During, Simon: "Elegizing Cultural Capital" Genre: Forms of Discourse and Culture 56(1) (Apr. 2023), 15-31.
Grant, Sarabeth Ann: Exemplary England: Historical Inquiry and Literary Recompense in Pope, Gray, and Richardson. Charlottesville, VA: University of Virginia Press, 2023. [Contains a chapter entitled “Their Artless Tale Relate”: Pastoral Elegy And Geography in “Elegy Written in a Country Churchyard”]
2022
Gray, Thomas: L'Opera Poetica. Con testo a fronte. Edited and translated by Giovanni Parrini. Firenze: Le Lettere, 2022.
Song, Ming: "Notes on Thomas Gray's Poetic Coterie and Correspondence". ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 35(3) (2022), 319-324.
Mitchell, Robert: Infectious Liberty: Biopolitics between Romanticism and Liberalism. New York, NY: Fordham University Press, 2021, chapter 1.
Tonra, Justin: "Book History and Digital Humanities in the Long Eighteenth Century." Eighteenth-Century Studies 54(4) (2021): 765-783. doi:10.1353/ecs.2021.0091
2020
Dongu, Maria Grazia: "Viaggiatori sentimentali e scientifici nel Distretto dei Laghi: i diari di viaggio di Thomas Gray e William Wordsworth". Open Journal of Humanities 5 (2020), 3-24. doi:10.17605/OSF.IO/47FXV
Morland, James: "'Master Tommy Lucretius': Thomas Gray’s Posthumous Life Writing and Conversing with the Dead in His Poetry to Richard West". European Journal of Life Writing IX (2020), 19-34.
Stewart, Dustin D. Futures of Enlightenment Poetry. Oxford: Oxford UP, 2020, 188-191. Review: Misty G. Anderson in Eighteenth-Century Studies 56(4) (Summer 2023), 633-636.
Yu, Jie-Ae: "Thomas Gray’s 'Song' and the Thyrsis Topos". ANQ: A Quarterly Journal of Short Articles, Notes and Reviews (12 Oct. 2020) doi:10.1080/0895769X.2020.1832879
2019
Folliot, Laurent: "Thomas Gray's Sensibility and the Sublimity of Reserve". Études Anglaises 72(1) (Jan-Mar 2019), 29-51,122.
Hodgson, Andrew: "Thomas Gray's Finish". SEL: Studies in English Literature, 1500-1900 59(3) (Summer 2019), 531-557.
Tapp, Alyson: "Towards a Lyric Phenomenology: ‘The Beginnings of Truly Human Poetry’ and Zhukovskii’s Elegiac Imagination". The Slavonic and East European Review 97(3) (July 2019), 401-425.
Thomas, Sophie: "'With a Master's Hand and Prophet's Fire': Blake, Gray, and the Bard". Haywood, Ian, Susan Matthews, and Mary L. Shannon (eds.), Romanticism and Illustration, Cambridge: CUP, 2019, 47-69.
2018
Mitchell, Robert: "Enlightenment Biopolitics: Population and the Growth of Genius". The Eighteenth Century 59(4) (2018), 405-427.
Williams, Jonathan C.: "Thomas Gray's Elegy and the Politics of Memorialization". SEL: Studies in English Literature, 1500-1900 58(3) (2018), 653-672.
2017
Dongu, Maria Grazia: "Gray's 'Elegy': A Polyphonous Elegy Sung to the Silence of Death". Vahid Parvaresh and Alessandro Capone (eds.), The Pragmeme of Accommodation: The Case of Interaction around the Event of Death. Cham, Switzerland: Springer: 2017, 441-458.
Grant, Sarabeth Ann: "Returning to Eton: Writing History and Temporality in Thomas Gray's 'Ode on a Distant Prospect of Eton College'". Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature 53(2) (2017), 132-165.
Tomasello, Dario: "The Fragile Nature of Human Glory: Death and Poetry in Thomas Gray's Elegy Written in a Country Churchyard". Vahid Parvaresh and Alessandro Capone (eds.), The Pragmeme of Accommodation: The Case of Interaction around the Event of Death. Cham, Switzerland: Springer: 2017, 459-462.
2016
Grant, Sarabeth Ann: "Historical Representation, Commemoration, and Burying the Dead: Writing History in Thomas Gray's 'Elegy Written in a Country Churchyard'". CLIO: A Journal of Literature, History, and the Philosophy of History 45(2) (2016), 137-157.
Grant, Sarabeth Ann: Claiming History: Historiography, Commemoration, and Aesthetic Recompense, 1743-1751. Unpub. univ. diss., Brandeis U., 2016. [Abstr. in Dissertation Abstracts International (Ann Arbor, MI) DA3723507. Contains a chapter on Gray's Elegy.]
Kistanova, Anastasia: "The Horatian Tradition in Odes on Spring by English and Russian Poets". Loveday, Leo, and Emilia Parpală (eds.), Ways of Being in Literary and Cultural Spaces. Newcastle upon Tyne, England: Cambridge Scholars, 2016, 157-169.
Nichol, Donald W.: "Mason, Walpole, and 'A Complete Edition of Gray': A Missing Newspaper Item Now Found". Notes and Queries (261)(1) (Mar. 2016), 89-91.
Roberts, W. G.: Thomas Gray: A Life in Letters. Second edition, corrected and illustrated. Kirkoswald: Northern Academic Press, 2016.
Turk, Thomas N.: "The Translations of Gray's Elegy. Part II: Additions, Clarifications and Corrections". 2016. TS. Thomas Gray Archive.
2015
Butler, Marilyn: Mapping Mythologies: Countercurrents in Eighteenth-Century British Poetry and Cultural History. Cambridge: CUP, 2015, chapter 3 "Collins and Gray", 56-87.
Swidzinski, Joshua: "Uncouth Rhymes: Thomas Gray, Prosody, and Literary History". Studies in Philology 112(4) (Fall 2015), 837-861.
2014
Coykendall, Abby: "Queer Counterhistory and the Specter of Effeminacy". Boe, Ana de Freitas and Abby Coykendall (eds.), Heteronormativity in Eighteenth-Century Literature and Culture, Farnham, England: Ashgate, 2014, 111-129.
Dongu, Maria Grazia: Thomas Gray Ludens: Frammenti dal Grand Tour. Metodi e prospettive, Studi di Linguistica, Filologia, Letteratura. Milano: FrancoAngeli, 2014.
Jackson Williams, Kelsey: "Thomas Gray and the Goths: Philology, Poetry, and the Uses of the Norse Past in Eighteenth-Century England". Review of English Studies 65(271) (September 2014), 694-710.
2013
McGrath, Brian: The Poetics of Unremembered Acts: Reading, Lyric, Pedagogy. Evanston, IL: Northwestern UP, 2013, ch. "Leaving the World to Darkness: Gray".
Nilges, Yvonne: "Kirchhofsgedanken: Topographien des Totenackers von Gryphius bis Byron". Angermion: Yearbook for Anglo-German Literary Criticism, Intellectual History and Cultural Transfers/Jahrbuch für Britisch-Deutsche Kulturbeziehungen 6 (2013), 53-70.
Oerlemans, Onno: "The Animal in Allegory: From Chaucer to Gray". Isle: Interdisciplinary Studies in Literature and Environment 20(2) (2013), 296-317.
Parisot, Eric: Graveyard Poetry: Religion, Aesthetics and the Mid-Eighteenth-Century Poetic Condition. Burlington, VT: Ashgate, 2013, chapters 4 and 5.
Siebert, D. T.: Mortality's Muse: The Fine Art of Dying. Newark, DE: University of Delaware Press, 2013, chapter 6.
Turk, Thomas N.: "Search and Rescue: An Annotated Checklist of Translations of Gray's Elegy". Translation and Literature 22(1) (2013), 45-73.
2012
Edwards, Elizabeth: "Iniquity, terror and survival: Welsh gothic, 1789-1804". Journal for Eighteenth-Century Studies 35(1) (2012), 119-133.
Gorji, Mina: "Burns's sentiments: Gray, Milton and To a Mountain-Daisy". Sergeant, David and Fiona Stafford (eds.): Burns and other poets. Edinburgh: Edinburgh UP, 2012, 67-79.
Gray, Thomas: Thomas Gray's Journal of his Visit to the Lake District in October 1769 also including a letter describing his Visit to the Highlands of Scotland in September 1765. A Revised Edition edited, with Commentary, by W. G. Roberts. Kirkoswald Cumbria: Northern Academic Press, 2012. Review: Hannah Waugh in Journal for Eighteenth-Century Studies 36(4) (December 2013), 609-610.
Hurley, Michael D. and Michael O'Neill: "Thomas Gray". Hurley, Michael D. and Michael O'Neill, Poetic Form: an introduction. Cambridge: Cambridge UP, 2012, 109-111.
Keener, Frederick M.: Implication, readers' resources and Thomas Gray's Pindaric odes. Newark: Delaware UP; Lanham, MD; Oxford: Rowman & Littlefield, 2012.
McKendry, Andrew: "'For thou can'st read': cultural silence and education in Gray's Elegy". Lumen 31 (2012), 101-114.
Mulholland, James: Sounding imperial: poetic voice and the politics of empire, 1730-1820. Baltimore: The Johns Hopkins University Press, 2012.
Quinn, Vincent: Pre-Romantic Poetry. Writers and Their Work. Tavistock: Northcote House, 2012.
Robson, Catherine: Heart Beats: Everyday Life and the Memorized Poem. Princeton, NJ: Princeton UP, 2012, case study: Thomas Gray, "Elegy Written in a Country Churchyard".
Tiffany, Daniel: "Arresting poetry: kitsch and the miscreant language of verse". Critical Quarterly 54(4) (2012), 1-25.
2011
Calè, Luisa: "Gray's Ode and Walpole's China Tub: The Order of the Book and The Paper Lives of an Object." Eighteenth-Century Studies 45(1) (Fall 2011), 105-125.
Carnochan, W. B.: "An imitation of Gray's Elegy, King's Bench Prison, 1816.". Notes and Queries 58(4) (Dec 2011), 546-548.
Clarke, Stephen: "Unhorsed by Pegasus: Gray's Poetry and the Critics before The Lives of the Poets". The Age of Johnson: A Scholarly Annual 21 (2011), 193-215.
Gregory, Ian N. and David Cooper: "Mapping the English Lake District: a literary GIS". Transactions of the Institute of British Geographers 36(1) (January 2011), 89-108.
Sniedziewski, Piotr: "U źródeł romantycznej elegii — Elegia napisana na cmentarzu wiejskim Thomasa Graya". Poznańskie Studia Polonistyczne Seria Literacka 18(38) (2011), 83-102.
2010
Clarke, Stephen: "Boswell and Mason, Johnson and Gray: an encounter". The Age of Johnson: A Scholarly Annual 20 (2010), 95-109.
Deutsch, Helen: "Elegies in Country Churchyards: the prospect poem in and around the eighteenth century". Karen Weisman (ed.): The Oxford Handbook of The Elegy. Oxford: OUP, 2010, chapter 10, 187-205.
Fogarasi, György: "Payments of Attention: Epitaphic Cash Flow in Gray and Wordsworth". Balfour, Robert J. (ed.), Culture, Capital and Representation. New York: Palgrave Macmillan, 2010, 67-82.
Gray, Thomas: Grand Tour Revisited: Thomas Gray's Journey to France and Italy from 1739 to 1741, With a Commentary following the Same Route. Penrith: Northern Academic Press, 2010. Review: Michael Caines in Times Literary Supplement (TLS), 4 Mar. 2011, 27.
Hogle, Jerrold E.: "Elegy and the Gothic: the common grounds". Karen Weisman (ed.): The Oxford Handbook of The Elegy. Oxford: OUP, 2010, chapter 32, 565-584.
Thompson, Ian H.: The English Lakes: A History. London; New York: Bloomsbury, 2010, chapter 2 "Pathfinders: From Thomas Gray to William Gilpin", 31-43.
2009
Edgecombe, Rodney Stenning: "An Echo of Night Thoughts in Gray". Notes and Queries 56(3) (Sep 2009), 354.
Edgecombe, Rodney Stenning: "An Echo of Young in Gray's 'Bard'". Notes and Queries 56(3) (Sep 2009), 360.
Edgecombe, Rodney Stenning: "Echoes of Gray in Scott's Marmion." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 22(4) (2009), 16-19.
Frayling, Christopher: Horace Walpole's Cat. Illustrated by Richard Bentley, William Blake and Katherine Hale. London: Thames & Hudson, 2009.
Garrison, James D.: A Dangerous Liberty: Translating Gray's Elegy. Newark: University of Delaware Press, 2009.
Gregory, Ian N. and David Cooper: "Thomas Gray, Samuel Taylor Coleridge and Geographical Information Systems: a literary GIS of two Lake District tours". International Journal of Humanities and Arts Computing 3(1-2) (2009), 61-84.
Henstra, Froukje: "The problem of small numbers: methodological issues in social network analysis". Ingrid Tieken-Boon van Ostade and Wim van der Wurff (eds.), Current Issues in Late Modern English. Bern, Switzerland: Peter Lang, 2009, 361-390. [Discusses the correspondence of Gray, Walpole, West, and Ashton.]
Roberts, W. G.: "Thomas Gray's Adventures in Scotland and the English Lake District". Serge Soupel, Kevin L. Cope, Alexander Pettit (eds.), Adventure: An Eighteenth-Century Idiom - Essays on the Daring and the Bold as a Pre-Modern Medium. AMS Studies in the Eighteenth Century 58. New York: AMS, 2009, 171-188.
2008
Bowlby, Rachel: "'Where Ignorance Is Bliss': The Folly of Origins in Gray and Hardy". Comparative Critical Studies 5(2-3) (2008), 271-288.
Gibson, Donald et al. (eds.): Thomas Gray: "Elegy in a Country Churchyard", Latin translations 1762-2001, ed. by Donald Gibson, Peter Wilkinson, and Stephen French. Orpington: The Holden Press, 2008.
Gray, Thomas: Antaha Yatra: Maha Kavi Gray Ke Sath (Internal Journey with Great Poet Thomas Gray), Thomas Gray's best poems translated into Hindi by Sanjay K. Sahu. New Delhi: Prakashan Sansthan, 2008. [Includes "Elegy", "Eton Ode", "Spring Ode", "Vicissitude", "Adversity"]
Jacobson, Jean Alice: How Should Poetry Look? The Printer's Measure and Poet's Line. Unpub. univ. diss., U. of Minnesota, 2008. [Abstr. in Dissertation Abstracts International (Ann Arbor, MI) DA3324409. Contains a chapter on Gray's Elegy.]
Lichtenwalner, Shawna: Claiming Cambria: Invoking the Welsh in the Romantic Era. Newark: University of Delaware Press, 2008, chapter 3 "Memorializing the Welsh: Nostalgia and Incorporation in the Work of Thomas Gray and Robert Southey", 67-74.
McCulloch, Andrew: "Elegy Written in a Country Churchyard". English Review 18(3) (2008), 13-16.
Mulholland, James: "Gray's Ambition: Printed Voices and Performing Bards in the later poetry". ELH: journal of English literary history 75(1) (Spring 2008), 109-134.
Parisot, Eric: The Paths of Glory: authority, agency and aesthetics in mid-eighteenth-century graveyard poetry. Thesis (Ph.D.), University of Melbourne, 2008.
Pashchenko, Mikhail: "The Sublimation of History in Thomas Gray's 'The Bard'". Anglia: Zeitschrift für Englische Philologie 126(3) (2008), 461-476.
Prandi, Julie D.: The Poetry of the Self-Taught: An Eighteenth-Century Phenomenon. New York: Peter Lang, 2008. [Contains a section on Gray.]
Prescott, Sarah: Eighteenth-Century Writing From Wales: Bards and Britons. CREW series of Critical and Scholarly Studies. Cardiff: University of Wales Press, 2008, chapter 3 "'Gray's Pale Spectre': Evan Evans, Translation and the Rise of Welsh Bardic Nationalism", 57-83. Review: Katie Gramich in Times Literary Supplement (24 October 2008), 31.
Righi, Giorgia Maria: "Their lot forbad". Thomas Gray's Elegy written in a Country Churchyard. Unpub. univ. diss., Universita' degli Studi di Padova, 2008.
Rückert, George: "Translation as Sentimental Education: Zhukovskij's Sel'skoe kladbishche". Sign Systems Studies/Trudy po Znakovym Sistemam/Töid Märgisüsteemide Alalt: Semeiotike 36(2) (2008), 399-416.
Storace, Stephen: The curfew tolls. Musical score for voice and keyboard/harp from manuscript G.295.b.(4) in the British Library. The tuneful lark by Samuel Arnold; with songs by William Shield and Stephen Storace; edited by Robert Hoskins; realizations by David Vine. Wellington, N.Z.: Massey University Music in association with the Massey University Centre for Eighteenth Century Music, 2008.
2007
Billi, Mirella: "Landscape aesthetics in the 18th century: from description to vision". Michele Bottalico, Maria Teresa Chialant, Eleonora Rao (eds.), Literary landscapes: landscape in literature. Rome: Carocci, 2007, 61-72. [Discusses Gray, Gilpin, and Beckford.]
Dongu, Maria Grazia: "Thomas Gray fra centro e periferia". Francesco Marroni, Irene Meloni, Maria Grazia Dongu (eds.), Cityscapes: islands of the self: vol. 1, Literary and cultural studies. Cagliari: CUEC, 2007, 129-138.
Edgecombe, Rodney Stenning: "Irving's Chronicle of Wolfert's Roost, Goldsmith's 'The Deserted Village', and Gray's 'Ode on a Distant Prospect of Eton College'". Explicator 65(3) (Spring 2007), 139-142.
Edgecombe, Rodney Stenning: "A Source for the 'Village-Hampden' Stanza in Gray's 'Elegy'". ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 20(1) (Winter 2007), 35-36.
Edgecombe, Rodney Stenning: "Gray and Johnson: parallel sentiments in the 'Eton College Ode' and 'Rasselas'". ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 20(2) (Spring 2007), 20-22.
Edgecombe, Rodney Stenning: "Blair's Grave and Gray's 'Elegy'". ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 20(4) (Fall 2007), 50-58.
Jung, Sandro: "Idleness Censured and Morality Vindicated: Johnson's 'Lives' of Shenstone and Gray". Etudes Anglaises: Grande-Bretagne, Etats-Unis 60(1) (Jan-Mar 2007), 80-91.
Oohinata, Gen: "Thomas Gray, 'Elegy Written in a Country Churchyard': Kodokuna chinshi". Eigo Seinen/Rising Generation 153(5) (Aug. 2007), 296-297.
2006
Garrison, James D.: "Pietoso stile: Italian Translations of Gray's Elegy to 1900". Modern Language Notes 121(1) (Jan 2006), 167-186.
Haggerty, George E.: "Horace Walpole's epistolary friendships". British Journal for Eighteenth-Century Studies 29(2) (2006), 201-218.
Kaul, Suvir: "Thomas Gray, Elegy Writen in a Country Church Yard". Christine Gerrard (ed.): A Companion to Eighteenth-Century Poetry. Malden, MA [etc.]: Blackwell, 2006, 277-289.
Mounsey, Chris: "Persona, elegy, and desire". Studies in English Literature 1500-1900 46(3) (Summer 2006), 601-618.
Prescott, Sarah: "'Gray's Pale Spectre': Evan Evans, Thomas Gray, and the Rise of Welsh Bardic Nationalism". Modern Philology 104(1) (Aug 2006), 72-95.
Santesso, Aaron: A Careful Longing: The Poetics and Problems of Nostalgia. Newark: University of Delaware Press, 2006, chapters 2 and 3. Reviews: Duane Coltharp in Scriblerian and the Kit-Cats 40(1/2) (2007/2008), 152-4, Steven Stryer in Essays in Criticism 58(3) (2008), 273-80.
Turk, Thomas N.: "The Latin Translations of Gray's Elegy". Classical and Modern Literature 26(1) (Spring 2006) 56-72.
2005
Dongu, Maria Grazia: "How far from the Madding Crowd? Gray, Algarotti and the European Republic of Letters". Frederic Ogee, "Better in France?": The Circulation of Ideas Across the Channel in the Eighteenth Century. Lewisburg, [Pa.]: Bucknell University Press, 2005, 252-268.
Edgecombe, Rodney Stenning: "St. John Chrysostom's 'Homilies on Romans' and Gray's 'Elegy'". ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 18(2) (Spring 2005), 28-29.
Fairer, David: "Happy Returns? Lamb, Gray, and Wordsworth's Ruined Cottage". Charles Lamb Bulletin 131 (July 2005), 62-75.
Garrison, James D.: "Thomas Gray's Elegy in Russian Translation". Babel: Revue Internationale de la Traduction 51(1) (2005), 49-61.
Huehn, Peter: "Thomas Gray: 'Elegy Written in a Country Churchyard'". Peter Hühn and Jens Kiefer, The Narratological Analysis of Lyric Poetry: Studies in English Poetry from the Sixteenth to the Twentieth Century. Berlin and New York: Walter de Gruyter, 2005, 79-94.
Raymond, Mark: Marked by Melancholy: The Character of the Pensive Text in Gray and Keats. Univ. Diss., New York University, 2005. [Abstract in Dissertation Abstracts International, Section A: The Humanities and Social Sciences 66(4) (Oct. 2005), 1364.]
2004
Edgecombe, Rodney Stenning: "An Allusion to Ovid's Heroides in Gray's 'Ode on a Distant Prospect of Eton College'". Notes and Queries 51(249) (Mar 2004), 48.
Edgecombe, Rodney Stenning: "Addison's 'Campaign' and Gray's 'Elegy'". ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 17(3) (Summer 2004), 27-28.
Mack, Robert L.: "Another Thomas Gray Parody in Aldous Huxley's 'Brave New World'". Notes and Queries 51(249), no. 2 (June 2004), 178-182.
2003
Conti Camaiora, Luisa: Virtuous texts: the idea of virtue in poems by Pope, Gray and Goldsmith. Milan: Vita e pensiero, 2003.
Dutoit, Thomas: "Poetry of twilight in Collins' "Ode to Evening" and in Gray's "Elegy Written in a Country Churchyard". By Jacques Derrida." Oxford Literary Review 25 (2003), 5-37.
Edgecombe, Rodney Stenning: "The Heroic Mental Journey: A Note on a Topos". ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 16(1) (Winter 2003), 24-27.
Edgecombe, Rodney Stenning: "A source for the epitaph in Gray's Elegy Written in a Country Churchyard". ANQ: A Quarterly Journal of Short Articles, Notes, and Reviews 16(3) (2003), 18-19.
Edgecombe, Rodney Stenning: "Milton, Gray, and West's 'Monody on the Death of Queen Caroline'". Review of English Studies: The Leading Journal of English Literature and the English Language 54(215) (June 2003), 386-398.
Edgecombe, Rodney Stenning: "Gray's 'Ode on the Spring' and Pope's Essay on Man". Notes and Queries 50(248), no. 2 (June 2003), 205.
Kalter, Barrett: "DIY Gothic: Thomas Gray and the Medieval Revival". ELH. A Journal of English Literary History 70(4) (Winter 2003), 989-1019. Also in Barrett Kalter, Modern Antiques: the Material Past in England, 1660-1780. Lewisburg, PA: Bucknell UP; Lanham, MD; Oxford: Rowman & Littlefield, 2012. Review: (of the book) Clayton Tarr in Gothic Studies 16(1) (May 2014), 131-133.
Levine, William: "Situating the Careers of Gray and Other British Poets of the Long Eighteenth Century in Their Times: Some Biographical, Historicist, Contextualist, and Formalist Treatments". Eighteenth-Century Studies 36(3) (Spring 2003), 429-436.
Saklofske, Jon: "A Fly in the Ointment: Exploring the Creative Relationship between William Blake and Thomas Gray". Word & Image: A Journal of Verbal/Visual Enquiry 19(3) (July-Sept 2003), 166-179.
Stocchi, Manlio Pastore: "Cenni su alcune traduzioni neoclassiche". Guido Santato (ed.): Letteratura italiana e cultura europea tra illuminismo e romanticismo. Geneva: Droz, 2003, 161-173.
2002
Bidwell, John: "Designs by Mr. J. Baskerville for Six Poems by Mr. T. Gray". Book Collector 51(3) (Autumn 2002), 355-371.
Curr, Matthew: The Consolation of Otherness: The Male Love Elegy in Milton, Gray and Tennyson. Jefferson, NC and London: McFarland & Co., 2002, chapters 2 and 3.
Decker, Christopher: "The poet as reader: Thomas Gray's borrowings from Cambridge college libraries". Library: the transactions of the Bibliographical Society (Oxford) 3(2) (2002), 163-193.
Dongu, Maria Grazia: "Cercare sè negli altri. Prove di Poesia: una traduzione latina di Petrarca nel Settecento Inglese". Letterature straniere &. Quaderni della Facoltà di lingue e letterature straniere dell'Università degli studi di Cagliari 4 (2002), 93-108.
Gesalí, Esteban Pujals: "Neoclassical Avant-Garde: Thomas Gray's Poems and Letters". Philip C. Sutton (ed. and introd.), Betwixt-and-Between: Essays in Liminal Geography. Madrid: Gateway, 2002, 87-99.
Hess, Scott: "'Approach and Read': Gray's Elegy, Print Culture, and Authorial Identity". Age of Johnson: A Scholarly Annual 13 (2002), 207-237. Also, slightly revised, Scott Hess, Authoring the Self: Self-Representation, Authorship, and the Print Market in British Poetry from Pope through Wordsworth, New York & London: Routledge, 2005, 109-132.
Sharp, Michele Turner: "Elegy unto epitaph: Print culture and commenorative practice in Gray's ''Elegy written in a country churchyard''". Papers on Language & Literature: a quarterly journal for scholars and critics of language and literature (Southern Illinois Univ., Edwardsville) 38(1) (Winter 2002), 3-28.
Thomson, Heidi: "The Editor's Subject: William Mason's Construction of Thomas Gray." John Thomson (ed.), Books and Bibliography: Essays in Commemortion of Don McKenzie, Wellington: Victoria UP, 2002, 103-115.
Tongiorgi, Duccio: "'Rozze rime e disadatte forme': (Pre)storia di una traduzione elegiaca". Gennaro Barbarisi (ed.), Aspetti dell'opera e della fortuna di Melchiorre Cesarotti. Milan: Cisalpino, 2002, 569-595.
2001
Edgecombe, Rodney Stenning: "Gray's Elegy Written in a Country Churchyard". Explicator (Helen Dwight Reid Educational Foundation, Washington, DC) 59(2) (Winter 2001), 76-78.
Edgecombe, Rodney Stenning: "Gray's 'Elegy' and Thomas Brown's 'Pastoral on the Death of Queen Mary'". Notes and Queries 48(246)(4) (Dec 2001), 413.
Gray, Thomas: Thomas Gray's journal of his visit to the Lake District in October 1769. Edited, with a life, commentary and historical background by W.G. Roberts. Liverpool: Liverpool UP, 2001. Reviews: William Levine in Eighteenth-Century Studies (American Soc. for Eighteenth Century Studies, Wake Forest Univ., Winston-Salem, NC) 36(3) (2003), 429-436, Heidi Thomson in Coleridge Bulletin 24(NS) (Winter 2004), 101-107.
Grossman, Carol: "The Trianon Press's William Blake's Water-Colour Designs for the Poems of Thomas Gray". Printing History 21(1) (41)(2001), 19-24, 29-31, 33-36.
Hawes, Clement: "Johnson's Cosmopolitan Nationalism". Philip Smallwood (ed.), Johnson Re-Visioned: Looking Before and After. Lewisburg: Bucknell UP, 2001, 37-63.
Jung, Sandro: "Die Ästhetik homoerotischer Liebe bei Thomas Gray: Zur Deutung von Grays 'Sonnet on the Death of Richard West'". Forum Homosexualität und Literatur 37 (2000), 103-111.
Lonsdale, Roger: "Thomas Gray, David Hume and John Home's Douglas". Maureen Bell, Shirley Chew, Simon Eliot, Lynette Hunter, and James L. W. West (eds.), Re-constructing the Book: Literary Texts in Transmission. Aldershot: Ashgate, 2001, chapter 6.
Zionkowski, Linda: Men's Work: Gender, Class, and the Professionalization of Poetry, 1660-1784. New York and Houndmills, Eng.: Palgrave, 2001, chapter 4 '"I shall be but a shrimp of an author": Gray, the Marketplace, and the Masculine Poet', 129-170.
2000
Blake, William: Blake's water-colours for the poems of Thomas Gray: with complete texts by William Blake. Mineola, N.Y.: Dover Publications, 2000 [originally published as: William Blake's water-colour designs for the poems of Thomas Gray (3 vols.). With a new introduction. Boissia, Clairvaux, Jura: Tianon Press for the William Blake Trust, 1971.]
Dolan, John: Poetic Occasion from Milton to Wordsworth. Early Modern Literature in History series. Houndmills; New York: MacMillan; St. Martin's Press, 2000, chapter 5 "'To Darkness and to Me': Mental Event as Poetic Occasion".
Haan, Estelle: Thomas Gray's Latin poetry: some classical, neo-Latin and vernacular contexts. Bruxelles: Latomus revue d'études latines, 2000.
Mack, Robert L.: Thomas Gray: a life. New Haven and London: Yale UP, 2000. [Includes illustrations and bibliography.] Reviews: Virginia Quarterly Review: a national journal of literature and discussion (Univ. of Virginia, Charlottesville) 77(3) (Summer 2001), 94, Catherine Kord in Antioch Review (Yellow Springs, OH) 59(3) (Summer 2001), 636, David Womersley in Times Literary Supplement (London) (10 Nov. 2000), 6-7, John Mullan in London Review of Books 23(24) (13 Dec. 2001), B. Eugene McCarthy in Eighteenth-Century Book Reviews Online, Benjamin Griffith in Sewanee Review (Univ. of the South, Sewanee, TN) (Spring 2002), lviii, William Levine in Eighteenth-Century Studies (American Soc. for Eighteenth Century Studies, Wake Forest Univ., Winston-Salem, NC) 36(3) (2003), 429-436, Frank McCormick in H-Albion (October 2002).
Roberts, W. G.: "A letter from Thomas Gray to Horace Walpole". Notes and Queries 47(2) (2000), 198-201.
Turner, Katherine: "Thomas Gray, Elegy Written in a Country Churchyard". David Womersley (ed.): A Companion to Literature from Milton to Blake. Oxford: Blackwell, 2000, 345-352.
1999
Goodridge, John: "'Three cheers for mute ingloriousness!': Gray's Elegy in the poetry of John Clare". Critical Survey (New York; Oxford) 11(3) (1999), 11-20.
Odney, Paul: "Thomas Gray's 'Daring Spirit': Forging the Poetics of an Alternative Nationalism". Clio 28(3) (1999), 245-260.
Voisine, Jacques: "Notes et documents - Thomas Gray entre Tacite et Racine (Agrippina)". Revue de litterature comparee 73(2) (1999), 257-272.
1998
Lutz, Alfred: "Goldsmith on Burke and Gray." Papers on Language & Literature: a quarterly journal for scholars and critics of language and literature (Southern Illinois Univ., Edwardsville) 34(3) (1998), 225-249.
Mack, Robert L.: "From Eton to Ranelagh: Context and Meaning in an Early Parody of Thomas Gray's 'Ode on a Distant Prospect of Eton College'". English Language Notes 36(1) (1998), 38-50.
Morrissey, Lee: "Reading Stonehenge: toward an archaeology of Gray's Elegy". The Age of Johnson: A Scholarly Annual 9 (1998), 295-321.
Roe, John: "Foreseeing and foreknowing: Dante's 'Ugolino' and the Eton College ode of Thomas Gray". Nick Havely (ed.), Dante's modern afterlife: reception and response from Blake to Heaney. Basingstoke: Macmillan; New York: St Martin's Press, 1998, 17-30.
Suzuki, Masashi: "'DUST THOU ART': The Moment of Self-Portraiture in the Illustrations to Gray's Elegy". Shiron 37(6) (1998), 1-22.
Taylor, Dennis: "Thomas Hardy and Thomas Gray: The Poet's Currency". ELH. A Journal of English Literary History 65(2) (Summer 1998), 451-477.
Thomson, Heidi: "The Poet and the Publisher in Thomas Gray's Correspondence". The Yearbook of English Studies 28 (1998), 163-180.
White, Daniel E.: "Autobiography and Elegy: The Early 'Romantic' Poetics of Thomas Gray and Charlotte Smith." Thomas Woodman (ed.), Early Romantics: Perspectives in British Poetry from Pope to Wordsworth. Houndmills: MacMillan; New York: St. Martin's Press, 1998, 57-69.
Woodman, Thomas (ed.): Early Romantics: Perspectives in British Poetry from Pope to Wordsworth. Houndmills: MacMillan; New York: St. Martin's Press, 1998.
1997
Edgecombe, Rodney Stenning: "Gray, Propertius, and the Games Stanza in the Eton College Ode". Notes and Queries 242(3) (Sep. 1997), 319-320.
Gleckner, Robert F.: Gray Agonistes: Thomas Gray and Masculine Friendship. Baltimore/London: The Johns Hopkins UP, 1997. [Includes bibliographical references and index. The book examines in detail the influence which Milton's poetry and life had on Gray and the relationship which Gray had with his friend Richard West, also a poet and admirer of Milton]. Reviews: Suvir Kaul in Modern Philology 97(3) (Feb. 2000), 468-470, M. Wechselblatt in Journal of English and Germanic Philology 98(1) (Jan. 1999), 118-121, M. Walsh in The Review of English Studies 50(197) (Feb. 1999), 109, Daniel E. White in Criticism (Detroit) 40(1) (Winter 1998), 145-148, John Sitter in South Atlantic Review: the publication of the South Atlantic Modern Language Association (University, AL) (formerly South Atlantic Bulletin) 62(3) (1997), 132-134, Heidi Thomson in Modern Language Review 93(4) (1998), 1088-1089, R. Wells in Times Literary Supplement (15 May 1998), 12-14, William Levine in Eighteenth-Century Studies (American Soc. for Eighteenth Century Studies, Wake Forest Univ., Winston-Salem, NC) 36(3) (2003), 429-436, George E. Haggerty, "Gray Revisited". The Age of Johnson: A Scholarly Annual 22 (2012), 331-336.
Gray, Thomas: Thomas Gray: selected poems. [This selection by Ian Hamilton]. Bloomsbury poetry classics series. London: Bloomsbury, 1997.
Gray, Thomas: Selected poems of Thomas Gray, Charles Churchill and William Cowper. Ed. with an introduction and notes by Katherine Turner. Penguin English poets series. London [etc.]: Penguin Books, 1997 [reprinted in Penguin Classics series 1998].
Katayama, Mamiko: "Gray to 18 seiki chuuyou no bungaku wo torimaku joukyou - The Progress of Poesy no kaishaku no kokoromi. (Gray and the mid-eighteenth century literary background: an interpretation of The Progress of Poesy)". Studies in English Literature/Eibungaku kenkyu (English Literary Soc. of Japan/Nihon Eibungakkai, Tokyo) 73(2) (1997), 193-205.
McCarthy, B. Eugene: "Gray's music for The 'Bard' - Autograph manuscript by Thomas Gray". Review of English Studies 48(189) (Feb. 1997), 19-32.
McCarthy, B. Eugene: Thomas Gray: The Progress of a Poet. Madison and Teaneck, NJ: Fairleigh Dickinson UP; London: Associated UPes, 1997. [Includes bibliographical references (257-270) and index]. Reviews: Choice / Monthly 35(10) (1998), 1708-1709, Heidi Thomson in Yearbook of English Studies (Modern Humanities Research Assn) (Leeds) 30 (2000), 314, William Levine in Eighteenth-Century Studies (American Soc. for Eighteenth Century Studies, Wake Forest Univ., Winston-Salem, NC) 36(3) (2003), 429-436.
Munch, Ferdinand von: "Das Gedicht im Gepäck: Fünf Anmerkungen zum grenzüberschreitenden Gebrauch von Poesie anhand von Thomas Grays 'Elegy Wrote in a Country Church Yard' in Deutschland". Christine Fischer and Ulrich Steltner (eds.), Die Rezeption europäischer und amerikanischer Lyrik in Deutschland. Frankfurt: Peter Lang, 1997, 21-32.
Neff, D. S.: "Phidias and the 'runic stone': Gray's Alcaic Ode and Stanzas from the Grande Chartreuse." Victorian Poetry (Univ. of West Virginia, Morgantown) 35(4) (1997), 543-550.
Zachs, W.: "'A litigious and disputatious nature': Copyright battles of an eighteenth-century publisher". Journal of Scholarly Publishing 28(3) (Apr. 1997), 171-179. [Deals with William Mason's lawsuit against John Murray who had published some of Gray's poetry Mason claimed he owned]
Gray, Thomas: Thomas Gray. Selected and edited by Robert L. Mack. Everyman's Paperback Classics. Everyman's Poetry Library. London: J. M. Dent, 1996.
Gray, Thomas and Horace Walpole: From St. James's to St. Peter's: Horace Walpole's and Thomas Gray's letters from the Grand Tour, 1739-1741. Selected and with an introduction by Andrea Kirkby. St James's: Malthouse Press, 1996.
Haggerty, George E.: "O-lachrymarum-fons - Thomas Gray: Tears, poetry and desire in Gray". Eighteenth Century Studies 30(1) (Fall 1996), 81-95.
Joannides, Paul: A subject from Thomas Gray by Girodet. Gazette des Beaux-arts 138 (Mars 1996), 119. [Deals with a subject from a painting and "The Bard"]
McGann, Jerome J.: The Poetics of Sensibility: a revolution in literary style. Oxford: Clarendon Press, 1996, ch. 3, 24-32.
Quinn, Vincent: A new approach to the writing of Thomas Gray. Univ. diss., Univ. of Cambridge, 1995. [Abstr. in Index to Theses accepted for higher degrees by the universities of Great Britain and Ireland (and the Council for National Academic Awards) (ASliB) (London) (45) 1996, 12144.]
Vaughan, Frank A.: Again to the life of eternity: William Blake's illustrations to the poems of Thomas Gray. Selinsgrove: Susquehanna UP; London: Associated UPes, 1996. [Includes 116 p. of illustrations, bibliographical references (126-133), and index]. Reviews: C. Heppner in Blake. An Illustrated Quarterly 31(1) (Summer 1997), 24-29, Bruce Tice in Antiquarian Book Monthly 23(10) (1996), 26.
1995
Baldwin, Barry: "On some Greek and Latin poems by Thomas Gray". International journal of the classical tradition 1(1) (1994), 71-88.
Cameron, Kenneth Walter: "Emerson and the poet Thomas Gray." American Renaissance Literary Report (Hartford, CT) 9 (1995), 107.
Clymer, Lorna: "Graved in Tropes: The Figural Logic of Epitaphs and Elegies in Blair, Gray, Cowper, and Wordsworth". ELH. A journal of English Literary History 62(2) (Summer 1995), 347-386.
Edgecombe, Rodney Stenning: "Two Sources for Gray's 'Eton College Ode'". Notes and queries for readers and writers, collectors and librarians 42 (240)(1) (Mar. 1995), 67-68.
Edgecombe, Rodney Stenning: "Gray, Hunt, Keats and the Idea of Artistic Succession". Keats Shelley Journal 44 (1995), 17-22.
Galigani, Giuseppe: Tra poesia e pittura: Il Bardo di Thomas Gray e le arti figurative. Nuovi saggi, 126. Parma: Pratiche, c1995. [Contains illustrations, the text of the poem in English and in Italian translation, bibliographical references ([121]-123), and index]. Reviews: C. Maria Laudando in Istituto Universitario Orientale (Napoli): Annali / Anglistica 38(1-2) (1995), 219-222, and in Comparatistica 7 (1995), 177-179.
Huehn, Peter: Geschichte der englischen Lyrik, 2 vols. Tübingen/Basel: Francke Verlag, 1995, vol. 1, "Zwischen Klassik und Romantik: Thomas Gray", 233-250.
Hutchings, W. B.: "Conversations with a Shadow: Thomas Gray's Latin Poems to Richard West". Studies in Philology 92(1) (Winter 1995), 118-139.
Krahe, Peter: "'Approach and Read'. Grays 'Elegy' aus sozial- und mentalitätsgeschichtlicher Sicht". Germanisch-romanische Monatsschrift 45(4) (1995), 388-405.
Levine, William: "'Beyond the Limits of a Vulgar Fate': The Renegotiation of Public and Private Concerns in the Careers of Gray and Other Mid-Eighteenth-Century Poets". Studies in Eighteenth Century Culture 24 (1995), 223-242.
Newey, Vincent: Centring the Self: Subjectivity, Society, and Reading from Thomas Gray to Thomas Hardy. The nineteenth century (Scolar) series. Aldershot: Scolar Press; Brookfield: Ashgate, 1995. [Includes bibliography ([239]-265)]. Reviews: F. Garber in Studies in Romanticism 37(2) (Summer 1998), 281-285, Susan Rosenbaum in Keats Shelley Journal 46 (1997), 210-211, Michael Wiley in The Wordsworth Circle 27(4) (Fall 1996), 191-193, M. O'Neill in Durham University Journal 87(2) (Jul. 1995), 394-395, Kelsey Thornton in Romanticism 5(1) (1999), 115-116.
Sutton, David C. (ed.): Location Register of English Literary Manuscripts and Letters. Eighteenth and Nineteenth Centuries. Volume I: A-J. London: The British Library, 1995, 413-415.
1994
Baldwin, Barry: "Thomas Gray on Posterity". The Scriblerian and the kit-cats 26(2) (1994), 159, also Notes and Queries 40 (238)(3) (Sep. 1993), 328-329.
Ellis, R. J.: "Plodding Plowmen: Issues of Labour and Literacy in Gray's 'Elegy'". John Goodridge (ed.), The Independent Spirit: John Clare and the Self-Taught Tradition. Helpston: John Clare Soc. & Margaret Grainger Memorial Trust, 1994, 27-43.
Mannings, David: "Jonathan Richardson, Thomas Gray, and the Genealogy of Art". Journal of the History of Ideas 55(3) (Jul. 1994), 405-420.
Shaw, W. David: Elegy and Paradox. Testing the Conventions. Baltimore/London: The Johns Hopkins UP, 1994, "Berkeley and Gray: Is Death Conceivable?".
Beatty, Bernard: "Unheard Voices, Indistinct Visions: Gray and Byron". W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, 224-247.
Craik, T. W.: "Gray's Humorous and Satirical Verse". W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, 111-125.
Easson, Angus: "'A Man of Genius': Gray and Wordsworth". W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, 205-223.
Fairer, David: "Thomas Wharton, Thomas Gray, and the Recovery of the Past". W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, 146-170.
Hicks, Malcolm: "Gray Among the Victorians". W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, 248-269.
Hutchings, W. B.: "Thomas Gray: Past Criticism and the Present Volume". W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, 1-12.
Hutchings, W. B. and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993. [Includes bibliographical references and index of proper names]. Reviews: M. Bignami in Modern Language Review 91(3) (Jul. 1996), 703-704, Duncan Wu in Romanticism (Edinburgh) 2(1) (1996), 123-125, Suvir Kaul in ANQ 8(2) (1995), 49-51, John Chalker in Critical Survey (Oxford) 7(2) (1995), 230-231, Christopher Decker in Essays in Criticism: a quarterly journal founded by F. W. Bateson (Oxford) 45(3) (1995), 257-263, Robin Dix in Durham University Journal (Dept of English Studies, Univ. of Durham) 56(1) (1995), 169-170, Philip Martin in Byron Journal (Byron Soc., London) 23 (1995), 100, Roger Robinson in Charles Lamb Bulletin: journal of the Charles Lamb Society (London) 87 (1994), 122-123.
Illiano, Antonio: "From Gray's Elegy to Foscolo's Carme: Highlighting the Meditation and Sublimation of the 'Sepulchral'". Symposium: A Quarterly Journal in Modern Literatures 47(2) (Summer 1993), 117-131.
McDermott, Anne: "The 'Wonderful Wonder of Wonders': Gray's Odes and Johnson's Criticism". W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, 188-204.
Newey, Vincent: "The Selving of Thomas Gray". W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, 13-38.
Roberts, Marion: "Thomas Gray's Contribution to the Study of Medieval Architecture". Architectural History 36 (1993), 49-68.
Rosslyn, Felicity: "Good Humour and the Agelasts: Horace, Pope and Gray". Charles Martindale and David Hopkins (eds.), Horace Made New: Horatian Influences on British Writing from the Renaissance to the Twentieth Century. Cambridge: Cambridge UP, 1993, 184-198.
Ruddick, William: "Thomas Gray's Travel Writing". W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, 126-145.
Terry, Richard: "Gray and Poetic Diction". W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, 73-110.
Weinbrot, Howard D.: Britannia's Issue. The Rise of British Literature from Dryden to Ossian. Cambridge: Cambridge UP, 1993, "Gray's British context", 384-389, and "'The Progress of Poesy' and 'The Bard': transplanting the seats of empire and of praise", 389-401.
Whiteley, Paul: "Gray, Akenside and the Ode". W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, 171-187.
Williamson, Paul: "Gray's Elegy and the Logic of Expression". W. B. Hutchings and William Ruddick (eds.): Thomas Gray: Contemporary Essays. Liverpool English texts and studies, [25]. Liverpool: Liverpool UP, 1993, 39-72.
Zionkowski, Linda: "Gray, the marketplace, and the masculine poet". Criticism 35(4) (1993), 589-608.
1992
Bentman, Raymond: "Thomas Gray and the Poetry of 'Hopeless Love'". Journal of the History of Sexuality 3(2) (Oct. 1992), 203-222.
Dillon, Andrew: "Depression and Release: The Journey of the Spirit in Thomas Gray's 'Elegy'". North Dakota Quarterly 60(4) (Fall 1992), 128-134.
Edgecombe, Rodney Stenning: Wonted Fires: A Reading of Thomas Gray. Salzburg studies in English literature. Romantic reassessment, 111. Lewiston, N.Y.: Edwin Mellen Press; Salzburg: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1992.
Epstein, William H.: "Professing Gray: The Resumption of Authority in Eighteenth-Century Studies". Leo Damrosch (ed.) and Marshall Brown (comment), The Profession of Eighteenth-Century Literature: Reflections on an Institution. Madison: U. of Wisconsin P., 1992, 84-94.
Haggerty, George E.: "'The Voice of Nature' in Gray's Elegy". Claude J. Summers (ed.), Homosexuality in Renaissance and Enlightenment England: Literary Representations in Historical Context. New York: Harrington Park, 1992, 199-214.
Kaul, Suvir: Thomas Gray and Literary Authority: A Study in Ideology and Poetics. Stanford, CA: Stanford UP, 1992. [Contains bibliography ([253]-262) and index]. Also published as Thomas Gray and literary authority: ideology and poetics in Eighteenth-century England. Delhi and Oxford: Oxford UP, 1992. Reviews: Richard Terry in British Journal for Eighteenth-Century Studies (Voltaire Foundation, Oxford) 18(1) (1995), 94, John Lucas in In-between: essays & studies in literary criticism (Dept of English, RLA College, Univ. of New Delhi) 3(2) (1994), 123-127.
Keener, Frederick M.: "Gray's Pindaric Odes and the Availability of Literary Interpretation in the Eighteenth Century". Studies on Voltaire and the Eighteenth Century 304 (1992), 1101-1104.
Maver, Igor: "Thomas Gray's Elegy 'Invented' by Jozef Zemlja". Mirko Jurak (ed.), Literature, Culture and Ethnicity: Studies on Medieval, Renaissance and Modern Literatures. Ljubljana: Author, 1992, 163-167.
Ruddick, William: "Gray, Thomas (1716-1771)". Jean Raimond and J. R. Watson (eds.), A Handbook to English Romanticism. New York: St. Martin's Press, 1992, 128-130.
Clark, S. H.: "'Pendet Homo Incertus': Gray's Response to Locke, I: 'Dull in a New Way'". Eighteenth Century Studies 24(3) (Spring 1991), 273-291.
Clark, S. H.: "'Pendet Homo Incertus': Gray's Response to Locke, II: 'De principiis Cogitandi'". Eighteenth Century Studies 24(4) (Summer 1991), 484-503.
Epstein, William H.: "Assumed Identities: Gray's Correspondence and the 'Intelligence Communities' of Eighteenth-Century Studies". The Eighteenth Century: Theory and Interpretation 32(3) (Autumn 1991), 274-288.
Gray, Thomas: Poetic commonplace books and manuscripts of Thomas Gray, 1716-1771 from Pembroke College, Cambridge. 14 microfilm reels, 35mm and listing and guide to the microfilm collection. Published by the University of Cambridge, Pembroke College. Reading: Adam Matthew Publications, 1991 [2nd ed. 1999]. [Includes bibliographical references, a printed handlist, and a detailed chronology of the long 18th century]
Hamada, Kazuie: "Thomas Gray: Elegy Written in a Country Churchyard - A Comparison with Country Teacher by Katai Tayama". Journal of Kyoritsu Women's Junior College 34 (Feb. 1991), 1-14.
Huehn, Peter: "Outwitting Self-Consciousness: Self-Reference and Paradox in Three Romantic Poems". English Studies: A Journal of English Language and Literature 72(3) (Jun. 1991), 230-245.
Jackson, Wallace: "Thomas Gray (26 December 1716 - 30 July 1771)". Eighteenth-century British poets, 2nd series. Dictionary of Literary Biography. Ed. by John Sitter. Detroit and London: Gale Research, 1991, vol. 109, 168-182.
Levine, William: "From the Ridiculous to the Sublime: Gray's Transvaluation of Pope's Poetics". Philological Quarterly 70(3) (Summer 1991), 289-309.
Scodel, Joshua: The English poetic epitaph: commemoration and conflict from Jonson to Wordsworth. Ithaca ; London: Cornell University Press, 1991, chapters 10 and 11.
Weinfield, Henry: The Poet Without a Name: Gray's "Elegy" and the Problem of History. Carbondale: Southern Illinois UP, 1991. Reviews: Dennis Taylor in Journal of English and Germanic Philology: a quarterly devoted to the English, German, and Scandinavian languages and literatures (Urbana, IL) 93(3) (1994), 439-443, Joshua Scodel in Modern Philology: a journal devoted to research in medieval and modern literature (Chicago) 91(1) (1993), 98-102.
Zionkowski, Linda: "Bridging the Gulf Between: The Poet and the Audience in the Work of Gray". ELH. A journal of English Literary History 58(2) (Summer 1991), 331-350.
1990
Hansen, Klaus P. (ed.): Empfindsamkeiten. Passauer Interdisziplinäres Kolloquium, 2 (1990). Passau: Rothe, 1990.
Jackson, Wallace and Paul Yoder: "Gray's Pindarics: Teaching 'The Progress of Poesy'". Christopher Fox (ed.), Teaching Eighteenth-Century Poetry. New York: AMS, 1990, 303-317.
Jestin, Loftus: The answer to the lyre: Richard Bentley's illustrations for Thomas Gray's poems. Philadelphia: University of Pennsylvania Press, 1990. [Includes a facsimile of Designs by Mr. R. Bentley, for six poems by Mr. T. Gray, and illustrations]. Review: Sean Shesgreen in Notes and Queries: for readers and writers, collectors and librarians (Oxford) 39(1) (1992), 108-109.
Kaul, Suvir: "Why Selima Drowns: Thomas Gray and the Domestication of the Imperial Ideal". PMLA. Publications of the Modern Language Association 105(2) (Mar. 1990), 223-232.
Novak, M. E. (introd.): Context, Influence, and Mid-Eighteenth-Century Poetry. Los Angeles: William Andrews Clark Mem. Lib., Univ. of California, 1990.
Price, Martin: "Sacred to Secular: Thomas Gray and the Cultivation of the Literary". M. E. Novak (introd.), Context, Influence, and Mid-Eighteenth-Century Poetry. Papers presented at a Clark Library Seminar 21 March 1987 by Howard D. Weinbrot and Martin Price. Los Angeles: William Andrews Clark Memorial Library, Univ. of California, 1990, 41-78.
Sha, Richard C.: "Gray's Political Elegy: Poetry as the Burial of History". Philological Quarterly 69(3) (Summer 1990), 337-357.
Thomson, Heidi: "A Note on Gray's 'Adversity'". Notes and Queries 235(3) (1990), 309-312.
Veire, Heidi van de: "A Note on Gray's 'Adversity'". Notes and Queries 37 (235)(3) (Sep. 1990), 309-312.
1989
Heller, Deborah C.: The Evolution of the Poet's Task in the Later Eighteenth Century: A Study of Gray, Collins and Cowper. Univ. Diss. Ann Arbor, Mich.: University Microfilms International, 1989. .
Jackson, Wallace: "Wordsworth Reimagines Thomas Gray: Notations on Begetting a Kindred Spirit". Criticism: A Quarterly for Literature and the Arts 31(3) (Summer 1989), 287-300.
Lessenich, Rolf P.: Aspects of English PreRomanticism. Köln [etc.]: Böhlau, 1989.
Lussier, Mark: "The Contra-Diction of Design: Blake's Illustrations to Gray's 'Ode on the Death of a Favourite Cat'". Visible Language 23(2-3) (Spring-Summer 1989), 205-219.
Sherbo, Arthur: "Two Notes on Gray's Poems". Notes and Queries 36 (234)(1) (Mar. 1989), 62.
Smith, Margaret M.: "Thomas Gray: 1716-1771". Margaret M. Smith (ed.), Index of English Literary Manuscripts, Volume III: 1700-1800, part 2: John Gay - Ambrose Philips. London and New York: Mansell, 1989, 71-116.
Watson, J. R. (ed.): Pre-Romanticism in English Poetry of the Eighteenth Century: The Poetic Art and Significance of Thomas Gray, Collins, Goldsmith, Cowper, Crabbe. Casebook series. Basingstoke: MacMillan, 1989.
Wilson, Penelope: "'High Pindaricks upon Stilts': A Case-Study in the Eighteenth-Century Classical Tradition". G. W. Clarke (ed. & pref.) and J. C. Eade (asst. ed.), Rediscovering Hellenism: The Hellenic Heritage and the English Imagination. Cambridge: Cambridge UP, 1989, 23-41.
1988
Carnochan, W. B.: "The Continuity of Eighteenth-Century Poetry: Gray, Cowper, Crabbe, and the Augustans". Eighteenth Century Life 12(2) (May 1988), 119-127.
Crawford, Iain: "Wading Through Slaughter: John Hampden, Thomas Gray, and Mary Shelley's Frankenstein". Studies in the novel 20(3) (Fall 1988), 249-261.
Golden, Morris: Thomas Gray. Updated edition. Twayne's English authors series, TEAS 6. Boston: Twayne Publishers, 1988 [1st ed. New York: Grosset & Dunlap, 1964]. [Contains illustration, bibliography (144-151) and index]. Reviews: R. George Thomas in Modern language review 62(2) (Apr. 1967), 318, M. Bell in College English (National Council of Teachers of English, Urbana, IL) XXVII (1966), 435, Paul Ranger (of updated edition) in Notes and Queries: for readers and writers, collectors and librarians (Oxford) 37(3), 349-350.
Mullan, John: Sentiment and Sociability: The language of feeling in the 18th century. Oxford: Clarendon Press, 1988.
Perojo Arronte, Mª Eugenia: "La estructura de 'Elegy Written in a Country Church-Yard'". Ed. AEDEAN and Departamento de Filología Inglesa de la Universidad de Alicante (ed.): Actas del XII Congreso Nacional de la Asociación Española de Estudios Anglonorteamericanos. Alicante: Universidad de Alicante, 1988, 173-177.
Pettersson, Torsten: Literary Interpretation: Current Models and a New Departure. Abo: Abo Akademis Forlag, 1988, chapter II "A test case: Gray's Elegy and four interpretations", 19-46.
Powell, Robert: Epic Poems [Sound recording]. Poems, read by Robert Powell. BBC Radio Collection. [S.l.]: BBC Enterprises Ltd, 1988. [Includes Gray's "Elegy"]
Rogers, Deborah D.: "The Problem of Copy-Texts for Gray's 'Epitaph on Mrs. Clerke'". English Language Notes 26(2) (Dec. 1988), 30-34.
Sitter, John: "The Flight from History in Mid-Eighteenth-Century Poetry". Leopold Damrosch, Jr. (ed.), Modern Essays on Eighteenth-Century Literature. New York: Oxford UP, 1988, 412-435, also John Agresto and Peter Riesenberg (eds.), The Humanist as Citizen. Chapel Hill: Nat. Humanities Center, 1981.
Teague, Anthony: "Some recent critical approaches to Gray's Elegy Written in a Country Church-Yard." Journal of English Language and Literature (Seoul) 34(4), 617-634.
1987
Bloom, Harold (ed.): Thomas Gray's "Elegy Written in a Country Churchyard". Modern Critical Interpretations. New York: Chelsea House Publ., 1987.
Bygrave, Stephen: "Gray's 'Elegy': Inscribing the Twilight". Richard Machin and Christopher Norris (eds.), Post-Structuralist Readings of English Poetry. Cambridge: Cambridge UP, 1987, 162-175.
Crawford, Iain: "'Large Was His Bounty, and His Soul Sincere' - Gray's Elegy, Theme, and Intertextuality in Great Expectations". Dickens Quarterly 4(4) (Dec. 1987), 195-199.
George, David B.: "An Etymological Reading of Thomas Gray's 'Ode on the Death of a Favourite Cat'". Classical Journal 82(4) (Apr.-May 1987), 329-330.
Jackson, Wallace: "Thomas Gray and the Dedicatory Muse". ELH. A journal of English Literary History 54(2) (Summer 1987), 277-298.
Wheatley, Philip: The Form, Meaning, and Context of Sensibility in Eighteenth-Century Britain, with particular reference to the literature of the period 1740-94. Thesis (D.Phil.), University of Oxford, Oxford, 1987.
1986
Bloom, Harold (ed.): Poets of Sensibility and the Sublime. New York: Chelsea House Publ., 1986.
Edgecombe, Rodney Stenning: "Diction and Allusion in Two Early Odes by Gray". The Durham University journal 79(1) (Dec. 1986), 31-36.
Elliott, Roger: "The bard as moping owl." Cambridge Quarterly (Cambridge Quarterly Assn, Clare College, Cambridge) 15 (1986), 207-215.
Garrett, John: British Poetry Since the Sixteenth Century. A Student's Guide. London: MacMillan, 1986, "A Tilt towards Romanticism: Thomas Gray", 94-102.
Jackson, Wallace: "Thomas Gray: Drowning in Human Voices". Criticism. A Quarterly for Literature and the Arts 28(4) (Fall 1986), 361-377.
Johnston, Arthur: "Poetry and Criticism after 1740". Roger Lonsdale (ed.), Dryden to Johnson. London: Sphere, 1986, 313-349.
Kaul, Suvir: A Solitary Fly: Thomas Gray and the constructions of poetic authority. Unpub. univ. diss., Cornell Univ., 1986. [Abstr. in Dissertation Abstracts International (Ann Arbor, MI) (47) 3048A.]
Rzepka, Charles J.: The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and Keats. Cambridge, Mass.: Harvard UP, 1986, "The Idea of the Self as Mind", 1-30.
Takahashi, Noritake: "Shelley and Latin - With Special Reference to His Latin Version of Gray's 'The Epitaph'". Hiroshima Studies in English Language and Literature 31 (1986), 62-74.
1985
Conti Camaiora, Luisa: Gray -- Keats -- Hopkins: Poetry and the Poetic Presence.. Lecce: Milella, [1985], chapter I "Thomas Gray: Two Early Odes and the Elegy", 11-57. Review: Marialuisa Bignami in Modern Language Review (London) 84(2) (1989), 444-445.
MacLean, Gerald: "So What Does Thomas Gray's 'Progress of Poesy' Have To Do With Progress?". Postscript 2 (1985), 67-74.
Park, Chang-Do: "The reminiscent mood in Thomas Gray's 'Eton College'." Journal of English Language and Literature (Chongju, Korea) 27 (Dec.), 181-190.
Sacks, Peter M.: The English Elegy. Studies in the Genre from Spenser to Yeats. Baltimore/London: The Johns Hopkins UP, 1985, chapter V "Jonson, Dryden, and Gray", 133-137.
1984
Dingley, R. J.: "The Ending of Gray's 'Elegy'". AUMLA. Journal of the Australasian Universities Language and Literature Association 61 (May 1984), 29-36.
Foley, T. P.: "A Source for Gray's Mute 'Inglorious Milton'". Notes and Queries 31 (229)(3) (Sep. 1984), 397.
Hutchings, W. B.: "Syntax of Death: Instability in Gray's 'Elegy Written in a Country Churchyard'". Studies in Philology 81(4) (Fall 1984), 496-514.
Solovjova, N. A.: "Thomas Gray and the problems of 'Celtic Renaissance'". Vestnik Moskovskogo Universiteta. Ser. Filologija (5) (1984), 47-54.
Williams, Anne: Prophetic Strain. The Greater Lyric in the Eighteenth Century. Chicago and London: U. of Chicago P., 1984, "Elegy into Lyric: Elegy Written in a Country Churchyard", 93-110.
1983
Edgecombe, Rodney Stenning: "A Reading of Gray's 'Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes'". English Studies in Africa: A Journal of the Humanities 26(2) (1983), 99-104.
Johnson, Richard E.: "Blake as Audience: The Designs to Gray's 'Ode on the Death of a Favourite Cat'". Mary Lynn Johnson and Seraphia D. Leyda (eds.), Reconciliations: Studies in Honor of Richard Harter Fogle. Salzburg: Inst. für Anglistik und Amerikanistik, Univ. Salzburg, 1983, 72-94.
Redford, Bruce B.: "Thomas Gray's Parody of Addison's Ballad Criticism". Notes and Queries 30 (228)(1) (Feb. 1983), 42-43.
1982
McKenzie, Alan T.: Thomas Gray: a reference guide. Reference Guide to literature series. Boston: G. K. Hall, 1982. [Includes index]. Review: Roger Lonsdale in Modern Language Review 80(1) (Jan. 1985), 126.
Mannings, Peter J.: "Wordsworth and Gray's Sonnet on the Death of West". SEL: Studies in English Literature, 1500-1900 22(3) (Summer 1982), 505-518.
Mell, jr., Donald C.: "Thomas Gray (1716-71)". Donald C. Mell, jr., English Poetry, 1660-1800: A Guide to Information Sources, American Literature, English Literature, and world literatures in English information guide series, vol. 40. Detroit: Gale Research, 1982, 238-251.
Spacks, Patricia Meyer and W. B. Carnochan (eds.): A Distant Prospect: Eighteenth-Century Views of Childhood. Los Angeles: Clark Memorial Lib., Univ. of California, Los Angeles, 1982.
1981
Engell, James: The Creative Imagination: Enlightenment to Romanticism. Cambridge, Mass.: Harvard UP, 1981.
Gray, Thomas: Thomas Gray: Selected Poems. Ed. by John Heath-Stubbs. Manchester: Carcanet New Press Ltd., 1981. [Includes editorial notes]
Micklus, Robert: "Voices in the Wind: The Eton Ode's Ambivalent Prospect of Maturity". English Language Notes 18, 181-186.
Rothstein, Eric: Restoration and Eighteenth-Century Poetry 1660-1780, The Routledge History of English Poetry, vol 3. Boston: Routledge & Kegan Paul, 1981, 135-160.
Vaughan, Frank A.: "Blake's Illustrations to Gray's 'The Bard'". Colby Library Quarterly (Colby College, Waterville, ME) 17(4) (Dec. 1981), 211-237.
1980
Cosgrove, Brian: "'Ev'n in Our Ashes Live Their Wonted Fires': Privation and Affirmation in Gray's Elegy". English 29 (1980), 117-130.
Fry, Paul H.: The Poet's Calling in the English Ode. New Haven: Yale UP, 1980, "Thomas Gray's Feather'd Cincture", 63-96.
Huehn, Peter: "Wirklichkeit und Bedeutung im Gedicht: Die Dichtergestalt als Medium der Realitätsvermittlung bei Carew und Gray". Hans Heinrich Freitag and Peter Hühn (eds.), Literarische Ansichten der Wirklichkeit: Studien zur Wirklichkeitskonstitution in englischsprachiger Literatur: To Honour Johannes Kleinstück. Frankfurt: Lang, 1980, 89-122.
Ketton-Cremer, R. W.: "Thomas Gray (1716-1771)". British Writers. Edited under the auspices of the British Council by Ian Scott-Kilvert. In 8 vols. New York: Charles Scribner's Sons, 1980, vol. III, 136-145.
Lytton-Sells, Arthur L.: Thomas Gray: his life and works. Assisted by Iris Lytton Sells. London and Boston: G. Allen & Unwin, 1980. [Includes illustrations, bibliographical references and index]. Reviews: Review of English studies 34(133) (Feb. 1983), 78, M. Curr in UNISA English Studies: journal of the Department of English, University of South Africa (Pretoria) 21(1) (1983), 29-30, Pat Rogers in the Times Literary Supplement (London) (3 Oct. 1980), 1117.
Miller, Norbert: "Richard Bentleys Illustrationen zu den Gedichten von Thomas Gray: Horace Walpole und die Asthetik von Strawberry Hill". Die Buchillustration im 18. Jahrhundert ed. Colloquium der Arbeitsstelle 18. Jahrhundert, Gesamthochschule Wuppertal, Universität Münster, Düsseldorf vom 3. bis 5. Oktober 1978. Heidelberg: Winter, 1980, 166-188.
Vaughan, Frank A.: Blake's illustrations to the poetry of Thomas Gray: a movement toward eternity. Thesis (Ph.D.), University of California, Riverside, 1980 [also Ann Arbor, Mich.: University Microfilms International, 1982].
1979
Ganf, T. A.: "K voprosu o vzgliadakh Tomasa Greia na poëziiu: iz istorii angliiskoo poëzii XVIII v. (Thomas Gray's views on poetry: history of eighteenth-century English poetry.)" Realizm v zarubezhnykh literaturakh XIX i XX vekov (Saratov Univ., Saratov, USSR) 1979(6), 186-191.
Gilmore, Thomas B., Jr.: "Allusion and Melancholy in Gray's 'Ode on a Distant Prospect of Eton College'". Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature 15 (1979), 52-58.
Gray, Thomas: Occasional memorandums: being extracts from a journal for the year 1767 now first printed from the original manuscript of Thomas Gray. Folcroft: Folcroft Library Editions, 1979 [1st ed. Stanford Dingley, Eng.: The Mill House Press, 1950]. [Errata slip tipped in on p. 46]
Hignett, D. J.: Elegy written in a country churchyard by Thomas Gray, and, The deserted village by Oliver Goldsmith: GCE set book notes for advanced students. Formby (Formby Fields, Formby, Merseyside): Hignett School Services, c1979.
Lonsdale, Roger: "Gray and 'allusion': the poet as debtor." R. F. Brissenden and J. C. Eade (eds), Studies in the eighteenth century, 4: papers presented at the fourth David Nichol Smith Memorial Seminar, Canberra 1976. Canberra: Australian National UP, 1979, 31-55.
Müller, Wolfgang G.: "Das Verfahren der indirekten Selbstdarstellung in Thomas Grays Elegy Written in a Country Church Yard". Wolfgang G. Müller, Das Lyrische Ich: Erscheinungsformen gattungseigentümlicher Autor-Subjektivität in der englischen Lyrik. Heidelberg: Carl Winter, 1979, 87-109.
Oates, Mary I.: "Jonson, Congreve, and Gray: Pindaric Essays in Literary History". SEL: Studies in English Literature, 1500-1900 19 (1979), 387-406.
Pattison, Robert: "Gray's 'Ode on the Death of a Favourite Cat': A Rationalist's Aesthetic". University of Toronto Quarterly: A Canadian Journal of the Humanities 49 (1979), 156-165.
Snyder, Robert Lance: "The Epistolary Melancholy of Thomas Gray". Biography: An Interdisciplinary Quarterly 2 (1979), 125-140.
Wiesenthal, Alan Joel: The Latin Poetry of the English Augustans. Thesis (Ph.D.), University of Virginia, 1979 [also Univ. Diss. Ann Arbor, Mich.: University Microfilms International, 1980].
Yamanouchi, Hisaaki: "Gray's Search for Stability: An Anatomy of Poetic Melancholy". Studies in English Literature (Tokyo) (1979), 53-72.
1978
Chiasson, Elias: "The Courtly Lady in Gray's Elegy". Publications of the Missouri Philological Association 3 (1978), 39-49.
Ferguson, John: "Gray and Catullus". Notes and Queries 25 (1978), 60-61.
Griffin, Dustin: "Gray's Audiences". Essays in Criticism: A Quarterly Journal of Literary Criticism 28 (1978), 208-215.
Jackson, Wallace: The Probable and the Marvelous. Blake, Wordsworth, and the Eighteenth-Century Tradition. Athens: U. of Georgia P., 1978, "Mid-Century Poets: Thomas Gray", 64-82.
Nicosia, Giovanni: Thomas Gray: A bibliographical essay on research and criticism (1952-1977). The blue guitar. Rivista annuale di letteratura inglese e americana. Fascicolo supplementare, 3/4. Messina: Fac. di magistero, Univ., 1977/1978.
Teigen, Philip M.: "Dr Hill and Gray's 'mopeing owl'." American Notes and Queries (Lexington, KY) (su1) (1978), 168-170.
Weinbrot, Howard D.: "Gray's Elegy: A Poem of Moral Choice and Resolution". SEL: Studies in English Literature, 1500-1900 18 (1978), 537-551.
1977
Aden, John M.: "An artless tale?" Sewanee Review (Univ. of the South, Sewanee, TN) 85 (1977), 697-701.
Carper, Thomas R.: "Gray's Personal Elegy". Studies in English Literature, 1500-1900 17 (1977), 451-462.
Davie, Donald: "Introduction". Donald Davie (ed.): The Late Augustans: Longer Poems of the Later Eighteenth Century. London: Heinemann, 1977 [1st ed. 1958].
Falcone, Eugenio: "L'elegia di Thomas Gray". Nuova Antologia 530 (1977), 325-335.
Fruchter, Barry George: Studies in the English elegy. Univ. Diss. Microfilm edition. State University of New York at Stony Brook, N.Y., 1977.
Gleckner, Robert F.: "Blake, Gray, and the Illustrations". Criticism: A Quarterly for Literature and the Arts 19 (1977), 118-140.
Gray, Thomas: Thomas Gray and William Collins: Poetical Works Ed. by Roger Lonsdale. Oxford standard authors series. Oxford and New York: Oxford UP, 1977 [reprinted as Oxford Paperbacks, 1989]. [Includes illustrations, bibliography (223-227), and index]. Reviews: A. J. Sambrook in Modern language review 75(1) (Jan. 1980), 173, and in Review of English studies 29(116) (Nov. 1978), 483.
Haven, Richard: "Some Perspectives in Three Poems by Gray, Wordsworth, and Duncan". George Bornstein (ed.), Romantic and Modern: Revaluations of Literary Tradition. Pittsburgh: U. of Pittsburgh P., 1977, 69-88.
Smith, Eric: By Mourning Tongues. Studies in the English Elegy. Ipswich/Totowa: Boydell Press and Rowan and Littlefield, 1977, "Gray - Elegy Written in a Country Churchyard", 40-54.
Snow, Malinda: "The Gray Parody in Brave New World". Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature 13 (1977), 85-88.
Watson, George: "The Voice of Gray". Critical Quarterly 19(4) (1977), 51-57.
Wright, George T.: "Stillness and the Argument of Gray's Elegy". Modern Philology 74 (1977), 381-389.
1976
Gray, Thomas: Thomas Gray: An Elegy Wrote in a Country Church Yard, the Eton Manuscript & the First Edition, 1751. Reproduced in Facsimile with an Introduction by Alastair MacDonald. Ilkley, Yorks. and London: The Scolar Press, 1976. Review: Robert Birley, Times Literary Supplement (London) 27 May 1977, 660.
Hunt, John Dixon: The Figure in the Landscape: Poetry, Painting, and Gardening During the Eighteenth Century. Baltimore: The Johns Hopkins UP, 1976, ch. 4.
Mooney, Thomas Francis: Pre-Romantic, Romantic, Post-Romantic: Four Elegies. Thesis (Ph.D.), St. John's University, 1976 [also Univ. Diss. Ann Arbor, Mich.: University Microfilms International, 1977].
Rawson, C. J.: "Chesterfield and Gray: a parallel." British Society for Eighteenth Century Studies Newsletter (Univs of Southampton and Aberdeen) 10 (1976), 29.
Tayler, Irene: "Bentley Bid the Pencil". Paul Fritz and Richard Morton (eds.), Woman in the 18th Century and Other Essays. Toronto: Hakkert, 1976, 201-215.
Wright, George T.: "Eliot Written in a Country Churchyard: The Elegy and Four Quartets". Journal of English Literary History 43 (1976), 227-243.
1975
Boyce, Benjamin: "Sounding Shells and Little Prattlers in the Mid-Eighteenth-Century English Ode". Eighteenth Century Studies 8(3) (Spring 1975), 245-264.
Guthke, Karl S.: "Die erste Übersetzung von Grays 'Elegy'?". Arcadia: Zeitschrift für Vergleichende Literaturwissenschaft 10 (1975), 180-183.
Hartog, Curt: "Psychic Resolution in Gray's 'Elegy'". Literature and Psychology 25 (1975), 5-16.
Keynes, Geoffrey: "The Blake Trust Gray catalogue and the Blake Trust facsimiles." Blake Newsletter (Univ. of New Mexico, Albuquerque) 7 (1973-74), 64-66.
Singh, Brijraj: "A Little Known Parody of Thomas Gray's 'The Bard'". Notes and Queries 22 (1975), 16.
1974
Bentley, G. E., Jr: "The accuracy of the Blake reproductions." Blake Newsletter (Univ. of New Mexico, Albuquerque) 8 (1974), 88-89.
British Library: Thomas Gray. An excerpt from the General Catalogue of Printed Books, revised 1972. British Library Series. London: Published for the British Library Board by British Museum Publications Ltd, 1974.
Carper, Thomas R.: "Dating Gray's Translations from the Greek Anthology". Notes and Queries 21 (1974), 255-256.
Davie, Donald: "Afterword". James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, 256-262.
Downey, James and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University[, 1971]. Montreal: McGill-Queen's UP, 1974. [Includes bibliographical references, illustrations and index]. Reviews: C. J. Rawson in Modern Philology 76(2) (Nov. 1978), 202, Joseph A. Wittreich in Blake 8(4) (1975), 141, James Gray in English Studies in Canada (Univ. of New Brunswick, Fredericton) 1 (1975), 111-115.
Eversole, Richard: "The Wooden 'Frail Memorial' in Gray's Elegy". Notes and Queries 21 (1974), 56-57.
Greene, Donald: "The Proper Language of Poetry: Gray, Johnson, and Others". James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, 85-102.
Hagstrum, Jean H.: "Gray's Sensibility". James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, 6-19.
Hinnant, Charles H.: "Changing Perspectives on the Past: The Reception of Thomas Gray's The Bard". Clio: An Interdisciplinary Journal of Literature, History, and the Philosophy of History 3 (1974), 315-329.
Jack, Ian: "Gray in his Letters". James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, 20-36.
Johnston, Arthur: "Thomas Gray: Our Daring Bard". James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, 50-65.
Jones, Ben: "Blake on Gray: Outlines of Recognition". James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, 127-135.
Jones, Myrddin: "Gray, Jaques, and the Man of Feeling". Review of English Studies: A Quarterly Journal of English Literature and the English Language 25 (1974), 39-48.
Kampf, Louis: "The Humanist Tradition in Eighteenth-Century England - and Today". James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, 241-255.
Last, Brian William: Thomas Gray: a study of the personality, as revealed in the poetry, correspondence, and other writings. Thesis (M.Phil.) University of Leeds (School of English), Leeds, 1974.
Lonsdale, Roger: "Gray and Johnson: The Biographical Problem". James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, 66-84.
MacDonald, Alastair: "For Thomas Gray, died 1771". James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, 1-5.
MacDonald, Alastair: "Gray and his Critics: Patterns of Response in the Eighteenth and Nineteenth Centuries". James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, 172-197.
Maclean, Kenneth: "The Distant Way: Imagination and Image in Gray's Poetry". James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, 136-145.
Mandel, Eli: "Theories of Voice in Eighteenth-Century Poetry: Gray and Smart". James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, 103-118.
Mell, Donald C.: A Poetics of Augustan Elegy. Amsterdam: Rodopi N. V., 1974, "Allusion and the Elegiac Form in Thomas Gray's Sonnet 'On the Death of Richard West'", 63-76.
Moore, Judith K.: "Thomas Gray's 'Sonnet on the Death of Richard West': The Circumstances and the Diction". Tennessee Studies in Literature 19 (1974), 107-113.
Steele, James: "Thomas Gray and the Season for Triumph". James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, 198-240.
Sugg, Richard P.: "The Importance of Voice: Gray's Elegy". Tennessee Studies in Literature 19 (1974), 115-120.
Swearingen, James E.: "Wordsworth on Gray". SEL: Studies in English Literature, 1500-1900 14 (1974), 489-509.
Tayler, Irene: "Two Eighteenth-Century Illustrators of Gray: Richard Bentley and William Blake". James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, 119-126.
Tracy, Clarence R.: "Melancholy Marked Him For Her Own". James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, 37-49, first Proceedings and Transactions Royal Society of Canada 9 (1971), 313-325.
Wagman, Stephen Robert: "Mythology and the commonplace in Gray's 'Elegy'." Enlightenment Essays (Chicago) 5(3/4) (1974), 7-13.
Whalley, George: "Thomas Gray: A Quiet Hellenist". James Downey and Ben Jones (eds.): Fearful Joy: Papers from the Thomas Gray Bicentenary Conference at Carleton University, 1971. Montreal: McGill-Queen's UP, 1974, 146-171.
1973
Carper, Thomas R.: "Gray's 'Orders of Insects': A Mnemonic Device". Notes and Queries 20 (1973), 213-214.
Carper, Thomas R.: The One Writing of Thomas Gray: A Reading of all the Poetry. Thesis (Ph.D.), Boston University, 1973 [also Univ. Diss. Ann Arbor, Mich.: University Microfilms International, 1973].
Gray, Thomas: Poems, 1768. Originally printed by Robert and Andrew Foulis, Glasgow, 1768. A Scolar Press facsimile. Menston: Scolar Press, 1973.
Gray, Thomas: The Complete English Poems of Thomas Gray. Edited with an Introduction and Notes by James Reeves. The Poetry Bookshelf Series. London: Heinemann; New York: Barnes & Noble, 1973. [Includes introduction, few notes, bibliography (p. 35) and index]
Logsdon, Richard: "Gray's 'Elegy': The Structure and the Poet". Essays in Literature (Univ. of Denver, CO) 2(1) (1973), 1-19.
Lonsdale, Roger: The poetry of Thomas Gray: versions of the self. Chatterton lecture on an English poet, read 21 February 1973. "From the Proceedings of the British Academy volume 59." London: Oxford UP, 1973. [Includes bibliographical references]. Review: Clair Lamont in Notes and Queries (London) 23 (1976), 374-376.
McDermott, Francis: William Penn, Thomas Gray, and an account of the historical association of Stoke Poges. Specially compiled for the Penn-Gray Society by F. McDermott. With a reproduction of the original fair copy of Gray's Elegy in the poet's own handwriting and 27 illus. including 20 photos by the author. Folcroft: Folcroft Library Editions, 1973 [reprint of the 1930 ed. printed for private circulation by W. H. Smith & Son Ltd., the Arden Press, London] [Reprinted Norwood: Norwood Editions, 1976]. [Includes illustrations]
Smith, Warren H.: "A Memorandum Book of Thomas Gray". Yale University Library Gazette 48 (1973), 41-43.
Wagman, Stephen Robert: The Living Lyre: A Study of the Poetry of Thomas Gray. Thesis (Ph.D.), The Johns Hopkins University, 1973 [also Univ. Diss. Ann Arbor, Mich.: University Microfilms International, 1973; abstr. in Dissertation Abstracts International (Ann Arbor, MI) (34) 3361A-2A.].
Widmann, R. L.: "Edmond Malone's Manuscript Notes on Pope and Gray". Notes and Queries 20 (1973), 415-417.
Wolfe, William R.: Thomas Gray: The Poet as Letter-Writer. Thesis (Ph.D.), University of Virginia, 1973 [also Univ. Diss. Ann Arbor, Mich.: University Microfilms International, 1973].
1972
Bebb, Richard et al.: Gray and Collins [Sound recording]. Read by Richard Bebb, John Neville, George Rylands, and William Squire. The English Poets from Chaucer to Yeats, recorded in association with The British Council and Oxford University Press, directed by George Rylands. Argo PLP 1031. London: Decca, 1972.
Blake, William: William Blake's Water-colours illustrating the poems of Thomas Gray. With an introduction and commentary by Sir Geoffrey Keynes. Chicago: J. P. O'Hara, in association with Trianon Press, Paris, 1972 [also Boissia, Clairvaux: Published by the Trianon Press for the William Blake Trust, 1972, and reissued London: Eyre Methuen in association with Trianon Press, Paris, 1972, and London: Distributed by B. Quaritch, 1972] [Blake's water colours, each framing a page of text from the London, J. Murray, 1790 edition of Gray's poems, were first published in reproduction in London, 1922, under the title William Blake's designs for Gray's poems]. [Includes illustrations, each water-colour contains the text illustrated. All 116 are reproduced in monochrome, 16 also in colour.]
Knighton, Robert T.: A Genius Truly Inclined to Philosophy: Thomas Gray and Platonism. Thesis (Ph.D.), University of Colorado, 1972 [also Univ. Diss. Ann Arbor, Mich.: University Microfilms International, 1972].
Reissner, E.: "Zukovskij und Gray: Übersetzung - Bearbeitung - Umfunktionierung". Zeitschrift für Slawistik 17 (1972), 504-514.
Sambrook, A. J.: "Gray's 'Elegy' and Thomas Gordon's Tacitus". Notes and Queries 19 (1972), 228.
Swearingen, James E.: "Johnson's 'Life of Gray'". Texas Studies in Literature and Language: A Journal of the Humanities 14 (1972), 283-302.
1971
Abrams, M. H.: Natural supernaturalism: tradition and revolution in romantic literature. New York: W. W. Norton, 1971.
Cudworth, Charles: "Thomas Gray and Music". The Musical Times 112 (July 1971), 646-648.
Gray, Thomas: Correspondence of Thomas Gray. Ed. by the late Paget Toynbee and Leonard Whibley, reisssued as a lithographic reprint, with corrections and additions by H. W. Starr, in 3 vols., v. 1 1734-1755, v. 2 1756-1765, v. 3 1766-1771. Oxford: Clarendon Press, 1971 [1st ed. 1935]. [Includes illustrations and maps, complete lists of the letters and genealogical and chronological tables; available at Electronic Enlightenment (subscription required)]. Reviews: C. B. Tinker in Yale Review 26 (1937), 204, Roger Martin in Etudes anglaises 1 (1937), 144, Frederick T. Wood in Englische Studien (1935), 408.
Harris, Cyril Evans: Thomas Gray, Poet, 1716-1771: A Guide to His Life and Works. Slough, Bucks.: Maple Press, 1971. [Includes illustrations]
Kuist, James M.: "The Conclusion of Gray's Elegy". South Atlantic Quarterly 70 (1971), 203-214.
Lewis, W. S.: Thomas Gray, 1716-1771. The R. A. Neil lecture, 1971. Cambridge: Pembroke College, 1971.
Millner, Stuart A.: Thomas Gray's Welsh and Norse Poetry. Thesis (Ph.D.), Brandeis University, 1971 [also Univ. Diss. Ann Arbor, Mich.: University Microfilms International, 1979].
Munby, A. N. L.: "Thomas Gray". A. N. L. Munby (ed.), Sale Catalogues of Libraries of Eminent Persons, Volume 2: Poets and Men of Letters. London: Mansell; Sotheby Parke-Bernet Publications, 1971, 1-82. [Reprint of the 1845, 1847, 1851, and 1854 sales catalogues; see also C. W[right]. below for a separate issue for the 1851 sale]
Phillipson, John S.: "Gray's 'The Progress of Poesy,' 123". Explicator 29 (1971), item 78.
Reichard, Hugo M.: "The Elegist Who Sang for All He Was Worth". Dalhousie Review 51 (1971), 24-30.
Watson-Smyth, Peter: "Elegy written in St Peter's churchyard Burnham, Sunday, August 28, 1737." Spectator (London) 227 (1971), 171-174.
1970
Guilhamet, Leon M.: "Imitation and Originality in the Poems of Thomas Gray". Paul J. Korshin, Proceedings of the Modern Language Association Neoclassicism Conferences 1967-1968. New York: AMS Press, 1970, 33-52.
Shankar, D. A.: "Cleanth Brooks and the Elegy Written in a Country Church-Yard". The Literary Criterion 9(3) (1970), 77-80.
Swearingen, James E.: The Critical Reputation of Gray's Poems: 1742-1884.. Univ. Diss. Microform edition. Minneapolis, Minn.: U. of Minnesota, 1970.
Warren, Thomas H.: Essays of Poets and Poetry, Ancient and Modern. Port Washington, N.Y.: Kennikat, 1970, "Gray and Dante", 217-240.
Watson-Smyth, Peter: "The Origins of the Elegy". Ariel: A Review of International English Literature 1(4) (1970), 39-47.
Woodworth, Mary K.: "Blake's Illustrations for Gray's Poems". Notes and Queries 17 (1970), 312-313.
1969
Albertini, Virgil: "Samuel Johnson's Life of Gray." Missouri English Bulletin (Northeast Missouri State Univ., Kirksville) XXV (May 1969), 8-12.
Ellis, Frank H.: "Gray's Eton College Ode: The Problem of Tone". Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature 5 (1969), 130-138.
Gray, Thomas: The Poems of Thomas Gray, William Collins, Oliver Goldsmith. Edited by Roger Lonsdale. Longmans' Annotated English Poets series. London and Harlow: Longmans, 1969 [reprinted 1976]. [The most resourceful edition of Gray's to this date, includes illustrations, bibliographical references, index, and timeline]. Reviews: R. T. Davies in Modern language review 65(4) (1970), 879, and in Review of English studies 21(84) (Nov. 1970), 506.
Huxley, Hebert H.: "A Latin Poem of the Poet Gray". Proceedings of the Pacific Northwest Conference on Foreign Languages 20 (1969), 166-170.
Watson, George and I. R. Willison (eds.): The New Cambridge Bibliography of English Literature, 600-1950. Ed. by G. Watson and I. R. Willison, in 5 vols. Cambridge: Cambridge UP, 1969-77, vol. II, 577-585.
1968
Bache, William B.: "Gray's 'Sonnet: On the Death of Richard West'". CEA Critic: An Official Journal of the College English Association 31(2) (1968), 12.
Bacon, M. E.: "Blake and Gray: A Case of Literary Symbiosis". Culture (Quebec) 29 (1968), 42-50
Borinski, Ludwig: "Thomas Gray. Elegy Written in a Country Churchyard". Karl Heinz Göllner (ed.), Die englische Lyrik. Von der Renaissance bis zur Gegenwart, 2 vols. Düsseldorf: August Bagel, 1968, vol. 1, 255-268.
Bronson, Bertrand H.: Facets of the Enlightenment: Studies in English Literature and its Contexts. Berkeley [etc.]: U. of California P., 1968, "The Pre-Romantic or Post-Augustan Mode", 159-172.
Brooks, Cleanth: The Well Wrought Urn. Studies in the Structure of Poetry. London: Methuen, 1968 [1st ed. 1947], "Gray's Storied Urn", 85-100. [Also in Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, 23-32.]
Dilworth, Ernest: "'Landor on Gray's Sonnet on the Death of West". Notes and Queries 15 (1968), 215.
Dyson, A. E.: "The Ambivalence of Gray's Elegy". Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, 83-87.
Empson, William: "Proletarian Literature". Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, 109.
Foladare, Joseph: "Gray's 'Frail Memorial' to West". Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, 112-114.
Glazier, Lyle: "Gray's Elegy: 'The Skull Beneath the Skin'". Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, 33-40.
Lowenstein, Amy: Annals of the Poor: Social Fact and Artistic Response in Gray, Goldsmith, Cowper, Crabbe, Blake, Burns. Thesis (Ph.D.), New York University, 1968 [also Univ. Diss. Ann Arbor, Mich.: University Microfilms International, 1969].
Mell, Donald C.: "Form as Meaning in Augustan Elegy: A Reading of Thomas Gray's 'Sonnet on the Death of Richard West'". Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature 4 (1968), 131-143.
Mertner, Edgar: "Thomas Gray und die Gattung der Elegie". Poetica: Zeitschrift für Sprach- und Literaturwissenschaft 2(3) (Jul. 1968), 326-347.
Newman, W. M.: "When Curfew Tolled the Knell". Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, 17-22.
Peckham, Morse: "Gray's 'Epitaph' Revisited". Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, 76-78.
Saslow, Edward L.: "Richard West: A Correction". Philological Quarterly 47 (1968), 592-596.
Starr, Herbert W.: "Introduction". Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, 1-16.
Starr, Herbert W.: "'A Youth to Fortune and to Fame Unknown': A Re-estimation". Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, 41-50.
Starr, Herbert W. (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs, N.J.: Prentice-Hall, 1968, also as Thomas Gray: "Elegy Written in a Country Churchyard". Columbus: Merrill, 1968. [Includes bibliography and chronology of important dates.]
Sutherland, John H.: "The Stonecutter in Gray's 'Elegy'". Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, 79-82.
Tayler, Irene: Visionary Forms Dramatic: William Blake's Illustrations to the Poetry of Thomas Gray. Thesis (Ph.D.), Stanford University, 1968 [also Univ. Diss. Ann Arbor, Mich.: University Microfilms International, 1968; republished as Blake's illustrations to the poems of Gray. London: OUP; Princeton: Princeton UP, 1971].
Ure, Peter: "Arnold's 'Memorial Verses' and Gray's 'The Progress of Poesy'". Notes and Queries 15 (1968), 417.
Weber, Carl J.: "The Bicentenary of Gray's 'Elegy'". Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, 110-111.
Wilding, Michael: "The Epitaph to Gray's Elegy: Two Early Printings and a Parody". Notes and Queries 15 (1968), 213-214.
1967
Casson, Christopher: Treasury of Oliver Goldsmith, Thomas Gray[,] William Collins. [Sound recording]. Poems, read by Christopher Casson. Spoken Arts cassette library for advanced listeners series. [S.l.]: [s.n.] [, 1967] [reissued 1969]. [Includes biographical notes on slipcase]
Ehrenpreis, Irvin: "The Cistern and the Fountain: Art and Reality in Pope and Gray". Howard Anderson and John S. Shea (eds.), Studies in Criticism and Aesthetics, 1660-1800: Essays in Honor of Samuel Holt Monk. Minneapolis: U. of Minnesota P., 1967, 156-175.
Gray, Thomas and William Collins: Selected poems of Thomas Gray and William Collins. Ed. by Arthur Johnston. Arnold's English texts series. London: Edward Arnold, 1967 [reprinted in the English library series, Columbia: U. of South Carolina P., 1970]. Review: L. C. B. in Etudes anglaises 3 (Jul. 1967), 326.
Peake, Charles: "Introcuction". Charles Peake (ed.), Poetry of the Landscape and the Night: Two 18th century traditions. Arnold's English texts. London: Arnold, 1967.
Spacks, Patricia Meyer: The Poetry of Vision: Five Eighteenth-Century Poets [James Thomson, William Collins, Thomas Gray, Christopher Smart, William Cowper]. Cambridge, Mass.: Harvard UP, 1967, "Thomas Gray: Action and Image", 90-118.
Starr, Herbert W. and J. R. Hendrickson: "Supplementary Note on Thomas Gray's 'Gratia Magna'". Notes and Queries 14 (Nov 1967), 412.
Stone, P. W. K.: The Art of Poetry 1750-1820: Theories of Composition and Style in the Late Neo-Classic and Early Romantic Periods. London: Routledge & Kegan Paul, 1967.
Wilkins, Frederick C.: "Gray's 'Ode on a Distant Prospect of Eton College'." Explicator, Apr., XXV, no. 66.
1966
Arthos, John: The Language of Natural Description in Eighteenth-Century Poetry. University of Michigan publications / Language and literature, 24. Reprinted edition. London: Cass & Co., 1966.
Gray, Thomas: The Complete Poems of Thomas Gray: English, Latin and Greek. Ed. by Herbert W. Starr and J. R. Hendrickson. Oxford [etc.]: Clarendon Press, 1966 [reprinted with corrections 1972]. [Includes illustration, editorial notes and annotations; available at Oxford Scholarly Editions Online (OSEO) (subscription required)]. Reviews: James Kinsley in English studies (Amsterdam) 52(1) (1971), 180-181, Arthur Johnston in Modern language review 63(1) (Jan. 1968), 199, A. R. Humphreys in Review of English studies XIX (May 1968), 209-211, R. F. Dossetor in Church quarterly review 168 (Apr. 1967), 252, Roger Lonsdale in Essays in criticism 17(2) (Apr. 1967), 213-221, P. Dixon in Notes and Queries XIV (1967), 434-436, in the Times Literary Supplement (London), 29 Sept. 1966, 898, E. J. Kenney in Notes and Queries 13(12) (1966), 464.
Greene, Richard Leighton: "Gray's 'Elegy Written in a Country Churchyard,' 31-32". Explicator 24 (1966), item 47.
Johnston, Arthur: Thomas Gray and The Bard. An inaugural lecture delivered at the University College of Wales, Aberystwyth, Wednesday, 2nd February, 1966. Cardiff: Wales UP, 1966 [i.e. 1967].
Ketton-Cremer, R. W.: "The Poet Who Spoke Out: The Letters of Thomas Gray". Howard Anderson, Philip B. Daghlian and Irvin Ehrenpreis (eds.), The Familiar Letter in the Eighteenth Century. Lawrence: U. of Kansas P., 1966, 148-164.
Ober, Kenneth H. and Warren U. Ober: "Zukovskij's First Translation of Gray's Elegy". Slavic and East European Journal 10 (1966), 167-172.
Spacks, Patricia Meyer: "'Artful Strife': Conflict in Gray's Poetry". PMLA: Publications of the Modern Language Association of America 81 (1966), 63-69.
1965
Anderson, A.: "Gray's Elegy in Miscellaneous Pieces, 1752". The Library: A Quarterly Journal of Bibliography 20 (1965), 144-148.
Brady, Frank: "Structure and Meaning in Gray's Elegy". Frederick W. Hilles and Harold Bloom (eds.): From Sensibility to Romanticism: Essays Presented to Frederick A. Pottle. New York: Oxford UP, 1965, 177-189.
Bronson, Bertrand H.: "On a Special Decorum in Gray's Elegy." Frederick W. Hilles and Harold Bloom (eds.): From Sensibility to Romanticism: Essays Presented to Frederick A. Pottle. New York: Oxford UP, 1965, 171-176.
Combecher, Hans: Deutung englischer Gedichte. 2. Auflage. Frankfurt/Main: Moritz Diesterweg, 1965, "Thomas Gray: Ode on the Spring", 52-57.
Hilles, Frederick W. and Harold Bloom (eds.): From Sensibility to Romanticism: Essays Presented to Frederick A. Pottle. New York: Oxford UP, 1965.
Jack, Ian: "Gray's Elegy Reconsidered". Frederick W. Hilles and Harold Bloom (eds.): From Sensibility to Romanticism: Essays Presented to Frederick A. Pottle. New York: Oxford UP, 1965, 139-169. [Also Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, 88-108.]
Kallich, Martin: "Thomas Gray's annotations to Pope's Essay on Man". Notes and Queries 12 (Dec 1965), 454-455.
Short, John D.: "Gray's 'Elegy': A Possible Source". Notes and Queries 12 (1965), 454.
Snyder, Edward D.: The Celtic Revival in English Literature 1760-1800. Gloucester/Mass.: P. Smith, 1965 [1st ed. Cambridge: Harvard UP, 1923], chapter III "Thomas Gray".
Spacks, Patricia Meyer: "Statement and Artifice in Thomas Gray". SEL: Studies in English Literature, 1500-1900 5(3) (1965), 519-532.
Vernon, P. F.: "The Structure of Gray's Early Poems". Essays in Criticism: A Quarterly Journal of Literary Criticism 15 (1965), 381-393.
1964
Johnston, Arthur: "Gray's Use of the Gorchest Y Beirdd in 'The Bard'". The Modern Language Review 59 (1964), 335-338.
Lyles, Albert M.: "Historical Perspective in Gray's Eton College Ode". Tennessee Studies in Literature 9 (1964), 57-61.
Redgrave, Michael: English Poetry [Sound recording]. Poems, read by Sir Michael Redgrave and Dame Flora Robson. [S.l.]: Concert Hall[, 1964]. [Includes Gray's "Elegy"]
Schlüter, Kurt: Die englische Ode. Studien zu ihrer Entstehung unter dem Einfluß der antiken Hyme. Bonn: H. Bouvier, 1964, "Thomas Gray: Oden", 145-162.
1963
Davie, Donald: The Language of Science and the Language of Literature, 1700-1740. London: Sheed and Ward, 1963.
Doherty, F.: "The Two Voices of Gray". Essays in Criticism: A Quarterly Journal of Literary Criticism 13 (1963), 222-230.
Johnston, Arthur: "'The Purple Year' in Pope and Gray". Review of English Studies: A Quarterly Journal of English Literature and the English Language (1963), 389-393.
Jones, William Powell: "Imitations of Gray's Elegy, 1751-1800". Bulletin of Bibliography 23 (1963), 230-232.
MacDonald, Alastair: "Thomas Gray: An Uncommitted Life". The Humanities Association Review La Revue de l'Association des Humanites 13 (1962-63), 13-25.
Sinclair, F. D.: The chronology of Gray's Elegy: an essay on the origins of the poem. Mededelings van die Universiteit van Suid-Afrika. Navorsing deur Dosente en Studente; C46. Pretoria: University of South Africa, 1963.
Sparrow, John: "Gray's 'Spring of Tears'". Review of English Studies: A Quarterly Journal of English Literature and the English Language 14 (1963), 58-61.
1962
Basden, Eric B.: Thomas Gray in Buckinghamshire: a supplementary bibliography. St Albans: [s.n.], 1962. [Note: "Fifty copies for private circulation"; see also E. B. Basden in Notes and Queries 9(7) (1962), 249-261, Notes and Queries 9(8) (1962), 283-296, Notes and Queries 9(9) (1962), 336-349, and Notes and Queries 13(6) (1966), 226-227.]
Bredvold, Louis I.: The Literature of the Restoration and the Eighteenth Century 1660-1798. New York: Collier Books, 1962, 113-118 ("Collins and Gray").
Deegan, William J.: A Study of the Poetic Craftsmanship of Thomas Gray as Shown by His English Poems. Unpub. univ. diss., University of Pittsburgh, 1962. [Abstr. in Dissertation Abstracts (22) 4014A.]
MacDonald, Alastair: "The Poet Gray in Scotland". Review of English Studies: A Quarterly Journal of English Literature and the English Language 13 (1962), 245-256.
Reed, Amy Louise: The Background of Gray's "Elegy": A Study in the Taste for Melancholy Poetry, 1700-1751. New York: Russell & Russell, 1962 [1st ed. New York: Columbia UP, 1924].
1961
Bateson, F. W.: English Poetry. A Critical Introduction. Third edition. London: Longmans, 1961 [1st ed. 1950], "Gray's Elegy Reconsidered", 181-193.
Eby, Cecil D.: "Anne Bradstreet and Thomas Gray: A Note on Influence". Historical collections 97(4) (1961), 292.
Tillotson, Geoffrey: Augustan Studies. London: The Athlone Press, 1961, chapters IX ("Gray's 'Ode on the Spring'") and X ("Gray's 'Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes'"), 204-215, 216-223.
1960
Fukuhara, Rintaro: Essays on Thomas Gray. Tokyo: Tokyo UP, 1960.
Johnston, Arthur: "Gray's 'The Triumphs of Owen'". Review of English Studies 11 (1960), 275-285.
1959
Fukuhara, Rintaro: English poems and translations of Richard West: a collection, with introduction & appendix "Thomas Gray and Richard West", 1959. [Tokyo]: [Kyoritsu Joshi Daigaku], [1959]. [Added t.p. in Japanese, Introd. and appendix in Japanese and English]
Gray, Thomas: Poems of Thomas Gray. Edited by W. C. Eppstein. London and Glasgow: Blackie & Son Ltd., 1959 [Includes introdution, few notes]
Jones, William Powell: "Johnson and Gray: A Study in Literary Antagonism". Modern Philology 56 (1959), 243-253.
1958
Abrams, M. H.: The mirror and the lamp: romantic theory and the critical tradition. Reprinted edition. New York/London: W. W. Norton, 1958 [1st ed. Oxford: Oxford UP, 1953].
Hagstrum, Jean H.: The Sister Arts. The Tradition of Literary Pictorialism and English Poetry from Dryden to Gray. Chicago: U. of Chicago P., 1958, "Thomas Gray", 287-314.
Ketton-Cremer, R. W.: Thomas Gray. Bibliographical series of supplements to "British Book News" on Writers and their Work, No. 104. Published for the British Council and the National Book League. London/New York: Longmans, Green, 1958 [revised edition with additions to bibliography 1966]. [Contains bibliography (29-31) and illustrations]
1957
Mackerness, Eric David: "The progress of an Italophile: Thomas Gray and Music". Italian Studies 12 (1957), 99-109.
1955
Irving, William Henry: The Providence of Wit in the English Letter Writers. Durham, NC: Duke UP, 1955, chapter VII, 228-245.
Jones, William Powell: "Mute Inglorious Gray." Emory University Quarterly 11 (1955), 199-207.
Ketton-Cremer, R. W.: Thomas Gray. A Biography. Cambridge: Cambridge UP, 1955. [Includes bibliography and illustration]. Reviews: William Henry Irving in South Atlantic quarterly (1956), J. Dulck in Etudes anglaises 9 (1956), 166, W. Powell Jones in Modern philology (1955), 284, R. W. Zandvoort in English studies 36(6) (Dec. 1955), 314.
Hough, Graham: The Romantic Poets. London: Hutchinson, 1953, ch. I "Gray", 7-24.
Starr, Herbert W.: A Bibliography of Thomas Gray, 1917-1951. With material supplementary to C. S. Northup's Bibliography of Thomas Gray. Philadelphia: U. of Pennsylvania P. for Temple University Publications, 1953 [reprinted New York: Kraus Repr, 1969, Folcroft: Folcroft Library Editions, 1977 with index].
1952
Gray, Thomas: The Selected Letters of Thomas Gray. Ed. with an Introduction by Joseph Wood Krutch. Great Letters series. New York: Farrar, Straus and Young, 1952.
Roberts, Sydney Castle: Thomas Gray of Pembroke. W. P. Ker Memorial Lecture, 13; Glasgow University Publications, 93. Glasgow: Jackson, Son, 1952 [reprinted Folcroft: Folcroft Library Editions, 1973, Norwood: Norwood Editions, 1978]. Review: C. J. Sisson in Modern language review 49 (1954).
1951
Ellis, Frank H.: "Gray's Elegy: The Biographical Problem in Literary Criticism". Publications of the Modern Language Association of America 66 (1951), 971-1008. [Also Herbert W. Starr (ed.): Twentieth century interpretations of Gray's Elegy. A collection of critical essays. Twentieth century interpretations series. Englewood Cliffs N. J.: Prentice-Hall, 1968, 51-75.]
Gray, Thomas: Thomas Gray: An Elegy Wrote in a Country Church Yard (1751) and The Eton College Manuscript. With an Introduction by George Sherburn. The Augustan Reprint Society, Publication Number 31. Los Angeles: Williams Andrews Clark Memorial Library, University of California, 1951.
1950
Butt, John: The Augustan Age. London: Hutchinson's University Library Series, vol. 43, 1950, "Imitation and Original Composition - Gray", 105-114.
Gray, Thomas: The Poems of Gray and Collins. Edited by Austin Lane Poole. Revised by Leonard Whibley. Third edition. Oxford editions of standard authors series. London: Oxford UP, 1950 [1st ed. 1917]. [Includes a bibliography, timeline, and editorial notes]
Vivante, Leone: English Poetry and its Contribution to the Knowledge of a Creative Principle. London: Faber & Faber, 1950, "III. Thomas Gray", 76-82.
1949
Eaves, Duncan T. C.: "The Second Edition of Thomas Gray's 'Ode on the Death of a Favourite Cat'". Philological quarterly (1949), 512.
Foerster, Donald M.: "Thomas Gray". The Age of Johnson: essays presented to Chauncey Brewster Tinker. New Haven: Yale UP, 1949, 217-226.
Hilles, Frederick W. (ed.): The Age of Johnson: essays presented to Chauncey Brewster Tinker. New Haven: Yale UP, 1949.
1948
Cecil, David: Two Quiet Lives: Dorothy Osborne, Thomas Gray. London: Constable and Company Ltd.; Indianapolis: Bobbs-Merrill Co., 1948 [reprinted 1965, reprinted London: Readers Union, 1949].
Goodison, J. W.: "A Silhouette of Thomas Gray by the Rev. Francis Mapletoft". Apollo 48(283) (1948), 66.
Gray, Thomas: Gray: Poetry and Prose. With essays by Johnson, Goldsmith and others. With an Introduction and Notes by J. Crofts. Oxford: Clarendon Press, 1948 [1st ed. 1926]. [Includes overview with timeline, letters and secondary texts]. Review: Frederick T. Wood (of first edition) in Englische Studien 66 (1931), 276.
McKillop, Alan Dugald: English Literature from Dryden to Burns. New York: Appleton-Century-Crofts, 1948, "Thomas Gray", 220-225.
Mackerness, Eric David: "Thomas Gray". The contemporary review 174 (Jul. 1948), 165.
Walpole, Horace and Thomas Gray: The Yale Edition of Horace Walpole's Correspondence. New Haven, Conn.: Yale UP; London: Oxford UP, 1937-83. Vols. 13/14 Horace Walpole's Correspondence with Thomas Gray, Richard West and Thomas Ashton, I, 1734-1742 with Walpole's short notes on his life. Horace Walpole's Correspondence with Thomas Gray, II, 1745-1771. Edited by W. S. Lewis, George L. Lam and Charles H. Bennett, 1948. [Contains two volumes, with illustrations and bibliography in vol. i (xxxiv-xxxvi)]. Review: H. Williams in Modern Language Review 45 (1950), 247.
1946
Bate, Walter J.: From Classic to Romantic: premises of taste in eighteenth-century England. Cambridge: Harvard UP, 1946. [Reprinted ed. New York: Harper & Row, 1961.]
Cecil, David: The Poetry of Thomas Gray. Warton Lecture on English Poetry, read 21st March 1945. Proceedings of the British Academy, London (Founded 1901), vol. 31, 1945. Oxford: Oxford UP, 1946 [1st ed. 1945] [reprinted London: G. Cumberlege, [1946] and Folcroft: Folcroft Library Editions, 1974]. Review: George Jackson in English 6 (1946), 38.
Marsh, Kathleen Mary: A study of Thomas Gray based on his letter. Thesis (B.A.) 755, University of Liverpool, [Liverpool], 1946.
Starr, Herbert W.: "Gray's Craftsmanship". Journal of English and Germanic Philology 45 (Oct. 1946), 415-429.
1945
Ambrogi, A.: Thomas Gray e la sua avventura romana. Roma: Libreria dell'800 Editrice, 1945.
Garrod, H. W.: "Note on the Composition of Gray's Elegy". Essays on the Eighteenth Century Presented to David Nichol Smith. Oxford: Clarendon Press, 1945, 111-116.
Starr, Herbert W.: "Gray's Revisions of His Friends' Poetry". Journal of English and Germanic Philology 44 (1945), 250-262.
1944
Bell, Charles Francis: "Thomas Gray and the fine arts." Essays and studies by members of the English association 30 (1944), 50-81.
1942
Tillotson, Geoffrey: Essays in Criticism and Research. Cambridge: Cambridge UP, 1942, 117-123 ("On Gray's Letters"), 124-126 ("Gray the Scholar-Poet").
1941
Starr, Herbert W.: Gray as a literary critic. Gettysburg: Times and News Publ., 1941 [reprinted Folcroft: Folcroft Library Editions, 1974].
1940
Shuster, George N.: The English Ode from Milton to Keats. New York: Columbia UP, 1940, "Collins, Gray and the Return of the Imagination", 186-213.
1939
Gray, Thomas: The poems of Thomas Gray. With an introduction by Leonard Whibley. World's Classics series. London: Oxford UP, H. Milford, [1939]. [Erratum slip inserted]
Swedenberg, jr., H. T.: "Thomas Gray's 'Journal for 1754 from the first of March'". Huntington Library Quarterly 3 (1939), 77-102.
1938
Empson, William: English Pastoral Poetry. New York: W. W. Norton, 1938.
Jones, William Powell: "Thomas Gray's Library". Modern philology 35(3) (Feb. 1938), 257-278.
1937
Fisher, J.: "Shenstone, Gray, and the 'Moral Elegy'". Modern Philology 34(3) (1937), 273-294.
Gray, Thomas: The poems of Thomas Gray. Edited by Austin Lane Poole. The Hesperides series. London: H. Milford, 1937.
Gray, Thomas: Gray, Collins, and Their Circle. Ed. by W. T. Williams and G. H. Vallins. London: Methuen, 1937.
Jones, William Powell: Thomas Gray, scholar. The true tragedy of an eighteenth-century gentleman. With two youthful notebooks now published for the first time from the original manuscripts in the Morgan library, New York City. Cambridge, Mass.: Harvard UP, 1937 [reissued edition, New York: Russell & Russell, 1965]. [Includes bibliographical references, illustrations, and "Register of Gray autograph manuscripts" ( [175]-181)]. Reviews: William D. Templeman (of first edition) in Journal of English and Germanic Philology (1940), 295, Roger Martin in Etudes anglaises 2 (1938), 407.
Whibley, Leonard: "Notes on Two Manuscripts of Thomas Gray". Essays and Studies 23 (1937), 55-57.
1936
Hook, LaRue Van: "New Light on the Classical Scholarship of Thomas Gray". American Journal of Philology 57 (1936), 1-9.
1935
Fisher, J.: "James Hammond and the Quatrain of Gray's Elegy". Modern Philology 32(3) (1935), 301-310.
Ketton-Cremer, R. W.: Thomas Gray. Great Lives[, 54]. London: Duckworth, [1935]. [Includes bibliography (135-136)]. Reviews: Ralph Lawrence in English (1954), 229, Frederick T. Wood in Englische Studien 71 (1936), 262.
1934
Martin, Roger: Essai sur Thomas Gray. These pour le Doctorat es Lettres presente a la Faculte des Lettres de l'Universite de Paris par Roger Martin. Toulouse: Imprimerie Regionale; London: H. Milford, Oxford University Press; Paris: Les Presses Universitaires de France, 1934 [reprinted St. Clair Shores: Scholarly Press, 1970]. [Includes bibliographical references and index]. Reviews: Frederick T. Wood in Englische Studien 71 (1936), 262, and in Revue anglo-americaine 13 (1935), 153.
Micale, Olga: Thomas Gray e la sua influenza sulla letteratura italiana. Con prefazione di Natale Busetto. Catania: Studio editoriale moderno, 1934. Review: Joseph G. Fucilla in Journal of English and Germanic Philology (April 1935), 277.
1933
Fukuhara, Rintaro: A Bibliographical Study of Thomas Gray. With an appendix: Gray's marginalia on cookery, printed for the first time from the MS. [S.l.]: [s.n.], 1933. [A bibliography, with explanatory notes in Japanese, with a portrait]
Fukuhara, Rintaro and Henry Bergen: An Elegy Written in a Country Churchyard by Thomas Gray. The three manuscripts. Primrose Hill: E. Walters and G. Miller, 1933.
Gray, Thomas: Ode On the Pleasure Arising From Vicissitude. Left unfinished by Mr. Gray, and since completed [by William Mason]. With an introduction by Leonard Whibley. Ed. by William Andrews Clark. San Francisco: Printed for William Andrews Clark by John Henry Nash, 1933. [With a facsimile of a pamphlet version printed in 1774, containing Gray's text and the additions of William Mason. Made from a copy in the library of William Andrews Clark]
1932
Gray, Thomas: The correspondence of Richard Hurd & William Mason. And letters of Richard Hurd to Thomas Gray. With introduction & notes by the late Ernest Harold Pearce. Ed. with additional notes by Leonard Whibley. Cambridge: The University Press, 1932. [Includes illustrations and bibliography (xiii-xiv)]. Review: Frederick T. Wood in Englische Studien 68 (1933), 445.
1931
Martin, Roger: Chronologie de la Vie et de l'OEuvre de Thomas Gray. Toulouse: Imprimerie Regionale; London: H. Milford, Oxford UP; Paris: Les Presses Universitaires de France, 1931. [Includes genealogical tables and illustration]. Reviews: Odell Shepard in Modern language notes 54 (1939), 64, Frederick T. Wood in Englische Studien 71 (1936), 262.
1930
Jones, William Powell: "The Contemporary Reception of Gray's Odes." Modern Philology 28 (1930), 61-82.
Toynbee, Paget: "A Newly Discovered Draft of Gray's Lines 'William Shakespeare To Mrs Anne'". Modern Language Review 25 (1930), 83-85.
Whibley, Leonard: "The Foreign Tour of Gray and Walpole". Blackwood's Magazine 227 (Jan. 1930), 813-827.
1929
Gray, Thomas: An elegy written in a country church yard by Thomas Gray: the text of the first quarto with the variants of the mss. & of the early editions (1751-71). A bibliographical & historical introduction & appendices on General Wolfe & The "Elegy" & The locality of the churchyard. By Francis Griffin Stokes. Oxford: At the Clarendon Press, 1929. [Includes index]
Toynbee, Paget: "An Alleged Holograph of Gray". The Times Literary Supplement (8 November 1928), 834.
1925
Gray, Thomas: Letters of Thomas Gray. Selected, with an introduction, by John Beresford. The World's Classics, 283. London, New York [etc.]: H. Milford, Oxford UP, 1925 [reprinted 1951]. Review: Modern language review 21 (1926).
Grierson, H. J. C.: The Background of English Literature and Other Collected Essays and Addresses. London: Chatto, 1925, 200-255 ("Blake and Gray").
1923
Shepard, Odell: "A Youth to Fortune and to Fame Unknown." Modern Philology 20 (1923), 347-373.
1922
Gray, Thomas: Gray's English Poems, Original and Translated from the Norse and Welsh. Edited by D. C. Tovey. Cambridge: University Press, 1922 [1st ed. 1898]. [Includes introduction and extensive notes]. Reviews (of first edition): The Academy (Jan. 1901), 79, and in The Cambridge review 22 (1900), 142.
1920
Brooke, Stopford A.: Naturalism in English Poetry. New York: E. P. Dutton & Co., 1920, ch. III "Collins and Gray", 42-65.
Forsyth, Cecil: The cat and the gold fish: cantata for three-part women's chorus. New York: H. W. Gray co., 1920.
1917
Northup, Clark Sutherland: A Bibliography of Thomas Gray [-1917]. Cornell studies in English, 1. New Haven and London: Yale UP, Humphrey Milford, 1917 [reissued New York: Russell & Russell, 1970]. [The standard work, listing also all writings about Gray to 1917.] Review: Paget Toynbee in Modern language review 13 (1918), 343.
Dobson, Austin: Eighteenth century studies. The Wayfarer's Library. London: J. M. Dent & Sons, [1914?], "Gray's biographer", 277-295.
Snyder, Edward D.: "Thomas Gray's Interest in Celtic". Modern Philology 11 (1914), 559-579.
1912
Gray, Thomas: Gray's Poems Letters and Essays. Introduction by John Drinkwater. Biographical Notes by Lewis Gibbs. London [etc.]: J. M. Dent & Sons Ltd., 1912 [reprinted 1955 etc]. [Contains an introduction and biography]
1911
Gray, Thomas: Essays and Criticisms by Thomas Gray, ed. with introduction and notes by Clark Sutherland Northup. The Belles-Lettres Series, Section IV: Literary Criticism and Critical Theory. Boston and London: D. C. Heath & Co., 1911.
Hudson, William Henry: Gray & his Poetry. Poetry & Life Series, 3. London: George G. Harrap & Company, 1911.
1908
Cook, Albert S. (ed.): A Concordance to the English poems of Thomas Gray. Ed. by Albert S. Cook, president of the Concordance Society. Boston and New York: Houghton Mifflin Company, 1908 [reprinted Gloucester, Mass.: P. Smith, 1967, Folcroft: Folcroft Library Editions, 1974, Norwood: Norwood Editions, 1976, and Philadelphia: R. West, 1977]. Review: C. S. Northup in Modern language notes 24(6) (Jun. 1909), 187.
1903
Gray, Thomas: The Poetical Works of Thomas Gray: English and Latin. Edited with an introduction, life, notes and a bibliography by John Bradshaw. The Aldine edition of the British poets series. London: George Bell & Sons, 1903 [1st ed. 1891].
Norton, C. E.: The Poet Gray as a Naturalist. Boston: 1903.
1902
Kitson, Charles Herbert: Hymn to adversity. Set to music for chorus and orchestra. London: E. Donajowski, [1902].
Seccombe, Thomas: The Age of Johnson (1748-1798). London: George Bell & Sons, 1900, "Thomas Gray", 248-255.
1899
Gray, Thomas: Letters of Thomas Gray. Selected with a biographical notice, by Henry Milner Rideout. Boston: Small, Maynard & co., 1899.
Phelps, William Lyon: The Beginnings of the English Romantic Movement. A Study in Eighteenth Century Literature. Boston: Ginn & Co., 1899, "The Romantic Movement Expemplified in Gray", 155-170.
1895
Benson, Arthur Christopher: Thomas Gray. Eton: R.I. Drake, 1895.
Stanford, Charles Villiers: The bard: a Pindaric Ode by Thomas Gray. Set to music for bass solo, chorus and orch., op. 50. Musical Score. London: Boosey, 1895.
1894
Gray, Thomas: Selections from the Poetry and Prose of Thomas Gray. Ed. with an introduction and notes by William Lyon Phelps. The Athenaeum press series. Boston: Ginn & Company, 1894. [Includes bibliography (xxxv-xxxix) and extensive notes and introduction]
Gosse, Edmund W.: Gray. London: MacMillan and Co., 1889 [1st ed. 1882].
1885
Quinton, Gertrude E.: Musa elegeia: being a setting to music of Gray's Elegy. London: Novello, Ewer & co., [1885].
1884
Gray, Thomas: The Works of Thomas Gray: in prose and verse. Ed. by Edmund Gosse, in four vols. London: MacMillan and Co., 1884 [revised edition 1912, reprinted London: MacMillan Co., 1902-6, reprinted New York: AMS Press, 1968 [with index], unauthorized reprint New York: F. A. Stokes company, [1895]]. [Includes editorial overviews and annotations to the texts]. Reviews: The Quarterly review 439 (Apr. 1914), and in The Academy 27 (1885), 53.
1883
Cellier, Alfred: Gray's Elegy: cantata: composed expressly for the Leeds Festival, 1883. Arranged from the full score by Berthold Tours. London: Chappell & Co., [1883].
1876
Gray, Thomas: Select poems of Thomas Gray. Ed., with notes, by William J. Rolfe. New York: Harper & Brothers, 1876 [reprinted 1881, revised edition New York, Cincinnati [etc.]: American book company, [1886 etc.]]. [Includes illustrations and "The life of Thomas Gray. By Robert Carruthers" (9-20)]
1875
Jesse, John Heneage: Memoirs of celebrated Etonians: including Henry Fielding, the Earl of Chatham, Horne Tooke, Horace Walpole, George Grenville, Thomas Gray, George Selwyn, Lord North, Earl of Bute, Earl Temple, etc., 2 vols. London: R. Bentley, 1875, vol. I, 352-377.
Gray, Thomas: The Poetical works of Thomas Gray, Thomas Parnell, William Collins, Matthew Green, and Thomas Warton. Edited by Robert Aris Willmott. Illustrated by Birket Foster and E. Corbould. Second edition. Routledge's British poets series. London: George Routledge, 1855. [Includes illustrations and index]
Sharpe, George Frederick: "The progress of poesy", by Thomas Gray. Written for soli, chorus and orchestra'. Ode in three parts. Full score. Manuscript. Bodleian Library, MSS. Mus. c. 427-8.
Speaight, Robert: Poems by Thomas Gray and William Collins. The deserted village [by] Oliver Goldsmith. [Sound recording] Read by Robert Speaight. Argo RG 119. London: Argo, [s.a.] [Includes biographical notes on slipcase]
Springall, Stephen: Thomas Gray, Stoke Poges, and "Elegy written in a country church yard": an enquiry. [S.l.]: [s.n.], [s.a.].