ab><ab>Linnaeus, <ref target="#bib598">598</ref>
</ab><ab>Lippincott, J. B., &amp; Co., <ref target="#bib151">151</ref>
</ab><ab><hi rend="italic">Literary Magazine and American Register, The,</hi> (Phila.), <ref target="#bib587">587</ref>
</ab><ab><hi rend="italic">Literary Magazine, or Universal Review, The,</hi> <ref target="#bib37">37</ref>
</ab><ab><hi rend="italic">Literary Miscellany, The,</hi> <ref target="#bib143c">143c</ref>
</ab><ab>Little, Tho. See Moore, Tho.
</ab><ab>Litzenberg, Karl, <ref target="#bib1142">1142</ref>
</ab><ab><hi rend="italic">Living Age, The,</hi> <ref target="#bib665">665</ref>
</ab><ab>Lloyd, Oscar, <ref target="#bib228">228</ref>
</ab><ab>Lloyd, Robt, <ref target="#bib551">551</ref>, <ref target="#bib1093">1093</ref>
</ab><ab>Loane, Geo. G., <ref target="#bib267">267</ref>, <ref target="#bib375">375</ref>
</ab><ab>Locke, John, <ref target="#bib134">134</ref>, <ref target="#bib989">989</ref>, <ref target="#bib1194">1194</ref>
</ab><ab>Locker, Fredk, <ref target="#bib155">155</ref>
</ab><ab>Lockitt, Chas. H., <ref target="#bib278">278</ref>
</ab>
</ab></cell></row></table>
<pb n="144" xml:id="p1-144"/>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab>Lodinus, <ref target="#bib507">507</ref>
</ab><ab><hi rend="italic">London Chronicle, The,</hi> <ref target="#bib205">205</ref>
</ab><ab><hi rend="italic">London Daily Advertiser, The,</hi> <ref target="#bib237">237</ref>
</ab><ab><hi rend="italic">Long Story, A,</hi> <ref target="#bib25a">25a</ref>, <ref target="#bib25b">25b</ref>, <ref target="#bib42">42</ref>, <ref target="#bib49">49</ref>-<ref target="#bib51">51</ref>, <ref target="#bib60">60</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib76">76</ref>, <ref target="#bib480c">480c</ref>, <ref target="#bib712">712</ref>, <ref target="#bib998">998</ref>, <ref target="#bib1014">1014</ref>
</ab><ab>Longaker, John M., <ref target="#bib896">896</ref>
</ab><ab>Longfellow, Hen. W., <ref target="#bib42">42</ref>, <ref target="#bib396">396</ref>, <ref target="#bib612">612</ref>, <ref target="#bib1142">1142</ref>
</ab><ab>Longinus, <ref target="#bib122">122</ref>
</ab><ab>Lorrain, Claude, <ref target="#bib768">768</ref>
</ab><ab>Lovejoy, Arthur O., <ref target="#bib913a">913a</ref>, <ref target="#bib930">930</ref>, <ref target="#bib1164">1164</ref>
</ab><ab>Lowery, Margaret R., <ref target="#bib1056">1056</ref>, <ref target="#bib1189">1189</ref>
</ab><ab>Lowes, John L., <ref target="#bib686">686</ref>, <ref target="#bib802">802</ref>
</ab><ab>Lowther, Katharine, <ref target="#bib263">263</ref>
</ab><ab>Lucas, Edw. V., <ref target="#bib435">435</ref>
</ab><ab>Lucas, F. L., <ref target="#bib714">714</ref>, <ref target="#bib741">741</ref>, <ref target="#bib754">754</ref>, <ref target="#bib988">988</ref>
</ab><ab>Lucian, <ref target="#bib1038">1038</ref>
</ab><ab>Lucretius, <ref target="#bib286">286</ref>, <ref target="#bib308">308</ref>, <ref target="#bib621">621</ref>, <ref target="#bib1030">1030</ref>
</ab><ab><hi rend="italic">Luna Habitabilis,</hi> <ref target="#bib76">76</ref>, <ref target="#bib481">481</ref>-<ref target="#bib486">486</ref>
</ab><ab>Lund, C. A., <ref target="#bib170">170</ref>, <ref target="#bib182">182</ref>
</ab><ab>Lunn, H. K. See Kingsmill, Hugh.
</ab><ab>Lupton, E. Basil, <ref target="#bib281">281</ref>
</ab><ab>L'v. . . ., P. . . ., <ref target="#bib426">426</ref>
</ab><ab>Lycidas, <ref target="#bib214">214</ref>
</ab><ab><hi rend="italic">Lycidas,</hi> <ref target="#bib289">289</ref>
</ab><ab>Lydgate, John, <ref target="#bib72a">72a</ref>, <ref target="#bib1010">1010</ref>
</ab><ab>Lynch, Wm S., <ref target="#bib536">536</ref>
</ab><ab>Lynd, Robt, <ref target="#bib699">699</ref>
</ab><ab>Lyttelton, Geo. Lyttelton, First Lord, <ref target="#bib137">137</ref>, <ref target="#bib757">757</ref>, <ref target="#bib758">758</ref><lb/><lb/>
</ab><ab>M., <ref target="#bib425">425</ref>
</ab><ab>M., F. C., <ref target="#bib765">765</ref>
</ab><ab>M., T. L., <ref target="#bib562">562</ref>
</ab><ab>M., T. O., <ref target="#bib515">515</ref>
</ab><ab>Maar. See De Maar.
</ab><ab>Mabie, Hamilton W., <ref target="#bib33">33</ref>
</ab><ab>McCain, John W., <ref target="#bib374">374</ref>
</ab><ab>McCallum, Jas D., <ref target="#bib61">61</ref>
</ab><ab>Macaulay, Rose, <ref target="#bib450">450</ref>
</ab><ab>MacClintock, Wm D., <ref target="#bib931">931</ref>
</ab><ab>McCord, David, <ref target="#bib222">222</ref>, <ref target="#bib224">224</ref>
</ab><ab>McCormick-Goodhart, L., <ref target="#bib386">386</ref>
</ab><ab>McCue, Geo. S., <ref target="#bib946">946</ref>
</ab><ab>McCutcheon, Roger P., <ref target="#bib1190">1190</ref>
</ab><ab>McDonald, Gerald, <ref target="#bib1155">1155</ref>
</ab><ab>MacDonald, Hugh, <ref target="#bib1116">1116</ref>
</ab><ab>MacDonald, Wilbert L., <ref target="#bib1205a">1205a</ref>
</ab><ab>McDonough, P. H., <ref target="#bib1055">1055</ref>
</ab><ab>MacDouall, Roberto, <ref target="#bib203">203</ref>
</ab><ab>McFee, Wm, <ref target="#bib72">72</ref>
</ab><ab>MacGeorge, Bernard B., <ref target="#bib322">322</ref>
</ab><ab>McGovern, J. B. (<ref target="/texts/diglib/secondary/NoC_1917/1/249#bib1993b">N1993b</ref>),
<ref target="#bib282">282</ref>, <ref target="#bib328">328</ref>, <ref target="#bib668">668</ref>
</ab><ab>Macgregor, D. C., <ref target="#bib68">68</ref>
</ab><ab>McGuire, Lorna F., <ref target="#bib1025">1025</ref>
</ab><ab>MacKail, John W., <ref target="#bib786">786</ref>
</ab><ab>MacKall, Leonard L., <ref target="#bib158">158</ref>
</ab><ab>Mackenzie, Hen., <ref target="#bib803">803</ref>
</ab><ab>Mackerness, E. D., <ref target="#bib1165">1165</ref>
</ab><ab>McKerrow, R. B., <ref target="#bib158">158</ref>
</ab><ab>McKillop, Alan D., <ref target="#bib26">26</ref>, <ref target="#bib123">123</ref>, <ref target="#bib742">742</ref>, <ref target="#bib1166">1166</ref>
</ab><ab>McLaughlin, Rich., <ref target="#bib1155">1155</ref>
</ab><ab>MacLean, Kenneth, <ref target="#bib412a">412a</ref>, <ref target="#bib989">989</ref>
</ab><ab>McLennan, Mary L., <ref target="#bib309">309</ref>
</ab><ab>Macmillan, Geo. A., <ref target="#bib267">267</ref>
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab>Macpherson, Jas (See also Ossian.), <ref target="#bib431">431</ref>,
<ref target="#bib629">629</ref>, <ref target="#bib1195">1195</ref>
</ab><ab>Macurdy, Grace H., <ref target="#bib636">636</ref>
</ab><ab><hi rend="italic">Magazine of Magazines, The,</hi> <ref target="#bib254">254</ref>, <ref target="#bib333">333</ref>, <ref target="#bib367">367</ref>
</ab><ab>Maginn, Wm, (<ref target="/texts/diglib/secondary/NoC_1917/1/142#bib1006">N1006</ref>)
</ab><ab>Magno, Celio, <ref target="#bib590">590</ref>
</ab><ab>Magnus, Laurie, <ref target="#bib804">804</ref>
</ab><ab>Magnus, Philip, <ref target="#bib1055">1055</ref>
</ab><ab>Maier, Norman R. F., <ref target="#bib350">350</ref>
</ab><ab>Mallet, David, <ref target="#bib143b">143b</ref>, <ref target="#bib823a">823a</ref>, <ref target="#bib824">824</ref>
</ab><ab>Malone, Kemp, <ref target="#bib1172">1172</ref>
</ab><ab>Manacorda, Giuseppe, <ref target="#bib708">708</ref>
</ab><ab>Manacorda, Guido, <ref target="#bib183e">183e</ref>
</ab><ab>Manwaring, Elizabeth W., <ref target="#bib768">768</ref>
</ab><ab>Manzoni, Alessandro, <ref target="#bib950">950</ref>
</ab><ab>Mapletoft, Francis, <ref target="#bib431">431</ref>, <ref target="#bib842">842</ref>, <ref target="#bib895">895</ref>
</ab><ab>Marcus, <ref target="#bib205">205</ref>
</ab><ab><hi rend="italic">Marginalia,</hi> <ref target="#bib486a">486a</ref>, <ref target="#bib487">487</ref>
</ab><ab>Marik, J., <ref target="rfttr1:95#bib774">774</ref>
</ab><ab>Marivaux, Pierre de, <ref target="#bib780">780</ref>
</ab><ab>Marriott, Chas, <ref target="#bib991">991</ref>
</ab><ab>Marsh, Mr. (of the Temple), <ref target="#bib87">87</ref>
</ab><ab>Marshall, Roderick, <ref target="#bib947">947</ref>
</ab><ab>Martin, L. C., <ref target="#bib355">355</ref>
</ab><ab>Martin, Roger, <ref target="#bib76">76</ref>, <ref target="#bib76a">76a</ref>, <ref target="#bib78a">78a</ref>, <ref target="#bib80a">80a</ref>-<ref target="#bib80b">b</ref>, <ref target="#bib82a">82a</ref>, <ref target="#bib92a">92a</ref>, <ref target="#bib94a">94a</ref>, <ref target="#bib97">97</ref>, <ref target="#bib97c">97c</ref>, <ref target="#bib97d">97d</ref>, <ref target="#bib125a">125a</ref>, <ref target="#bib125b">125b</ref>, <ref target="#bib129a">129a</ref>, <ref target="#bib131a">131a</ref>, <ref target="#bib132a">132a</ref>, <ref target="#bib134a">134a</ref>-<ref target="#bib134c">c</ref>, <ref target="#bib178a">178a</ref>, <ref target="#bib298">298</ref>, <ref target="#bib415a">415a</ref>, <ref target="#bib417a">417a</ref>, <ref target="#bib421b">421b</ref>, <ref target="#bib424a">424a</ref>, <ref target="#bib426a">426a</ref>-<ref target="#bib426b">b</ref>, <ref target="#bib480b">480b</ref>-<ref target="#bib480c">c</ref>, <ref target="#bib483a">483a</ref>, <ref target="#bib486a">486a</ref>, <ref target="#bib493a">493a</ref>, <ref target="#bib505b">505b</ref>, <ref target="#bib513a">513a</ref>, <ref target="#bib516a">516a</ref>, <ref target="#bib522a">522a</ref>, <ref target="#bib526a">526a</ref>, <ref target="#bib539b">539b</ref>-<ref target="#bib539c">c</ref>, <ref target="#bib542a">542a</ref>-<ref target="#bib542b">b</ref>, <ref target="#bib545a">545a</ref>, <ref target="#bib548a">548a</ref>, <ref target="#bib549a">549a</ref>-<ref target="#bib549b">b</ref>, <ref target="#bib742">742</ref>, <ref target="#bib820">820</ref>, <ref target="#bib854">854</ref>, <ref target="#bib897">897</ref>, <ref target="#bib948">948</ref>, <ref target="#bib961">961</ref>, <ref target="#bib1040">1040</ref>
</ab><ab>Martineau, Harriet, <ref target="#bib604">604</ref>
</ab><ab>Martineau, Henri, <ref target="#bib370">370</ref>
</ab><ab>Masefield, John, <ref target="#bib72">72</ref>
</ab><ab>Mason, Francis, Jr., <ref target="#bib1155">1155</ref>
</ab><ab>Mason, Wm, <ref target="#bib20">20</ref>, <ref target="#bib25a">25a</ref>, <ref target="#bib37">37</ref>, <ref target="#bib51">51</ref>, <ref target="#bib67">67</ref>, <ref target="#bib71">71</ref>, <ref target="#bib137">137</ref>, <ref target="#bib211a">211a</ref>, <ref target="#bib431">431</ref>, <ref target="#bib458">458</ref>, <ref target="#bib512">512</ref>, <ref target="#bib513">513</ref>, <ref target="#bib560">560</ref>, <ref target="#bib563">563</ref>, <ref target="#bib571">571</ref>, <ref target="#bib578">578</ref>, <ref target="#bib585">585</ref>, <ref target="#bib602">602</ref>, <ref target="#bib705">705</ref>, <ref target="#bib742">742</ref>, <ref target="#bib786a">786a</ref>, <ref target="#bib821">821</ref>, <ref target="#bib835">835</ref>, <ref target="#bib842">842</ref>, <ref target="#bib843a">843a</ref>, <ref target="#bib854">854</ref>, <ref target="#bib857">857</ref>, <ref target="#bib896">896</ref>, <ref target="#bib904">904</ref>, <ref target="#bib921a">921a</ref>, <ref target="#bib1027">1027</ref>, <ref target="#bib1055a">1055a</ref>, <ref target="#bib1076">1076</ref>,
<ref target="#bib1119">1119</ref>, <ref target="#bib1161">1161</ref>,
<ref target="#bib1168">1168</ref>, <ref target="#bib1199">1199</ref>,
<ref target="#bib1203">1203</ref>
</ab><ab>Masters, Mary, <ref target="#bib505a">505a</ref>
</ab><ab>Mathias, Tho. J., <ref target="#bib562">562</ref>, <ref target="#bib1091">1091</ref>
</ab><ab>Matthews, Albert, <ref target="#bib668">668</ref>
</ab><ab>Matthisson, Friedrich, <ref target="#bib235a">235a</ref>, <ref target="#bib305">305</ref>
</ab><ab>Maurice, Arthur B., <ref target="#bib262">262</ref>
</ab><ab>Maxwell, Herbert, <ref target="#bib487">487</ref>
</ab><ab>Maxwell, J. C., <ref target="#bib412f">412f</ref>
</ab><ab>Maynard, Theodore, <ref target="#bib285">285</ref>
</ab><ab>Mazza, Angelo, <ref target="#bib641">641</ref>, <ref target="#bib950">950</ref>
</ab><ab>Mazzoni, Marcello, <ref target="#bib182a">182a</ref>
</ab><ab>Mead, Herman R., <ref target="#bib219a">219a</ref>
</ab><ab>Medici Society, <ref target="#bib60">60</ref>, <ref target="#bib159">159</ref>
</ab><ab>Medley, D. J., <ref target="#bib19a">19a</ref>
</ab><ab>Mégroz, R. L., <ref target="#bib130">130</ref>
</ab><ab>Mehrota, Kewal K., <ref target="#bib949">949</ref>
</ab><ab>Meinecke, Friedrich, <ref target="#bib965">965</ref>
</ab><ab>Meissner, P., <ref target="#bib1003">1003</ref>
</ab><ab>Melville, Lewis, <ref target="#bib878">878</ref>
</ab><ab>Mendenhall, John C., <ref target="#bib27">27</ref>
</ab><ab>Menéndez y Pelayo, Marcelino, <ref target="#bib198">198</ref>, <ref target="#bib201">201</ref>, <ref target="#bib251">251</ref>, <ref target="#bib255">255</ref>
</ab>
</ab></cell></row></table>
<pb n="145" xml:id="p1-145"/>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab>Menzies, Wm, <ref target="#bib250">250</ref>
</ab><ab>Mercier, L.-S., <ref target="#bib323">323</ref>
</ab><ab><hi rend="italic">Metrum</hi> (essays on English Metre, Pseudo-rhythmus, Rhyme,
John Lydgate. See also <hi rend="italic">Observations on English Metre,</hi> <hi rend="italic">Some Remarks
on the Poems of John Lydgate.</hi>), <ref target="#bib72a">72a</ref>, <ref target="#bib74">74</ref>
</ab><ab><hi rend="italic">Mexican Prophecy, An Ode, The,</hi> <ref target="#bib101">101</ref>
</ab><ab>Micale, Olga, <ref target="#bib950">950</ref>
</ab><ab>Michéa, R., <ref target="#bib371">371</ref>
</ab><ab>Mickle, Wm J., <ref target="#bib204b">204b</ref>
</ab><ab>Miles, <ref target="#bib113">113</ref>
</ab><ab>Miles, Josephine, <ref target="#bib1085">1085</ref>, <ref target="#bib1117">1117</ref>, <ref target="#bib1129">1129</ref>
</ab><ab>Millar, Branford, <ref target="#bib412b">412b</ref>
</ab><ab>Millar, John H., <ref target="#bib623">623</ref>
</ab><ab>Miller, Frances S., <ref target="#bib1026">1026</ref>
</ab><ab>Miller, Lady, <ref target="#bib315">315</ref>
</ab><ab>Millington-Drake, Sir Eugen, <ref target="#bib196">196</ref>
</ab><ab>Milton, John, <ref target="#bib289">289</ref>, <ref target="#bib355">355</ref>, <ref target="#bib392">392</ref>, <ref target="#bib412d">412d</ref>, <ref target="#bib564">564</ref>, <ref target="#bib565">565</ref>, <ref target="#bib577">577</ref>, <ref target="#bib716">716</ref>, <ref target="#bib856">856</ref>, <ref target="#bib938">938</ref>, <ref target="#bib1061">1061</ref>, <ref target="#bib1067">1067</ref>, <ref target="#bib1188">1188</ref>
</ab><ab><hi rend="italic">Minerva. . .</hi>, <ref target="#bib194">194</ref>
</ab><ab>Miralla, José A., <ref target="#bib196">196</ref>, <ref target="#bib276">276</ref>, <ref target="#bib340">340</ref>
</ab><ab><hi rend="italic">Mirror, The,</hi> <ref target="#bib248">248</ref>
</ab><ab>Mitford, John, <ref target="#bib21">21</ref>, <ref target="#bib413">413</ref>, <ref target="#bib434">434</ref>, <ref target="#bib458">458</ref>, <ref target="#bib815">815</ref>, <ref target="#bib841">841</ref>, <ref target="#bib920">920</ref>, <ref target="#bib1091">1091</ref>, <ref target="#bib1147">1147</ref>
</ab><ab><hi rend="italic">Mnemosyne. A Prize Poem,</hi> <ref target="#bib221">221</ref>
</ab><ab>Moffett, Harold, <ref target="#bib48a">48a</ref>
</ab><ab>Molière, <ref target="#bib1059">1059</ref>
</ab><ab>Moll, Ernest G., <ref target="#bib356">356</ref>
</ab><ab>Monk, Saml H., <ref target="#bib966">966</ref>, <ref target="#bib1041">1041</ref>
</ab><ab>Montagu, Elizabeth, <ref target="#bib631">631</ref>, <ref target="#bib1163">1163</ref>
</ab><ab>Montagu, Geo., <ref target="#bib1078">1078</ref>
</ab><ab>Montague, Edwine, <ref target="#bib1074">1074</ref>
</ab><ab>Montesquieu, <ref target="#bib96">96</ref>, <ref target="#bib1127">1127</ref>
</ab><ab><hi rend="italic">Monthly Anthology and Boston Review, The,</hi> <ref target="#bib106">106</ref>, <ref target="#bib110">110</ref>, <ref target="#bib242">242</ref>, <ref target="#bib244">244</ref>, <ref target="#bib245">245</ref>, <ref target="#bib514">514</ref>, <ref target="#bib518">518</ref>, <ref target="#bib519">519</ref>, <ref target="#bib520">520</ref>, <ref target="#bib541">541</ref>, <ref target="#bib586">586</ref>, <ref target="#bib590">590</ref>, <ref target="#bib593">593</ref>, <ref target="#bib594">594</ref>, <ref target="#bib596">596</ref>, <ref target="#bib635">635</ref>
</ab><ab><hi rend="italic">Monthly Magazine and British Register, The,</hi> <ref target="#bib21">21</ref>, <ref target="#bib30a">30a</ref>, <ref target="#bib32">32</ref>, <ref target="#bib87">87</ref>, <ref target="#bib89">89</ref>, <ref target="#bib95">95</ref>, <ref target="#bib105">105</ref>, <ref target="#bib107">107</ref>, <ref target="#bib108">108</ref>, <ref target="#bib144">144</ref>, <ref target="#bib174">174</ref>, <ref target="#bib205">205</ref>, <ref target="#bib211">211</ref>, <ref target="#bib212">212</ref>, <ref target="#bib218">218</ref>, <ref target="#bib239">239</ref>, <ref target="#bib240">240</ref>, <ref target="#bib247">247</ref>, <ref target="#bib413">413</ref>, <ref target="#bib433">433</ref>, <ref target="#bib447">447</ref>, <ref target="#bib453">453</ref>, <ref target="#bib499">499</ref>, <ref target="#bib523">523</ref>, <ref target="#bib527">527</ref>-<ref target="#bib530">530</ref>, <ref target="#bib562">562</ref>-<ref target="#bib568">568</ref>, <ref target="#bib570">570</ref>, <ref target="#bib571">571</ref>, <ref target="#bib575">575</ref>-<ref target="#bib579">579</ref>, <ref target="#bib582">582</ref>, <ref target="#bib583">583</ref>, <ref target="#bib585">585</ref>, <ref target="#bib587">587</ref>-<ref target="#bib589">589</ref>
</ab><ab><hi rend="italic">Monthly Mirror, Reflecting Men and Manners, The</hi> (London), <ref target="#bib31">31</ref>, <ref target="#bib96a">96a</ref>, <ref target="#bib213">213</ref>, <ref target="#bib214">214</ref>
</ab><ab><hi rend="italic">Monthly Review, The,</hi> <ref target="#bib1091">1091</ref>
</ab><ab>Monti, Vincenzo, <ref target="#bib97e">97e</ref>, <ref target="#bib106a">106a</ref>, <ref target="#bib950">950</ref>
</ab><ab>Moore, Cecil A., <ref target="#bib66">66</ref>, <ref target="#bib298">298</ref>, <ref target="#bib666">666</ref>, <ref target="#bib852">852</ref>
</ab><ab>Moore-Smith, G. C., <ref target="#bib131">131</ref>, <ref target="#bib298">298</ref>, <ref target="#bib436">436</ref>, <ref target="#bib742">742</ref>, <ref target="#bib852">852</ref>, <ref target="#bib896">896</ref>
</ab><ab>Moore, Tho., <ref target="#bib570">570</ref>
</ab><ab>More, Paul E., <ref target="#bib687">687</ref>
</ab><ab>Moreau, Pierre, <ref target="#bib914">914</ref>
</ab><ab>Morgan, Gwenda, <ref target="#bib168">168</ref>
</ab><ab>Morley, Christopher, <ref target="#bib99">99</ref>, <ref target="#bib167">167</ref>, <ref target="#bib223">223</ref>, <ref target="#bib390">390</ref>, <ref target="#bib1195">1195</ref>
</ab><ab>Morley, Edith J., <ref target="#bib67">67</ref>, <ref target="#bib158">158</ref>, <ref target="#bib298">298</ref>, <ref target="#bib431">431</ref>, <ref target="#bib439">439</ref>, <ref target="#bib712">712</ref>, <ref target="#bib735">735</ref>, <ref target="#bib742">742</ref>, <ref target="#bib752">752</ref>, <ref target="#bib824">824</ref>, <ref target="#bib827">827</ref>, <ref target="#bib828">828</ref>, <ref target="#bib897">897</ref>, <ref target="#bib921a">921a</ref>, <ref target="#bib948">948</ref>, <ref target="#bib961">961</ref>, <ref target="#bib1003">1003</ref>, <ref target="#bib1027">1027</ref>, <ref target="#bib1055a">1055a</ref>,
<ref target="#bib1075">1075</ref>, <ref target="#bib1140">1140</ref>
</ab><ab>Mornet, Daniel, <ref target="#bib329">329</ref>, <ref target="#bib646">646</ref>
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab>Morris, Dave H., <ref target="#bib483">483</ref>
</ab><ab>Mossner, Ernest C., <ref target="#bib134">134</ref>, <ref target="#bib1057">1057</ref>, <ref target="#bib1167">1167</ref>
</ab><ab>Müller, Niclas, <ref target="#bib396">396</ref>
</ab><ab>Muir, E., <ref target="#bib431">431</ref>
</ab><ab>Mullin, Glen H., <ref target="#bib712">712</ref>
</ab><ab>Munby, A. N. L., <ref target="#bib165">165</ref>
</ab><ab>Munro, Hugh A. J., <ref target="#bib186">186</ref>, <ref target="#bib267">267</ref>
</ab><ab>Muoni, Guido, <ref target="#bib634">634</ref>
</ab><ab>Murphy, Arthur, <ref target="#bib37">37</ref>, <ref target="#bib184">184</ref>, <ref target="#bib1125">1125</ref> 
</ab><ab>Murray, J. (publisher), <ref target="#bib705">705</ref>
</ab><ab>Murray, Lt. Col. John, <ref target="#bib542">542</ref>
</ab><ab>Murry, John M., <ref target="#bib286">286</ref>, <ref target="#bib750">750</ref> 
</ab><ab>Myers, Robt M., <ref target="#bib1147">1147</ref><lb/><lb/>
</ab><ab>N., N., <ref target="#bib95">95</ref>
</ab><ab>Nankivell, Jas, <ref target="#bib1199">1199</ref>
</ab><ab>Nantes, M. de, <ref target="#bib175">175</ref>
</ab><ab>Nash, John H., <ref target="#bib155">155</ref>, <ref target="#bib513">513</ref> 
</ab><ab>Natali, Giulio, <ref target="#bib860">860</ref>
</ab><ab><hi rend="italic">Nation, The,</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/98#bib727a">N727a</ref>),
<ref target="#bib3">3</ref>, <ref target="#bib34">34</ref>, <ref target="#bib35">35</ref>, <ref target="#bib149">149</ref>-<ref target="#bib151">151</ref>, <ref target="#bib431">431</ref>, <ref target="#bib687">687</ref>, <ref target="#bib912">912</ref>
</ab><ab><hi rend="italic">Naturalist's Journal,</hi> <ref target="#bib445">445</ref>
</ab><ab>Necker, Mme, Susanne C. de N., <ref target="#bib765">765</ref>
</ab><ab>Neff, Emery, <ref target="#bib1058">1058</ref>
</ab><ab>Nethercot, Arthur H., <ref target="#bib731">731</ref>, <ref target="#bib769">769</ref>, <ref target="#bib770">770</ref>
</ab><ab>Neville, John C., <ref target="#bib1168">1168</ref>
</ab><ab><hi rend="italic">New Statesman, The,</hi> <ref target="#bib809">809</ref>
</ab><ab><hi rend="italic">New Statesman and Nation, The,</hi> <ref target="#bib912">912</ref>
</ab><ab>New York <hi rend="italic">Evening Post,</hi> The, <ref target="#bib217">217</ref>, <ref target="#bib268">268</ref>
</ab><ab>New York <hi rend="italic">Herald Tribune,</hi> The, <ref target="#bib160">160</ref>, <ref target="#bib167">167</ref>, <ref target="#bib412g">412g</ref>
</ab><ab>New York <hi rend="italic">Times,</hi> The, <ref target="#bib279">279</ref>, <ref target="#bib290">290</ref>, <ref target="#bib306">306</ref>, <ref target="#bib310">310</ref>, <ref target="#bib317">317</ref>, <ref target="#bib318">318</ref>, <ref target="#bib334">334</ref>, <ref target="#bib335">335</ref>, <ref target="#bib341">341</ref>, <ref target="#bib376">376</ref>, <ref target="#bib387">387</ref>, <ref target="#bib400">400</ref>, <ref target="#bib482">482</ref>, <ref target="#bib491">491</ref>
</ab><ab>New York <hi rend="italic">Times Book Review,</hi> The, <ref target="#bib3">3</ref>, <ref target="#bib269">269</ref>, <ref target="#bib461">461</ref>, <ref target="#bib751">751</ref> 
</ab><ab><hi rend="italic">New Yorker, The,</hi> <ref target="#bib376a">376a</ref>, <ref target="#bib1155">1155</ref>
</ab><ab><hi rend="italic">Newcastle General Magazine, The,</hi> <ref target="#bib505">505</ref>, <ref target="#bib511">511</ref>
</ab><ab>Newman, John H., <ref target="#bib110a">110a</ref>, <ref target="#bib1208a">1208a</ref>
</ab><ab>Newman, W. M., <ref target="#bib399">399</ref>
</ab><ab>Newton, Alfred E., <ref target="#bib673">673</ref>, <ref target="#bib834">834</ref>
</ab><ab>Nicholls, Norton, <ref target="#bib431">431</ref>, <ref target="#bib463">463</ref>, <ref target="#bib597">597</ref>, <ref target="#bib792">792</ref>, <ref target="#bib815">815</ref>, <ref target="#bib820">820</ref>, <ref target="#bib1138">1138</ref>
</ab><ab>Nicolson, Harold, <ref target="#bib835">835</ref>
</ab><ab>Nicolson, Marjorie, <ref target="#bib484">484</ref>, <ref target="#bib486">486</ref>
</ab><ab>Nitchie, Elizabeth, <ref target="#bib377">377</ref>, <ref target="#bib688">688</ref>, <ref target="#bib836">836</ref>
</ab><ab>Norman, Phyllis W., <ref target="rfttr1:51#bib397">397</ref>
</ab><ab>Northup, Clark S., (<ref target="/texts/diglib/secondary/NoC_1917/1/171#bib1248">N1248</ref>),
<ref target="#bib2">2</ref>, <ref target="#bib3">3</ref>, <ref target="#bib270">270</ref>, <ref target="#bib436">436</ref>, <ref target="#bib487">487</ref>, <ref target="#bib628">628</ref>, <ref target="#bib735">735</ref>, <ref target="#bib1096">1096</ref>
</ab><ab>Norton, Chas E., <ref target="#bib1000">1000</ref>, <ref target="#bib1031">1031</ref>
</ab><ab><hi rend="italic">Norwich Public Library Readers' Guide, The,</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/255#bib12c">N12c</ref>)
</ab><ab><hi rend="italic">Notebooks,</hi> <ref target="#bib490a">490a</ref>
</ab><ab><hi rend="italic">Notes &amp; Queries,</hi> <ref target="#bib22">22</ref>, <ref target="#bib158">158</ref>, <ref target="#bib185">185</ref>, <ref target="#bib254">254</ref>, <ref target="#bib294">294</ref>, <ref target="#bib296">296</ref>, <ref target="#bib322">322</ref>, <ref target="#bib388">388</ref>, <ref target="#bib419">419</ref>, <ref target="#bib420">420</ref>, <ref target="#bib431">431</ref>, <ref target="#bib515">515</ref>, <ref target="#bib742">742</ref>, <ref target="#bib752">752</ref>, <ref target="#bib792">792</ref>, <ref target="#bib852">852</ref>, <ref target="#bib921a">921a</ref>, <ref target="#bib948">948</ref>, <ref target="#bib983">983</ref> 
</ab><ab><hi rend="italic">Notes of Travels,</hi> <ref target="#bib25a">25a</ref>
</ab><ab><hi rend="italic">Notes on</hi> Amadis de Gaul[a], <ref target="#bib488">488</ref>
</ab><ab><hi rend="italic">Notes on Churchill,</hi> <ref target="#bib5">5</ref>, <ref target="#bib490">490</ref>
</ab><ab><hi rend="italic">Notes on his</hi> [Gray's] <hi rend="italic">Health,</hi> <ref target="#bib486a">486a</ref>
</ab><ab><hi rend="italic">Notes on Sophocles'</hi> Ajax <hi rend="italic">and</hi> Electra, <ref target="#bib489">489</ref> 
</ab>
</ab></cell></row></table>
<pb n="146" xml:id="p1-146"/>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab><hi rend="italic">Nouvelle Héloïse,</hi> <ref target="#bib1013">1013</ref>
</ab><ab>Noyes, Chas E., <ref target="#bib1089">1089</ref>
</ab><ab><hi rend="italic">Observations on English Metre,</hi> <ref target="#bib72a">72a</ref>, <ref target="#bib74">74</ref> 
</ab><ab>Observator, <ref target="#bib598">598</ref>
</ab><ab><hi rend="italic">Ode</hi> [Imitation of <hi rend="italic">Bard</hi>], <ref target="#bib103">103</ref> 
</ab><ab><hi rend="italic">Ode Attributed to Gray,</hi> <ref target="#bib491">491</ref>
</ab><ab><hi rend="italic">Ode on a Distant Prospect of Clapham Academy,</hi> <ref target="#bib496">496</ref>
</ab><ab><hi rend="italic">Ode on a Distant Prospect of Eton College,</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/255#bib288a">N288a</ref>,
<ref target="/texts/diglib/secondary/NoC_1917/1/255#bib1334a">N1334a</ref>)
<ref target="#bib5">5</ref>, <ref target="#bib7">7</ref>, <ref target="#bib22">22</ref>, <ref target="#bib24">24</ref>-<ref target="#bib28">28</ref>, <ref target="#bib36">36</ref>, <ref target="#bib42">42</ref>, <ref target="#bib45">45</ref>, <ref target="#bib46">46</ref>, <ref target="#bib48">48</ref>, <ref target="#bib50">50</ref>-<ref target="#bib56">56</ref>, <ref target="#bib58">58</ref>-<ref target="#bib66">66</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib75">75</ref>, <ref target="#bib76">76</ref>, <ref target="#bib412b">412b</ref>, <ref target="#bib492">492</ref>-<ref target="#bib504b">504b</ref>, <ref target="#bib574">574</ref>, <ref target="#bib704">704</ref>, <ref target="#bib712">712</ref>, <ref target="#bib831">831</ref>, <ref target="#bib874">874</ref>, <ref target="#bib924">924</ref>, <ref target="#bib944">944</ref>, <ref target="#bib1073a">1073a</ref>, <ref target="#bib1077">1077</ref>, <ref target="#bib1083">1083</ref> 
</ab><ab><hi rend="italic">Ode-'On a distant Prospect' of Making a Fortune,</hi> <ref target="#bib497">497</ref> 
</ab><ab><hi rend="italic">Ode. On a Remote Perspective View of Princeton College. . .,</hi>
<ref target="#bib495a">495a</ref> 
</ab><ab><hi rend="italic">Ode on Summer,</hi> <ref target="#bib519">519</ref>, <ref target="#bib1201">1201</ref> 
</ab><ab><hi rend="italic">Ode on the Death of a Favourite Cat,</hi> <ref target="#bib17a">17a</ref>, <ref target="#bib22">22</ref>, <ref target="#bib25a">25a</ref>, <ref target="#bib25b">25b</ref>, <ref target="#bib28">28</ref>, <ref target="#bib36">36</ref>, <ref target="#bib43">43</ref>, <ref target="#bib49">49</ref>-<ref target="#bib51">51</ref>, <ref target="#bib55">55</ref>-<ref target="#bib62">62</ref>, <ref target="#bib64">64</ref>-<ref target="#bib66">66</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib76">76</ref>, <ref target="#bib505">505</ref>-<ref target="#bib511a">511a</ref>, <ref target="#bib712">712</ref>, <ref target="#bib764">764</ref>, <ref target="#bib836">836</ref>, <ref target="#bib875">875</ref>, <ref target="#bib924">924</ref>, <ref target="#bib944">944</ref>, <ref target="#bib945">945</ref>, <ref target="#bib998">998</ref>, <ref target="#bib1073a">1073a</ref>, <ref target="#bib1100">1100</ref>,
</ab><ab><hi rend="italic">Ode on the Death of a Favourite Cockatoo,</hi> <ref target="#bib509">509</ref> 
</ab><ab><hi rend="italic">Ode on the Pleasure Arising from Vicissitude,</hi> <ref target="#bib22">22</ref>, <ref target="#bib24">24</ref>, <ref target="#bib25">25</ref>, <ref target="#bib25b">25b</ref>, <ref target="#bib28">28</ref>, <ref target="#bib40">40</ref>, <ref target="#bib44">44</ref>, <ref target="#bib50">50</ref>-<ref target="#bib53">53</ref>, <ref target="#bib55">55</ref>, <ref target="#bib57">57</ref>, <ref target="#bib58">58</ref>, <ref target="#bib60">60</ref>, <ref target="#bib62">62</ref>, <ref target="#bib62a">62a</ref>, <ref target="#bib64">64</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib76">76</ref>, <ref target="#bib512">512</ref>-<ref target="#bib515">515</ref>, <ref target="#bib581">581</ref>, <ref target="#bib944">944</ref>, <ref target="#bib1112">1112</ref>, <ref target="#bib1121">1121</ref> 
</ab><ab><hi rend="italic">Gde on the Spring,</hi> <ref target="#bib22">22</ref>, <ref target="#bib24">24</ref>, <ref target="#bib25a">25a</ref>, <ref target="#bib25b">25b</ref>, <ref target="#bib28">28</ref>, <ref target="#bib36">36</ref>, <ref target="#bib40">40</ref>, <ref target="#bib44">44</ref>, <ref target="#bib46">46</ref>, <ref target="#bib50">50</ref>, <ref target="#bib51">51</ref>, <ref target="#bib55">55</ref>, <ref target="#bib56">56</ref>, <ref target="#bib60">60</ref>, <ref target="#bib62">62</ref>-<ref target="#bib64">64</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib75">75</ref>, <ref target="#bib76">76</ref>, <ref target="#bib516">516</ref>-<ref target="#bib522">522</ref>, <ref target="#bib564">564</ref>, <ref target="#bib565">565</ref>, <ref target="#bib574">574</ref>, <ref target="#bib712">712</ref>, <ref target="#bib893">893</ref>, <ref target="#bib924">924</ref>, <ref target="#bib944">944</ref>, <ref target="#bib1140">1140</ref> 
</ab><ab><hi rend="italic">Ode on the Spring, by a Man of Fashion,</hi> <ref target="#bib517">517</ref> 
</ab><ab><hi rend="italic">Ode Performed in the Senate-house at Cambridge, July 1,
1769,</hi> <ref target="#bib5">5</ref>, <ref target="#bib7">7</ref>, <ref target="#bib50">50</ref>, <ref target="#bib51">51</ref>, <ref target="#bib60">60</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib76">76</ref>, <ref target="#bib522a">522a</ref>, <ref target="#bib523">523</ref>, <ref target="#bib524">524</ref>, <ref target="#bib592">592</ref>, <ref target="#bib601a">601a</ref>, <ref target="#bib704">704</ref>, <ref target="#bib859">859</ref>, <ref target="#bib1118">1118</ref>, <ref target="#bib1147">1147</ref>, <ref target="#bib1170">1170</ref> 
</ab><ab><hi rend="italic">Ode to Democracy,</hi> <ref target="#bib106">106</ref>, <ref target="#bib1201">1201</ref> 
</ab><ab><hi rend="italic">Ode to the Nymph of the Fountain of Tears,</hi> <ref target="#bib86">86</ref> 
</ab><ab><hi rend="italic">Ode to the Sun,</hi> <ref target="#bib100">100</ref>
</ab><ab><hi rend="italic">Ode to Winter,</hi> <ref target="#bib518">518</ref>, <ref target="#bib1201">1201</ref> 
</ab><ab><hi rend="italic">Odes,</hi> <ref target="#bib5">5</ref>, <ref target="#bib7">7</ref>, <ref target="#bib13">13</ref>, <ref target="#bib37">37</ref>, <ref target="#bib38">38</ref>, <ref target="#bib593">593</ref>, <ref target="#bib704">704</ref>, <ref target="#bib711">711</ref>, <ref target="#bib736">736</ref>, <ref target="#bib808">808</ref>, <ref target="#bib859">859</ref>, <ref target="#bib877">877</ref>, <ref target="#bib895">895</ref>, <ref target="#bib913">913</ref>, <ref target="#bib940">940</ref>, <ref target="#bib980">980</ref>, <ref target="#bib983">983</ref>, <ref target="#bib984">984</ref>, <ref target="#bib1010">1010</ref>, <ref target="#bib1017">1017</ref>, <ref target="#bib1028">1028</ref>, <ref target="#bib1032">1032</ref>, <ref target="#bib1039">1039</ref>, <ref target="#bib1061">1061</ref>, <ref target="#bib1083">1083</ref>, <ref target="#bib1099">1099</ref>, <ref target="#bib1108">1108</ref>, <ref target="#bib1125">1125</ref>, <ref target="#bib1146">1146</ref>, <ref target="#bib1147">1147</ref>, <ref target="#bib1162">1162</ref>, <ref target="#bib1174">1174</ref>, <ref target="#bib1186">1186</ref>, <ref target="#bib1187">1187</ref>, <ref target="#bib1195">1195</ref>, <ref target="#bib1198a">1198a</ref>, <ref target="#bib1199">1199</ref>,
<ref target="#bib1201">1201</ref> 
</ab><ab>Odoherty, Morgan, (<ref target="/texts/diglib/secondary/NoC_1917/1/142#bib1006">N1006</ref>)
</ab><ab>O'Hagan, Tho., <ref target="#bib258">258</ref>
</ab><ab>O'Leary, John G., <ref target="#bib837">837</ref>
</ab><ab><hi rend="italic">On a Bee Drinking From a Glass of Water,</hi> <ref target="#bib506a">506a</ref> 
</ab><ab><hi rend="italic">On a Favourite Cat Slain as a Cure for Face-Ache,</hi> <ref target="#bib508">508</ref> 
</ab><ab><hi rend="italic">On a Honey Bee, Drinking from a Glass of Wine, and Drowned
Therein,</hi> <ref target="#bib506a">506a</ref>
</ab><ab>Orti, Girolamo, <ref target="#bib505c">505c</ref>
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab>Osborn, Jas M., <ref target="#bib1191">1191</ref>
</ab><ab>Osborne, Dorothy, <ref target="#bib1155">1155</ref>
</ab><ab>Osborne, Geo. J., <ref target="#bib143b">143b</ref>
</ab><ab>Osgood, Chas G., <ref target="#bib1097">1097</ref>
</ab><ab>Ossian (See also Macpherson, James.), <ref target="#bib579">579</ref>, <ref target="#bib625">625</ref>, <ref target="#bib1010">1010</ref>
</ab><ab>Ovaa, W. A., <ref target="#bib809">809</ref>
</ab><ab>Owen, John, <ref target="#bib517">517</ref>
</ab><ab>Owen, Wm, <ref target="#bib136">136</ref>, <ref target="#bib367">367</ref>
</ab><ab><hi rend="italic">Oxford Magazine, The,</hi> <ref target="#bib431">431</ref>
</ab><ab>Oxford University Press, <ref target="#bib51">51</ref>, <ref target="#bib68">68</ref>, <ref target="#bib440">440</ref>, <ref target="#bib712">712</ref>, <ref target="#bib897">897</ref>, <ref target="#bib948">948</ref>, <ref target="#bib1183">1183</ref>
</ab><ab>Oyuela, Calixto, <ref target="#bib196">196</ref><lb/><lb/>
</ab><ab>P., C., <ref target="#bib347">347</ref>
</ab><ab>P., H., <ref target="#bib408a">408a</ref>
</ab><ab>Page, John T., (<ref target="/texts/diglib/secondary/NoC_1917/1/249#bib1993b">N1993b</ref>)
</ab><ab>Page, Wm, <ref target="#bib633">633</ref>
</ab><ab>Palmer, J. Foster, <ref target="#bib281">281</ref>
</ab><ab>Palmetto Press, <ref target="#bib152">152</ref>
</ab><ab>Pananti, Filippo, <hi rend="sup">Q</hi><ref target="#bib50">50</ref>
</ab><ab>Pancoast, Hen. S., (<ref target="/texts/diglib/secondary/NoC_1917/1/255#bib288a">N288a</ref>)
</ab><ab><hi rend="italic">Paraphrase of the 137 Psalm. . .,</hi> <ref target="#bib102">102</ref> 
</ab><ab>Pargellis, Stanley, <ref target="#bib19a">19a</ref>
</ab><ab><hi rend="italic">Paris pendant l'année,</hi> <ref target="#bib175">175</ref>, <ref target="#bib176">176</ref> 
</ab><ab>Parker, Agnes M., <ref target="#bib164">164</ref>
</ab><ab>Parnell, Tho., <ref target="#bib143a">143a</ref>-<ref target="#bib143b">b</ref>, <ref target="#bib241">241</ref>, <ref target="#bib823a">823a</ref>, <ref target="#bib1086">1086</ref>
</ab><ab><hi rend="italic">Parody on an Epitaph,</hi> <ref target="#bib25a">25a</ref>, <ref target="#bib51">51</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>
</ab><ab><hi rend="italic">Parody Upon Gray's Celebrated Ode of</hi> The Bard, <ref target="#bib105">105</ref>
</ab><ab>Parsons, Jas C., <ref target="#bib613">613</ref>
</ab><ab>Parsons, Wm, <ref target="#bib109a">109a</ref>, <ref target="#bib498a">498a</ref>
</ab><ab>Partridge, Eric, <ref target="#bib297">297</ref>, <ref target="#bib752">752</ref>, <ref target="#bib787">787</ref>, <ref target="#bib805">805</ref>
</ab><ab>Paterson, Isabel, <ref target="#bib739">739</ref>
</ab><ab>Patton, Julia, <ref target="#bib275">275</ref>
</ab><ab>Paull, Harry M., <ref target="#bib838">838</ref>
</ab><ab>Payson, Wm F., <ref target="#bib159">159</ref>
</ab><ab>Peacock, Wm, <ref target="#bib62">62</ref>, <ref target="#bib73">73</ref>, <ref target="#bib428">428</ref>
</ab><ab>Pearce, Earnest H., <ref target="#bib921a">921a</ref>, <ref target="#bib1199">1199</ref>
</ab><ab>Peck, Harry T., <ref target="#bib639">639</ref>
</ab><ab>Peers, E. Allison, <ref target="#bib111">111</ref>, <ref target="#bib194">194</ref>, <ref target="#bib196">196</ref>-<ref target="#bib199">199</ref>, <ref target="#bib201">201</ref>, <ref target="#bib280">280</ref>, <ref target="#bib311">311</ref>, <ref target="#bib378">378</ref>, <ref target="#bib753">753</ref>
</ab><ab>Pembroke College, <ref target="#bib51">51</ref>, <ref target="#bib431">431</ref>
</ab><ab>Percy, Tho., <ref target="#bib431">431</ref>, <ref target="#bib1124">1124</ref>, <ref target="#bib1206">1206</ref>
</ab><ab>Pérez del Camino, Manuel Norberto, <ref target="#bib195">195</ref> 
</ab><ab><hi rend="italic">Periodical, The,</hi> <ref target="#bib712">712</ref>
</ab><ab>Perry, Bliss, <ref target="#bib700">700</ref>
</ab><ab>Peter Pauper Press, <ref target="#bib71">71</ref>
</ab><ab>Peterhouse College, <ref target="#bib51">51</ref>, <ref target="#bib431">431</ref>
</ab><ab>Peterson, Houston, <ref target="#bib536">536</ref>
</ab><ab>Petrarch, <ref target="#bib590">590</ref>
</ab><ab>Peyre, Henri M., <ref target="#bib932">932</ref>, <ref target="#bib1104">1104</ref>
</ab><ab>Pforzheimer, Carl, <ref target="#bib445">445</ref>
</ab><ab><hi rend="italic">Philadelphia Bibliographical Center. . .</hi>, <ref target="#bib19">19</ref>
</ab><ab>Philadelphia <hi rend="italic">Evening Bulletin,</hi> The, <ref target="#bib412h">412h</ref> 
</ab><ab>Philadelphia <hi rend="italic">Inquirer,</hi> The, <ref target="#bib412i">412i</ref>
</ab><ab>Philips, Ambrose, <ref target="#bib1173">1173</ref>
</ab><ab>Phillips, Eva M., <ref target="#bib771">771</ref>
</ab><ab>Phillpotts, Eden, <ref target="#bib751">751</ref>
</ab><ab>Philologicus, <ref target="#bib571">571</ref>
</ab>
</ab></cell></row></table>
<pb n="147" xml:id="p1-147"/>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab><hi rend="italic">Philosophy of Nature, The,</hi> <ref target="#bib599">599</ref>
</ab><ab>Pickford, John, <ref target="#bib254">254</ref>
</ab><ab>Pierce, Fredk E., <ref target="#bib674">674</ref>, <ref target="#bib735">735</ref> 
</ab><ab>Pierrot, C., (<ref target="/texts/diglib/secondary/NoC_1917/1/256#bib1731a">N1731a</ref>)
</ab><ab>Piggott, Stuart, <ref target="#bib1006">1006</ref>, <ref target="#bib1199a">1199a</ref> 
</ab><ab>Pigot, Mr., <ref target="#bib946">946</ref>
</ab><ab>Pindar, <ref target="#bib539">539</ref>, <ref target="#bib595">595</ref>, <ref target="#bib1110">1110</ref>, <ref target="#bib1134">1134</ref>, <ref target="#bib1174">1174</ref> 
</ab><ab>Pindemonte, Ippolito, <ref target="#bib950">950</ref>
</ab><ab>Piozzi, Mrs. See Thrale, Hester, Mrs.
</ab><ab>Plato, <ref target="#bib956">956</ref>, <ref target="#bib1092">1092</ref>, <ref target="#bib1110">1110</ref> 
</ab><ab><hi rend="italic">Play Exercise at Eton,</hi> <ref target="#bib525">525</ref>
</ab><ab>Playfair, John, <ref target="#bib246">246</ref>
</ab><ab>Pocket-diaries, <ref target="#bib25a">25a</ref>
</ab><ab>Pococke, Edw., <ref target="#bib1135">1135</ref>
</ab><ab>Poe, Edgar A., <ref target="#bib601b">601b</ref>
</ab><ab><hi rend="italic">Pokoiashchiisia Trudoliubets</hi> (Moscow), <ref target="#bib188">188</ref>
</ab><ab><hi rend="italic">Political Passing Bell: An Elegy, The,</hi> <ref target="#bib207">207</ref> 
</ab><ab>Pollard, A. W., <ref target="#bib158">158</ref>
</ab><ab>Pollard, Graham, <ref target="#bib383">383</ref>
</ab><ab><hi rend="italic">Pollio. . .,</hi> <ref target="#bib204b">204b</ref>
</ab><ab>Pond, Arthur, <ref target="#bib1188">1188</ref>
</ab><ab>Ponsonby, Arthur, <ref target="#bib732">732</ref>
</ab><ab>Poole, Austin L., <ref target="#bib51">51</ref>, <ref target="#bib67">67</ref>, <ref target="#bib671">671</ref>
</ab><ab>Pope, Alex., <ref target="#bib108">108</ref>, <ref target="#bib143b">143b</ref>, <ref target="#bib411">411</ref>, <ref target="#bib514">514</ref>, <ref target="#bib520">520</ref>, <ref target="#bib525">525</ref>, <ref target="#bib565">565</ref>, <ref target="#bib621a">621a</ref>, <ref target="rfttr1:95#bib774">774</ref>, <ref target="#bib786">786</ref>, <ref target="#bib823a">823a</ref>, <ref target="#bib886">886</ref>, <ref target="#bib929">929</ref>, <ref target="#bib931">931</ref>, <ref target="#bib938">938</ref>, <ref target="#bib1080">1080</ref>, <ref target="#bib1120">1120</ref>, <ref target="#bib1173">1173</ref>, <ref target="#bib1182">1182</ref>, <ref target="#bib1191">1191</ref>, <ref target="#bib1192">1192</ref>, <ref target="#bib1205a">1205a</ref>
</ab><ab><hi rend="italic">Port Folio, The,</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/255#bib961a">N961a</ref>,
<ref target="/texts/diglib/secondary/NoC_1917/1/142#bib1006">N1006</ref>)
<ref target="#bib81">81</ref>, <ref target="#bib83">83</ref>, <ref target="#bib88">88</ref>, <ref target="#bib93">93</ref>, <ref target="#bib145">145</ref>, <ref target="#bib206">206</ref>, <ref target="#bib217">217</ref>, <ref target="#bib218">218</ref>, <ref target="#bib238">238</ref>, <ref target="#bib241">241</ref>, <ref target="#bib243">243</ref>, <ref target="#bib414">414</ref>, <ref target="#bib421">421</ref>, <ref target="#bib421a">421a</ref>, <ref target="#bib451">451</ref>, <ref target="#bib452">452</ref>, <ref target="#bib507">507</ref>, <ref target="#bib512">512</ref>, <ref target="#bib517">517</ref>, <ref target="#bib543">543</ref>, <ref target="#bib545">545</ref>, <ref target="#bib549">549</ref>, <ref target="#bib572">572</ref>, <ref target="#bib573">573</ref>, <ref target="#bib581">581</ref>, <ref target="#bib584">584</ref>, <ref target="#bib651">651</ref>
</ab><ab>Porteus, Beilby, <ref target="#bib143a">143a</ref>
</ab><ab>Portraits (of Gray). (See also J. Eckhardt, F. Mapletoft, A. Pond,
J. Richardson, T. Rowlandson, B. Wilson, Mrs. D. Wray.), <ref target="#bib20">20</ref>, <ref target="#bib22">22</ref>, <ref target="#bib33">33</ref>, <ref target="#bib36">36</ref>, <ref target="#bib43">43</ref>, <ref target="#bib45">45</ref>, <ref target="#bib48">48</ref>, <ref target="#bib51">51</ref>, <ref target="#bib67">67</ref>, <ref target="#bib155">155</ref>, <ref target="#bib159">159</ref>, <ref target="#bib347">347</ref>, <ref target="#bib431">431</ref>, <ref target="#bib513">513</ref>, <ref target="#bib578">578</ref>, <ref target="#bib582">582</ref>, <ref target="#bib684">684</ref>, <ref target="#bib733">733</ref>, <ref target="#bib739">739</ref>, <ref target="#bib842">842</ref>, <ref target="#bib854">854</ref>, <ref target="#bib881">881</ref>, <ref target="#bib895">895</ref>, <ref target="#bib1003">1003</ref>, <ref target="#bib1087">1087</ref>, <ref target="#bib1150">1150</ref>, <ref target="#bib1155">1155</ref>, <ref target="#bib1188">1188</ref> 
</ab><ab>Postgate, J. P., <ref target="#bib267">267</ref>
</ab><ab>Potez, Henri, <ref target="#bib177">177</ref>, <ref target="#bib256">256</ref>
</ab><ab>Potter, Robt, <ref target="#bib992">992</ref>, <ref target="#bib1091">1091</ref>
</ab><ab>Pottle, Fredk C., <ref target="#bib99">99</ref>, <ref target="#bib822a">822a</ref>, <ref target="#bib826">826</ref>, <ref target="#bib1008">1008</ref>, <ref target="#bib1082">1082</ref>, <ref target="#bib1195">1195</ref> 
</ab><ab>Povoleri, Giovanni, <ref target="#bib183">183</ref>
</ab><ab>Powell, Annie E., <ref target="#bib787a">787a</ref>
</ab><ab>Praz, Mario, <ref target="#bib1007">1007</ref>
</ab><ab>Prescott, Fredk C., <ref target="#bib319">319</ref>, <ref target="#bib718">718</ref>
</ab><ab>Presses Universitaires de France, Les, <ref target="#bib897">897</ref>, <ref target="#bib948">948</ref> 
</ab><ab>Prévost, L'Abbé, <ref target="#bib1037">1037</ref>
</ab><ab>Price, Lawrence M., <ref target="#bib4">4</ref>, <ref target="#bib12">12</ref>, <ref target="#bib915">915</ref>
</ab><ab>Price, Mary B., <ref target="#bib12">12</ref>
</ab><ab>Prideaux, H. C., <ref target="#bib267">267</ref>
</ab><ab>Prinsen, Jacob, <ref target="#bib745">745</ref>, <ref target="#bib773">773</ref>
</ab><ab>Prior, Sir Jas, <ref target="#bib602a">602a</ref>
</ab><ab>Professorship of Modern History, <ref target="#bib431">431</ref>
</ab><ab><hi rend="italic">Progress of Poesy, The,</hi> <ref target="#bib22">22</ref>-<ref target="#bib29">29</ref>, <ref target="#bib36">36</ref>, <ref target="#bib42">42</ref>, <ref target="#bib48">48</ref>, <ref target="#bib50">50</ref>-<ref target="#bib54">54</ref>, <ref target="#bib58">58</ref>, <ref target="#bib60">60</ref>, <ref target="#bib61a">61a</ref>, <ref target="#bib62">62</ref>, <ref target="#bib62a">62a</ref>, <ref target="#bib64">64</ref>-<ref target="#bib66">66</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib72a">72a</ref>, <ref target="#bib75">75</ref>, <ref target="#bib76">76</ref>, <ref target="#bib526">526</ref>-
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab>[<hi rend="italic">Progress of Poesy, The,</hi> (cntd.)]<lb/><ref target="#bib539a">539a</ref>, <ref target="#bib574">574</ref>, <ref target="#bib591">591</ref>, <ref target="#bib621">621</ref>, <ref target="#bib662">662</ref>, <ref target="#bib685">685</ref>, <ref target="#bib709">709</ref>, <ref target="#bib721">721</ref>, <ref target="#bib827">827</ref>, <ref target="#bib913">913</ref>, <ref target="#bib924">924</ref>, <ref target="#bib945">945</ref>, <ref target="#bib950">950</ref>, <ref target="#bib955">955</ref>, <ref target="#bib990">990</ref>, <ref target="#bib1071">1071</ref>, <ref target="#bib1130">1130</ref>, <ref target="#bib1208">1208</ref>
</ab><ab>Propertius, <ref target="#bib25a">25a</ref>, <ref target="#bib50">50</ref>, <ref target="#bib60">60</ref>, <ref target="#bib76">76</ref>, <ref target="#bib539b">539b</ref>-<ref target="#bib539c">c</ref>
</ab><ab><hi rend="italic">Proposal as to the Professorship of Modern History,</hi> <ref target="#bib540">540</ref>
</ab><ab>Pryce-Jones, Alan, <ref target="#bib825">825</ref>
</ab><ab>Pulteney, Frances, <ref target="#bib469">469</ref>
</ab><ab><hi rend="italic">Punch,</hi> <ref target="#bib230">230</ref>, <ref target="#bib231">231</ref>, <ref target="#bib358">358</ref>
</ab><ab>Punke, Edw. G., <ref target="#bib342">342</ref>
</ab><ab>Purkis, E. Monro, <ref target="#bib343">343</ref>, <ref target="#bib345">345</ref>
</ab><ab>Pyke, Rich., <ref target="#bib1005">1005</ref>
</ab><ab>Quarles, Francis, <ref target="#bib737">737</ref>, <ref target="#bib859">859</ref>
</ab><ab>Quarll, Philip, <ref target="#bib143d">143d</ref>
</ab><ab>Quayle, Tho., <ref target="#bib754">754</ref>
</ab><ab>Quennell, Peter, <ref target="#bib1155">1155</ref>
</ab><ab>Quercus, P. E. G. [Christopher Morley], <ref target="#bib167">167</ref> 
</ab><ab>Quiller-Couch, Arthur, <ref target="#bib329a">329a</ref>, <ref target="#bib719">719</ref>
</ab><ab>Quintana, Ricardo, <ref target="#bib1082">1082</ref><lb/><lb/>
</ab><ab>R., <ref target="#bib110">110</ref>, <ref target="#bib495a">495a</ref>, <ref target="#bib594">594</ref> 
</ab><ab>R., I. T., <ref target="#bib211">211</ref>, <ref target="#bib212">212</ref> 
</ab><ab>R., J. T., <ref target="#bib567">567</ref>
</ab><ab>R., N., <ref target="#bib495a">495a</ref>
</ab><ab>R., V., <ref target="#bib351">351</ref>, <ref target="#bib388">388</ref>, <ref target="#bib419">419</ref> 
</ab><ab>Racan Honorat de Bueil, Marquis de, <ref target="#bib373">373</ref> 
</ab><ab>Racine, <ref target="#bib715">715</ref>, <ref target="#bib1178">1178</ref>
</ab><ab>Radcliffe, Anne, <ref target="#bib653">653</ref>
</ab><ab>Rahbek, Knud L., <ref target="#bib170">170</ref>
</ab><ab>Railo, Eino, <ref target="#bib806">806</ref>
</ab><ab>Raleigh, Sir Walter, <ref target="#bib153">153</ref>
</ab><ab>Randall, John, <ref target="#bib523">523</ref>
</ab><ab>Ransom, Harry, <ref target="#bib1028">1028</ref>
</ab><ab>Ransom, Will, <ref target="#bib152">152</ref>, <ref target="#bib329b">329b</ref>
</ab><ab>Rapin, René, <ref target="#bib408a">408a</ref>
</ab><ab>Raven Press, <ref target="#bib164">164</ref>
</ab><ab>Raymond, Wm O., <ref target="#bib852">852</ref>
</ab><ab>Raysor, Tho. M., <ref target="#bib990">990</ref>
</ab><ab>Read, T. Buchanan, <ref target="#bib1212">1212</ref>
</ab><ab>Reade, Aleyn L., <ref target="#bib839">839</ref>
</ab><ab>Redin, Mats A., <ref target="rfttr1:95#bib774">774</ref>
</ab><ab>Redman, Ben R., <ref target="#bib1211">1211</ref>
</ab><ab>Reed, Amy Louise, <ref target="#bib298">298</ref>
</ab><ab>Reed, Hen., <ref target="#bib996">996</ref>
</ab><ab>Reed, Isaac, <ref target="#bib1045">1045</ref>
</ab><ab><hi rend="italic">Reflections During an Evening's Walk in a Country
Churchyard,</hi> <ref target="#bib210">210</ref>
</ab><ab><hi rend="italic">Reflections in a Country Church Yard,</hi> <ref target="#bib209">209</ref> 
</ab><ab>Reimeringer, Armand M., <ref target="#bib1029">1029</ref>
</ab><ab>Remich, Jas K., <ref target="#bib145a">145a</ref>
</ab><ab>Rendall, Vernon, <ref target="#bib951">951</ref>
</ab><ab>Reninger, H. Willard, <ref target="#bib350">350</ref>
</ab><ab><hi rend="italic">Revista europea,</hi> <ref target="#bib111">111</ref>
</ab><ab>Reynaud, Louis, <ref target="#bib788">788</ref>
</ab><ab>Rhedecynian, <ref target="#bib220">220</ref>, <ref target="#bib374">374</ref>
</ab><ab>Rhoades, Lewis A., <ref target="#bib616">616</ref>
</ab><ab>Rhys, Ernest, <ref target="#bib74">74</ref>
</ab><ab>Riccardi Press, <ref target="#bib60">60</ref>
</ab><ab>Richards, Geo., <ref target="#bib207">207</ref>, <ref target="#bib374">374</ref>
</ab><ab>Richards, Ivor A., <ref target="#bib330">330</ref>, <ref target="#bib967">967</ref>, <ref target="#bib1171">1171</ref>
</ab><ab>Richardson, Albert E., <ref target="#bib898">898</ref>
</ab>
</ab></cell></row></table>
<pb n="148" xml:id="p1-148"/>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab>Richardson, Geo. F., <ref target="#bib654">654</ref>
</ab><ab>Richardson, Jonathan, <ref target="#bib842">842</ref>, <ref target="#bib1155">1155</ref>, <ref target="#bib1188">1188</ref> 
</ab><ab>Richardson, Saml, <ref target="#bib780">780</ref>, <ref target="#bib789">789</ref> 
</ab><ab>Richmond <hi rend="italic">News Leader,</hi> The, <ref target="#bib412i">412i</ref> 
</ab><ab>Richmond <hi rend="italic">Times-Dispatch,</hi> The, <ref target="#bib412j">412j</ref> 
</ab><ab>Richter, Helene, <ref target="#bib640">640</ref>
</ab><ab><hi rend="italic">Ricordo d'amicizia,</hi> <ref target="#bib235b">235b</ref>
</ab><ab>Ridgeway, Wm, <ref target="#bib267">267</ref>
</ab><ab>Ridgway, Gertrude M., <ref target="#bib775">775</ref>
</ab><ab>Riding, Laura, <ref target="#bib119a">119a</ref>
</ab><ab>Ridley, H. M., <ref target="#bib733">733</ref>
</ab><ab>Ridpath, John C., <ref target="#bib48">48</ref>
</ab><ab>Rinaker, Clarissa, <ref target="#bib112a">112a</ref>
</ab><ab>Rizzo, Tito L., <ref target="#bib807">807</ref>
</ab><ab>Roberti-Fletcher, Lauro (<hi rend="italic">pseud.</hi>) See Manacorda, Guido.
</ab><ab>Roberts Brothers, <ref target="#bib150">150</ref>
</ab><ab>Roberts, G. D., <ref target="rfttr1:51#bib397">397</ref>
</ab><ab>Roberts, R. Ellis, <ref target="#bib809">809</ref>
</ab><ab>Roberts, Sydney C., <ref target="#bib968">968</ref>, <ref target="#bib1014">1014</ref> 
</ab><ab>Robinson, Hen. Crabb, <ref target="#bib1027">1027</ref>
</ab><ab>Robinson, Herbert S., <ref target="#bib916">916</ref>
</ab><ab>Robinson, M. G., <ref target="#bib1206">1206</ref>
</ab><ab>Robinson, R. M., <ref target="#bib794">794</ref>
</ab><ab>Robinson, Wm, <ref target="#bib1072">1072</ref>
</ab><ab>Robison, John, <ref target="#bib246">246</ref>
</ab><ab>Rochedieu, Chas A., <ref target="#bib17b">17b</ref>, <ref target="#bib171">171</ref> 
</ab><ab>Roddier, Henri, <ref target="#bib1199b">1199b</ref>
</ab><ab>Roe, F. C., <ref target="#bib789">789</ref>
</ab><ab>Rogers, Jonathan, <ref target="#bib413">413</ref>, <ref target="#bib810">810</ref>
</ab><ab>Root, Robt K., <ref target="#bib371a">371a</ref>, <ref target="#bib441">441</ref>, <ref target="#bib445">445</ref> 
</ab><ab>Rosa, Salvator, <ref target="#bib768">768</ref>
</ab><ab>Rosalba, <ref target="#bib447">447</ref>
</ab><ab>Rosarubra, <ref target="#bib447">447</ref>
</ab><ab>Roscoe, Edw. S., <ref target="#bib840">840</ref>
</ab><ab>Rose, Ruth O., <ref target="#bib933">933</ref>
</ab><ab>Rosenbach, Abraham S. W., <ref target="#bib513">513</ref>, <ref target="#bib808">808</ref> 
</ab><ab>Rosenstiel, Isabelle D., <ref target="#bib738">738</ref>
</ab><ab>Roth, Georges, <ref target="#bib234">234</ref>, <ref target="#bib292">292</ref>, <ref target="#bib502">502</ref> 
</ab><ab>Rothkrug, Michael, <ref target="#bib135">135</ref>, <ref target="#bib372">372</ref> 
</ab><ab>Rousseau, Jean Jacques, <ref target="#bib681">681</ref>, <ref target="#bib789">789</ref>, <ref target="#bib937">937</ref>, <ref target="#bib1106">1106</ref>, <ref target="#bib1199b">1199b</ref> 
</ab><ab>Routh, H. V., <ref target="#bib1062">1062</ref>
</ab><ab>Rovillain, Eugene, <ref target="#bib323">323</ref>
</ab><ab>Rowlandson, Tho., <ref target="#bib513">513</ref>, <ref target="#bib1117a">1117a</ref> 
</ab><ab>Royal Society of Edinburgh, Transactions of, <ref target="#bib246">246</ref> 
</ab><ab>Roycrofters, The, <ref target="#bib154a">154a</ref>
</ab><ab>Rudd, J., <ref target="#bib38">38</ref>
</ab><ab>Runciman, Walter, <ref target="#bib153a">153a</ref>
</ab><ab>Russell, Chas, <ref target="#bib734">734</ref>
</ab><ab>Russell, John <ref target="#bib1118">1118</ref>
</ab><ab>Rylands, Geo. H., <ref target="#bib324">324</ref>, <ref target="#bib879">879</ref><lb/><lb/>
</ab><ab>S., <ref target="#bib419">419</ref>
</ab><ab>S., G. A., <ref target="#bib252">252</ref>
</ab><ab>S., K. A., <ref target="#bib43">43</ref>
</ab><ab>S., T. S., <ref target="#bib562">562</ref>
</ab><ab>S., W., <ref target="#bib335">335</ref>
</ab><ab>Sacchi, Giulio, <ref target="#bib950">950</ref>
</ab><ab>Sainte-Beuve, Chas A., (<ref target="/texts/diglib/secondary/NoC_1917/1/255#bib1334a">N1334a</ref>,
<ref target="/texts/diglib/secondary/NoC_1917/1/256#bib1704a">N1704a</ref>,
<ref target="/texts/diglib/secondary/NoC_1917/1/256#bib1731a">N1731a</ref>)
<ref target="#bib494">494</ref>, <ref target="#bib502">502</ref>, <ref target="#bib605">605</ref>, <ref target="#bib771">771</ref>
</ab><ab>St. Malo, M. de, <ref target="#bib176">176</ref>
</ab><ab>Saintsbury, Geo., <ref target="#bib627">627</ref>, <ref target="#bib656">656</ref> 
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab>Salem, Hezekiah, <ref target="#bib506a">506a</ref>
</ab><ab>Salis-Seewis, Johan G. von, <ref target="#bib374">374</ref>
</ab><ab>Salter, Emma G., <ref target="#bib1109">1109</ref>
</ab><ab>Salwey, Charlotte Maria Birch, <ref target="#bib608a">608a</ref>
</ab><ab>Sampson, Geo., <ref target="#bib1098">1098</ref>
</ab><ab>Sanborn, M. Ray, <ref target="#bib283">283</ref>
</ab><ab>Sandford, Christopher, <ref target="#bib168">168</ref>
</ab><ab>Sandwich, John Montagu, Fourth Earl of (See also
<hi rend="italic">Candidate.</hi>), <ref target="#bib129">129</ref>, <ref target="#bib431">431</ref>
</ab><ab>Sandys, J. E., <ref target="#bib267">267</ref>
</ab><ab><hi rend="italic">Sapphics,</hi> <ref target="#bib25a">25a</ref>, <ref target="#bib541">541</ref>
</ab><ab>Sargeaunt, John, <ref target="#bib456">456</ref>
</ab><ab>Sassoon, Siegfried, <ref target="rfttr1:95#bib774">774</ref>
</ab><ab><hi rend="italic">Satire Upon Heads, A,</hi> <ref target="#bib51">51</ref>, <ref target="#bib62a">62a</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>
</ab><ab><hi rend="italic">Saturday Review, The,</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/171#bib1248">N1248</ref>)
<ref target="#bib691">691</ref>, <ref target="#bib739">739</ref>, <ref target="#bib796a">796a</ref>
</ab><ab><hi rend="italic">Saturday Review of Literature, The,</hi> <ref target="#bib167">167</ref>, <ref target="#bib1123">1123</ref> 
</ab><ab>Saunter, Saml, <ref target="#bib573">573</ref>
</ab><ab>Savage, Jas, <ref target="#bib245">245</ref>
</ab><ab>Sawyer, Chas J., <ref target="#bib7">7</ref>
</ab><ab>Scarfe, Francis, <ref target="#bib409">409</ref>
</ab><ab>Schaffer, Aaron, <ref target="#bib312">312</ref>
</ab><ab>Scherman, David E., <ref target="#bib390">390</ref>
</ab><ab>Schimanski, Stefan, <ref target="#bib409">409</ref>
</ab><ab>Schirmer, Walter F., <ref target="#bib1009">1009</ref>
</ab><ab>Schmitz, Robt M., <ref target="#bib1169">1169</ref>
</ab><ab>Schöffler, Herbert, <ref target="#bib22">22</ref>, <ref target="#bib298">298</ref>, <ref target="#bib440">440</ref>, <ref target="#bib720">720</ref>, <ref target="#bib824">824</ref> 
</ab><ab>Scholes, Percy A., <ref target="#bib1170">1170</ref>
</ab><ab>Schorer, Mark, <ref target="#bib384">384</ref>, <ref target="#bib1171">1171</ref>
</ab><ab>Schueller, Herbert M., <ref target="#bib1148">1148</ref>
</ab><ab><hi rend="italic">Scots Magazine, The,</hi> <ref target="#bib505">505</ref>, <ref target="#bib511a">511a</ref>
</ab><ab>Scott, Fred N., <ref target="#bib845">845</ref>
</ab><ab>Scott, Geoffrey, <ref target="#bib822a">822a</ref>
</ab><ab>Scott, Jas, <ref target="#bib48a">48a</ref>
</ab><ab>Scott, John (of Amwell), <ref target="#bib101">101</ref>, <ref target="#bib137">137</ref>, <ref target="#bib218">218</ref>, <ref target="#bib379">379</ref>, <ref target="#bib495">495</ref>
</ab><ab>Scott, Sir Walter, <ref target="#bib746">746</ref>
</ab><ab>Scribner, Welford &amp; Co., <ref target="#bib149">149</ref>
</ab><ab>Scudder, Horace E., <ref target="#bib45">45</ref>
</ab><ab>Sears, Minnie E., <ref target="#bib8">8</ref>
</ab><ab>Seegar, Alan, <ref target="#bib546">546</ref>
</ab><ab><hi rend="italic">Selector. . ., The,</hi> <ref target="#bib30a">30a</ref>
</ab><ab>Sencourt, Robt, <ref target="#bib1200">1200</ref>
</ab><ab>Serena, A., <ref target="#bib621a">621a</ref>
</ab><ab>Senex, <ref target="#bib573">573</ref>
</ab><ab>Seward, Anna, <ref target="#bib885">885</ref>, <ref target="#bib1041">1041</ref>
</ab><ab>Shafer, Robt, <ref target="#bib675">675</ref>
</ab><ab><hi rend="italic">Shakespeare Verses,</hi> <ref target="#bib25a">25a</ref>, <ref target="#bib51">51</ref>, <ref target="#bib64">64</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib76">76</ref>, <ref target="#bib542">542</ref>, <ref target="#bib542a">542a</ref>
</ab><ab>Shakespeare, Wm, <ref target="#bib123">123</ref>, <ref target="#bib412f">412f</ref>, <ref target="#bib624">624</ref>, <ref target="#bib638">638</ref>, <ref target="#bib662">662</ref>, <ref target="#bib746">746</ref>, <ref target="#bib844">844</ref>, <ref target="#bib916">916</ref>
</ab><ab>Shapiro, Leo, <ref target="#bib1030">1030</ref>
</ab><ab>Shaw, A. G., <ref target="#bib302">302</ref>
</ab><ab>Shaw, Marian, <ref target="#bib8">8</ref>
</ab><ab>Shelley, Percy B., <ref target="#bib380">380</ref>, <ref target="#bib845">845</ref>, <ref target="#bib1069">1069</ref>
</ab><ab>Shelley, Philip A., <ref target="#bib396">396</ref>
</ab><ab>Shenstone, Wm, <ref target="#bib137">137</ref>, <ref target="#bib249">249</ref>, <ref target="#bib343">343</ref>, <ref target="#bib345">345</ref>, <ref target="#bib354">354</ref>, <ref target="#bib365">365</ref>, <ref target="#bib608">608</ref>, <ref target="#bib672">672</ref>, <ref target="#bib978">978</ref>, <ref target="#bib1002">1002</ref>
</ab><ab>Shepard, Odell, <ref target="#bib25">25</ref>, <ref target="#bib112a">112a</ref>, <ref target="#bib293">293</ref>, <ref target="#bib410">410</ref>, <ref target="#bib742">742</ref>, <ref target="#bib897">897</ref>, <ref target="#bib917">917</ref>, <ref target="#bib948">948</ref>, <ref target="#bib1003">1003</ref>, <ref target="#bib1207">1207</ref>
</ab><ab>Shepard, Willard, <ref target="#bib1207">1207</ref>
</ab>
</ab></cell></row></table>
<pb n="149" xml:id="p1-149"/>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab>Shepherd, Tho. B., <ref target="#bib1060">1060</ref>
</ab><ab>Shepperson, A. B., <ref target="#bib445">445</ref>, <ref target="#bib1012">1012</ref>
</ab><ab>Sherburn, Geo., <ref target="#bib168a">168a</ref>, <ref target="#bib412k">412k</ref>, <ref target="#bib441">441</ref>, <ref target="#bib1172">1172</ref>, <ref target="#bib1182">1182</ref>, <ref target="#bib1191">1191</ref> 
</ab><ab>Sherman, Stuart P., <ref target="#bib721">721</ref>
</ab><ab>Short, Raymond, <ref target="#bib163">163</ref>
</ab><ab>Shuster, Geo. N., <ref target="#bib431">431</ref>, <ref target="#bib1061">1061</ref>
</ab><ab>Sibley, Agnes M., <ref target="#bib1192">1192</ref>
</ab><ab>Sickels, Elanor M., <ref target="#bib347a">347a</ref>, <ref target="#bib917">917</ref>
</ab><ab>Sills, Kenneth, <ref target="#bib636">636</ref>
</ab><ab>Simmons, Ernest J., <ref target="#bib899">899</ref>, <ref target="#bib969">969</ref>
</ab><ab>Simpson, Percy, <ref target="#bib1042">1042</ref>
</ab><ab>Sinboron, <ref target="#bib499">499</ref>
</ab><ab>Sionites, <ref target="#bib463a">463a</ref>
</ab><ab>Sitwell, Sacheverell, <ref target="#bib1005">1005</ref>
</ab><ab>Skard, Sigmund, <ref target="#bib17">17</ref>
</ab><ab><hi rend="italic">Sketch of his own Character,</hi> <ref target="#bib22">22</ref>, <ref target="#bib25a">25a</ref>, <ref target="#bib50">50</ref>, <ref target="#bib51">51</ref>, <ref target="#bib60">60</ref>, <ref target="#bib61">61</ref>, <ref target="#bib64">64</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib76">76</ref>, <ref target="#bib542b">542b</ref>
</ab><ab>Slattery, Joseph A., <ref target="#bib55">55</ref>
</ab><ab>Sleater, Wm, <ref target="#bib30">30</ref>
</ab><ab>Sliegh, John, <ref target="#bib40">40</ref>
</ab><ab>Smart, Christopher, <ref target="#bib524">524</ref>, <ref target="#bib583">583</ref>, <ref target="#bib818">818</ref>, <ref target="#bib1089">1089</ref>
</ab><ab>Smart, John S., <ref target="#bib629">629</ref>
</ab><ab>Smith, Andrew C. S. J., <ref target="#bib1010">1010</ref>
</ab><ab>Smith, Chard P., <ref target="#bib918">918</ref>, <ref target="#bib970">970</ref>
</ab><ab>Smith, Dane F., <ref target="#bib1061">1061</ref>
</ab><ab>Smith, David N., <ref target="#bib58">58</ref>, <ref target="#bib392">392</ref>, <ref target="#bib394">394</ref>, <ref target="#bib480">480</ref>, <ref target="#bib624">624</ref>, <ref target="#bib650">650</ref>, <ref target="#bib861">861</ref>, <ref target="#bib1011">1011</ref>, <ref target="#bib1083">1083</ref>, <ref target="#bib1108">1108</ref>, <ref target="#bib1124">1124</ref>, <ref target="#bib1206">1206</ref> 
</ab><ab>Smith, G. C. Moore, See G. C. Moore-Smith.
</ab><ab>Smith, Geo. D., Book Co., <ref target="#bib303">303</ref>
</ab><ab>Smith, Janet A., <ref target="#bib1005">1005</ref>
</ab><ab>Smith, Preserved, <ref target="#bib952">952</ref>
</ab><ab>Smith, Reed, <ref target="#bib971">971</ref>
</ab><ab>Smith, Robt, <ref target="#bib51">51</ref>
</ab><ab>Smith, Simon N., <ref target="#bib983">983</ref>
</ab><ab>Smith, Warren H., <ref target="#bib1044">1044</ref>
</ab><ab>Smollett, Tobias, <ref target="#bib1137">1137</ref>
</ab><ab>Snyder, Edw. D., <ref target="#bib735">735</ref>
</ab><ab><hi rend="italic">Some Remarks on the Poems of John Lydgate,</hi> <ref target="#bib72a">72a</ref> 
</ab><ab><hi rend="italic">Song by Buondelmonte,</hi> <ref target="#bib25a">25a</ref>
</ab><ab><hi rend="italic">Song,</hi> <ref target="#bib24">24</ref>, <ref target="#bib50">50</ref>, <ref target="#bib51">51</ref>, <ref target="#bib60">60</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib543">543</ref>, <ref target="#bib544">544</ref>
</ab><ab><hi rend="italic">Sonnet on the death of Mr. Richard West,</hi> <ref target="#bib25">25</ref>, <ref target="#bib25b">25b</ref>, <ref target="#bib26">26</ref>, <ref target="#bib28">28</ref>, <ref target="#bib50">50</ref>, <ref target="#bib51">51</ref>, <ref target="#bib56">56</ref>-<ref target="#bib58">58</ref>, <ref target="#bib60">60</ref>, <ref target="#bib61a">61a</ref>, <ref target="#bib64">64</ref>-<ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib76">76</ref>, <ref target="#bib545">545</ref>-<ref target="#bib548">548</ref>, <ref target="#bib581">581</ref>, <ref target="#bib743">743</ref>, <ref target="#bib1196">1196</ref>
</ab><ab>Sophocles (See also <hi rend="italic">Notes on Sophocles'</hi> Ajax <hi rend="italic">and</hi>
Electra.), <ref target="#bib419">419</ref>
</ab><ab><hi rend="italic">Sophonisba to Masinissa,</hi> <ref target="#bib25a">25a</ref>,
<ref target="#bib76">76</ref>, <ref target="#bib548a">548a</ref>
</ab><ab><hi rend="italic">Sorrowful Ditty. . ., A,</hi> <ref target="#bib506">506</ref>
</ab><ab>Sotheby Catalog, <ref target="#bib928">928</ref>
</ab><ab><hi rend="italic">Southern Literary Messenger, The,</hi> <ref target="#bib601b">601b</ref>
</ab><ab>Southey, Robt, <ref target="#bib603">603</ref>, <ref target="#bib1049">1049</ref>, <ref target="#bib1112">1112</ref>
</ab><ab>Southworth Press, <ref target="#bib158a">158a</ref>
</ab><ab>Sparke, Archibald, <ref target="#bib322">322</ref>
</ab><ab>Sparrow, John <ref target="#bib70">70</ref>, <ref target="#bib77">77</ref>, <ref target="#bib79">79</ref>, <ref target="#bib82">82</ref>, <ref target="#bib82b">82b</ref>, <ref target="#bib132">132</ref>
</ab><ab><hi rend="italic">Spectator, The,</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/171#bib1248">N1248</ref>)
<ref target="#bib434">434</ref>
</ab><ab>Speed, Henrietta, <ref target="#bib480c">480c</ref>, <ref target="#bib695">695</ref>, <ref target="#bib814">814</ref>
</ab><ab>Spence, Joseph, <ref target="#bib1201a">1201a</ref>
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab>Spenser, Edmund, <ref target="#bib380">380</ref>, <ref target="#bib546">546</ref>
</ab><ab>Spindler, Robt, <ref target="#bib871">871</ref>, <ref target="#bib919">919</ref>
</ab><ab>Spotswood, Wm, <ref target="#bib143d">143d</ref>
</ab><ab>Spurgeon, Caroline F. E., <ref target="#bib72a">72a</ref>
</ab><ab>Squire, John C. [<hi rend="italic">pseud.</hi> Solomon Eagle], <ref target="#bib153">153</ref>, <ref target="#bib154">154</ref>, <ref target="#bib222">222</ref>, <ref target="#bib230">230</ref>, <ref target="#bib231">231</ref>, <ref target="#bib285">285</ref>, <ref target="#bib436">436</ref>, <ref target="#bib510">510</ref>, <ref target="#bib722">722</ref>
</ab><ab>Stanhope, Philip, Fourth Earl of Chesterfield, <ref target="#bib39">39</ref>
</ab><ab><hi rend="italic">Stanza</hi> (Epitaph on Mrs. Mason), <ref target="#bib51">51</ref>, <ref target="#bib67">67</ref>, <ref target="#bib71">71</ref>
</ab><ab><hi rend="italic">Stanzas to Mr. Richard Bentley,</hi> <ref target="#bib26">26</ref>, <ref target="#bib50">50</ref>, <ref target="#bib51">51</ref>, <ref target="#bib60">60</ref>, <ref target="#bib62">62</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib76">76</ref>, <ref target="#bib549">549</ref>, <ref target="#bib549a">549a</ref>, <ref target="#bib581">581</ref>
</ab><ab>Stark, Lewis M., <ref target="#bib359">359</ref>
</ab><ab>Starr, Herbert W., <ref target="#bib19b">19b</ref>, <ref target="#bib124">124</ref>, <ref target="#bib125">125</ref>, <ref target="#bib219a">219a</ref>, <ref target="#bib293">293</ref>, <ref target="#bib410">410</ref>, <ref target="#bib447">447</ref>, <ref target="#bib518">518</ref>, <ref target="#bib519">519</ref>, <ref target="#bib538">538</ref>, <ref target="#bib948">948</ref>, <ref target="#bib1075">1075</ref>, <ref target="#bib1086">1086</ref>, <ref target="#bib1119">1119</ref>, <ref target="#bib1130">1130</ref>, <ref target="#bib1201">1201</ref>
</ab><ab>Starrett, Vincent, <ref target="#bib299">299</ref>
</ab><ab>Statius, <hi rend="italic">Thebaidos,</hi> (vi. 646-688), <ref target="#bib25a">25a</ref>, <ref target="#bib51">51</ref>, <ref target="#bib60">60</ref>
</ab><ab>Stauffer, Donald A., <ref target="#bib896">896</ref>, <ref target="#bib1076">1076</ref>, <ref target="#bib1131">1131</ref>, <ref target="#bib1155">1155</ref> 
</ab><ab>Stephen, Sir Leslie, <ref target="#bib625">625</ref>, <ref target="#bib1091">1091</ref>
</ab><ab>Stephens, T., <ref target="#bib143c">143c</ref>
</ab><ab>Sterling, T. S., <ref target="#bib302">302</ref>
</ab><ab>Stern, Bernard H., <ref target="#bib1062">1062</ref>
</ab><ab>Stern[e], Laurence, <ref target="#bib451">451</ref>, <ref target="#bib606">[]606</ref>, <ref target="#bib1122">1122</ref>
</ab><ab>Steuert, Dom H., <ref target="#bib1120">1120</ref>
</ab><ab>Stevenson, Robt L., <ref target="rfttr1:51#bib397">397</ref>
</ab><ab>Stewart. Geo. R., <ref target="#bib337">337</ref>, <ref target="#bib896">896</ref>
</ab><ab>Stewart, Jean, <ref target="#bib900">900</ref>
</ab><ab>Stickney, John, <ref target="#bib244">244</ref>
</ab><ab>Stillingham, Benj., <ref target="#bib1101">1101</ref>
</ab><ab>Stockdale, Percival, (<ref target="/texts/diglib/secondary/NoC_1917/1/255#bib1565a">N1565a</ref>)
<ref target="#bib556">556</ref>, <ref target="#bib664">664</ref>, <ref target="#bib1010">1010</ref>
</ab><ab>Stoke Poges, <ref target="#bib250">250</ref>, <ref target="#bib269">269</ref>, <ref target="#bib279">279</ref>, <ref target="#bib290">290</ref>, <ref target="#bib299">299</ref>, <ref target="#bib302">302</ref>, <ref target="#bib304">304</ref>, <ref target="#bib306">306</ref>, <ref target="#bib307">307</ref>, <ref target="#bib309">309</ref>, <ref target="#bib328">328</ref>, <ref target="#bib333">333</ref>, <ref target="#bib334">334</ref>, <ref target="#bib341">341</ref>, <ref target="#bib347">347</ref>, <ref target="#bib349">349</ref>, <ref target="#bib357">357</ref>, <ref target="#bib360">360</ref>, <ref target="#bib390">390</ref>, <ref target="#bib406a">406a</ref>, <ref target="#bib412h">412h</ref>, <ref target="#bib648">648</ref>, <ref target="#bib707">707</ref>, <ref target="#bib1105">1105</ref>
</ab><ab><hi rend="italic">Stoke Poges Church</hi> (A Guide-book), <ref target="#bib312a">312a</ref>
</ab><ab>Stokes, Francis Griffen, <ref target="#bib2">2</ref>, <ref target="#bib3">3</ref>, <ref target="#bib30">30</ref>, <ref target="#bib134d">134d</ref>, <ref target="#bib136">136</ref>, <ref target="#bib137">137</ref>-<ref target="#bib139">139</ref>, <ref target="#bib158">158</ref>, <ref target="#bib254">254</ref>, <ref target="#bib313">313</ref>, <ref target="#bib367">367</ref>, <ref target="#bib372">372</ref>, <ref target="#bib890">890</ref>, <ref target="#bib903">903</ref>
</ab><ab>Stokes, H. P., <ref target="#bib667">667</ref>
</ab><ab>Stone, Edw. D., <ref target="#bib98">98</ref>
</ab><ab>Stonhewer, Rich., <ref target="#bib465">465</ref>
</ab><ab>Strachan, L. R. M., <ref target="#bib420">420</ref>
</ab><ab>Strachey, [Giles] Lytton, <ref target="#bib324">324</ref>, <ref target="#bib934">934</ref>
</ab><ab>Strachey, J. St. Loe, <ref target="#bib492">492</ref>, <ref target="#bib712">712</ref>
</ab><ab>Straus, Ralph, <ref target="#bib637">637</ref>
</ab><ab>Strawberry Hill, <ref target="#bib945">945</ref>, <ref target="#bib1083">1083</ref>
</ab><ab>Strich, Fritz, <ref target="#bib401">401</ref>
</ab><ab>Struble, Mildred C., <ref target="#bib935">935</ref>
</ab><ab>Stuart, Dorothy M., <ref target="#bib809">809</ref>, <ref target="#bib825">825</ref>, <ref target="#bib1077">1077</ref>
</ab><ab>Studio Editoriale Moderno, <ref target="#bib950">950</ref>
</ab><ab>Stukeley, Wm, <ref target="#bib1199a">1199a</ref>
</ab><ab>Suard, Jean Baptiste Antoine, <ref target="#bib97a">97a</ref>,
<ref target="#bib204a">204a</ref>, <ref target="#bib765">765</ref> 
</ab><ab><hi rend="italic">Sunnan=Pósturinn,</hi> <ref target="#bib182">182</ref>
</ab><ab><hi rend="italic">Supplement to Gray's Elegy. . .,</hi> <ref target="#bib219b">219b</ref>
</ab><ab>Sutherland, Jas, <ref target="#bib480">480</ref>, <ref target="#bib1173">1173</ref>
</ab><ab>Sutton, W. H., <ref target="#bib254">254</ref>
</ab>
</ab></cell></row></table>
<pb n="150" xml:id="p1-150"/>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab>Swedenberg, H. T., Jr., <ref target="#bib429">429</ref>
</ab><ab>Swift, Jonathan, <ref target="#bib1182">1182</ref>
</ab><ab>Swinburne, Algernon C., <ref target="#bib609a">609a</ref>, <ref target="#bib1091">1091</ref> 
</ab><ab>Sydney, Wm C., <ref target="#bib614">614</ref>
</ab><ab>Syers, Edgar, <ref target="#bib220">220</ref>, <ref target="#bib374">374</ref> 
</ab><ab>Sypher, Wylie, <ref target="#bib28">28</ref><lb/><lb/>
</ab><ab>T., A. D., <ref target="#bib331">331</ref>
</ab><ab>Tacitus, <ref target="#bib412f">412f</ref>
</ab><ab>Talbot, Catherine, <ref target="#bib592">592</ref>
</ab><ab>Tallmadge, Tho. E., <ref target="#bib952a">952a</ref>
</ab><ab>Tanner, Lawrence E., <ref target="#bib668">668</ref>
</ab><ab>Tasso, <hi rend="italic">Gerus, Lib.</hi> Cant. XIV. St. 32, <ref target="#bib60">60</ref>, <ref target="#bib76">76</ref>, <ref target="#bib549b">549b</ref>
</ab><ab>Taylor, A. H., <ref target="#bib328">328</ref>
</ab><ab>Taylor, Hen., <ref target="#bib142b">142b</ref>
</ab><ab>Taylor, John F. A., <ref target="#bib412b">412b</ref>
</ab><ab>Taylor, R. A., <ref target="#bib657">657</ref>
</ab><ab>Temperley, Harold W. V., <ref target="#bib300">300</ref>, <ref target="#bib755">755</ref>
</ab><ab>Temple Press, <ref target="#bib153a">153a</ref>
</ab><ab>Templeman, Wm D., <ref target="#bib1003">1003</ref>
</ab><ab>Tennyson, Alfred, Lord, <ref target="#bib346">346</ref>
</ab><ab><hi rend="italic">Tertulia, La,</hi> <ref target="#bib196">196</ref>
</ab><ab>Tew, E., (<ref target="/texts/diglib/secondary/NoC_1917/1/255#bib1499b">N1499b</ref>)
</ab><ab>Thackeray, Francis St. John, <ref target="#bib98">98</ref>
</ab><ab><hi rend="italic">Thespian Magazine and Literary Repository, The,</hi> <ref target="#bib104">104</ref>
</ab><ab>Thielke, Karl L. F., <ref target="#bib973">973</ref>
</ab><ab>Thomas, Gilbert, <ref target="#bib974">974</ref>
</ab><ab><hi rend="italic">Thomas Gray,</hi> <ref target="#bib615">615</ref>
</ab><ab>Thomas, Isaiah, <ref target="#bib143a">143a</ref>
</ab><ab>Thomas, Percy G., <ref target="#bib901">901</ref>
</ab><ab>Thompson, Corrie L., <ref target="#bib254">254</ref>
</ab><ab>Thompson, Francis, <ref target="#bib257">257</ref>, <ref target="#bib500">500</ref>, <ref target="#bib548">548</ref>, <ref target="#bib1157">1157</ref>
</ab><ab>Thompson, Harold W., <ref target="#bib803">803</ref>
</ab><ab>Thompson, Karl F., <ref target="#bib504b">504b</ref>
</ab><ab>Thompson, Lawrence, <ref target="#bib374">374</ref>
</ab><ab>Thomson, Geo. S., <ref target="#bib267">267</ref>
</ab><ab>Thomson, Jas, <ref target="#bib131">131</ref>, <ref target="#bib286">286</ref>, <ref target="#bib626">626</ref>, <ref target="#bib786">786</ref>, <ref target="#bib1030">1030</ref>, <ref target="#bib1121">1121</ref>, <ref target="#bib1200">1200</ref>, <ref target="#bib1204">1204</ref> 
</ab><ab>Thomson, Jas Alex. F., <ref target="#bib1174">1174</ref>, <ref target="#bib1175">1175</ref>, <ref target="#bib1208">1208</ref>
</ab><ab>Thorne, J., <ref target="#bib604">604</ref>
</ab><ab>Thorpe, Clarence DeWitt, <ref target="#bib975">975</ref>
</ab><ab>Thrale, Hester, Mrs. (Mrs. Piozzi), <ref target="#bib183">183</ref>, <ref target="#bib682">682</ref>, <ref target="#bib1086a">1086a</ref>
</ab><ab><hi rend="italic">Thyrsis,</hi> See Song.
</ab><ab>Ticknor, Geo., <ref target="#bib520">520</ref>
</ab><ab>Tillotson, Geoffrey, <ref target="#bib110a">110a</ref>, <ref target="#bib411">411</ref>, <ref target="#bib431">431</ref>, <ref target="#bib994">994</ref>, <ref target="#bib1003">1003</ref>, <ref target="#bib1042">1042</ref>, <ref target="#bib1087">1087</ref>, <ref target="#bib1121">1121</ref>, <ref target="#bib1208a">1208a</ref>
</ab><ab><hi rend="italic">Times Literary Supplement, The,</hi> (<ref target="/texts/diglib/secondary/NoC_1917/1/256#bib1993f">N1993f</ref>)
<ref target="#bib9">9</ref>, <ref target="#bib51">51</ref>, <ref target="#bib56">56</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib70">70</ref>, <ref target="#bib113">113</ref>, <ref target="#bib156">156</ref>-<ref target="#bib162">162</ref>, <ref target="#bib187">187</ref>, <ref target="#bib273">273</ref>, <ref target="#bib287">287</ref>, <ref target="#bib298">298</ref>, <ref target="#bib343">343</ref>, <ref target="#bib352">352</ref>, <ref target="#bib404">404</ref>, <ref target="#bib430">430</ref>, <ref target="#bib431">431</ref>, <ref target="#bib436">436</ref>, <ref target="#bib445">445</ref>, <ref target="#bib481">481</ref>, <ref target="#bib492">492</ref>, <ref target="#bib501">501</ref>, <ref target="#bib665">665</ref>, <ref target="#bib689">689</ref>, <ref target="#bib712">712</ref>, <ref target="#bib714">714</ref>, <ref target="#bib742">742</ref>, <ref target="#bib754">754</ref>, <ref target="#bib764a">764a</ref>, <ref target="#bib776">776</ref>, <ref target="#bib800">800</ref>, <ref target="#bib811">811</ref>, <ref target="#bib823">823</ref>, <ref target="#bib824">824</ref>, <ref target="#bib825">825</ref>, <ref target="#bib828">828</ref>, <ref target="#bib852">852</ref>, <ref target="#bib896">896</ref>, <ref target="#bib897">897</ref>, <ref target="#bib906">906</ref>, <ref target="#bib925">925</ref>, <ref target="#bib948">948</ref>, <ref target="#bib957">957</ref>, <ref target="#bib961">961</ref>, <ref target="#bib1047">1047</ref>, <ref target="#bib1053">1053</ref>, <ref target="#bib1055">1055</ref>, <ref target="#bib1078">1078</ref>, <ref target="#bib1082">1082</ref>, <ref target="#bib1087">1087</ref>, <ref target="#bib1109">1109</ref>, <ref target="#bib1110">1110</ref>, <ref target="#bib1136">1136</ref>, <ref target="#bib1155">1155</ref>, <ref target="#bib1190">1190</ref>, <ref target="#bib1199a">1199a</ref>, <ref target="#bib1199b">1199b</ref>,
<ref target="#bib1202">1202</ref>, <ref target="#bib1203">1203</ref>,
<ref target="#bib1205">1205</ref>, <ref target="#bib1209">1209</ref>,
<ref target="#bib1210">1210</ref>
</ab><ab><hi rend="italic">Times,</hi> The London <hi rend="italic">Daily,</hi> <ref target="#bib94">94</ref>, <ref target="#bib153">153</ref>, <ref target="#bib263">263</ref>, <ref target="#bib279">279</ref>, <ref target="#bib294">294</ref>, <ref target="#bib301">301</ref>, <ref target="#bib302">302</ref>, <ref target="#bib307">307</ref>, <ref target="#bib322">322</ref>, <ref target="rfttr1:51#bib397">397</ref>, <ref target="#bib402">402</ref>, <ref target="#bib411a">411a</ref>, <ref target="#bib412c">412c</ref>, <ref target="#bib416">416</ref>, <ref target="#bib504a">504a</ref>, <ref target="#bib658">658</ref>, <ref target="#bib659">659</ref>, <ref target="#bib669">669</ref>, <ref target="#bib680">680</ref>, <ref target="#bib681a">681a</ref>, <ref target="#bib810">810</ref>, <ref target="#bib862">862</ref> 
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab>Tinker, Chauncey B., <ref target="#bib431">431</ref>, <ref target="#bib721">721</ref>, <ref target="#bib826">826</ref>, <ref target="#bib863">863</ref>, <ref target="#bib1031">1031</ref>, <ref target="#bib1065">1065</ref>, <ref target="#bib1176">1176</ref>, <ref target="#bib1183">1183</ref>, <ref target="#bib1186">1186</ref>, <ref target="#bib1189">1189</ref> 
</ab><ab><hi rend="italic">To a Favourite Barrage Balloon,</hi> <ref target="#bib510">510</ref>
</ab><ab><hi rend="italic">To Childhood,</hi> <ref target="#bib495">495</ref>
</ab><ab>Tobin, Jas E., <ref target="#bib15">15</ref>, <ref target="#bib1087">1087</ref>
</ab><ab><hi rend="italic">Tomb of Shakespeare, The,</hi> <ref target="#bib204">204</ref>
</ab><ab>Tomlinson, J., <ref target="#bib506">506</ref>
</ab><ab><hi rend="italic">Tophet,</hi> <ref target="#bib25a">25a</ref>, <ref target="#bib51">51</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib72">72</ref>, <ref target="#bib550">550</ref>
</ab><ab>Tossadoni, Osvaldo, <ref target="#bib621a">621a</ref>
</ab><ab>Toulet, P.-J., <ref target="#bib370">370</ref>
</ab><ab>Tovey, Duncan C., <ref target="#bib47">47</ref>, <ref target="#bib399">399</ref>, <ref target="#bib443">443</ref>, <ref target="#bib456">456</ref>, <ref target="#bib667">667</ref>, <ref target="#bib682">682</ref>, <ref target="#bib687">687</ref>, <ref target="#bib710">710</ref>, <ref target="#bib815">815</ref>
</ab><ab>Toynbee, Paget, (<ref target="/texts/diglib/secondary/NoC_1917/1/171#bib1248">N1248</ref>)
<ref target="#bib3">3</ref>, <ref target="#bib20">20</ref>, <ref target="#bib25a">25a</ref>, <ref target="#bib51">51</ref>, <ref target="#bib114">114</ref>, <ref target="#bib264">264</ref>, <ref target="#bib266">266</ref>, <ref target="#bib431">431</ref>, <ref target="#bib436">436</ref>, <ref target="#bib449">449</ref>, <ref target="#bib454">454</ref>, <ref target="#bib454a">454a</ref>, <ref target="#bib456">456</ref>, <ref target="#bib458">458</ref>, <ref target="#bib459">459</ref>, <ref target="#bib461">461</ref>-<ref target="#bib463">463</ref>, <ref target="#bib465">465</ref>-<ref target="#bib471">471</ref>, <ref target="#bib473">473</ref>, <ref target="#bib480a">480a</ref>, <ref target="#bib488">488</ref>, <ref target="#bib491">491</ref>, <ref target="#bib533">533</ref>, <ref target="#bib534">534</ref>, <ref target="#bib540">540</ref>, <ref target="#bib542">542</ref>, <ref target="#bib649">649</ref>, <ref target="#bib671">671</ref>, <ref target="#bib678">678</ref>, <ref target="#bib683">683</ref>, <ref target="#bib695">695</ref>, <ref target="#bib709">709</ref>, <ref target="#bib736">736</ref>, <ref target="#bib786a">786a</ref>, <ref target="#bib792">792</ref>-<ref target="#bib794">794</ref>, <ref target="#bib796">796</ref>, <ref target="#bib798">798</ref>, <ref target="#bib812">812</ref>-<ref target="#bib816">816</ref>, <ref target="#bib841">841</ref>, <ref target="#bib842">842</ref>, <ref target="#bib854">854</ref>, <ref target="#bib864">864</ref>, <ref target="#bib880">880</ref>, <ref target="#bib881">881</ref>, <ref target="#bib920">920</ref>
</ab><ab><hi rend="italic">Traduzione dell'Elegia del celebre Tommaso Gray sopra un
cimitero di campagna,</hi> <ref target="#bib183b">183b</ref>
</ab><ab>Treece, Hen., <ref target="#bib409">409</ref>
</ab><ab>Treherne, Geo. G. T., <ref target="#bib267">267</ref>
</ab><ab><hi rend="italic">Triumphs of Owen, The,</hi> <ref target="#bib22">22</ref>-<ref target="#bib24">24</ref>, <ref target="#bib36">36</ref>, <ref target="#bib42">42</ref>, <ref target="#bib50">50</ref>, <ref target="#bib51">51</ref>, <ref target="#bib60">60</ref>, <ref target="#bib62">62</ref>, <ref target="#bib64">64</ref>-<ref target="#bib66">66</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib71">71</ref>, <ref target="#bib749">749</ref> 
</ab><ab>Troxell, Gilbert M., <ref target="#bib158">158</ref>
</ab><ab><hi rend="italic">True American, The</hi> (Trenton), <ref target="#bib495a">495a</ref>
</ab><ab>Trumbull, John, <ref target="#bib117">117</ref>, <ref target="#bib125">125</ref>, <ref target="#bib538">538</ref>, <ref target="#bib713">713</ref>, <ref target="#bib982">982</ref>, <ref target="#bib1019">1019</ref> 
</ab><ab>Tucker, Wm J., <ref target="#bib477">477</ref>
</ab><ab>Tudor, Wm, <ref target="#bib590">590</ref>
</ab><ab>Tupper, Jas W., <ref target="#bib11a">11a</ref>, <ref target="#bib65">65</ref>, <ref target="#bib735">735</ref>
</ab><ab>Turberville, Arthur S., <ref target="#bib795">795</ref>, <ref target="#bib936">936</ref>
</ab><ab>Turner, Walter J., <ref target="#bib62a">62a</ref>
</ab><ab>Tuthill, Hen., <ref target="#bib431">431</ref><lb/><lb/>
</ab><ab><hi rend="italic">Universal Magazine, The,</hi> <ref target="#bib85">85</ref>,
<ref target="#bib86">86</ref>, <ref target="#bib102">102</ref>, <ref target="#bib208">208</ref> 
</ab><ab>Untermeyer, Louis, <ref target="#bib224">224</ref>
</ab><ab><hi rend="italic">Upon a Winter's Walk, in the Evening, in Westminster Abbey,</hi>
<ref target="#bib213">213</ref>
</ab><ab>Upton Church, <ref target="#bib248">248</ref>, <ref target="#bib250">250</ref>
</ab><ab>Urcullu, José de, <ref target="#bib199">199</ref>
</ab><ab>Uriarte, Ramón, <ref target="#bib202">202</ref>
</ab><ab>Ustick, W. Lee, <ref target="#bib1043">1043</ref><lb/><lb/>
</ab><ab>Valdarno. See Wm Beckford of Jamaica.
</ab><ab>Valentine, Ross, <ref target="#bib412j">412j</ref>
</ab><ab>Vallins, Geo. H., <ref target="#bib25b">25b</ref>, <ref target="#bib1015">1015</ref> 
</ab><ab>Van Doren, Mark, <ref target="#bib701">701</ref>, <ref target="#bib721">721</ref> 
</ab><ab>Van Hook, LaRue, <ref target="#bib489">489</ref>
</ab><ab>Van Patten, Nathan, <ref target="#bib983">983</ref>
</ab><ab>Van Tieghem, Paul, <ref target="#bib284">284</ref>, <ref target="#bib653">653</ref>, <ref target="#bib670a">670a</ref>, <ref target="#bib697">697</ref>, <ref target="#bib753">753</ref>, <ref target="#bib756">756</ref>, <ref target="#bib765">765</ref>, <ref target="#bib777">777</ref>, <ref target="#bib917">917</ref>, <ref target="#bib925">925</ref>, <ref target="#bib1177">1177</ref>
</ab><ab>Vassos, John, <ref target="#bib160">160</ref>
</ab><ab>Vaughan, Chas E., (<ref target="/texts/diglib/secondary/NoC_1917/1/256#bib1966a">N1966a</ref>)
</ab><ab>Vaughan, Herbert M., <ref target="#bib902">902</ref>
</ab><ab>Vechtman-Veth, A. C. E., <ref target="#bib828">828</ref>
</ab>
</ab></cell></row></table>
<pb n="151" xml:id="p1-151"/>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab>Vedia, Enrique de, <ref target="#bib201">201</ref>, <ref target="#bib276">276</ref> 
</ab><ab>Venturi, Lionello, <ref target="#bib991">991</ref>
</ab><ab>Vernon, A. W., <ref target="#bib739">739</ref>
</ab><ab>Verral, Wm, <ref target="#bib130">130</ref>
</ab><ab><hi rend="italic">Vestnik Evropy Zhurnal,</hi> <ref target="#bib193">193</ref>
</ab><ab>Vicenza, C. M., <ref target="#bib183a">183a</ref>
</ab><ab>Vida, Marcus H., <ref target="#bib84">84</ref>
</ab><ab>Viglione, Fr., <ref target="#bib641">641</ref>, <ref target="#bib953">953</ref> 
</ab><ab>Villalobos, Angel de, <ref target="#bib199">199</ref>
</ab><ab>Villevielle, Marquis de, <ref target="#bib171">171</ref>
</ab><ab>Vines, Sherard, <ref target="#bib882">882</ref>
</ab><ab>Virgil, <ref target="#bib308">308</ref>, <ref target="#bib351">351</ref>, <ref target="#bib412f">412f</ref>, <ref target="#bib527">527</ref>, <ref target="#bib621">621</ref>, <ref target="#bib688">688</ref>, <ref target="#bib856">856</ref>, <ref target="#bib1030">1030</ref>, <ref target="#bib1138">1138</ref>
</ab><ab>Virieu, Aymon de, <ref target="#bib234">234</ref>
</ab><ab>Visconti, Sigismondo, <ref target="#bib235b">235b</ref>
</ab><ab>Vitali, Giovanni, <ref target="#bib183c">183c</ref>
</ab><ab>Vivante, Leone, <ref target="#bib1088">1088</ref>
</ab><ab>Voisine, Jacques, <ref target="#bib1178">1178</ref>
</ab><ab>Voltaire, <ref target="#bib886">886</ref>, <ref target="#bib1167">1167</ref>
</ab><ab>Vossi, Gerardi J., <ref target="#bib737">737</ref>
</ab><ab>Vrchlickeho, Jaroslava. <hi rend="italic">pseud.</hi> See Emil B. Frida.
</ab><ab>Vreeland Press, <ref target="#bib303">303</ref>
</ab><ab>Vulliamy, Colwyn E., <ref target="#bib1132">1132</ref>
</ab><ab>Vyse, H. Howard, <ref target="#bib302">302</ref><lb/><lb/>
</ab><ab>W., B., <ref target="#bib388">388</ref>
</ab><ab>Waddell, Helen, <ref target="#bib890">890</ref>, <ref target="#bib903">903</ref> 
</ab><ab>Wagenknecht, Edw., <ref target="#bib739">739</ref>
</ab><ab>Waggoner, Hyatt H., <ref target="#bib18">18</ref>
</ab><ab>Wakefield, Gilbert, <ref target="#bib267">267</ref>, <ref target="#bib562">562</ref>, <ref target="#bib565">565</ref>, <ref target="#bib1091">1091</ref>, <ref target="#bib1205a">1205a</ref>
</ab><ab>Walcutt, Chas C., <ref target="#bib129">129</ref>
</ab><ab>Walker, Ralph S., <ref target="#bib1133">1133</ref>, <ref target="#bib1153">1153</ref> 
</ab><ab>Wallace A. Dayle, <ref target="#bib1012">1012</ref>, <ref target="#bib1211a">1211a</ref> 
</ab><ab>Wallace, Malcolm W., <ref target="#bib905">905</ref>
</ab><ab>Wallis, N. Hardy, <ref target="#bib379">379</ref>
</ab><ab>Walpole, Hor. (<ref target="/texts/diglib/secondary/NoC_1917/1/171#bib1248">N1248</ref>)
<ref target="#bib431">431</ref>, <ref target="#bib433">433</ref>, <ref target="#bib436">436</ref>, <ref target="#bib445">445</ref>, <ref target="#bib449">449</ref>, <ref target="#bib454">454</ref>, <ref target="#bib456">456</ref>, <ref target="#bib491">491</ref>, <ref target="#bib501">501</ref>, <ref target="#bib566">566</ref>, <ref target="#bib582">582</ref>, <ref target="#bib585">585</ref>, <ref target="#bib587">587</ref>, <ref target="#bib606">606</ref>, <ref target="#bib620">620</ref>, <ref target="#bib637">637</ref>, <ref target="#bib649">649</ref>, <ref target="#bib653">653</ref>, <ref target="#bib678">678</ref>, <ref target="#bib683">683</ref>, <ref target="#bib709">709</ref>, <ref target="#bib710">710</ref>, <ref target="#bib733">733</ref>-<ref target="#bib736">736</ref>, <ref target="#bib759">759</ref>, <ref target="#bib760">760</ref>, <ref target="#bib786a">786a</ref>, <ref target="#bib789">789</ref>, <ref target="#bib793">793</ref>, <ref target="#bib796">796</ref>, <ref target="#bib798">798</ref>, <ref target="#bib808">808</ref>, <ref target="#bib809">809</ref>, <ref target="#bib816">816</ref>, <ref target="#bib878">878</ref>, <ref target="#bib903">903</ref>, <ref target="#bib912">912</ref>, <ref target="#bib920">920</ref>, <ref target="#bib949">949</ref>, <ref target="#bib964">964</ref>, <ref target="#bib980">980</ref>, <ref target="#bib983">983</ref>, <ref target="#bib987">987</ref>, <ref target="#bib991">991</ref>, <ref target="#bib1005">1005</ref>, <ref target="#bib1012">1012</ref>, <ref target="#bib1017">1017</ref>, <ref target="#bib1032">1032</ref>, <ref target="#bib1038">1038</ref>, <ref target="#bib1044">1044</ref>, <ref target="#bib1045">1045</ref>, <ref target="#bib1055">1055</ref>, <ref target="#bib1078">1078</ref>, <ref target="#bib1090">1090</ref>, <ref target="#bib1111">1111</ref>, <ref target="#bib1114">1114</ref>, <ref target="#bib1118">1118</ref>, <ref target="#bib1132">1132</ref>, <ref target="#bib1146">1146</ref>, <ref target="#bib1155">1155</ref>, <ref target="#bib1161">1161</ref>, <ref target="#bib1168">1168</ref>, <ref target="#bib1179">1179</ref>, <ref target="#bib1207">1207</ref>, <ref target="#bib1211">1211</ref>, <ref target="#bib1211a">1211a</ref> 
</ab><ab>Walpole, Hugh, <ref target="#bib164">164</ref>
</ab><ab>Walsh, Stevenson H., <ref target="#bib283">283</ref>
</ab><ab>Walter, Félix, <ref target="#bib320">320</ref>
</ab><ab>Walters, Hen. B., <ref target="#bib954">954</ref>
</ab><ab>Walters, E., &amp; Miller, G., <ref target="#bib161">161</ref>
</ab><ab>Ward, Adolphus W., <ref target="#bib755">755</ref>
</ab><ab>Ward, Alfred C., <ref target="#bib472">472</ref>
</ab><ab>Ward, J. D. U., <ref target="#bib1105">1105</ref>
</ab><ab>Ward, T. Methuen, <ref target="#bib34">34</ref>, <ref target="#bib35">35</ref> 
</ab><ab>Ward, Tho. H., <ref target="#bib609a">609a</ref>
</ab><ab>Warner, Jas H., <ref target="#bib937">937</ref>, <ref target="#bib1013">1013</ref>, <ref target="#bib1106">1106</ref> 
</ab><ab>Warren, Austin, <ref target="#bib1194">1194</ref>
</ab><ab>Warren, Herbert, <ref target="#bib679">679</ref>, <ref target="#bib856">856</ref> 
</ab><ab>Warren, Tho., <ref target="#bib622">622</ref>
</ab><ab>Warton, Joseph, <ref target="#bib112a">112a</ref>, <ref target="#bib137">137</ref>, <ref target="#bib661">661</ref>, <ref target="#bib805">805</ref>, <ref target="#bib931">931</ref> 
</ab><ab>Warton, Tho., <ref target="#bib112a">112a</ref>, <ref target="#bib137">137</ref>, <ref target="#bib143b">143b</ref>, <ref target="#bib355">355</ref>, <ref target="#bib419">419</ref>, 
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab>[Warton, Tho., (cntd.)]<lb/><ref target="#bib446">446</ref>, <ref target="#bib536">536</ref>, <ref target="#bib661">661</ref>, <ref target="#bib805">805</ref>, <ref target="#bib861">861</ref>, <ref target="#bib1026">1026</ref>, <ref target="#bib1050">1050</ref>, <ref target="#bib1074">1074</ref>, <ref target="#bib1101">1101</ref>, <ref target="#bib1206">1206</ref> 
</ab><ab>Warton, Tho. (the elder), <ref target="#bib661">661</ref>, <ref target="#bib805">805</ref>
</ab><ab>Washburn, Wm L., <ref target="#bib152">152</ref>, <ref target="#bib329a">329a</ref>
</ab><ab>Wasserman, Earl R., <ref target="#bib1045">1045</ref>, <ref target="#bib1079">1079</ref>, <ref target="#bib1149">1149</ref>
</ab><ab>Watson, Foster, <ref target="#bib50">50</ref>
</ab><ab>Watson, H. D., <ref target="#bib375">375</ref>
</ab><ab>Watson, J. D., <ref target="#bib147">147</ref>
</ab><ab>Watt, Homer A., <ref target="#bib843">843</ref>
</ab><ab>Watts, Isaac, <ref target="#bib143b">143b</ref>
</ab><ab>Watts-Dunton, Theodore, <ref target="#bib628">628</ref>
</ab><ab>Wayne, John L., <ref target="#bib389">389</ref>
</ab><ab>Webb, Geoffrey, <ref target="#bib1051">1051</ref>
</ab><ab>Weber, Carl A., <ref target="#bib976">976</ref>
</ab><ab>Weber, Carl J., <ref target="#bib412l">412 l</ref>
</ab><ab>Webster, Daniel, <ref target="#bib1212">1212</ref>
</ab><ab>Weeks, Edw., <ref target="#bib1155">1155</ref>
</ab><ab>Weiss, Harry B., <ref target="#bib422">422</ref>, <ref target="#bib817">817</ref>
</ab><ab>Wellek, René, <ref target="#bib1056">1056</ref>, <ref target="#bib1075">1075</ref>, <ref target="#bib1079">1079</ref>, <ref target="#bib1193">1193</ref>, <ref target="#bib1194">1194</ref>
</ab><ab>Wells, Hen. W., <ref target="#bib1063">1063</ref>
</ab><ab>Wergeland, Henrik, <ref target="#bib236">236</ref>
</ab><ab>Wesley, Chas, <ref target="#bib1060">1060</ref>
</ab><ab>West, Rich. (See also <hi rend="italic">Sonnet on the Death of Mr. Richard
West.</hi>), (<ref target="/texts/diglib/secondary/NoC_1917/1/171#bib1248">N1248</ref>)
<ref target="#bib293">293</ref>, <ref target="#bib431">431</ref>, <ref target="#bib436">436</ref>, <ref target="#bib443">443</ref>, <ref target="#bib450a">450a</ref>, <ref target="#bib541">541</ref>, <ref target="#bib683">683</ref>, <ref target="#bib710">710</ref>, <ref target="#bib1119">1119</ref>, <ref target="#bib1144">1144</ref>, <ref target="#bib1179">1179</ref>
</ab><ab>Westron, H. F., <ref target="#bib358">358</ref>
</ab><ab>Wharton, Tho., <ref target="#bib74a">74a</ref>, <ref target="#bib78">78</ref>, <ref target="#bib80">80</ref>, <ref target="#bib90">90</ref>, <ref target="#bib427">427</ref>, <ref target="#bib431">431</ref>, <ref target="#bib446">446</ref>, <ref target="#bib744">744</ref>, <ref target="#bib794">794</ref>, <ref target="#bib818">818</ref>, <ref target="#bib840">840</ref>
</ab><ab><hi rend="italic">What's the Reason Old Fobus Has Cut Down Yon Tree?</hi> (Lines on
Dr. Robt Smith), <ref target="#bib51">51</ref>, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>
</ab><ab>Whelan, Sister M. Kevin, <ref target="#bib977">977</ref>
</ab><ab>Whernside, <ref target="#bib794">794</ref>
</ab><ab>Whibley, Chas, <ref target="#bib766">766</ref>
</ab><ab>Whibley, Leonard, <ref target="#bib67">67</ref>, <ref target="#bib68">68</ref>, <ref target="#bib128">128</ref>, <ref target="#bib345">345</ref>, <ref target="#bib427">427</ref>, <ref target="#bib431">431</ref>, <ref target="#bib450a">450a</ref>, <ref target="#bib459">459</ref>, <ref target="#bib513">513</ref>, <ref target="#bib534">534</ref>, <ref target="#bib550">550</ref>, <ref target="#bib818">818</ref>-<ref target="#bib821">821</ref>, <ref target="#bib843">843</ref>, <ref target="#bib865">865</ref>, <ref target="#bib883">883</ref>, <ref target="#bib884">884</ref>, <ref target="#bib904">904</ref>, <ref target="#bib921a">921a</ref>, <ref target="#bib1014">1014</ref>, <ref target="#bib1017">1017</ref>, <ref target="#bib1032">1032</ref>
</ab><ab>Whicher, Geo. F., <ref target="#bib404">404</ref>, <ref target="#bib672">672</ref>, <ref target="#bib1155">1155</ref>
</ab><ab>White, Frederic C., <ref target="#bib374">374</ref>
</ab><ab>White, H. O., <ref target="#bib827">827</ref>, <ref target="#bib828">828</ref>
</ab><ab>Whitehead, Wm, <ref target="#bib923">923</ref>
</ab><ab>Whitford, Robt C., <ref target="#bib702">702</ref>, <ref target="#bib757">757</ref>
</ab><ab>Whitney, Lois, <ref target="#bib26">26</ref>, <ref target="#bib1140">1140</ref>
</ab><ab>Wiart, Jean F., <ref target="#bib1044">1044</ref>
</ab><ab>Wieselgren, O., <ref target="#bib896">896</ref>
</ab><ab>Wilcox, Rich., <ref target="#bib390">390</ref>
</ab><ab>Wild, R., <ref target="#bib277">277</ref>
</ab><ab>Wiley, Margaret, <ref target="#bib364">364</ref>
</ab><ab>Wilkes, Wm H., <ref target="#bib155">155</ref>
</ab><ab>Wilks, John, <ref target="#bib158">158</ref>
</ab><ab>Willey, Basil, <ref target="#bib1064">1064</ref>
</ab><ab>Williams, Aneurin, <ref target="#bib332">332</ref>
</ab><ab>Williams, Basil, <ref target="#bib1046">1046</ref>
</ab><ab>Williams, Geo., <ref target="#bib522">522</ref>
</ab><ab>Williams, Harold, <ref target="#bib281">281</ref>, <ref target="#bib445">445</ref>
</ab><ab>Williams, Iolo A., <ref target="#bib13">13</ref>, <ref target="#bib56">56</ref>, <ref target="#bib722">722</ref>
</ab><ab>Williams, Marjorie, <ref target="#bib345">345</ref>, <ref target="#bib978">978</ref>
</ab><ab>Williams, Ralph M., <ref target="#bib1211a">1211a</ref>
</ab><ab>Williams, Stanley T., <ref target="#bib777a">777a</ref>
</ab><ab>Williams, Wm. T., <ref target="#bib25b">25b</ref>, <ref target="#bib1015">1015</ref>
</ab><ab>Willmott, Robt E. A., <ref target="#bib147">147</ref>, <ref target="#bib602">602</ref> 
</ab>
</ab></cell></row></table>
<pb n="152" xml:id="p1-152"/>
<table style="width: 100%; border: 0"><row><cell style="width: 45%"><ab rend="outdent">
<ab>Willoughby, L. A., <ref target="#bib1062">1062</ref>
</ab><ab>Willson, Beckles, <ref target="#bib263">263</ref>
</ab><ab>Willson, Marcius, <ref target="#bib146">146</ref>
</ab><ab>Wilson, Benj., <ref target="#bib36">36</ref>, <ref target="#bib431">431</ref>, <ref target="#bib842">842</ref>, <ref target="#bib1087">1087</ref>, <ref target="#bib1150">1150</ref>, <ref target="#bib1155">1155</ref> 
</ab><ab>Wilson, Jas S., <ref target="#bib155">155</ref>
</ab><ab>Wilson, Mona, <ref target="#bib979">979</ref>, <ref target="#bib1005">1005</ref>
</ab><ab>Wimbolt, S. E., <ref target="#bib49a">49a</ref>,
</ab><ab>Winchelsea, Anne Finch, Countess of, <ref target="#bib823a">823a</ref> 
</ab><ab>Winship, Geo. P., <ref target="#bib1083">1083</ref>
</ab><ab>Winstanley, Denis A., <ref target="#bib723">723</ref>
</ab><ab>Winter, A., <ref target="#bib604">604</ref>
</ab><ab>Winterich, John T., <ref target="#bib158a">158a</ref>, <ref target="#bib333">333</ref>
</ab><ab>Wise, Tho. J., <ref target="#bib5">5</ref>, <ref target="#bib156">156</ref>, <ref target="#bib492">492</ref>, <ref target="#bib728">728</ref>
</ab><ab>Wolf, Edw. C. J., <ref target="#bib1117a">1117a</ref>
</ab><ab>Wolf, Edwin, <ref target="#bib368">368</ref>
</ab><ab>Wolf, J., <ref target="#bib147">147</ref>
</ab><ab>Wolfe, General Jas, <ref target="#bib158">158</ref>, <ref target="#bib246">246</ref>, <ref target="#bib263">263</ref>, <ref target="#bib300">300</ref>, <ref target="#bib368">368</ref>, <ref target="#bib387">387</ref>, <ref target="#bib395">395</ref>, <ref target="#bib673">673</ref>, <ref target="#bib755">755</ref>
</ab><ab>Wood, Fredk T., <ref target="#bib22">22</ref>, <ref target="#bib63">63</ref>, <ref target="#bib158">158</ref>, <ref target="#bib348">348</ref>, <ref target="#bib431">431</ref>, <ref target="#bib735">735</ref>, <ref target="#bib897">897</ref>, <ref target="#bib948">948</ref>, <ref target="#bib961">961</ref>
</ab><ab>Wood, Kathryn L., <ref target="#bib922">922</ref>
</ab><ab>Wood, Paul S., <ref target="#bib25">25</ref>
</ab><ab>Woodberry Geo. E., <ref target="#bib710">710</ref>
</ab><ab>Woodbridge, Homer E., <ref target="#bib1155">1155</ref>
</ab><ab>Woodhouse, A. S. P., <ref target="#bib885">885</ref>, <ref target="#bib905">905</ref>
</ab><ab>Woodruff, Douglas, <ref target="#bib1005">1005</ref>
</ab><ab>Woods, Geo. B., <ref target="#bib24">24</ref>
</ab>
</ab></cell><cell style="width: 10%"/><cell style="width: 45%"><ab rend="outdent">
<ab>Woodward, W. W., <ref target="#bib143c">143c</ref>
</ab><ab>Woolf, Virginia, <ref target="#bib1055">1055</ref>
</ab><ab>Wordsworth, Wm, <ref target="#bib22">22</ref>, <ref target="#bib123">123</ref>, <ref target="#bib547">547</ref>, <ref target="#bib660">660</ref>, <ref target="#bib691">691</ref>, <ref target="#bib725">725</ref>, <ref target="#bib855">855</ref>, <ref target="#bib956">956</ref>, <ref target="#bib1027">1027</ref>, <ref target="#bib1041">1041</ref>, <ref target="#bib1050">1050</ref>, <ref target="#bib1091">1091</ref>, <ref target="#bib1181">1181</ref>, <ref target="#bib1196">1196</ref>, <ref target="#bib1200">1200</ref>
</ab><ab>World's Classics Series, <ref target="#bib68">68</ref>
</ab><ab><hi rend="italic">World's Work, The,</hi> <ref target="#bib302">302</ref>
</ab><ab>Wray, Mrs. Daniel, <ref target="#bib881">881</ref>
</ab><ab>Wright, Austin, <ref target="#bib1201a">1201a</ref>
</ab><ab>Wright, Herbert G., <ref target="#bib992">992</ref>
</ab><ab>Wroth, L. C., <ref target="#bib1083">1083</ref>
</ab><ab>Wyld, Hen. C., <ref target="#bib938">938</ref>
</ab><ab>Wylie, W., <ref target="#bib604">604</ref>
</ab><ab>Wyndham, Maud, <ref target="#bib758">758</ref><lb/><lb/>
</ab><ab>Y., X., <ref target="#bib418">418</ref>
</ab><ab>Yadnarie, <ref target="#bib226">226</ref>
</ab><ab>Yale University Press, <ref target="#bib3">3</ref>, <ref target="#bib1183">1183</ref> 
</ab><ab>Yardley, E., <ref target="#bib621">621</ref>
</ab><ab>Yeats, Wm B., <ref target="#bib1053">1053</ref>
</ab><ab>Yoseloff, Tho., <ref target="#bib1122">1122</ref>
</ab><ab>Yost, Calvin D., Jr., <ref target="#bib993">993</ref>
</ab><ab>Young, Edw., <ref target="#bib311">311</ref>, <ref target="#bib362">362</ref>, <ref target="#bib626">626</ref>, <ref target="#bib786">786</ref>, <ref target="#bib823a">823a</ref> 
</ab><ab>Yvon, Paul, <ref target="#bib678">678</ref>, <ref target="#bib759">759</ref>, <ref target="#bib760">760</ref>, <ref target="#bib906">906</ref>, <ref target="#bib912">912</ref> 
</ab><ab>Zanobini-Cecchini, Laudomia, <ref target="#bib97e">97e</ref>
</ab><ab>Zeitlin, Jacob, <ref target="#bib764a">764a</ref>
</ab><ab>Zhukovsky, Vasily A., <ref target="#bib193">193</ref>
</ab><ab>Zwager, Louise H., <ref target="#bib907">907</ref>
</ab>
</ab></cell></row></table>
<lb/><lb/><ab rend="center small">College Offset Press, 148-150 N. 6th
St., Phila. 6, Pa.</ab>
</div></back></text>
</TEI>
